Vivek Sachdeva Designation: Professor Academic Qualifications
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Indian Film Week Tydzień Kina Indyjskiego
TYDZIEń KINA INDYJSKIEGO 100-lecie kina w indiach kino kultura, warszawa 5–10 listopada 2012 INDIAN FILM WEEK 100 years of indian cinema kino kultura, warsaw 5–10 november 2012 W tym roku obchodzimy 100-lecie Kina Indyjskiego. This year we celebrate 100 years of Indian Cinema. Wraz z powstaniem pierwszego niemego filmu With the making of the first silent film ‘Raja Harish- „Raja Harishchandra” w 1913 roku, Indyjskie Kino chandra’ in 1913 , Indian Cinema embarked on an ex- wyruszyło w pasjonującą i malowniczą podróż, ilu- citing and colourful journey, reflecting a civilization strując przemianę narodu z kolonii w wolne, demokra- in transition from a colony to a free democratic re- tyczne państwo o bogatym dziedzictwie kulturowym public with a composite cultural heritage and plural- oraz wielorakich wartościach i wzorcach. istic ethos. Indyjska Kinematografia prezentuje szeroki Indian Cinema showcases a rich bouquet of lov- wachlarz postaci sympatycznych włóczęgów, ponad- able vagabonds, evergreen romantics, angry young czasowych romantyków, młodych buntowników, men, dancing queens and passionate social activists. roztańczonych królowych i żarliwych działaczy spo- Broadly defined by some as ‘cinema of interruption’, łecznych. Typowe Kino Indyjskie, zwane bollywoodz- complete with its song and dance ritual, thrills and ac- kim, przez niektórych określane szerokim mianem tion, melodrama, popular Indian cinema, ‘Bollywood’, „cinema of interruption” – kina przeplatanego pio- has endeared itself to global audiences for its enter- senką, tańcem, emocjami i akcją, teatralnością, dzięki tainment value. Aside from all the glitz and glamour walorowi rozrywkowemu, zjednało sobie widzów na of Bollywood, independent art house cinema has been całym świecie. Oprócz pełnego blichtru i przepy- a niche and has made a seminal contribution in en- chu Bollywood, niszowe niezależne kino artystyczne hancing the understanding of Indian society. -
Été Indien 10E Édition 100 Ans De Cinéma Indien
Été indien 10e édition 100 ans de cinéma indien Été indien 10e édition 100 ans de cinéma indien 9 Les films 49 Les réalisateurs 10 Harishchandrachi Factory de Paresh Mokashi 50 K. Asif 11 Raja Harishchandra de D.G. Phalke 51 Shyam Benegal 12 Saint Tukaram de V. Damle et S. Fathelal 56 Sanjay Leela Bhansali 14 Mother India de Mehboob Khan 57 Vishnupant Govind Damle 16 D.G. Phalke, le premier cinéaste indien de Satish Bahadur 58 Kalipada Das 17 Kaliya Mardan de D.G. Phalke 58 Satish Bahadur 18 Jamai Babu de Kalipada Das 59 Guru Dutt 19 Le vagabond (Awaara) de Raj Kapoor 60 Ritwik Ghatak 20 Mughal-e-Azam de K. Asif 61 Adoor Gopalakrishnan 21 Aar ar paar (D’un côté et de l’autre) de Guru Dutt 62 Ashutosh Gowariker 22 Chaudhvin ka chand de Mohammed Sadiq 63 Rajkumar Hirani 23 La Trilogie d’Apu de Satyajit Ray 64 Raj Kapoor 24 La complainte du sentier (Pather Panchali) de Satyajit Ray 65 Aamir Khan 25 L’invaincu (Aparajito) de Satyajit Ray 66 Mehboob Khan 26 Le monde d’Apu (Apur sansar) de Satyajit Ray 67 Paresh Mokashi 28 La rivière Titash de Ritwik Ghatak 68 D.G. Phalke 29 The making of the Mahatma de Shyam Benegal 69 Mani Ratnam 30 Mi-bémol de Ritwik Ghatak 70 Satyajit Ray 31 Un jour comme les autres (Ek din pratidin) de Mrinal Sen 71 Aparna Sen 32 Sholay de Ramesh Sippy 72 Mrinal Sen 33 Des étoiles sur la terre (Taare zameen par) d’Aamir Khan 73 Ramesh Sippy 34 Lagaan d’Ashutosh Gowariker 36 Sati d’Aparna Sen 75 Les éditions précédentes 38 Face-à-face (Mukhamukham) d’Adoor Gopalakrishnan 39 3 idiots de Rajkumar Hirani 40 Symphonie silencieuse (Mouna ragam) de Mani Ratnam 41 Devdas de Sanjay Leela Bhansali 42 Mammo de Shyam Benegal 43 Zubeidaa de Shyam Benegal 44 Well Done Abba! de Shyam Benegal 45 Le rôle (Bhumika) de Shyam Benegal 1 ] Je suis ravi d’apprendre que l’Auditorium du musée Guimet organise pour la dixième année consécutive le festival de films Été indien, consacré exclusivement au cinéma de l’Inde. -
