The Spatial Architecture Planning and Theoretical Evaluation of Mosque and Bazaar in the North of Iran
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Architecture and Urbanism in the Middle East
Viewpoints Special Edition Architecture and Urbanism in the Middle East The Middle East Institute Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints is another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org Cover photos, clockwise from the top left hand corner: Abu Dhabi, United Arab Emirates (Imre Solt; © GFDL); Tripoli, Libya (Patrick André Perron © GFDL); Burj al Arab Hotel in Dubai, United Arab Emirates; Al Faisaliyah Tower in Riyadh, Saudi Arabia; Doha, Qatar skyline (Abdulrahman photo); Selimiye Mosque, Edirne, Turkey (Murdjo photo); Registan, Samarkand, Uzbekistan (Steve Evans photo). -
Revitalization of the Bazaar Neighborhood in Tehran
REVITALIZATION OF THE BAZAAR NEIGHBORHOOD IN TEHRAN BY PARDIS MOINZADEH THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Landscape Architecture in Landscape Architecture in the Graduate College of the University of Illinois at Urbana-Champaign , 2014 Urbana, Illinois Adviser: P Professor D. Fairchild Ruggles Abstract The word “bazaar” comes from an ancient word “wazaar” meaning market. The word “baza” has been used in other countries such as Turkey, Arabic countries and India as well.1 Bazaars are historic market places that provide trade services as well as other functions. Their historic buildings are renowned for their architectural aesthetics, and in old cities such as Tehran (Iran) they are considered the centerpiece of activities with architectural, cultural, historical, religious, and commercial values. However, during the past 400 years, they have undergone social and environmental changes. The neighborhood of the Tehran Bazaar has in recent decades become degraded, which has consequently decreased the social value of the historic Bazaar. The ruined urban condition makes it impossible for contemporary visitors to have a pleasurable experience while visiting the Bazaar, although that was historically their experience. As Tehran began to grow, much of the trade and finance in the city has moved to the newly developed section of the city, diminishing the importance of the bazaars. Today, shoppers and residents living in the Bazaar neighborhood inhabit dilapidated buildings, while customers and tourists—when they go there at all—experience a neighborhood that lacks even the most basic urban amenities such as sidewalks, drainage, benches, trees and lighting. This design study required a number of investigations. -
Bazaars and Bazaar Buildings in Regency and Victorian London’, the Georgian Group Journal, Vol
Kathryn Morrison, ‘Bazaars and Bazaar Buildings in Regency and Victorian London’, The Georgian Group Journal, Vol. XV, 2006, pp. 281–308 TEXT © THE AUTHORS 2006 BAZAARS AND BAZAAR BUILDINGS IN REGENCY AND VICTORIAN LONDON KATHRYN A MORRISON INTRODUCTION upper- and middle-class shoppers, they developed ew retail or social historians have researched the the concept of browsing, revelled in display, and Flarge-scale commercial enterprises of the first discovered increasingly inventive and theatrical ways half of the nineteenth century with the same of combining shopping with entertainment. In enthusiasm and depth of analysis that is applied to the devising the ideal setting for this novel shopping department store, a retail format which blossomed in experience they pioneered a form of retail building the second half of the century. This is largely because which provided abundant space and light. Th is type copious documentation and extensive literary of building, admirably suited to a sales system references enable historians to use the department dependent on the exhibition of goods, would find its store – and especially the metropolitan department ultimate expression in department stores such as the store – to explore a broad range of social, economic famous Galeries Lafayette in Paris and Whiteley’s in and gender-specific issues. These include kleptomania, London. labour conditions, and the development of shopping as a leisure activity for upper- and middle-class women. Historical sources relating to early nineteenth- THE PRINCIPLES OF BAZAAR RETAILING century shopping may be relatively sparse and Shortly after the conclusion of the French wars, inaccessible, yet the study of retail innovation in that London acquired its first arcade (Royal Opera period, both in the appearance of shops and stores Arcade) and its first bazaar (Soho Bazaar), providing and in their economic practices, has great potential. -
The Change of the Hospital Architecture from the Early Part of 20Th Century to Nowadays: an Example of Konya
