PN 17-14 RELEASE DATE: Monday, September 25, 2017
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
The SRPR Review Essay: to Write the Larger Scene: Notes on the New Political Lyric
THE SRPR REVIEW ESSAY: TO WRITE THE LARGER SCENE: NOTES ON THE NEW POLITICAL LYRIC JOHN BEER Blue Fasa Nathaniel Mackey New Directions, 2015 160 pages; paperback; $16.95 Ban en Banlieu Bhanu Kapil Nightboat Books, 2015 112 pages; paperback; $15.95 The Devastation Melissa Buzzeo Nightboat Books, 2015 184 pages; paperback; $15.95 Olio Tyehimba Jess Wave Books, 2016 256 pages; paperback; $25.00 1. The Political Lyric Seen from one angle, the idea of a “political lyric” is an altogether familiar one. From their Western inception, lyric poems, like their dra- matic and epic counterparts, had a public role to play, as in Pindar’s celebratory odes. Milton, Wordsworth, and Yeats all composed works that combined reflection on the most fraught public confrontations of their day with the emotional intensity and linguistic compression often considered hallmarks of the lyric genre. In a more abstruse vein, a political content has often been descried in the genre of lyric 106 itself, and even in its more manifestly apolitical specimens. Hegel, for instance, maintains that a moment of universality, of potential public communion, is essential to the poetic status of a lyric: “how- ever intimately the insights and feelings which the poet describes as his own belong to him as a single individual, they must nevertheless possess a universal validity.”1 In a related vein, Adorno states that “the universality of the lyric’s substance…is social in nature. Only one who hears the voice of humankind in the poem’s solitude can understand what the poem is saying.”2 No matter how resolutely a poet professes art for art’s sake, on such a line, to write a lyric is to engage in a fundamentally political practice. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
There's Even More to Explore!
Background artwork: SPECIAL COLLECTIONS UCHICAGO LIBRARY Kaplan and Fridkin, Agit No. 2 MUSIC THEATER ART MUSIC THEATER LECTURE / CLASS MUSIC MUSIC MUSIC / FILM LECTURE / CLASS MUSIC University of Chicago Presents University Theater/Theater and Performance Studies The University of Chicago Library Symphony Center Presents Goodman Theatre University of Chicago Presents Roosevelt University Rockefeller Chapel University of Chicago Presents TOKYO STRING QUARTET THEATER 24 PLAY SERIES: GULAG ART Orchestra Series CHEKHOv’S THE SEAGULL LECTURE / DEmoNSTRATioN PAciFicA QUARTET: 19TH ANNUAL SILENT FiLM LECTURE / DEmoNSTRATioN BY MARiiNskY ORCHESTRA FRIDAY, OCTOBER 1, 2010 A CLOUD WITH TROUSERS THROUGH DECEMBER 2010 OCTOber 16 – NOVEMBER 14, 2010 BY PACIFICA QUARTET SHOSTAKOVICH CYCLE WITH ORGAN AccomPANimENT: MAsumi RosTAD, VioLA, AND (FORMERLY KIROV ORCHESTRA) Mandel Hall, 1131 East 57th Street SATURDAY, OCTOBER 2, 2010, 8 PM The Joseph Regenstein Library, 170 North Dearborn Street SATURDAY, OCTOBER 16, 2 PM SUNDAY OCTOBER 17, 2010, 2 AND 7 PM AELITA: QUEEN OF MARS AMY BRIGGS, PIANO th nd chicagopresents.uchicago.edu, 773.702.8068 First Floor Theater, Reynolds Club, 1100 East 57 Street, 2 Floor Reading Room Valery Gergiev, conductor Goodmantheatre.org, 312.443.3800 Fulton Recital Hall, 1010 East 59th Street SUNDAY OCTOBER 31, 2010, 2 AND 7 PM Jay Warren, organ SATURDAY, OCTOBER 30, 2 PM 5706 South University Avenue Lib.uchicago.edu Denis Matsuev, piano Chicagopresents.uchicago.edu, 773.702.8068 FRIDAY, OCTOBER 29, 2010, 8 PM Fulton Recital Hall, 1010 East 59th Street Mozart: Quartet in C Major, K. 575 As imperialist Russia was falling apart, playwright Anton SUNDAY JANUARY 30, 2011, 2 AND 7 PM ut.uchicago.edu TUESDAY, OCTOBER 12, 2010, 8 PM Rockefeller Chapel, 5850 South Woodlawn Avenue Chicagopresents.uchicago.edu, 773.702.8068 Lera Auerbach: Quartet No. -
Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H. -
Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A. -
Wwciguide April 2019.Pdf
From the President & CEO The Guide The Member Magazine for WTTW and WFMT Dear Member, Renée Crown Public Media Center This month, we are excited to bring you a sweeping new adaptation of Victor Hugo’s 5400 North Saint Louis Avenue Chicago, Illinois 60625 classic novel Les Misérables. This new six-part series, featuring an all-star cast including Dominic West, David Oyelowo, and recent Oscar winner Olivia Colman, tells the story of fugitive Jean Valjean, his relentless pursuer Inspector Javert, and other colorful characters Main Switchboard (773) 583-5000 in turbulent 19th century France. We hope you’ll join us on Sunday nights for this epic Member and Viewer Services drama, and explore extra content on our website including episode recaps and fact vs. (773) 509-1111 x 6 fiction. If spring is a time of renewal, that is also certainly true of some of WTTW’s offerings Websites wttw.com in April, including eagerly awaited new seasons of three very different British detective wfmt.com series – Father Brown, Death in Paradise, and Unforgotten – and Mexico: One Plate at a Time, Jamestown, and Islands Without Cars. On wttw.com, as American Masters features Publisher newspaper magnate Joseph Pulitzer, we profile Chicago winners of the journalism and Anne Gleason arts award that bears his name, and highlight some extraordinary African American Art Director Tom Peth entrepreneurs in Chicago. WTTW Contributors WFMT will present the annual Rising Stars concert of the Ryan Opera Center, and Julia Maish Dan Soles organist Nathan Laube’s four-part international organ festival on Friday evenings, All the WFMT Contributors Stops with Nathan Laube. -
Letter Reso 1..2
*LRB10017986ALS33171r* HR0815 LRB100 17986 ALS 33171 r 1 HOUSE RESOLUTION 2 WHEREAS, The members of the Illinois House of 3 Representatives wish to recognize the work and accomplishments 4 of Tyehimba Jess; and 5 WHEREAS, Tyehimba Jess grew up in Detroit, Michigan and 6 started writing poetry at the age of 16; when he was 18, he won 7 second prize for poetry at an NAACP academic competition; he 8 enrolled in the University of Chicago to study Public Policy; 9 however, when taking classes with poet and scholar Sterling 10 Plumpp, who became his mentor, he realized his real passion was 11 for poetry; he graduated from the University of Chicago in 1991 12 with a bachelor's degree in public policy; he earned his Master 13 of Fine Arts from New York University in 2004; and 14 WHEREAS, Tyehimba Jess is the author of two books of 15 poetry, Leadbelly and Olio; his inspiration for writing stems 16 from his desire to convey historical themes through expression 17 and performance; and 18 WHEREAS, Tyehimba Jess has won many awards, including the 19 2017 Pulitzer Prize for Olio, an Illinois Arts Council 20 Fellowship in Poetry, the Chicago Sun-Times Poetry Award, and a 21 Whiting Fellowship; his work has appeared in Soul Fires: Young 22 Black Men on Love and Violence, Obsidian III: Literature in the HR0815 -2- LRB100 17986 ALS 33171 r 1 African Diaspora, and Power Lines: Ten Years of Poetry from 2 Chicago's Guild Complex; and 3 WHEREAS, Tyehimba Jess teaches poetry and fiction at the 4 College of Staten Island of the City University of New York and 5 is the faculty adviser for Caesura, the college's literary arts 6 magazine; therefore, be it 7 RESOLVED, BY THE HOUSE OF REPRESENTATIVES OF THE ONE 8 HUNDREDTH GENERAL ASSEMBLY OF THE STATE OF ILLINOIS, that we 9 recognize the contributions Tyehimba Jess has made to the 10 literary world and to the people of Illinois, and we 11 congratulate him on his 2017 Pulitzer Prize; and be it further 12 RESOLVED, That a suitable copy of this resolution be 13 presented to Tyehimba Jess as a symbol of our esteem and 14 respect.. -