Secularism in Indian Cinema
TWENTY SECOND T.A. PAI MEMORIAL LECTURE SECULARISM IN INDIAN CINEMA Delivered by SRI SHYAM BENEGAL Film Producer, Sahyadri Films, 19/20a, Tardeo Road, Tardeo, Mumbai – 400 034 ON JANUARY 17, 2005 AT MANIPAL T.A. PAI MANAGEMENT INSTITUTE MANIPAL SECULARISM IN INDIAN CINEMA I remember that for me it is a which is now got almost washed away. great privilege to come here and deliver The Island also almost washed away and the memorial lecture in memory of Mr. he remembered when he was the T.A. Pai. Because I remember that I met Development Commissioner and he was him many years ago, when I had made a allocating funds for Nicobar and series of promotional films for the Life Andaman at that time. He has gone Insurance Corporation. He was then there and there was a small tribal Chairman of LIC and my memory of him community that was living there and matches exactly what Mr. K K Pai said of their sole wealth used to be pigs and him about that lift that was made only they were piggy rich and when the for the Chairman in that building. I population of pigs grew, they became remember he was so down to earth rich and when they became rich like because the other Officers had said that that they always used to have a custom we know that you are meeting the which was to celebrate their wealth Chairman and the whole protocol was with their ancestors which meant that being set up for me so that I would go they would dig up the bones and skulls and not make any bloomers when I met of the ancestors and place them in front him. -
Westminsterresearch the Digital Turn in Indian Film Sound
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The Digital Turn in Indian Film Sound: Ontologies and Aesthetics Bhattacharya, I. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr Indranil Bhattacharya, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE DIGITAL TURN IN INDIAN FILM SOUND: ONTOLOGIES AND AESTHETICS Indranil Bhattacharya A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy March 2019 ii Abstract My project maps film sound practices in India against the backdrop of the digital turn. It is a critical-historical account of the transitional era, roughly from 1998 to 2018, and examines practices and decisions taken ‘on the ground’ by film sound recordists, editors, designers and mixers. My work explores the histories and genealogies of the transition by analysing the individual, as well as collective, aesthetic concerns of film workers migrating from the celluloid to the digital age. My inquiry aimed to explore linkages between the digital turn and shifts in production practices, notably sound recording, sound design and sound mixing. The study probes the various ways in which these shifts shaped the aesthetics, styles, genre conventions, and norms of image-sound relationships in Indian cinema in comparison with similar practices from Euro-American film industries. -
Curriculum Vitae