New Trends and Issues Proceedings on Humanities and Social Sciences Volume 4, Issue 11, (2017) 23-34 ISSN:2547-8818 www.prosoc.eu Selected Paper of 6th World Conference on Design and Arts (WCDA 2017), 29 June – 01 July 2017, University of Zagreb, Zagreb – Croatia The Change of the Hospital Architecture from the Early Part of 20th Century to Nowadays: An Example of Konya Dicle Aydin a*, Department of Architecture, Necmettin Erbakan University, 42090 Konya, Turkey. Esra Yaldiz b, Department of Architecture, Necmettin Erbakan University, 42090 Konya, Turkey. Suheyla Buyuksahin c, Department of Architecture, Selcuk University, 42075 Konya, Turkey. Suggested Citation: Aydin, D., Yaldiz, E. & Buyuksahin, S. (2017). The change of the hospital architecture from the early part of 20th century to nowadays: an example of Konya. New Trends and Issues Proceedings on Humanities and Social Sciences. [Online]. 4(11), 23-34. Available from: www.prosoc.eu Selection and peer review under responsibility of Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey. ©2017 SciencePark Research, Organization & Counseling. All rights reserved. Abstract The hospitals that served in the name of ‘darussifa’ in Seljuk Empire period in Anatolia continued their service during Ottoman Empire period. The health institutions in different areas in Ottoman period were replaced by ‘Gureba hospitals’ in 19th century. The change in Anatolia was realised, after the declaration of the Republic and with the development of its economy, and lived in every area; hospital buildings were constructed first as ‘Gureba hospitals’ then as ‘country hospitals’ in Anatolia cities like Konya after the big cities like İstanbul, Ankara and İzmir. -
Historical Analysis of the Role of Bazaar on the Formation of Iranian
Armanshahr Architecture & Urban Development, 12(26), 89-101, Spring 2019 ISSN: 2008-5079 / EISSN: 2538-2365 DOI: 10.22034/AAUD.2019.89058 Historical Analysis of the Role of Bazaar on the Formation of Iranian Islamic Urban Forms; Case Study: Shiraz, Iran Ali Reza Sadeghia, Mehdi Khakzandb*, Sina Jangjooc a Assistant Professor of Urban Planning and Design, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran. b Assistant Professor of Architecture, Department of Architecture, Faculty of Architecture & Urban Planning, Iran University of Science & Technology, Tehran, Iran. c M.A. of Urban Planning, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran. Received 06 November 2018; Revised 27 February 2019; Accepted 09 June 2019; Available Online 19 June 2019 ABSTRACT: Iranian Islamic city is a physical entity that represents social, cultural and political mechanisms in the Iranian territory where forms, elements, and rules governing the interaction of the inhabitants and the environment are based on the Islamic worldview. Physical, functional, and spatial centers constitute the main form of the city. Also, Bazaar is one of the main elements of traditional Islamic- Iranian cities which has been originally developed for the fulfilment of commercial and manufacturing functions. The present study attempts to analyze these important factors in the formation process of Bazaar structure, as an important factor shaping the ancient Islamic Iranian cities, and to investigate the relationship of these changes with the changes of the urban community. In order to investigate the role of Bazaar in the integrity of the physical form and the main structure of historic cities of Iran in the present study, a combination of descriptive, historical, and comparative research method was used through reviewing texts, sources and visual documents, and the analysis of the evolution of urban Bazaars in shaping the form of ancient Islamic Iranian cities. -
Moroccan Architecture, Traditional and Modern
Moroccan Architecture, traditional and modern - A field study in Casablanca, Morocco LTH School of Engineering at Campus Helsingborg Housing Development & Management Bachelor thesis: Tove Brunzell Sanaa Duric Copyright Tove Brunzell, Sanaa Duric LTH School of Engineering Lund University Box 882 SE-251 08 Helsingborg Sweden LTH Ingenjörshögskolan vid Campus Helsingborg Lunds universitet Box 882 251 08 Helsingborg Printed in Sweden Media-Tryck Biblioteksdirektionen Lunds universitet Lund 2012 Abstract This thesis is about traditional and modern architecture in Casablanca, Morocco. Morocco is located in north-western Africa and Casablanca is the country's largest city with a population of 3.3 million (2011). Morocco has a long history with many different rulers which have left its mark on the country's architecture. The old, traditional architecture of Casablanca is in the old medina, Medina Qdima, which was built in the late 18th and early 19th century. The medina and the traditional Arabic houses that it is composed of are very similar to those in other Arab countries, and the structure of the medina and the houses follow the Islamic laws on private and public areas. The public areas are commercial streets and squares and the private are residential blocks, all the streets in the medina are narrow and winding and the size of the streets varies with how private or public they are. The buildings in the Medina stand very dense and the residential areas are built around a street from where dead-end alleyways go out, along these alleyways are clusters of dwellings. The traditional Arabic houses are perhaps better known as houses with courtyards, but they are also called dar. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
Part Series He Wrote That Details a Seven- Month Road Trip Through Iran
Hossein Rojhantalab shares his philosophy for the transition to retirement through this two-part series he wrote that details a seven- month road trip through Iran. “Take it easy and enjoy life!” SEVEN MONTHS IN IRAN - 2013 PART ONE OF TWO Wrien by Hossein Rojhantalab Hossein Rojhantalab, a Thin Films Engineer who rered in 2011 from Hillsboro spent seven months on a road trip through Iran. His fascinang journal details his trip and will be connued in the May News Flash. Background I le Iran aer I graduated from high school to pursue a higher educaon in the US. My high school friend, Yadi, and I, at the ages of 18 and 19 respecvely, arrived in Berkeley, California in 1964. I went back to Iran aer I obtained a PhD in Chemistry in 1976 and worked as a professor at Ahwaz University unl 1977 and then at Shiraz University unl 1982. Along with three other professors, I opened a publishing company in Tehran, where we translated and published popular science books. In 1985 I returned to the US and worked as a Post Doc at the University of Tami and Hossein at Narenjestan [orange orchard], Shiraz Oregon doing surface science research. I joined Intel in October, 1988 in Lithography and moved to Thin Films in 1991. I met my wife, Tami in 1994 in Portland (at the Waterfront Blues Festival). She’s a nationally‐recognized contemporary jewelry designer and a linguist, and quickly developed an interest in Iran. For many years we planned to take a trip there, so she could meet my family and experience a bit of my homeland. -
Islamic Architecture Islam Arose in the Early Seventh Century Under the Leadership of the Prophet Muhammad
Islamic Architecture Islam arose in the early seventh century under the leadership of the prophet Muhammad. (In Arabic the word Islam means "submission" [to God].) It is the youngest of the world’s three great monotheistic religions and follows in the prophetic tradition of Judaism and Christianity. Muhammad leads Abraham, Moses and Jesus in prayer. From medieval Persian manuscript Muhammad (ca. 572-632) prophet and founder of Islam. Born in Mecca (Saudi Arabia) into a noble Quraysh clan, he was orphaned at an early age. He grew up to be a successful merchant, then according to tradition, he was visited by the angel Gabriel, who informed him that he was the messenger of God. His revelations and teachings, recorded in the Qur'an, are the basis of Islam. Muhammad (with vailed face) at the Ka'ba from Siyer-i Nebi, a 16th-century Ottoman manuscript. Illustration by Nakkaş Osman Five pillars of Islam: 1. The profession of faith in the one God and in Muhammad as his Prophet 2. Prayer five times a day 3. The giving of alms to the poor 4. Fasting during the month of Ramadan 5. The hajj, or pilgrimage to Mecca Kaaba - the shrine in Mecca that Muslims face when they pray. It is built around the famous Black Stone, and it is said to have been built by Abraham and his son, Ishmael. It is the focus and goal of all Muslim pilgrims when they make their way to Mecca during their pilgrimage – the Hajj. Muslims believe that the "black stone” is a special divine meteorite, that fell at the foot of Adam and Eve. -
Using the Concept and Architectural Components of a Bazaar As a Means of Creating Architectural Spaces That Stimulate and Awaken the Senses