February 2016
founded in 1912 by harriet monroe February 2016 FOUNDED IN 1912 BY HARRIET MONROE volume ccvii • number 5 CONTENTS February 2016 POEMS allen ginsberg 439 New York to San Fran sylvia legris 461 Cold Zodiac and Butchered Pig paisley rekdal 462 The Wolves bernadette mayer 464 Windrowing Conversation with the Tsatsawassa House sharon olds 468 The Relics Spoon Ode beth bachmann 474 spirit animal david shapiro 475 Tattoo for Gina Gratuitous Oranges Exterior Street phillis levin 478 Cloud Fishing rachael allen 479 Prairie Burning david hernandez 480 We’re This and We’re That, Aren’t We? john wilkinson 482 Fuchsine todd colby 486 From “Governors Island” alan shapiro 488 Frieze franny choi 489 Choi Jeong Min john yau 492 Portrait tyehimba jess 493 Sissieretta Jones ange mlinko 494 Cottonmouth The Fort thomas lynch 496 Libra c.d. wright 497 From “The Obscure Lives of Poets” kathi wolfe 499 Tasting Braille tom pickard 500 winter migrants phillip b. williams 506 Vision in Which the Final Blackbird Disappears elena karina byrne 507 During the Vietnam War Lynne’s Car Washed Violently Down, Off the Cliff After a While, You Win: Death Pastoral robert pinsky 510 In the Coma Ceremony holly corfield carr 512 Deepwater kyle dargan 514 Olympic Drive Dear Echo francine j. harris 518 gravity furnace first, take a fistful of hair molly peacock 520 The Nurse Tree john murillo 521 Upon Reading that Eric Dolphy Transcribed Even the Calls of Certain Species of Birds, COMMENT james longenbach 529 Lyric Knowledge contributors 540 Editor don share Art Director fred sasaki Managing Editor sarah dodson Assistant Editor lindsay garbutt Editorial Assistant holly amos Consulting Editor christina pugh Design alexander knowlton cover art by chris bradley “Mnemonic,” 2014 POETRYMAGAZINE.ORG a publication of the POETRY FOUNDATION printed by cadmus professional communications, us Poetry • February 2016 • Volume 207 • Number 5 Poetry (issn: 0032-2032) is published monthly, except bimonthly July / August, by the Poetry Foundation. -
Network Notebook
Network Notebook Fall Quarter 2017 (October - December) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Artist in Residence
The University of Nevada Las Vegas College of Fine Arts Department of Music Presents Artist in Residence • lC ae Kim, p1ano• Monday, 21 April 2008 8:30P.M. Doc Rando Recital Hall Beam Music Center '""J Program '""J Fantasia in D Minor, K. 397 WA. Mozart Sonata inC Major, K. 330 WA. Mozart Allegro moderato Andante cantabile Allegretto Etud_e de sonoritie #2 (1953) Francois Morel Rhapsody in Blue George Gershwin arranged for piano solo by Michael Kim '""J Intermission '""J Num l~omm der Heiden Heiland . J.S. Bach-F. Busoni Ballade No. 4, Op. 52 Polonaise No.6 in A flat Major, Op. 53 F. Chopin Carmen Variations G. Bizet-W Horowitz MICHAEL KIM, pianist "Kim was most effective and expressive ... he has a big technique and a razor sharp attacl<." was how Richard Dyer of the Boston Globe described pianist Michael Kim's debut performances with the Boston Pops at Symphony Hall. Recent seasons have included concerto appearances with the Royal Scottish National Orchestra, BBC Scottish Symphony, Boston and Cincinnati Pops, the Manitoba Chamber Orchestra, and repeated appearances with the symphonies of Toronto, Vancouver, London, Edmonton, Victoria, Calg·ary, Regina, Sasl<atoon, Florida, Fox Valley, Ol<lahoma City, Green Bay, and Milwaul<ee, and numerous others. With these or chestras, he has performed over 60 concerti ranging from the l<eyboard concerti of J.S. Bach to Stravinsl<y's Capriccio. AB a recitalist and chamber musician, Dr. Kim has performed repeatedly in every major Canadian city, and throughout the U.S., U.K., South America, and fuia. -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.