CURRICULUM VITAE Neenu Kumar [email protected] [email protected] +91-9811304507(M) Committed to respond to students’ needs on the educational front. Concerned about how well they are prepared to assume future societal roles. In the changing political, economic, social and technological scenarios, trying my best to convert students’ apathy towards learning into positive attitudes. Trying to inculcate good moral values to make them better citizens of the world. AWARDS Recipient of Social Worker and Nutrition Educationist Award at the National Conference on Public Health & Nutritionology organized by Nutrition and Natural Health Sciences Association, held at India International Centre, Delhi, April 30, 2018. Recipient of Ecologist and Environment Health Educationist Award by Nutrition and Natural Health Sciences Association, at the National Health Award Summit--2017, held at India International Centre, Delhi, December 27, 2017. Conferred Certificate of Honor by Aditi Mahavidyalaya, University of Delhi for the “College Lecturer Award-2015”given by Government of NCT, Delhi for outstanding academic achievements on April 22, 2017. Recipient of Best Teacher Award for the academic year 2014-2015 conferred by D.H.E., NCT of Delhi to a meritorious teacher from a college of University of Delhi. PROJECT: Worked on the Delhi University funded project titled “LOCATING WOMEN IN THE CONTEXT OF PARTITION:AN ACCOUNT OF LIVED EXPERIENCES AND UNHEARD VOICES.” It was a joint project of three teachers and ten students. Women survivors were talked to, interviewed and their experiences of Partition recorded. A documentary 1 has been taken out. The report has been submitted to the University of Delhi. -
Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html
Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof. -
San Diego Public Library New Additions July 2009
San Diego Public Library New Additions July 2009 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/DVD-ROMs/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABANI Abani, Christopher. GraceLand [MYST] FIC/ADAMS Adams, Jane, 1960- A reason to kill FIC/ADIGA Adiga, Aravind. The white tiger : a novel FIC/ADVAITA KALA Advaita Kala. Almost single FIC/AHERN Ahern, Cecelia, 1981- Thanks for the memories FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/AIRA Aira, César, 1949- Ghosts [MYST] FIC/ALCORN Alcorn, Alfred. The love potion murders in the Museum of Man FIC/ALCORN Alcorn, Randy C. Lord Foulgrin's letters : a novel FIC/ALLEN Allen, Sarah Addison. The sugar queen FIC/AMICK Amick, Steve. Nothing but a smile FIC/APPLE Apple, Max. The Jew of Home Depot and other stories FIC/ARANA Arana, Marie. Lima nights : a novel FIC/ARMSTRONG Armstrong, Kelley. Men of the otherworld [SCI-FI] FIC/ASH Ash, Sarah. Tracing the shadow [MYST] FIC/ASNER Asner, Jules, 1968- Whacked FIC/ASWANI Aswānī, ʻAlāʼ, 1957- Chicago : a novel [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity slays the dragon [MYST] FIC/ATKINSON Atkinson, Deborah Turrell. Pleasing the dead [MYST] FIC/BAIN Bain, Donald, 1935- A slaying in Savannah : a Murder, she wrote mystery, a novel FIC/BALDACCI Baldacci, David. Divine justice FIC/BALDACCI Baldacci, David. -
LIST of HINDI CINEMA AS on 17.10.2017 1 Title : 100 Days
LIST OF HINDI CINEMA AS ON 17.10.2017 1 Title : 100 Days/ Directed by- Partho Ghosh Class No : 100 HFC Accn No. : FC003137 Location : gsl 2 Title : 15 Park Avenue Class No : FIF HFC Accn No. : FC001288 Location : gsl 3 Title : 1947 Earth Class No : EAR HFC Accn No. : FC001859 Location : gsl 4 Title : 27 Down Class No : TWD HFC Accn No. : FC003381 Location : gsl 5 Title : 3 Bachelors Class No : THR(3) HFC Accn No. : FC003337 Location : gsl 6 Title : 3 Idiots Class No : THR HFC Accn No. : FC001999 Location : gsl 7 Title : 36 China Town Mn.Entr. : Mustan, Abbas Class No : THI HFC Accn No. : FC001100 Location : gsl 8 Title : 36 Chowringhee Lane Class No : THI HFC Accn No. : FC001264 Location : gsl 9 Title : 3G ( three G):a killer connection Class No : THR HFC Accn No. : FC003469 Location : gsl 10 Title : 7 khoon maaf/ Vishal Bharadwaj Film Class No : SAA HFC Accn No. : FC002198 Location : gsl 11 Title : 8 x 10 Tasveer / a film by Nagesh Kukunoor: Eight into ten tasveer Class No : EIG HFC Accn No. : FC002638 Location : gsl 12 Title : Aadmi aur Insaan / .R. Chopra film Class No : AAD HFC Accn No. : FC002409 Location : gsl 13 Title : Aadmi / Dir. A. Bhimsingh Class No : AAD HFC Accn No. : FC002640 Location : gsl 14 Title : Aag Class No : AAG HFC Accn No. : FC001678 Location : gsl 15 Title : Aag Mn.Entr. : Raj Kapoor Class No : AAG HFC Accn No. : FC000105 Location : MSR 16 Title : Aaj aur kal / Dir. by Vasant Jogalekar Class No : AAJ HFC Accn No. : FC002641 Location : gsl 17 Title : Aaja Nachle Class No : AAJ HFC Accn No. -
