Wolfgang Amadeus Mozart

Total Page：16

File Type：pdf, Size：1020Kb

WOLFGANG AMADEUS MOZART LA CLEMENZA DI TITO Michael Schade · Dorothea Röschmann · Barbara Bonney Vesselina Kasarova · Elīna Garanča · Luca Pisaroni Wiener Philhamroniker conducted by Nikolaus Harnoncourt staged by Martin Kušej WOLFGANG AMADEUS MOZART Mozart was still working on The Magic Flute when he was commissioned to write a festive opera for the coronation of Leopold II in Prague as King of Bohemia on 6 September 1791. From a lofty reflection on politics and justice, it became a LA CLEMENZA DI TITO conflict between friends and lovers. Emperor Titus plans to marry Berenice, thus arousing the rage of Vitellia. She Orchestra Wiener Philharmoniker urges Sesto, who loves her, to lead a revolt against Titus. After further complica- Chorus Konzertvereinigung tions, Titus resolves to marry Vitellia. Vitellia tries to Wiener Staatsopernchor stop Sesto, but in vain: he has burned down the Capitol and tried to kill his Chorus Master Rupert Huber best friend Titus. The Emperor escapes, but, surrounded by manipulation and Conductor Nikolaus Harnoncourt betrayal, the future seems bleak… Stage Director Martin Kušej This opera seria, Mozart’s very last opera, is both a distillate of late 18th-century Tito Vespasiano Michael Schade opera as well as an anticipation of the 19th-century opera with its tormented Vitellia Dorothea Röschmann heroes. Director Martin Kušej tells the story straightforwardly, digging into Servilia Barbara Bonney the substrata of the work to bring out the complex psyches of the characters, Sesto Vesselina Kasarova their neurotic impulses, their sexual drives and the motives of their intrigues. Annio Elīna Garanča Kušej’s “Clemenza” is a mad whirl of love, murder, arson and rebellion. He is ably Publio Luca Pisaroni supported by the Wiener Philharmoniker under Nikolaus Harnoncourt, and a stellar cast that proves just how much flesh and blood pulses through this work. Video Director Brian Large Michael Schade, one of the most exciting lyrical tenors of today, is a Titus who sings with fire and dignity. The dramatic soprano Dorothea Röschmann, who made her international breakthrough in Salzburg in 1995 as Susanna (Figaro) Length: 140' under Harnoncourt, portrays Vitellia as a power-hungry schemer with a broken Shot in HDTV 1080/50i soul. The incomparable mezzo Vesselina Kasarova paints her Sesto with all the Cat. no. A 040 01477 passion and torment of a lover forced to betray his best friend. On a par with them are Barbara Bonney (Servilia), Elīna Garanča (Annio) A production of ORF and Luca Pisaroni (Publio). This production is in cooperation with Salzburg Festival. universally. acclaimed as a musical and Distributed by UNITEL dramatic triumph. All rights reserved · credits not contractual · Different territories · Photos: © Hans Jörg Michel · Flyer: mmessner.de Unitel GmbH & Co. KG, Germany · Tel. +49.89.673469-630 · [email protected] www.unitel.de.

Copy Link

Recommended publications

Nuovi Interpreti Per Don Giovanni
Nuovi interpreti per Don Giovanni Tre debutti di rango alla Scala nello spettacolo di Robert Carsen: Paavo Järvi sul podio e Thomas Hampson e Luca Pisaroni come Don Giovanni e Leporello al 6 maggio al 6 giugno torna sul pal- Harnoncourt definiva «il più grande dram- 6, 9, 12, 14, 17, 19, 28, 31 maggio; Dcoscenico della Scala Don Giovanni di maturgo della storia della musica». 3, 6* giugno 2017 Mozart, firmato da Robert Carsen per il 7 dicembre 2011. Sul podio Paavo Järvi. Wolfgang Amadeus Mozart LP: All’inizio ho ascoltato tutte le regi- Don Giovanni Thomas Hampson veste i panni dell’audace strazioni e non è stata una buona idea libertino; suo fido servitore è Luca Pisaroni. perché mi sono semplicemente sentito Direttore A loro abbiamo chiesto giudizio su uno dei inadeguato. Avendo poi interpretato Le- Paavo Järvi Regia massimi capolavori dell’intera letteratura porello un paio di volte credo di aver Robert Carsen operistica. identificato alcuni snodi centrali del per- Interpreti sonaggio che cerco di portare con me in Don Giovanni Thomas Hampson Goethe già nel 1797 considerava il Don tutte le produzioni. Il Commendatore Tomasz Konieczny Giovanni di Mozart una vetta insormon- Donna Anna Hanna-Elisabeth Müller tabile. Come ci si accosta a un’opera così Mozart e Da Ponte, per la stesura del- Don Ottavio Bernard Richter importante? l’opera, si rifanno a una tradizione bi- Donna Elvira Anett Fritsch Leporello Luca Pisaroni secolare che parte convenzionalmente Zerlina Giulia Semenzato PJ: Goethe aveva ragione! Quando studio da Tirso de Molina e che in modi e Masetto Mattia Olivieri la partitura mi sento in soggezione ma al tempi diversi declina uno dei miti fon- Produzione Teatro alla Scala contempo ritorno alla mia infanzia.
