DOCSLIB.ORG

Chords/Tabs/Lyrics

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chords/Tabs/Lyrics Son Of A Gun - Nirvana - Incesticide Nirvana: Kurt Cobain (1967-1994): Lead Vocals & Guitar Krist Novoselic: Bass Guitar Dave Grohl: Drums & Back Vocals This is a Vaselines cover, and it is probably one of the best if not the best in the Incesticide. Please rate, post comments, and enjoy playing! :P Verse: e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| Up, up, up and down. Turn, turn, turnaround. e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| Round, round, roundabout and over again. e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| Son, son, son of a gun, you are the only one e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| that makes any difference to what I say. Chorus: e|--------------------------------------------------------------------------| B|--------------------------------------------------------------------------| G|-------------------5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| D|--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| A|--5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-/-5-5-5-5-5-5-5-5-\-3-3-3-3-3-3-3-3----| E|--3-3-3-3-3-3-3-3---------------------------------------------------------| The sun shines in the bedroom, When we plaaaaay. e|--------------------------------------------------------------------------| B|--------------------------------------------------------------------------| G|-------------------5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| D|--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| A|--5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-/-5-5-5-5-5-5-5-5-\-3-3-3-3-3-3-3-3----| E|--3-3-3-3-3-3-3-3---------------------------------------------------------| The raaaining always starts, when you go awaaaaay. e|--------------------------------------------------------------------------| B|--------------------------------------------------------------------------| G|-------------------5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| D|--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| A|--5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-/-5-5-5-5-5-5-5-5-\-3-3-3-3-3-3-3-3----| E|--3-3-3-3-3-3-3-3---------------------------------------------------------| The sun shines in the bedroom, When we plaaaaay. e|--------------------------------------------------------------------------| B|--------------------------------------------------------------------------| G|-------------------5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| D|--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| A|--5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-/-5-5-5-5-5-5-5-5-\-3-3-3-3-3-3-3-3----| E|--3-3-3-3-3-3-3-3---------------------------------------------------------| The raaaining always starts, when you go awaaaaay. Verse: e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| Up, up, up and down. Turn, turn, turnaround. e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| Round, round, roundabout and over again. e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| Son, son, son of a gun, you are the only one e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| that makes any difference to what I say. Chorus: e|--------------------------------------------------------------------------| B|--------------------------------------------------------------------------| G|-------------------5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| D|--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| A|--5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-/-5-5-5-5-5-5-5-5-\-3-3-3-3-3-3-3-3----| E|--3-3-3-3-3-3-3-3---------------------------------------------------------| The sun shines in the bedroom, When we plaaaaay. e|--------------------------------------------------------------------------| B|--------------------------------------------------------------------------| G|-------------------5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| D|--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| A|--5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-/-5-5-5-5-5-5-5-5-\-3-3-3-3-3-3-3-3----| E|--3-3-3-3-3-3-3-3---------------------------------------------------------| The raaaining always starts, when you go