Evolution of a Soldier in James Jones's from Here to Eternity
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James Jones, from Here to Eternity
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2002 Fiction as History: James Jones, From Here to Eternity. Penny Marie Sonnenburg East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the History Commons Recommended Citation Sonnenburg, Penny Marie, "Fiction as History: James Jones, From Here to Eternity." (2002). Electronic Theses and Dissertations. Paper 666. https://dc.etsu.edu/etd/666 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Fiction as History: James Jones, From Here to Eternity __________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History __________________ by Penny Marie Sonnenburg May 2002 __________________ Ronnie M. Day, Chair Stephen G. Fritz Melvin E. Page Keywords: James Jones, Pearl Harbor, Hawaii, Handy Colony, World War II ABSTRACT Fiction as History: James Jones, From Here to Eternity by Penny Marie Sonnenburg This study examines one of James Jones’s novels, From Here to Eternity, as more than a fictionalization of historic events. Juxtaposing the correspondence between the author and his brother, begun when James Jones enlisted in 1939, and the novel allows an understanding of the extent that the novel was a distillation of Jones’ personality and experience. -
Download Good Old Boy: a Delta Boyhood, Willie Morris
Good Old Boy: A Delta Boyhood, Willie Morris, Yoknapatawpha Press, 2009, 0916242684, 9780916242688, 143 pages. GOOD OLD BOY: A DELTA BOYHOOD is a novel for young readers about a boy's adventures growing up in post-WWII Mississippi. Author Willie Morris, then editor of Harper's Magazine in New York, wrote GOOD OLD BOY when his son David, age ten, asked, "What was it like to grow up in Mississippi?" Morris's response turned into a timeless story of growing up in Yazoo City, Mississippi, in the early 1950s, roaming the town with his friends and playing practical jokes and having adventures. GOOD OLD BOY is recommended for sixth through ninth grade.. DOWNLOAD HERE Willie Morris an exhaustive annotated bibliography and a biography, Jack Bales, Jul 30, 2006, Biography & Autobiography, 393 pages. "The book's principal focus is Morris' literary legacy, which includes works such as Good Ole Boy, My Dog Skip, and My Two Oxfords. Two annotated bibliographies--one for Morris .... The Lifetime Adventures of a 95 Year Old Boy , Eddy Hill, Jul 21, 2011, , 288 pages. This is the autobiography of a 95 year old man. Eddy Hill has memories going back to before three years of age and moving forward to the twenty-first century. It looks at his .... Conversations with Willie Morris , Willie Morris, Jack Bales, 2000, Biography & Autobiography, 207 pages. In this first collection of interviews and profiles devoted to author Willie Morris, Bales compiles 25 fascinating and incisive conversations (some never before published) with .... The Courting of Marcus Dupree , Willie Morris, Oct 1, 1992, Biography & Autobiography, 463 pages. -
James Jones's Codes of Conduct
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2012 James Jones's Codes of Conduct Matthew Samuel Ross University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Literature in English, North America Commons Repository Citation Ross, Matthew Samuel, "James Jones's Codes of Conduct" (2012). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1617. http://dx.doi.org/10.34917/4332598 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. JAMES JONES’S CODES OF CONDUCT By Matthew Samuel Ross Bachelor of Arts in English University of California Los Angeles 2006 Master of Arts in English University of Nevada Las Vegas 2010 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy in English -
James Jones, Author of from Here to Eternity and the Thin Red Line
ROBERT BLASKIEWICZ James Jones on Guadalcanal ames Jones, author of From Here to Eternity and The Thin Red Line, made his reputation primarily as a writer of the Second World War. His most successful works are set in locales Jones visited as a regular Army soldier during Jand after the attack on Pearl Harbor and the American offensive on Guadalcanal. Critics interested in sources for his combat novel, The Thin Red Line, have looked to Jones’s own experiences on Guadalcanal in an infantry company (F Company, 2d Battalion, 25th Infantry Regiment, 27th Infantry Division). Unfortunately, the account of his service on Guadalcanal changes with each telling, and this confusion has caused problems for scholars exploring the links between Jones’s service and his novel. In a way, the desire to connect The Thin Red Line to Jones’s personal experiences is understandable. In his collection of drawings, sketches and paintings by combat artists of the Second World War, WWII, Jones makes it clear that many passages in the novel are based on incidents he experienced. For instance, the description of Cpl. Fife’s being wounded and hearing his own scream as if it were another person’s in The Thin Red Line1 closely resembles Jones’s own wounding.2 Furthermore, as Fife leaves the battlefield, he comes across the body of a soldier on a stretcher who had been killed by a sniper even as he was being evacuated,3 an encounter very similar to one that made an indelible impression on Jones as he walked to the rear after being hit by shrapnel from a mortar.4 Ultimately, Fife, like Jones, is evacuated to the United States because of an old ankle injury.5 The episode in which Sgt. -