[Show full text]
Handel Rinaldo Tuesday 13 March 2018 6.30Pm, Hall
Handel Rinaldo Tuesday 13 March 2018 6.30pm, Hall The English Concert Harry Bicket conductor/harpsichord Iestyn Davies Rinaldo Jane Archibald Armida Sasha Cooke Goffredo Joélle Harvey Almirena/Siren Luca Pisaroni Argante Jakub Józef Orli ´nski Eustazio Owen Willetts Araldo/Donna/Mago Richard Haughton Richard There will be two intervals of 20 minutes following Act 1 and Act 2 Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we welcome back Harry Bicket as delighted by the extravagant magical and The English Concert for Rinaldo, the effects as by Handel’s endlessly inventive latest instalment in their Handel opera music. And no wonder – for Rinaldo brings series. Last season we were treated to a together love, vengeance, forgiveness, spine-tingling performance of Ariodante, battle scenes and a splendid sorceress with a stellar cast led by Alice Coote.
[Show full text]
Lesebuch Zur Saison 2012 Chefdirigent | Cornelius Meister13 Inhalt
Lesebuch zur Saison 2012 CHEFDIRIGENT | CORNELIUS MEISTER13 INHALT RSO Wien spielt … 2 Kalendarium 10 in ORF Programmen 6 Vorwort 12 im Wiener Konzerthaus 20 im Musikverein Wien 26 im Theater an der Wien 28 in ganz Österreich 32 international 36 im RadioKulturhaus 38 für Neugierige 46 mit dem Nachwuchs RSO Wien spielt … 51 auf CD und DVD 52 Freunde des RSO 56 Das ORF Radio-Symphonieorchester Wien 64 RSO Wien Aboreihen 65 Veranstalter & Information 2 KALENDARIUM 2012 SEPTEMBER So., 02.09.12 > Seite 29 + 39 Eisenstadt. Schloss Esterházy Ö1 KulturPicknick STRAUSS Don Juan – Tondichtung op. 20 STRAUSS Suite aus »Der Rosenkavalier« Cornelius Meister Dirigent JUNI Do., 13.09.12 Open Air im Prater live in ORF 2 LEHÁR Sa., 23.06.12 > Seite 29 Die lustige Witwe Eisenstadt. Schloss Esterházy Robert Meyer Regie Open-Air-Gala Felix Breisach Fernsehregie WERKE VON ROssINI, DONIZETTI, VERDI, Cornelius Meister Dirigent GOUNOD, PUCCINI, BERNsTEIN U. A. Ana María Martínez, Joseph Calleja Sa., 22./Mo., 24.09.12 > Seite 29 Jochem Hochstenbach Dirigent Graz Musikverein VERDI Do., 28.06.12 > Seite 37 Giovanna d’Arco RadioKulturhaus Maria Agresta, FM4 Radio Session Attila Fekete, Gabriele Viviani Cornelius Meister Dirigent Carlo Montanaro Dirigent JULI OKTOBER Sa., 28.07.12 > Seite 30 10./12./15./ Salzburg. Kollegienkirche 18./20./23.10.12 > Seite 27 Salzburger Festspiele Theater an der Wien LUTOSLAWSKI Oper Doppelkonzert für Oboe, Harfe und Streicher PUCCINI HOLLIGER Il trittico Atembogen für Orchester Roberto Frontali, Patricia Racette, ZIMMERMANN Stella Grigorian, Carola Glaser u. a. »Nobody knows de trouble I see« Damiano Michieletto Inszenierung für Trompete in C und Orchester Kirill Petrenko Dirigent LUTOSLAWSKI Konzert für Violoncello und Orchester Do., 11.10.12 > Seite 13 Heinz Holliger, Ursula Holliger, Wiener Konzerthaus > 1.