awaaaaay. e|--------------------------------------------------------------------------| B|--------------------------------------------------------------------------| G|-------------------5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| D|--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| A|--5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-/-5-5-5-5-5-5-5-5-\-3-3-3-3-3-3-3-3----| E|--3-3-3-3-3-3-3-3---------------------------------------------------------| The sun shines in the bedroom, When we plaaaaay. e|--------------------------------------------------------------------------| B|--------------------------------------------------------------------------| G|-------------------5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| D|--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5----| A|--5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-/-5-5-5-5-5-5-5-5-\-3-3-3-3-3-3-3-3----| E|--3-3-3-3-3-3-3-3---------------------------------------------------------| The raaaining always starts, when you go awaaaaay. Bridge: e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|--------------------7-7-7-7-7-7-7-7---------------------7-7-7-7-7-7-7-7----| D|--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7----| A|--5-5-5-5-5-5-5-5-/-5-5-5-5-5-5-5-5-\-5-5-5-5-5-5-5-5-/-5-5-5-5-5-5-5-5----| E|--3-3-3-3-3-3-3-3---------------------3-3-3-3-3-3-3-3----------------------| e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|--------------------9-9-9-9-9-9-9-9---------------------9-9-9-9-9-9-9-9----| D|--7-7-7-7-7-7-7-7-/-9-9-9-9-9-9-9-9-\-7-7-7-7-7-7-7-7-/-9-9-9-9-9-9-9-9----| A|--7-5-7-7-7-7-7-7-/-7-7-7-7-7-7-7-7-\-7-7-7-7-7-7-7-7-/-7-7-7-7-7-7-7-7----| E|--5-5-5-5-5-5-5-5---------------------5-5-5-5-5-5-5-5----------------------| e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|--------------------7-7-7-7-7-7-7-7---------------------7-7-7-7-7-7-7-7----| D|--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7----| A|--5-5-5-5-5-5-5-5-/-5-5-5-5-5-5-5-5-\-5-5-5-5-5-5-5-5-/-5-5-5-5-5-5-5-5----| E|--3-3-3-3-3-3-3-3---------------------3-3-3-3-3-3-3-3----------------------| e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|--------------------7-7-7-7-7-7-7-7---------------------7-7-7-7-7-7-7-7----| D|--5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7-\-5-5-5-5-5-5-5-5-/-7-7-7-7-7-7-7-7----| A|--5-5-5-5-5-5-5-5-/-5-5-5-5-5-5-5-5-\-5-5-5-5-5-5-5-5-/-5-5-5-5-5-5-5-5----| E|--3-3-3-3-3-3-3-3---------------------3-3-3-3-3-3-3-3----------------------| Verse: e|--------------------------------------------------| B|--------------------------------------------------| G|--2--2--2--2--------------7--7--7--7--------------| D|--2--2--2--2--2--2--2--2--7--7--7--7--2--2--2--2--| A|--0--0--0--0--2--2--2--2--5--5--5--5--2--2--2--2--| E|--------------0--0--0--0--------------0--0--0--0--| Up, up, up and down.
Load more

Recommended publications
  • Indie Mixtape 20 Q&A Is with Proper., Who Can Sing All the Words to Every Kanye and Say Anything Album (Even the Bad Ones)
    :: View email as a web page :: Chuck Klosterman once observed that every straight American man “has at least one transitionary period in his life when he believes Led Zeppelin is the only good band that ever existed.” Typically, this “Zeppelin phase” occurs in one’s teens, when a band that sings lasciviously about squeezing lemons while contemplating hobbits aligns with the surging hormones of the listener. But what about when you hit your early 30s? Is there a band that corresponds with graying beards and an encroaching sense of mortality? We believe, based on anecdotal evidence, that this band is the Grateful Dead. So many people who weren’t Dead fans when Jerry Garcia was alive have come to embrace the band, including many people in the indie-rock community, whether it’s Ezra Koenig of Vampire Weekend, Jim James of My Morning Jacket, or scores of others. Check out this piece on why the Dead is so popular now, even as the 25th anniversary of Garcia’s death looms, and let us know why you like them on Twitter. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century PS: Was this email forwarded to you? Join the band here. In case you missed it... Our YouTube channel just added a swath official music videos from Tori Amos and Faith No More. After a handful of delays, we now have an official release date for the new album from The Killers, as well as a new song.