Code Date Description Channel TV001 30-07-2017 & JARA HATKE STAR Pravah TV002 07-05-2015 10 ML LOVE STAR Gold HD TV003 05-02
Code Date Description Channel TV001 30-07-2017 & JARA HATKE STAR Pravah TV002 07-05-2015 10 ML LOVE STAR Gold HD TV003 05-02-2018 108 TEERTH YATRA Sony Wah TV004 07-05-2017 1234 Zee Talkies HD TV005 18-06-2017 13 NO TARACHAND LANE Zee Bangla HD TV006 27-09-2015 13 NUMBER TARACHAND LANE Zee Bangla Cinema TV007 25-08-2016 2012 RETURNS Zee Action TV008 02-07-2015 22 SE SHRAVAN Jalsha Movies TV009 04-04-2017 22 SE SRABON Jalsha Movies HD TV010 24-09-2016 27 DOWN Zee Classic TV011 26-12-2018 27 MAVALLI CIRCLE Star Suvarna Plus TV012 28-08-2016 3 AM THE HOUR OF THE DEAD Zee Cinema HD TV013 04-01-2016 3 BAYAKA FAJITI AIKA Zee Talkies TV014 22-06-2017 3 BAYAKA FAJITI AIYKA Zee Talkies TV015 21-02-2016 3 GUTTU ONDHU SULLU ONDHU Star Suvarna TV016 12-05-2017 3 GUTTU ONDU SULLU ONDU NIJA Star Suvarna Plus TV017 26-08-2017 31ST OCTOBER STAR Gold Select HD TV018 25-07-2015 3G Sony MIX TV019 01-04-2016 3NE CLASS MANJA B COM BHAGYA Star Suvarna TV020 03-12-2015 4 STUDENTS STAR Vijay TV021 04-08-2018 400 Star Suvarna Plus TV022 05-11-2015 5 IDIOTS Star Suvarna Plus TV023 27-02-2017 50 LAKH Sony Wah TV024 13-03-2017 6 CANDLES Zee Tamil TV025 02-01-2016 6 MELUGUVATHIGAL Zee Tamil TV026 05-12-2016 6 TA NAGAD Jalsha Movies TV027 10-01-2016 6-5=2 Star Suvarna TV028 27-08-2015 7 O CLOCK Zee Kannada TV029 02-03-2016 7 SAAL BAAD Sony Pal TV030 01-04-2017 73 SHAANTHI NIVAASA Zee Kannada TV031 04-01-2016 73 SHANTI NIVASA Zee Kannada TV032 09-06-2018 8 THOTAKKAL STAR Gold HD TV033 28-01-2016 9 MAHINE 9 DIWAS Zee Talkies TV034 10-02-2018 A Zee Kannada TV035 20-08-2017 -
Centre of South Asian Studies ANNUAL REVIEW ISSUE 75: September 2010 - August 2011 SOAS
SOAS, UNIVERSITY OF LONDON South A Centre of South Asian Studies ANNUAL REVIEW ISSUE 75: September 2010 - August 2011 SOAS STUDYING AT SOAS The international environment and CONTENTS cosmopolitan character of the School make student life a challenging, rewarding and exciting experience. We welcome students 3 Letter from the Chair from more than 130 countries, and more 4 Centre Members than 45% of them are from outside the UK. 6 Members News The SOAS Library has more than 1.5 million 14 Annoucements items and extensive electronic resources. It 18 Academic Events Summary is the national library the study of Africa, Asia and the Middle East and attracts scholars all 20 Event Reports over the world. 32 Research Students 34 Charles Wallace Visiting Fellowships SOAS offers a wide range of undergraduate, postgraduate and research degrees. 36 Research & Enterprise Students can choose from more than 38 Centre for the Study of Pakistan 400 undergraduate degree combinations 39- Join the Centre and from more than 80 postgraduate programmes (taught and distance learning) in the social sciences, humanities and languages with a distinctive regional focus The School of Oriental and African Studies and global relevance, taught by world- (SOAS) is a college of the University of London renowned teachers in specialist faculties. and the only Higher Education institution in the UK specialising in the study of Asia, Africa The School is consistently ranked among and the Near and Middle East. the top higher education institutions in the UK and the world. The School’s academic SOAS is a remarkable institution. Uniquely excellence has also been recognised in combining language scholarship, disciplinary research assessment exercises (RAEs) expertise and regional focus, it has the largest concentration in Europe of academic SOAS offers a friendly, vibrant environment staff concerned with Africa, Asia and the right in the buzzing heart of London. -