[Show full text]
La Résurrection Haendel / Le Concert D'astrée 17,18 Avril 09
re?surrection:Mise en page 1 10/04/09 10:17 Page 1 OPERA DE LILLE SAISON 08/09 LA RÉSURRECTION HAENDEL / LE CONCERT D’ASTRÉE 17,18 AVRIL 09 – 20H PROGRAMME CONCERT re?surrection:Mise en page 1 10/04/09 10:17 Page 2 2 Emmanuelle Haïm et Le Concert d’Astrée, Opéra de Lille, 2008 (Photo : Frédéric Iovino) re?surrection:Mise en page 1 10/04/09 10:17 Page 3 LA RESURREZIONE [LA RÉSURRECTION] GEORG FRIEDRICH HAENDEL (1685-1759) Oratorio en 2 parties HWV.47 Livret de Carlo Sigismondo Capece (1652-1728) — Avec Camilla Tilling L’Ange Kate Royal Marie-Madeleine 3 Sonia Prina Marie de Cléophas Toby Spence Saint-Jean l’Évangéliste Luca Pisaroni Lucifer Le Concert d’Astrée Direction musicale & clavecin Emmanuelle Haïm — Concerts enregistrés par Virgin Classics — Durée du concert : 2H20 avec entracte re?surrection:Mise en page 1 10/04/09 10:17 Page 4 Le Concert d’Astrée Direction musicale, clavecin Emmanuelle Haïm Violon solo Julien Chauvin Violons I Caroline Bayet, Emmanuel Curial, Maud Giguet, Agnieszka Rychlik Violons II Johannes Pramsohler, Jérôme Akoka, Matthieu Camilleri, Isabelle Lucas, Paula Waisman Altos Laurence Duval, Diane Chmela, Marta Paramo Violoncelles Atsushi Sakaï*, Claire Thirion*, Claire Gratton Viole de gambe Atsushi Sakaï* Contrebasse Nicola dal Maso* Luth Laura Monica Pustilnik* 4 Basson Philippe Miqueu Flûtes à bec Héloïse Gaillard, Meillane Wilmotte Flûte traversière Alexis Kossenko Hautbois Emmanuel Laporte, Jasu Moisio Trompettes Guy Ferber, Emmanuel Alemany Clavecin et orgue Philippe Grisvard* * Continuo Mécénat Musical Société Générale, mécène principal du Concert d’Astrée. Le Concert d’Astrée, ensemble en résidence à l’Opéra de Lille, bénéficie de l’aide au conventionnement du Ministère de la Culture et Communication – DRAC Nord Pas de Calais.
[Show full text]
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B.
[Show full text]
Luca Pisaroni and Thomas Hampson: No Tenors Allowed Tuesday, April 30, 2019 at 8:00Pm Pre-Concert Talk at 7:00Pm This Is the 937Th Concert in Koerner Hall
Luca Pisaroni and Thomas Hampson: No Tenors Allowed Tuesday, April 30, 2019 at 8:00pm Pre-concert Talk at 7:00pm This is the 937th concert in Koerner Hall Luca Pisaroni, baritone Thomas Hampson, baritone Vlad Iftinca, piano PROGRAM: Some Enchanted Evening Wolfgang Amadeus Mozart: “Non più andrai” from Le nozze di Figaro Wolfgang Amadeus Mozart: “Hai già vinta la causa” from Le nozze di Figaro Wolfgang Amadeus Mozart: “Madamina, il catalogo è questo” from Don Giovanni Wolfgang Amadeus Mozart: “Eh via buffone” from Don Giovanni Wolfgang Amadeus Mozart: “Deh vieni alla finestra” from Don Giovanni Ruggero Leoncavallo: “Intermezzo” from I pagliacci Giuseppe Verdi: “Perfidi! ... Pietà, rispetto, amore” from Macbeth Gioachino Rossini: “Sorgete … Duce di tanti eroi” from Maometto II INTERMISSION Franz Lehár: “O Vaterland, du machst bei Tag” from Die lustige Witwe Franz Lehár: “Dein ist mein ganzes Herz” from Das Land des Lächelns Emmerich Kálmán: “Komm, Zigány” from Gräfin Mariza Harold Arlen: “Somewhere Over the Rainbow” from The Wizard of Oz Richard Rogers: “Some Enchanted Evening” from South Pacific Leonard Bernstein: “Lonely Town” from On the Town Richard Rogers: “This Nearly Was Mine” from South Pacific Medley (“Anything You Can Do,” “There Is Nothing Like a Dame,” “This Is My Beloved”) Luca Pisaroni Baritone Italian bass-baritone Luca Pisaroni has established himself as one of the most charismatic and versatile singers performing today. Since his debut at age 26 with the Vienna Philharmonic at the Salzburg Festival, led by Nikolaus Harnoncourt, he has continued to bring his compelling artistry to the world’s leading opera houses and concert halls.
