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The Painting of Modern Life: Paris in the Art of Maner and His Followers / T
THE PAINTING of Copyright © 1984 by T. f. Clark All rights reserved under International and Pan-American Copyright Conventions. Published by Princeton University.Press, 41 William Street, Princeton, New Jersey 08540. Reprinted by arrangement with Alfred A. Knopf, Inc. MODERN LIFE Grateful acknowledgment is made to the following for permission to reprint previously pub- lished material: Excerpt from "Marie Lloyd" in Selected Essays by T. S. Eliot, copyright 1950 by Harcourt Brace [ovanovich, Inc.; renewed ]978 by Esme Valerie Eliot. Reprinted by permission PARISIN THE ART OF MANET AND HIS FOLLOWERS of the publisher. LIBRARY OF CONGRESS CATALOGING IN PUnUCATION DATA Revised Edition Clark, T. J. (Timothy J.) The painting of modern life: Paris in the art of Maner and his followers / T. 1- Clark. - Rev. ed. P: em. Includes bibliographica! references and index. T.1.CLARK ISBN 0-69!-00903-1 (pbk. : alk. paper) 1. Impressionism (Art)-France-Paris. 2. Painting, French- France-Paris. 3. Painting, Modern-19th century+=France-c-Paris. 4. Paris (Francej-c-In art. 5. Maner, Edouard, l832-1883--Inftuencc, I. Title. ND550.C55 1999 758'.9944361-dc21 99-29643 FIRST PRINTING OF THE REVISED EDITION, 1999 MANUFACTURED IN THE UNITED STATES OF AMERICA FIRST PRINCETON PAPERBACK PRINTING, 1986 THIRD PRINCETON PAPERBACK PRINTING, 1989 9 8 7 CHAPTER TWO OLYMPIA'S CHOICE "We shall define as prostitute only that woman who, publicly and without love, gives herself to the first comer for a pecuniary remuneration; to which formula we shall add: and has no other means of existence besides the temporary relations she entertains with a more or less large number of individuals." From which itfollows--and it seems to me the truth--that prostitute implies first venality and second absence of choice. -
Lorna Luft Next to Take the Stage at Live at the Orinda Theatre, Oct. 4
LAMORINDA WEEKLY | Lorna Luft next to take the stage at Live at the Orinda Theatre, Oct. 4 Published Octobwer 3rd, 2018 Lorna Luft next to take the stage at Live at the Orinda Theatre, Oct. 4 By Derek Zemrak Lorna Luft was born into Hollywood royalty, the daughter of Judy Garland and film producer Sidney Luft ("A Star is Born"). She will be bringing her musical talent to the Orinda Theatre at 7:30 p.m. Oct. 4 as part of the fall concert series, Live at the Orinda, where she will be singing the songs her mother taught her. Luft's acclaimed career has encompassed virtually every arena of entertainment. A celebrated live performer, stage, film and television actress, bestselling author, recording artist, Emmy-nominated producer, and humanitarian, she continues to triumph in every medium with critics labeling her one of the most versatile and exciting artists on the stage today. The daughter of legendary entertainer Garland and producer Luft, music and entertainment have always been integral parts of her life. Luft is a gifted live performer, frequently featured on the Lorna Luft Photos provided world's most prestigious stages, including The Hollywood Bowl, Madison Square Garden, Carnegie Hall, The London Palladium, and L'Olympia in Paris. She proves again and again that she's a stellar entertainer, proudly carrying the torch of her family's legendary show business legacy. "An Evening with Lorna Luft: Featuring the Songbook of Judy Garland" is a theatrical extravaganza that melds one of the world's most familiar songbooks with personal memories of a loving daughter. -
The Plagued History of Judy Garland and Liza Minnelli “Live” at the London Palladium, 1965-2009 LAWRENCE SCHULMAN
ARSC JOURNAL VOL. 40, NO. 2 $56&-RXUQDO VOLUME 40, NO. 2 • FALL 2009 )UDQN0DQFLQLDQG0RGHVWR+LJK6FKRRO%DQG·V &RQWULEXWLRQWRWKH1DWLRQDO5HFRUGLQJ5HJLVWU\ 67(9(13(&6(. 7KH3ODJXHG+LVWRU\RI-XG\*DUODQGDQG/L]D0LQQHOOL ´/LYHµDWWKH/RQGRQ3DOODGLXP /$:5(1&(6&+8/0$1 'DYLG/HPLHX[DQGWKH*UDWHIXO'HDG$UFKLYHV -$621.8))/(5 7KH0HWURSROLWDQ2SHUD+LVWRULF%URDGFDVW5HFRUGLQJV FALL 2009 FALL *$5<$*$/2 &23<5,*+7 )$,586( %22.5(9,(:6 6281'5(&25',1*5(9,(:6 &855(17%,%/,2*5$3+< $56&-2851$/+,*+/,*+76 Volume 40, No. 2 ARSC Journal Fall, 2009 EDITOR Barry R. Ashpole ORIGINAL ARTICLES 159 Frank Mancini and Modesto High School Band’s Contribution to the 2005 National Recording Registry STEVEN PECSEK 174 The Plagued History of Judy Garland and Liza Minnelli “Live” at the London Palladium, 1965-2009 LAWRENCE SCHULMAN ARCHIVES 189 David Lemieux and the Grateful Dead Archives JASON KUFFLER DISCOGRAPHY 195 The Metropolitan Opera Historic Broadcast Recordings