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Teaching Music Through Composition

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Teaching Music Through Composition teachingmusicmusicJANUARY 2014 VOLUME 21, NUMBER 4 SECRETS FOR CHOOSING A GREAT MIDDLE SCHOOL BAND REPERTOIRE “DOES“DOES MUSICMUSIC HAVEHAVE AA PLACEPLACE ININ ESLESL CLASSROOMS?”CLASSROOMS?” PEDAL TO THE METAL: Music in a HIGH DOUBLEDOUBLE PERFORMANCE LIVESLIVES Curriculum TeachersTeachers addadd fulfifulfi llinglling musicalmusical careerscareers outsideoutside thethe classroomclassroom 1 Teaching Music I October 2012 1_TMCover2.indd 1 12/9/13 2:19 PM QuaverCurrAd_NAfME_Nov13.pdf 1 9/30/13 4:49 PM Introducing… Quaver’s Marvelous General Music Curriculum Grades K-5 C M Y CM MY CY CMY K Check it out at QuaverMusic.com/Preview 1-866-917-3633 • [email protected] • Facebook.com/QuaverMusic • QuaverMusicBlog.com ©2013 QuaverMusic.com, LLC _TM_AD_Temp.indd 2 12/3/13 10:07 AM January 2014 Volume 21, Number 4 contentsMUSIC EDUCATION ● ORCHESTRATING SUCCESS Music students learn cooperation, discipline, and teamwork. 40 RICH RIPANI’S STUDENTS AT HUME-FOGG AcADEMIC HIGH SCHOOL IN NASHVILLE, TENNESSEE FEATURES ni A ip H R CHOOSING THE BEST THE MANY LIVES mUSIC IN THE HIGH PERFORMANCE ic 26 30 36 40 MUSIC FOR MIDDLE OF THE MUSIC WORLD OF ESL In Nashville, Tennessee, Y OF R SCHOOL BAND EDUCATOR When the language one music educator rtes What are your criteria? Many teachers of music is introduced has made his program OU C : E What do you want pursue professional to the ESL classroom, an essential part of AG P your students to music careers beyond enhanced learning can a high-performance, IS H T ; accomplish? There the classroom. be the wonderful result. high school curriculum. are many options Read about some Co-teaching is one of nders SA E available. What should high achievers. the keys. factor into your O: DAV O: T selection process? PHO ER OV C nafme.org 3 2_TOCTM.indd 3 12/5/13 10:48 AM January 2014 contents Volume 21, Number 4 52 18 TECHNOLOGY Wireless microphone technology can DEPARTMENTS benefit the music educator. 24 LETTERS WORKSHOP Opinions from our readers 8 General Music Adapting instruments for students ADVOCACY with physical disabilities 44 How can you create a successful advocacy Brass & Woodwinds day in your state? 18 Troubleshooting your clarinet section 44 RESEARCH Nonmusical factors can affect an adjudica- Strings Working on the bow arm tor’s rating of your students. 20 45 Percussion PARTNERSHIPS Strategies for connecting with your The Music Education Policy Roundtable: beginning jazz drummer 46 Who it is and what it does. 22 Choral & Vocal Sight-Singing: Your Students Can Do It! 46 FF 12 ADCLI Alternatives R Composing with the iPad 47 ANDI ; R STAGES inaya Elementary M Imaginative thought in the elementary ector F H music classroom O 49 Secondary rtesy In the age of cell phones, audience U NEWS CO etiquette shouldn’t be obsolete. .; 50 NC , I 9 UPBEAT Collegiate RAPHY Connecticut Music Teacher Is State Music Teacher of the Year … What are some of the best summer jobs G Music Educators Assess the State of Teacher Evalutions … Online for music education majors? 52 hoto Voting for Presidential Elections in January … Learning via P ARIE NAfME Professional Development Opportunities … All-American RESOURCES M New media and accessories for Marching Band Drum Major … NAfME Orchestrates a New EANNE the music classroom 54 Conference in Nashville … Music Educators Share What They © J : top Took Home from Nashville BRAVO! rom F 15 NA fME.ORG A guide to what you can find on the NAfME website Teaching Music salutes conductor, com- poser, and arranger Steven Reineke 58 hotos P 4 Teaching Music JANUARY 2014 2_TOCTM.indd 4 12/10/13 12:29 PM FROM THE TOP _TM_AD_Temp.indd 2 12/5/13 9:59 AM EXECUTIVE DIRECTOR AND CEO Michael A. Butera DEPUTY EXECUTIVE DIRECTOR AND COO Michael Blakeslee EDITOR Nelson Duffl e MANAGING EDITOR OF NEWS Rosalind C. Fehr For a listing of the NAfME National Executive Board, please see our website: nafme.org. Unless specifi cally noted, articles in Teaching Music do not necessarily represent the offi cial policy of the Endorsed) • Master National Association for Music of Music Degree with Education. Kodály emphasis • Graduate, undergraduate and workshop course Teaching Music is created for options • For a complete NAfME by In Tune Partners, LLC course listing, visit [email protected] SL.edu/SummerMusic or CEO Irwin Kornfeld call 800-236-4752 x161. Sponsored by the Franciscan Sisters of Christian Charity PRESIDENT Will Edwards EDITORIAL DIRECTOR Emile Menasché EDITOR-IN-CHIEF Susan Poliniak CREATIVE DIRECTOR Jackie Jordan ADVERTISING MANAGER Bill White PRODUCTION MANAGER Robin Garber BUSINESS MANAGER Barbara Boughton CONTRIBUTORS: Andrew S. Berman, Debbie Galante Block, Chad Criswell, Cynthia Darling, Steve Fidyk, Patience Moore, Cathy Applefi eld Olson, Adam Perlmutter, Keith Powers, Travis Weller The National Association for Music Education is a voluntary, nonprofi t organization representing all phases of music education in schools, colleges, universities, and teacher-education institutions. Active