Using the concept and architectural components of a Bazaar as a means of creating architectural spaces that stimulate and awaken the senses Shahrzad Najdjavadipour ID: 1261626 A Research Project submitted in partial fulfillment of the requirements for the degree of Master of Architecture Professional Unitec Institute of Technology, 2011 ACKNOWLEDGEMENT I would like to firstly thank my supervisors, Kerry Francis and Krystina Kaza, who have guided me through this entire design process. I would like to thank my parents Zohreh and Hassan, and my sister Parisa for putting up with all the emotions, and constantly caring. I would also like to thank all my friends who have been with me along this amazing journey, encouraging me through all the all nighters; we have truly had some unforgettable times! I would like to especially thank Daniel for being so understanding, motivational and inspiring. 2 ABSTRACT This research project aims at researching the different architectural components and programmes of a traditional Iranian bazaar, and at exploring ways in which a new architectural space in Auckland city can awaken the four senses using contemporary versions of such components. An important part of this project is to create more than just retail spaces, but to create a series of transparent workshops, a colourful maze of corridors that lead to brightly lit outdoor courtyards and social areas, creating a stimulating journey for the visitor. Research was carried out into the forms and functions of Iranian bazaars and also Auckland markets and shopping centres through a series of annotated sketches/ diagrams, photographs and through communication with the local community. -
1 the Puzzle of the Tehran Bazaar Under the Pahlavi Monarchy and the Islamic Republic
Cambridge University Press 978-0-521-86618-7 - Bazaar and State in Iran: The Politics of the Tehran Marketplace Arang Keshavarzian Excerpt More information 1 The puzzle of the Tehran Bazaar under the Pahlavi monarchy and the Islamic Republic We have a saying, ‘‘There is one Iran and one Tehran and only one Sara-ye Amin (Amin Caravanserai),’’1 meaning that anything that happens in Iran can be captured right here in the Tehran Bazaar. Fabric wholesaler in the Amin Caravanserai, Tehran Bazaar A year after his fall from power, Mohammad Reza Pahlavi, the last Shah of Iran, recalled, ‘‘I could not stop building supermarkets. I wanted a modern country. Moving against the bazaars was typical of the political and social risks I had to take in my drive for modernization.’’2 Mean- while, three years after the establishment of the Islamic Republic, Ayatollah Ruhollah Khomeini stressed that ‘‘We [the Islamic Republic] must preserve the bazaar with all our might; in return the bazaar must preserve the government.’’3 Given this drastic change in the state’s outlook toward the bazaar, it is not surprising that the Tehran Bazaar had radically different experiences under these regimes. What is star- tling, however, is that the transformation is not as we would expect – the Bazaar survived and remained autonomous under the modernizing Pahlavi regime (in fact so much so that it was one of the leading actors in the Revolution), while it was radically restructured and weakened under the unabashedly ‘‘traditionalist’’ Islamic Republic. By comparing how the last Shah of Iran sought to ‘‘move against the bazaar’’ and how the founder of the Islamic Republic ‘‘preserve[d] the bazaar,’’ it will be the burden of this book to depict these outcomes and to examine why they followed these counterintuitive trajectories. -
Tabriz Historic Bazaar (Iran) No 1346
Rotterdam, 25–28 June 2007. Tabriz Historic Bazaar (Iran) Weiss, W. M., and Westermann, K. M., The Bazaar: Markets and Merchants of the Islamic World, Thames and Hudson No 1346 Publications, London, 1998. Technical Evaluation Mission: 13–16 August 2009 Additional information requested and received from the Official name as proposed by the State Party: State Party: ICOMOS sent a letter to the State Party on 19 October 2009 on the following issues: Tabriz Historic Bazaar Complex • Further justification of the serial approach to the Location: nomination. • Further explanation of how the three chosen sites Province of East Azerbaijan relate to the overall outstanding value of the property and of how they are functionally linked, Brief description: with reference to the Goi Machid and the Sorkhāb Bazārchā areas, in relation to the wider Tabriz Historic Bazaar Complex consists of a series of Bazaar area. interconnected, covered brick structures, buildings, and • enclosed spaces for different functions. Tabriz and its Expansion of the description of the legal th protection measures. Bazaar were already prosperous and famous in the 13 • century, when the town became the capital city of the Expansion of the description of the objectives country. The importance of Tabriz as a commercial hub and the measures of the planning instruments in continued until the end of the 18th century, with the force in relation to the factors threatening the expansion of Ottoman power. Closely interwoven with property. the architectural fabric is the social and professional • Further explanation of the overall framework of organization of the Bazaar, which allows its functioning the management system and of the state of and makes it into a single, integrated entity.