GARY A. GALO 225 COPYRIGHT & FAIR USE 239 BOOK REVIEWS 281 SOUND RECORDING REVIEWS 317 CURRENT BIBLIOGRAPHY 341 ARSC JOURNAL HIGHLIGHTS 1968-2009 ORIGINAL ARTICLE | LAWRENCE SCHULMAN 7KH3ODJXHG+LVWRU\RIJudy Garland and Liza Minnelli “Live” at the London Palladium, In overviewing the ill-fated history of Judy Garland’s last Capitol Records album, Judy Garland and Liza Minnelli “Live” at the London Palladium, recorded on 8 and 15 November WKHDXWKRUHQGHDYRUVWRFKURQLFOHWKHORQJDQGZLQGLQJHYHQWVVXUURXQGLQJLWVÀUVW release on LP in 1965, its subsequent truncated reissues over the years, its aborted release RQ&DSLWROLQLQLWVFRPSOHWHIRUPDQGÀQDOO\LWVDERUWHGUHOHDVHRQ&ROOHFWRU·V&KRLFH -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Olympia-Brochure-2020-2.Pdf
History 04 Vision 10 Neighbourhood 28 Connectivity 38 Offices 44 2 — FUTURE OLYMPIA FUTURE OLYMPIA — 3 1 History FUTURE OLYMPIA — 5 Olympia is no ordinary neighbourhood Olympia London has been home to the best of global innovation, culture and entertainment for over 130 years. From Britain’s first cinema and the world’s first computer exhibition to Victorian circuses and London Fashion Week. 01 04 02 01 BERTRAM MILLS CIRCUS 1924 02 AERO & MOTOR BOAT EXHIBITION 1911 03 MOTORCYCLE & CYCLE SHOW 1921 04 HYPER JAPAN 2017 05 05 VIVIENNE WESTWOOD, 03 LONDON FASHION WEEK 2009 6 — FUTURE OLYMPIA FUTURE OLYMPIA — 7 Then 04 05 With a projected two million visitors per year, Olympia London will 01 02 continue to provide world class exhibition space reflecting its tremendous heritage. 06 01 CHRIS EUBANK VS. GARY STRETCH BOXING MATCH ON 18TH APRIL 1991 IN THE GRAND HALL, WATCHED BY 9000 SPECTATORS 02 LONDON FASHION EXHIBITION 26–29 OCT 1976 03 QUEEN ELIZABETH, PRINCE CHARLES & PRINCESS ANNE VISIT BERTRAM MILLS 03 CIRCUS 1958 04 100% DESIGN EXHIBITION 2012 05 THE UK’S FIRST EVER DRAGWORLD 2017 06 VIVIENNE WESTWOOD’S FALL 2009 COLLECTION FOR LONDON FASHION WEEK 8 — FUTURE OLYMPIA Now FUTURE OLYMPIA — 9 2 Vision FUTURE OLYMPIA — 11 Vision A new destination with a taste for the spectacular — uniting art, entertainment, technology and industry under one iconic roof. A remarkable feat of British architecture and design conceived to enrich, reflect and shape the world around it. With over two million sq ft of contemporary communal space, there is a lot to explore. -
Timeline / Before 1800 to 1930 / REDISCOVERING the PAST
Timeline / Before 1800 to 1930 / REDISCOVERING THE PAST Date Country Theme 1787 Spain Rediscovering The Past Antigüedades Árabes de España published by Real Academia de Bellas Artes de San Fernando – it marks the beginning of the rediscovery of the Arab past. 1802 United Kingdom Rediscovering The Past The Treaty of Paris is signed. Following defeat by Anglo-Ottoman forces, France surrenders to Britain the Egyptian antiquities it has collected. The way is open for British exploration of Egyptian archaeology. 1802 Germany Rediscovering The Past The first Chair of Archaeology is appointed at the Christian-Albrechts-Universität in Kiel. 1806 - 1921 Jordan Rediscovering The Past The 19th century is the age of rediscovery and of opening up the monuments and sites of the Ancient East to Western civilisation. Most ancient sites of Transjordan such as Petra, Jerash, Gadara (Umm Qays), Amra, Umm al-Rasas, Mushatta and many others are explored, documented and identified during the 19th century. 1808 United Kingdom Rediscovering The Past Claudius Rich is appointed East India Company Resident at Baghdad. His work at Babylon and Nineveh stimulates European interest in the archaeology of Iraq. East India Company men play a major role in the exploration and mapping of the Middle East. 1810 - 1850 Tunisia Rediscovering The Past Travellers and explorers of modern times have scoured and described the Regency of Tunis. Their missions to the region provided occasions to discover the remains of antiquity and open up new fields of research to European scholars. 1815 - 1816 Italy Rediscovering The Past Antonio Canova, acting on behalf of Pope Pio VII, recovers from France several pieces of art belonging to the Papal States, which had been brought to Paris by Napoleon, including the Villa Borghese’s archaeological collection. -
The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians
Popular Music and Society, Vol. 26, No. 1, 2003 “A Little Too Ironic”: The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians Kristen Schilt “RIOT GIRL IS: BECAUSE I believe with my wholeheartmindbody that girls constitute a revolutionary soul force that can, and will, change the world for real” (“Riot Grrrl Is” 44) “Girl power!” (Spice Girls) Introduction Female rock musicians have had difficulty making it in the predominantly white male rock world. Joanne Gottlieb and Gayle Wald note that women’s participation in rock music usually consists of bolstering male performance, in the roles of groupie, girlfriend, or back-up singer (257). Even in punk rock, women are often treated as a novelty by the music press and cultural critics. Male bands such as the Sex Pistols and the Damned achieve rock notoriety while their female counterparts, like the Slits and the Raincoats, sink into obscurity. However, 1995 saw an explosion in the music press about a new group of female musicians: the angry women. Hailed in popular magazines for blending feminism and rock music, Alanis Morissette topped the charts in 1995. Affectionately named the “screech queen” by Newsweek, Morissette combined angry, sexually graphic lyrics with catchy pop music (Chang 79). She was quickly followed by Tracy Bonham, Meredith Brooks, and Fiona Apple. Though they differed in musical style, this group of musicians embodied what it meant to be a woman expressing anger through rock music, according to the music press. Popular music magazines argued that musicians like Morissette were creating a whole new genre for female performers, one that allowed them to assert their ideas about feminism and sexual- ity. -
Manet's Olympia: the Figuration of Scandal Author(S): Charles Bernheimer Source: Poetics Today, Vol
Manet's Olympia: The Figuration of Scandal Author(s): Charles Bernheimer Source: Poetics Today, Vol. 10, No. 2, Art and Literature II (Summer, 1989), pp. 255-277 Published by: Duke University Press Stable URL: http://www.jstor.org/stable/1773024 Accessed: 17/09/2010 08:19 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=duke. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Duke University Press is collaborating with JSTOR to digitize, preserve and extend access to Poetics Today. http://www.jstor.org Manet's Olympia: The Figuration of Scandal Charles Bernheimer Romance Languages and Comparative Literature, Pennsylvania The woman, I look at her, I examine her. -
An Olympia Urban Legend Changes in Thurston County's Bird
Number 13 December 2020 An Olympia Urban Legend Changes in Thurston County’s Bird Populations During the Past Forty Years The Chambers Black Heart Cherry Tree: A Northwest Icon Water, Woods & Prairies: A Thurston County History Book $5.00 THURSTON COUNTY HISTORICAL JOURNAL The Thurston County Historical Journal is dedicated to recording and celebrating the history of Thurston County. The Journal is published by the Olympia Tumwater Foundation as a joint enterprise with the following entities: City of Lacey, City of Olympia, Confederated Tribes of the Chehalis Reservation, Daughters of the American Revolution, Daughters of the Pioneers of Washington/Olympia Chapter, Lacey Historical Society, Old Brewhouse Foundation, Olympia Historical Society and Bigelow House Museum, South Sound Maritime Heritage Association, South Thurston County Historical Society, Thurston County, Tumwater Historical Association, Yelm Prairie Historical Society, and individual donors. Publisher Editor Olympia Tumwater Foundation Karen L. Johnson John Freedman, Executive Director 360-890-2299 Lee Wojnar, President, Board of Trustees [email protected] 110 Deschutes Parkway SW P.O. Box 4098 Editorial Committee Tumwater, Washington 98501 Drew W. Crooks Jennifer Crooks 360-943-2550 James S. Hannum Erin Quinn Valcho www.olytumfoundation.org Obtaining a Copy of the Journal The Journal does not offer a subscription service. To get your own copy, join one of the her- itage groups listed at the top of this page. These groups donate to the publication of the Journal, and thus receive copies to pass on to their members. Issues are also available for purchase at the Bigelow House Museum, Crosby House Museum, and Lacey Museum, and occasionally at Orca Books in downtown Olympia and Hedden’s Pharmacy in Tenino. -
Edouard Manet