Willie Morris on James Jones in Memphis
Vol. 14, No. 2 Summer 2005 Memories of ‘Luxor’: Willie Morris on James Jones in Memphis After serving in combat on which he would fictionalize as too, lived with the knowledge Guadalcanal for about three Luxor, and later when he was on that as “retreads” they would months, James Jones was Limited Duty at Camp Camp- eventually be reassigned to new evacuated on account of an in- bell in Kentucky. He was still units and sent back to combat in jured ankle to the States., and reading extensively, and putting Europe, just as Sergeant Strange arrived at Kennedy Hospital in notes down on paper, a practice would be in Whistle. Memphis, Tennessee in May, he had continued on Guadalca- After a time the walking 1943. There he met other veter- nal. He had brought some of wounded would get passes from ans recovering from their these notes back with him, and the hospital to go into Memphis. wounds and traumas, and ex- later could hardly read them, Everything rankled them: the perienced the sometimes wild they were so caked with mud. unrealistic war movies which all environment of wartime Mem- There was one small notebook seemed to have rules like foot- phis. These experiences were which he kept in those days in ball games, the home-front con- the basis of Jones’s final novel, Memphis, with a long list of fidence. It was a different Whistle, which was completed girls and their telephone num- America altogether from the one with the assistance of his friend, bers, and a strange muted com- so many of them had left before Willie Morris. -
Josephs of the Country: James Jones's Thirty-Year Men and The
Josephs of the Country: James Jones’s Thirty-Year Men and the Image of the WWII Soldier in American Culture by Laura Dunbar A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto 2016 © Copyright by Laura Dunbar 2016 Josephs of the Country: James Jones’s Thirty-Year Men and the Image of the WWII Soldier in American Culture Laura Dunbar Doctor of Philosophy Graduate Department of English University of Toronto 2016 Abstract This dissertation analyzes the war trilogy written by James Jones and argues that Jones’s GI characters are foundational sources of the American World War II soldier’s popular culture image in their own time and in the decades that followed. Not only do From Here to Eternity, The Thin Red Line, and Whistle demonstrate the influences of factors both historic and contemporary across the thirty years of their publication span, but they also serve as a generative medium in which the American soldier’s representative capacity, fluidity, and adaptability are highlighted. While a central goal of this thesis is to encourage new understandings of Jones’s characters as interstitial figures capable of expressing dissent within the channels of regulated society, the study also offers a critique of the ways that these same soldiers perpetuate certain values associated with a traditional American character. The dissertation begins by showing how Jones’s secondary soldiers rework the figure of the colonial yeoman in contemporary contexts, proceeds by explaining the characters’ reflection of Weberian influences in the organization of post-war American life, and finishes by examining their response to ii America in Vietnam. -
CARTER, Steven Rey, 1942- JAMES JONES, an AMERICAN MASTER: a STUDY of HIS MYSTICAL, PHILOSOPHICAL, SOCIAL, and ARTISTIC VIEWS
76-3397 CARTER, Steven Rey, 1942- JAMES JONES, AN AMERICAN MASTER: A STUDY OF HIS MYSTICAL, PHILOSOPHICAL, SOCIAL, AND ARTISTIC VIEWS. The Ohio State University, Ph.D., 1975 Literature, modern Xerox University Microfilms, Ann Arbor, Michigan 48106 © Copyright By Steven Ray Carter 1975 t h is dissertation h a s been microfilmed e x a c t l ya s r e c e iv e. d JAMES JONES, AN AMERICAN MASTERi A STUDY OF HIS MYSTICAL, PHILOSOPHICAL, SOCIAL, AND ARTISTIC VIEWS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Steven Ray Carter, B.A., M.A. ***** The Ohio State University 1975 Reading Committeei Approved By Dr. John Muste Dr. Morris Beja Adviser Dr. Robert Canzonari Department of English ACKNOWLEDGMENTS I am deeply grateful for the extraordinarily gen erous assistance of Mr. James Jones, who talked at length with me about his fiction, commented on all analyses, and provided copies of work-in-progress. He is a remarkable and wonderful human being. I also thank my adviser, Dr, John Muste, for his many useful and perceptive suggestions. Even though his own ideas about Jones have differed widely from mine, he never let these differences interfere with his efforts to help me find the best means of expressing my personal views. Several of the good ideas in this study came from him. In addition, I have had much valuable assistance from my two readers, Dr, Morris Beja and Dr. Robert Can zonari. However, neither my adviser and readers nor Mr.