NAfME membership is open to all people engaged in music teaching or other educational work in music. Teaching Music (ISSN 1069-7446), an offi cial magazine of the National Association for Music Education, is issued to members 6 times per year in August, October, November, January, February, and April at an annual sub- scription price of $10. Office of publication: National Association for Music Education, 1806 Robert Fulton Drive, Reston, VA 20191- 4348; 703-860-4000. Produced by In Tune Partners, LLC. Institutions may purchase one volume year of six print or electronic issues for $120. Single copies of issues are $20. A limited number of back issues are available for purchase. Permission requests to reproduce or otherwise use material published in this journal should be submitted to Caroline Arlington at CarolineA@ nafme.org. Periodicals postage for Teaching Music is paid at Herndon, VA 20170, and at additional mailing offices. POSTMASTER: Send address changes to Teaching Music, 1806 Robert Fulton Drive, Reston, VA 20191-4348, U.S.A. Copyright ©2013 by the National Association for Music Education. Printed in the U.S.A. Teaching Music is available via electronic databases from most universities and libraries. 6 Teaching Music JANUARY 2014 4_MastTemplateTM.indd 1 12/10/13 11:00 AM 12.5 oz. of confidence. That’s what you get when you pick up our Choralex™ Compact. Solid support in a design so light, you might forget it’s there. Our folder options include removable rings, extra retaining cords, personalized imprinting – even our new Band & Orchestra folder (left) for conductors and instrumentalists. See them and all our singing essentials online. Or call Concert Band & Orchestra Folder is extra-wide for us at one of these numbers. storing and displaying scores. With name card and dual pencil holders. Optional imprinting for logo, instrument or name. Dealer inquiries also welcome. Small World MUSICFOLDER.com Inc. Toll-free (Canada and USA): 1-877-246-7253 • Telephone and Fax: +1 604.733.3995 Folding Jazz Stand Collapsible Smart Easel XtraFlex Duet 2 Handy Gig Bag Name or logo imprint (604) 681-5386 www.colbertcreative.com www.colbertcreative.com (604) 681-5386 Folding Jazz Stand Collapsible Smart Easel Handy Gig Bag Name or logo imprint _TM_AD_Temp.indd 2 XtraFlex Duet 2 12/3/13 10:07 AM Small World MUSICFOLDER.com Inc. Toll-free (Canada and USA): 1-877-246-7253 • Telephone and Fax: +1 604.733.3995 holders. Optional imprinting for logo, instrument or name. Dealer inquiries also welcome. storing and displaying scores. With name card and dual pencil us at one of these numbers. Concert Band & Orchestra Folder is extra-wide for singing essentials online. Or call (left) for conductors and instrumentalists. See them and all our personalized imprinting – even our new Band & Orchestra folder Our folder options include removable rings, extra retaining cords, Solid support in a design so light, you might forget it’s there. That’s what you get when you pick up our Choralex™ Compact. 12.5 oz. of confidence. STATEMENT OF OWNERSHIP, Letters MANAGEMENT, AND CIRCULATION (Act of August 12, 1970: Section 3685 Title 39, United States Code.) Title of publication: Teaching Music. Publication Number: 1069-7446 Thinking Outside the Box WHY NOT MAKE THE paRENTS AN Date of filing: October 1, 2013. INTEGRAL paRT OF THE CONCERT Frequency of issue: 6 times annually—January, Spring in the Midwest brings warm- AND HAVE THEM CRITIQUE THE February, October, November, April, and August. PERFORMANCE? Subscription price: $10.00 with membership. er weather, when greenery emerges Complete mailing address of known office of publication: 1806 Robert Fulton Drive, Reston, VA and an excitement for summer 20191–4348. quickly approaches. Spring also Complete mailing address of headquarters of general business offices of the publishers: 1806 Robert Fulton brings with it contest season, when Drive, Reston, VA 20191–4348. Full names and complete addresses of publisher, directors feverishly work to perfect editor, and managing editor: Publisher—Nelson Duffle (Editor): National Association for Music Education, 1806 music being taken to contest. Robert Fulton Drive, Reston, VA 20191–4348; Susan Poliniak (Editor in Chief): InTune Partners (Teaching Having worked my kids tirelessly Music), 582 N. Broadway, White Plains, NY 10603 and squeezed every ounce of Owner: National Association for Music Education. Known bondholders, mortgagees, and other security musicianship into their souls, I holders owning or holding one percent or more of total amount of bonds, mortgages, or other securities: none. began working on all the logistics of Nonprofit organization authorized to mail at special rates: The purpose, function, and nonprofit status of this our upcoming concert where we organization and the exempt status for federal income tax purposes have not changed during the preceding would feature our contest selections, I offered extra credit to any parent twelve months. before we attended the Indiana State who turned in a completed score sheet EXTENT AND NATURE OF CIRCULATION: A.
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