Edouard Manet Edouard Manet (mah-NAY) 1832-1883 French Painter Edouard Manet was a transitional figure in 19th Vocabulary century French painting. He bridged the classical tradition of Realism and the new style of Impressionism—A style of art that originated in Impressionism in the mid-1800s. He was greatly 19th century France, which concentrated on influenced by Spanish painting, especially changes in light and color. Artists painted Velazquez and Goya. In later years, influences outdoors (en plein air) and used dabs of pure from Japanese art and photography also affected color (no black) to capture their “impression” of his compositions. Manet influenced, and was scenes. influenced by, the Impressionists. Many considered him the leader of this avant-garde Realism—A style of art that shows objects or group of artists, although he never painted a truly scenes accurately and objectively, without Impressionist work and personally rejected the idealization. Realism was also an art movement in label. 19th century France that rebelled against traditional subjects in favor of scenes of modern Manet was a pioneer in depicting modern life by life. generating interest in this new subject matter. He borrowed a lighter palette and freer brushwork Still life—A painting or drawing of inanimate from the Impressionists, especially Berthe Morisot objects. and Claude Monet. However, unlike the Impressionists, he did not abandon the use of black in his painting and he continued to paint in his studio. He refused to show his work in the Art Elements Impressionist exhibitions, instead preferring the traditional Salon. Manet used strong contrasts and Color—Color has three properties: hue, which is bold colors. -
The Jungle I Explored Eden-Olympia on Foot, Logging
Welcome to the jungle I explored Eden-Olympia on foot, logging miles along the simulated nature trails that ended abruptly when they were no longer visible from the road. Ornamental pathways led to the electricity substations feeding power into the business park’s grid. Surrounded by chain-link fences, they stood in the forest clearings like mysterious and impassive presences. I circled the artificial lakes, with their eerily calm surfaces, or roamed around the vast car parks. The lines of silent vehicles might have belonged to a race who had migrated to the stars. J. G. Ballard, ’Super-Cannes’1 Baby, I’ve been breaking glass in your room again Listen. David Bowie, ’Breaking Glass’2 In his novel Super-Cannes, J. G. Ballard describes a residential business park, a certain Eden-Olympia, in which a highly qualified managerial community lives, primarily, it must be said, in order to work, in an exclusive utopian setting on the coast of the Mediterranean. This stylised, if chronically sterile, business development provides its high-flying inhabitants with all the amenities and luxuries they could possibly desire. On the face of it, life in Eden-Olympia is untroubled. The ills that plague the outside world are firmly locked out. There is no crime. Litter is unheard of. The natural world, in this man-made haven, along with its instincts, are seemingly kept at bay by the directives of international business. Eden-Olympia, with its swish office blocks and show-home atmosphere, exudes the specious charm of the glossiest brochure. What is of interest, especially in regards to this novel and the work of the German artist Thomas Scheibitz, is this glaring contradiction between the world as it exists and as man would like it. -
Pdf/Beatles Chronology Timeline
INDEX 1-CHRONOLOGY TIMELINE - 1926 to 2016. 2-THE BEATLES DISCOGRAPHY. P-66 3-SINGLES. P-68 4-MUSIC VIDEOS & FILMS P-71 5-ALBUMS, (Only Their First Release Dates). P-72 6-ALL BEATLES SONGS, (in Alphabetical Order). P-84 7-REFERENCES and Conclusion. P-98 1 ==================================== 1-CHRONOLOGY TIMELINE OF, Events, Shows, Concerts, Albums & Songs Recorded and Release dates. ==================================== 1926-01-03- George Martin Producer of the Beatles was Born. George Martin died in his sleep on the night of 8 March 2016 at his home inWiltshire, England, at the age of 90. ==================================================================== 1934-09-19- Brian Epstein, The Beatles' manager, was born on Rodney Street, in Liverpool. Epstein died of an overdose of Carbitral, a form of barbiturate or sleeping pill, in his locked bedroom, on 27 August 1967. ==================================================================== 1940-07-07- Richard Starkey was born in family home, 9 Madyrn Street, Dingle, in Liverpool, known as Ringo Starr Drummer of the Beatles. Maried his first wife Maureen Cox in 1965 Starr proposed marriage at the Ad-Lib Club in London, on 20 January 1965. They married at the Caxton Hall Register Office, London, in 1965, and divorced in 1975. Starr met actress Barbara Bach, they were married on 27 April 1981. 1940-10-09- JohnWinston Lennon was born to Julia and Fred Lennon at Oxford Maternity Hospital in Liverpool., known as John Lennon of the Beatles. Lennon and Cynthia Powell (1939– 2015) met in 1957 as fellow students at the Liverpool College of Art. The couple were married on 23 August 1962. Their divorce was settled out of court in November 1968.