Sajjanpur: an Introduction with Opinions
Welcome to Sajjanpur: An Introduction with Opinions Sanjay Joshi, Northern Arizona University Welcome to Sajjanpur offers an outstanding perspective on the way in which life in contemporary India is changing – a change that is bringing with it a whole range of problems but also possibilities. Directed by Shyam Benegal, who has to his credit a bagful of national and international awards, Sajjanpur is a bit of departure for this director better known for his more ‘meaningful’ or serious cinema. In Sajjanpur too, Benegal takes on serious issues. Local politics, violence, caste, class, sexuality, rural unemployment, migrant labor, the global market in human organs – you will see how all of these things impact the people of Sajjanpur in this film. But, unlike the films that first brought Benegal national and international recognition in the 1970s – films such as Ankur, Nishant, Manthan, or Bhumika – in this 2008 film, Benegal is able to bring these issues to the attention of the audience by weaving them together with a lighthearted story line. Its satirical look at problems of contemporary India, rather than the gritty social realism characteristic of Benegal’s earlier cinema, is what makes this film an excellent portrait of rural or small town India. The hero of the film is Mahadev, played by the up and coming actor Shreyas Talpade. After his BA, the unemployed Mahadev makes a living by writing letters for the non-literate people in his village (which, sometimes, extends to composing SMS messages on cell phones!) though he aspires to be a published novelist. His profession, though, makes him privy to a whole range of issues plaguing the village. -
History of Indian Cinema.Pdf
CHAPTER – 2 A BRIEF HISTORY OF INDIAN CINEMA Indian films are unquestionably the most –seen movies in the world. Not just talking about the billion- strong audiences in India itself, where 12 million people are said to go to the cinema every day, but of large audiences well beyond the Indian subcontinent and the Diaspora, in such unlikely places as Russia, China, the Middle East, the Far East Egypt, Turkey and Africa. People from very different cultural and social worlds have a great love for Indian popular cinema, and many have been Hindi Films fans for over fifty years. Indian cinema is world – famous for the staggering amount of films it produces: the number is constantly on the increase, and recent sources estimate that a total output of some 800 films a year are made in different cities including Madrass , Bangalore , Calcutta and Hyderabad . Of this astonishing number, those films made in Bombay, in a seamless blend of Hindi and Urdu, have the widest distribution within India and Internationally. The two sister languages are spoken in six northern states and understood by over 500 million people on the Indian sub – continent alone – reason enough for Hindi and Urdu to be chosen above the fourteen official Indian languages to become the languages of Indian Popular cinema when sound came to the Indian Silver screen in 1931 . Silent Era – The cinematographe (from where we have the name cinema) invented by the Lumiere brothers functioned better the Kinetoscope of Edison and Dickson. The Lumiere brothers who invented the cinematographe started projection of short (very short, one to two minutes long) films for the Parsian public on November 28, 1895.