[Show full text]
2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020
2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Due to the 2020 COVID-19 situation, the WFMT Radio Network will release information in batches as opera broadcasts are confirmed. Please contact [email protected] for more information. PROGRAM #: OS 20-01 RELEASE: May 16, 2020 OPERA: Alceste (in French) COMPOSER: Christoph Willibald Gluck LIBRETTO: Marius-François-Louis Gand Lebland, Bailli Du Roullet after Ranieri de’ Calzabigi VENUE: National Theatre, Munich PRESENTING COMPANY: Bavarian State Opera CAST: Admeto Charles Castronovo Alceste Dorothea Röschmann High Priest of Apollo/Hercules Michael Nagy Evandro Manuel Günther Herald/Apollo Sean Michael Plumb Oracle/Infernal Deity Callum Thorpe ENSEMBLE: Bavarian State Orchestra and Opera Chorus CONDUCTOR: Antonello Manacorda DIRECTOR: Sidi Larbi Cherkaoui Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-02 RELEASE: May 23, 2020 OPERA: Tales of Hoffmann (in French) COMPOSER: Jacques Offenbach LIBRETTO: Juless Babier, Michel Carré VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Hoffmann Dmitry Korchak Olympia/Antonia/Giulietta Olga Peretyatko The Muse/Nicklausse Gaëlle Arquez Councillor Lindorf/Coppélius/ Luca Pisaroni Miracle/ Dapertutto Andrès/Cochenille/Frantz/ Michael Laurenz Pitichinaccio ENSEMBLE: Vienna State Opera Chorus and Orchestra CONDUCTOR: Frédéric Chaslin DIRECTOR: Andrei Serban Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-03 RELEASE: May 30, 2020 OPERA: Elektra (in German) COMPOSER: Richard Strauss LIBRETTO: Hugo von Hofmannsthal VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Klytaemnestra Waltraud Meier Elektra Christine Goerke Chrysothemis Simone Schneider Aegisth Norbert Ernst Orest Michael Volle ENSEMBLE: Vienna State Opera Orchestra CONDUCTOR: Semyon Bychkov DIRECTOR: Uwe Eric Laufenberg Approx.
[Show full text]
Italian Bass-Baritone Luca Pisaroni Has Established Himself As One of the Most Charismatic and Versatile Singers Performing Today
Italian bass-baritone Luca Pisaroni has established himself as one of the most charismatic and versatile singers performing today. Since his debut at age 26 with the Vienna Philharmonic at the Salzburg Festival, led by Nikolaus Harnoncourt, Pisaroni has continued to bring his compelling artistry to the world’s leading opera houses, concert halls, and festivals. Pisaroni begins the 2017/18 season as Mahomet II in Rossini’s Le Siège de Corinthe in his first performances at the Rossini Opera Festival in Pesaro, followed by role debuts as Golaud in Debussy’s Pelleas et Melisande at Opera de Paris and Mustafà in Rossini’s L’Italiana in Algeri at the Wiener Staatsoper. Mr. Pisaroni returns to the Metropolitan Opera stage as Count Almaviva in Mozart’s Le nozze di Figaro and he sings Méphistophélès in Gounod’s Faust at the Tchaikovsky Concert Hall in Moscow. He will perform the roles of Alidoro in Rossini’s La Cenerentola and Leporello in Don Giovanni at the Wiener Staatsoper, and he then debuts in the role of Don Pizarro in Beethoven’s Fidelio at Teatro alla Scala, under the baton of Myung-Whun Chung. This season, Mr. Pisaroni’s international concert appearances include Rossini’s Petite Messe Solennelle at the Konzerthaus Wien and with the Luxembourg Philharmonie; Beethoven’s C Major Mass with the Symphonierorchester des Bayerischen Rundfunks, conducted by Mariss Jansons; Beethoven’s Missa Solemnis with the LSO and Michael Tilson- Thomas; Händel’s Rinaldo (Argante) on tour with the English Concert under the baton of Harry Bicket; Schubert’s Orchestrated Songs with the Filarmonica della Scala, led by Fabio Luisi; Mozart’s C Minor Mass with the Concentus Musicus Wien at the Musikverein; and a Rossini Gala with the Orchestra Sinfonica della Rai with Maestro Luisi.