    [Show full text]
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • Foo Fighters ‘All My Life’
    Tracks Foo Fighters ‘All My Life’ Foo Fighters SONG TITLE: ALL MY LIFE ALBUM: ONE BY ONE RELEASED: 2002 LABEL: RCA GENRE: ROCK PERSONNEL: DAVE GROHL (GTR + VOX) CHRIS SHIFLET (GTR) NATE MENDEL (BASS) TAYLOR HAWKINS (DRUMS) UK CHART PEAK: 1 US CHART PEAK: 43 BACKGROUND INFO NOTES ‘All My Life’ is the last single off the Grammy Texan Taylor Hawkins started his career as a Award winning Foo Fighters’ album One by One. drummer-for-hire and before landing the Foo This driving rock performance comes courtesy of Fighters’ gig was, amongst other things, the touring drummer Taylor Hawkins. The track starts with 30 drummer for Alanis Morissette in her Jagged Little seconds of Dave Grohl singing and playing solo guitar Pill period. Grohl originally contacted Hawkins before the rest of the band comes in at breakneck for advice on the best person to fill the drum slot in speed. The drum groove features displaced snare 1997 and was surprised to hear that he was willing hits and other syncopations that give the verses a see- to do the job himself. Hawkins professes himself to saw sense of motion. By contrast, the choruses are be a big fan of Queen’s Roger Taylor and played with straight-ahead rock. him at Live Earth in 2007 along with Chad Smith of the Red Hot Chili Peppers. He also toured as Brian May’s drummer. At one point when the Foo Fighters THE BIGGER PICTURE supported May, he played both the support and headline slots! This album heralds the start of a period of rejuvenation for the Foo Fighters.
    [Show full text]
  • Kurt Cobain's Childhood Home
    WASHINGTON STATE Department of Archaeology and Historic Preservation WWASHINGTON HHERITAGE RREGISTER A) Identification Historic Name: Cobain, Donald & Wendy, House Common Name: Kurt Cobain's Childhood Home Address: 1210 E. First Street City: Aberdeen County: Grays Harbor B) Site Access (describe site access, restrictions, etc.) The nominated home is located mid block near the NW corner of E 1st Street and Chicago Avenue in Aberdeen. The home faces southeast one block from the Wishkah River adjacent to an alleyway. C) Property owner(s), Address and Zip Name: Side One LLC. Address: 144 Sand Dune Ave SW City: Ocean Shores State: WA Zip: 98569 D) Legal boundary description and boundary justification Tax No./Parcel: 015000701700 - 11 - Residential - Single Family Boundary Justification: FRANCES LOT 17 BLK 7 / MAP 1709-04 FORM PREPARED BY Name: Lee & Danielle Bacon Address: 144 Sand Dune Ave SW City / State / Zip: Ocean Shores, WA 98569 Phone: 425.283.2533 Email: [email protected] Nomination June 2021 Date: 1 WASHINGTON STATE Department of Archaeology and Historic Preservation WWASHINGTON HHERITAGE RREGISTER E) Category of Property (Choose One) building structure (irrigation system, bridge, etc.) district object (statue, grave marker, vessel, etc.) cemetery/burial site historic site (site of an important event) archaeological site traditional cultural property (spiritual or creation site, etc.) cultural landscape (habitation, agricultural, industrial, recreational, etc.) F) Area of Significance – Check as many as apply The property belongs to the early settlement, commercial development, or original native occupation of a community or region. The property is directly connected to a movement, organization, institution, religion, or club which served as a focal point for a community or group.
    [Show full text]
  • Unscripted Boom (Wall Street Journal 060121)
    From Prince Harry to the Kardashians, Real Stories Are Hollywood’s Rising Stars WarnerMedia-Discovery merger among many high-profile moves bolstering streaming services’ offerings of reality TV and documentaries Kris Jenner, with short hair in black, and daughters Kim, Khloe and Kourtney Kardashian accepting the Reality Show of 2019 People's Choice award. PHOTO: NBCU PHOTO BANK VIA GETTY IMAGES By R.T. Watson, May 30, 2021 8:00 am ET Stories starring real people are attracting some of the world’s biggest celebrities, from the Obamas to Kim Kardashian, as nonfiction programming has become essential to companies aiming to build streaming services. 1 Unscripted shows and documentary projects tend to be cheaper to make than their scripted counterparts, offering the potential for bigger profits if they become popular. According to market-research company Reelgood, the cumulative number of reality TV shows offered on streaming services nearly doubled in the first quarter of this year when compared with 2020. AT&T Inc. T -0.65% placed a premium on this type of entertainment in its recent deal to merge WarnerMedia with Discovery Inc., DISCB 0.22% a big player in unscripted programming known for its top-rated reality franchise “90 Day Fiancé” and others, such as “Fixer Upper.” Discovery Chief Executive David Zaslav said after the deal was announced that combining his company’s expertise in unscripted productions with WarnerMedia’s prowess in scripted shows will be explosive. Chip and Joanna Gaines get ready for another season of ‘Fixer Upper.’ PHOTO: LISA PETROLE/MAGNOLIA NETWORK/ASSOCIATED PRESS In addition, the Kardashians are putting out a new show on Walt Disney Co.
    [Show full text]
  • A Case Study of Kurt Donald Cobain
    CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) A CASE STUDY OF KURT DONALD COBAIN By Candice Belinda Pieterse Submitted in partial fulfilment of the requirements for the degree Magister Artium in Counselling Psychology in the Faculty of Health Sciences at the Nelson Mandela Metropolitan University December 2009 Supervisor: Prof. J.G. Howcroft Co-Supervisor: Dr. L. Stroud i DECLARATION BY THE STUDENT I, Candice Belinda Pieterse, Student Number 204009308, for the qualification Magister Artium in Counselling Psychology, hereby declares that: In accordance with the Rule G4.6.3, the above-mentioned treatise is my own work and has not previously been submitted for assessment to another University or for another qualification. Signature: …………………………………. Date: …………………………………. ii ACKNOWLEDGEMENTS There are several individuals that I would like to acknowledge and thank for all their support, encouragement and guidance whilst completing the study: Professor Howcroft and Doctor Stroud, as supervisors of the study, for all their help, guidance and support. As I was in Bloemfontein, they were still available to meet all my needs and concerns, and contribute to the quality of the study. My parents and Michelle Wilmot for all their support, encouragement and financial help, allowing me to further my academic career and allowing me to meet all my needs regarding the completion of the study. The participants and friends who were willing to take time out of their schedules and contribute to the nature of this study. Konesh Pillay, my friend and colleague, for her continuous support and liaison regarding the completion of this study.
    [Show full text]
  • A Denial the Death of Kurt Cobain the Seattle Police Department
    A Denial The Death of Kurt Cobain The Seattle Police Department Substandard Investigation & The Repercussions to Justice by Bree Donovan A Capstone Submitted to The Graduate School-Camden Rutgers, The State University, New Jersey in partial fulfillment of the requirements for the degree of Masters of Arts in Liberal Studies Under the direction of Dr. Joseph C. Schiavo and approved by _________________________________ Capstone Director _________________________________ Program Director Camden, New Jersey, December 2014 i Abstract Kurt Cobain (1967-1994) musician, artist songwriter, and founder of The Rock and Roll Hall of Fame band, Nirvana, was dubbed, “the voice of a generation”; a moniker he wore like his faded cardigan sweater, but with more than some distain. Cobain‟s journey to the top of the Billboard charts was much more Dickensian than many of the generations of fans may realize. During his all too short life, Cobain struggled with physical illness, poverty, undiagnosed depression, a broken family, and the crippling isolation and loneliness brought on by drug addiction. Cobain may have shunned the idea of fame and fortune but like many struggling young musicians (who would become his peers) coming up in the blue collar, working class suburbs of Aberdeen and Tacoma Washington State, being on the cover of Rolling Stone magazine wasn‟t a nightmare image. Cobain, with his unkempt blond hair, polarizing blue eyes, and fragile appearance is a modern-punk-rock Jesus; a model example of the modern-day hero. The musician- a reluctant hero at best, but one who took a dark, frightening journey into another realm, to emerge stronger, clearer headed and changing the trajectory of his life.