[Show full text]
Don Giovanni“-Aufführung Großartige Sängerinnen Und Sänger Und Gleich Zwei Unserer NDR Ensembles, Die NDR Radiophilharmonie Und Den NDR Chor, Erleben
5. NDR Klassik Open Air WolfgangDon Amadeus Giovanni Mozart 25. August 2018 GRUSSWORT Sehr geehrte Damen und Herren, gerne begrüße ich Sie zum 5. NDR Klassik Open Air, einem musi- kalischen Ereignis, das Hannover auch am heutigen Abend wieder einen einzigartigen Glanz verleihen und Tausende Menschen zusammenführen wird. Ein Open Air live vor Ort im Maschpark, präsentiert im NDR Fernsehen heute ab 21.45 Uhr, im Stream auf NDR.de und im Hörfunk auf NDR Kultur. Sie werden in dieser „Don Giovanni“-Aufführung großartige Sängerinnen und Sänger und gleich zwei unserer NDR Ensembles, die NDR Radiophilharmonie und den NDR Chor, erleben. Zudem freue ich mich sehr über eine besondere Premiere beim NDR Klassik Open Air: Erstmals wird Lutz Marmor der exzellente Chefdirigent der NDR Radiophilharmonie, Andrew Intendant des NDR Manze, diesen Abend leiten. Das mit unseren Partnern, der Stadt Hannover und Hannover Concerts, ausgerichtete NDR Klassik Open Air ist inzwischen ein Opernereignis, das weit über die Gren- zen Hannovers und des NDR Sendegebiets hinausstrahlt und auch in Fachkreisen auf große Anerkennung stößt. Klassische Musik wird hier auf höchstem Niveau und auf ebenso stimmungsvolle wie eindringliche Weise einem breiten, vielfältigen Publikum ver- mittelt und fasziniert Klassik-Einsteiger wie Opernkenner gleicher- maßen. Ich wünsche Ihnen einen spannenden und bewegenden Abend mit Mozarts wunderbarem „Don Giovanni“! Ihr Lutz Marmor GRUSSWORT 02|03 Liebe Besucherinnen und Besucher, es ist wieder so weit: Das NDR Klassik Open Air wird heute Abend einmal mehr eine ganz besondere Atmosphäre in den Maschpark direkt am Rathaus und mitten in Hannovers City zaubern. Als kulturelles Großereignis ist dieses Highlight im hannoverschen Kultur-Sommer inzwischen fest verankert.
[Show full text]
Program Spring 2016
PROGRAM SPRING 2016 CARMEN MAOMETTO II Reaching their Someday is music to everyone’s ears. The hard work, perseverance and vision of emerging artists demonstrate the power of having – and the joy of realizing – a Someday™. Together with programs like the Ensemble Studio at the Canadian Opera Company, we support a diverse range of Canadian talent in communities across the country through the RBC Emerging Artists Project. TM ® / ™ Trademark(s) of Royal Bank of Canada. VPS93138 39782A (05/2015) CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF CARMEN 10 CARMEN FULL CIRCLE: As we bring our 2015/2016 season to a DIRECTOR JOEL IVANY close, we can look back on a year to be proud of, both on and off the stage. WHAT’S PLAYING: 14 MAOMETTO II The COC continued to cement its 20 SERIOUSLY... reputation as a centre for artistic ROSSINI’S MAOMETTO II excellence and a go-to destination for some of the world’s top operatic talent. 24 GET TO KNOW... This past fall, the world premiere of LUCA PISARONI Pyramus and Thisbe was a landmark production for the COC, while La 26 TOWARDS A NEW ERA OF LOWER TICKET PRICES Traviata met with rave reviews from critics and audiences alike. Our 28 BACKSTAGE AND BEYOND Siegfried featured one of the strongest casts you’re likely to hear anywhere 30 SHIFTING INTO HIGH GEAR in the world, and Claus Guth’s take on Mercedes-Benz at the COC The Marriage of Figaro had audiences laughing and talking! 31 BIOGRAPHIES: CARMEN BIOGRAPHIES: MAOMETTO II The unparalleled artistic achievement 35 continues this spring.
[Show full text]
Luca Pisaroni Thomas Hampson Grandes Intérpretes Internacionales
Grandes Intérpretes Internacionales 2019 _ BARÍTONO Thomas Hampson BAJO BARÍTONO No se No admiten tenores Luca Pisaroni 4 2019 | GRANDES INTÉRPRETES INTERNACIONALES JEFE DE GOBIERNO Horacio Rodríguez Larreta VICEJEFE DE GOBIERNO Diego Santilli JEFE DE GABINETE Felipe Miguel MINISTRO DE CULTURA Enrique Avogadro DIRECTORA GENERAL María Victoria Alcaraz GRANDES INTÉRPRETES INTERNACIONALES | 2019 7 No se admiten tenores Thomas Hampson | BARÍTONO Luca Pisaroni | BAJO BARÍTONO Christian Koch | PIANO I PARTE II PARTE - - WOLFGANG AMADEUS MOZART STANISLAO GASTALDON HAROLD ARLEN (1756-1791) (1861-1939) (1905-1986) Oct NON PIÙ ANDRAI Luca Pisaroni MUSICA PROIBITA Luca Pisaroni SOMEWHERE OVER THE RAINBOW HAI GIÀ VINTA LA CAUSA Piano VIE 4 | 20H Thomas Hampson ARTURO BUZZI-PECCIA (EL MAGO DE OZ) (LAS BODAS DE FÍGARO) (1854-1943) LOLITA Luca Pisaroni GEORGE GERSHWIN MADAMINA, IL CATALOGO È QUESTO (1898-1937) Luca Pisaroni FRANZ LEHÁR JUST ANOTHER RHUMBA EH VIA BUFFONE Dúo (1870-1948) Luca Pisaroni DEH VIENI ALLA FINESTRA Thomas O VATERLAND Thomas Hampson (A DAMSEL IN DISTRESS) Hampson (LA VIUDA ALEGRE) (DON GIOVANNI) HAYDN WOOD COLE PORTER (1882-1959) VINCENZO BELLINI (1891-1964) ROSES OF PICARDY (1801-1835) WHERE IS THE LIFE THAT LATE I LED? Thomas Hampson IL RIVAL… SUONI LA TROMBA Dúo Thomas Hampson (I PURITANI) (KISS ME, KATE) COLE PORTER (1891-1964) RUGGERO LEONCAVALLO ROBERT WRIGHT NIGHT AND DAY Dúo (1857-1919) (1914-2005) (THE GAY DIVORCEE) INTERMEZZO Piano GEORGE FORREST (I PAGLIACCI) (1915-1999) IRVING BERLIN AND THIS IS MY BELOVED (1888-1989) GIUSEPPE VERDI Dúo ANYTHING YOU CAN DO Dúo (1813-1901) (KISMET) (ANNIE GET YOUR GUN) RESTATE! Dúo (DON CARLO) 8 2019 | GRANDES INTÉRPRETES INTERNACIONALES GRANDES INTÉRPRETES INTERNACIONALES | 2019 9 Dos grandes voces.
[Show full text]
02-15-2020 Cosi Fan Tutte.Indd
WOLFGANG AMADEUS MOZART così fan tutte conductor Opera in two acts Harry Bicket Libretto by Lorenzo Da Ponte production Phelim McDermott Saturday, February 15, 2020 PM set designer 12:30–4:05 Tom Pye First time this season costume designer Laura Hopkins lighting designer Paule Constable revival stage director Sara Erde The production of Così fan tutte was made possible by generous gifts from William R. Miller, and John Sucich / Trust of Joseph Padula Additional funding was received from the The Walter and Leonore Annenberg Endowment Fund, and the National Endowment for the Arts general manager Peter Gelb Co-production of the Metropolitan Opera and jeanette lerman-neubauer English National Opera music director Yannick Nézet-Séguin In collaboration with Improbable 2019–20 SEASON The 199th Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S così fan tutte conductor Harry Bicket in order of vocal appearance ferrando skills ensemble Ben Bliss* Leo the Human Gumby Jonathan Nosan guglielmo Ray Valenz Luca Pisaroni Josh Walker Betty Bloomerz don alfonso Anna Venizelos Gerald Finley Zoe Ziegfeld Cristina Pitter fiordiligi Sarah Folkins Nicole Car Sage Sovereign Arthur Lazalde dorabella Radu Spinghel Serena Malfi despina continuo Heidi Stober harpsichord Jonathan C. Kelly cello David Heiss There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. Saturday, February 15, 2020, 12:30–4:05PM JONATHAN TICHLER / MET OPERA A scene from Chorus Master Donald Palumbo Mozart’s Così Musical Preparation Joel Revzen, Liora Maurer, fan tutte
[Show full text]