    [Show full text]
  • Behind the Music
    Q&A BEHIND THE MUSIC It’s crazy to think that this year marks the 20th Anniversary of Kurt Cobain’s passing – a true game-changer in our industry, and a man who, in many ways, revolutionised music, inadvertently spawning a whole new scene. Nevermind is a seminal record, and its success was the catalyst for record labels’ mission impossible, the search for ‘the next Nirvana’. Although he might not have known it at the time, those 16 days recording Nevermind would change Butch Vig’s career forever. It paved the way for a remarkable musical journey, the production of a string of hit records for supergroups such as The Smashing Pumpkins, The Foo Fighters, and many more... Not to mention Garbage, Vig’s own band, which has enjoyed more than 17 million record sales over the last two decades. This legend of the game reveals some of his trade secrets, and shares some fond, unforgettable memories... Your career speaks for itself, but first up, how did it all begin for you? Well, I played in bands in high school in a small town in Wisconsin, and then I went to University in Madison. I started getting into the local music scene, and joined a band, which was sort of a power pop, new wave band called Spooner; and Duke [Erikson] from Garbage was the guitarist and lead singer at the time. I also got a degree in film, and ended up doing a lot of music for film; a lot of synth, and abstract music, and that’s where I kind of got the recording bug.
    [Show full text]
  • {FREE} Kurt Cobain: Montage of Heck Ebook
    KURT COBAIN: MONTAGE OF HECK PDF, EPUB, EBOOK Brett Morgen | 160 pages | 05 May 2015 | Insight Editions, Div of Palace Publishing Group, LP | 9781608875498 | English | San Rafael, United States Kurt Cobain: Montage of Heck - Wikipedia I loved reading Montage of Heck. Aug 04, Farahdiba Khan rated it it was amazing. I have never watched Montage of Heck. It doesn't seems to be available in my country I live in India btw I am happy to read the interviews from Kurt Cobain's family his dad, mom, step-mom and sister , Krist, Tracy and even Courtney. I think these people too are confused about his death. They seem to try to interpret him from their own perceptions. Anyway, I'll be reading more books later. Need to read Tom Grant's book too. I've absolutely adored Kurt Cobain and his life since the literal moment I was born thanks Dad so I have no idea why it took me so long to get around to this. There are so many aspects of Kurt's life which so many people don't know about and having this compilation of his journals and art "All artists are, in a sense, writing their own biographies with their work. There are so many aspects of Kurt's life which so many people don't know about and having this compilation of his journals and art pieces just really summed him up as a person. May 05, Liliana rated it it was amazing. So I've watched the movie and I've read the book.
    [Show full text]
  • Dave Grohl's Growth Mindset
    ! Handout 2 - Dave Grohl’s Growth Mindset To some, Dave Grohl is the drummer from the groundbreaking Seattle “Grunge” band Nirvana. Other music fans likely know him as the guitarist, vocalist, frontman, and songwriter of the arena- filling band, Foo Fighters. Still others that have seen Grohl on the HBO series Sonic Highways or the documentary Sound City may recognize him as a music historian and film director. The truth is that Dave Grohl is all of the above. Thinking back to his childhood during an episode of the Sonic Highways series, Grohl remembers his artistic “light bulb” turning on during a family vacation to Chicago. Grohl, only twelve at the time, accompanied a cousin to a local Punk concert. It was awesome. He left the show inspired, asking himself, “why can’t I do this?” Then, he realized he could. Once home in Springfield, VA, a Beltway suburb about thirteen miles from the White House, the young Grohl tapped into D.C.’s thriving Punk scene. He befriended members of the local music community such as Ian MacKaye, a go-getter who played bass in Teen Idles, sang in Minor Threat, and later handled guitar and vocals in Fugazi, all while co-founding the Dischord Records label. In the mid and late 1980s, the major record labels, radio, and MTV--basically all the national tastemakers--were mostly focused on Glam Rock, Synth Pop, and Michael Jackson. D.C. Punk wasn’t even on their radar. But, rather than get discouraged or bitter about the lack of outside investment, many in the D.C.
    [Show full text]
  • Contradictionary Lies: a Play Not About Kurt Cobain Katie
    CONTRADICTIONARY LIES: A PLAY NOT ABOUT KURT COBAIN KATIE WALLACE Bachelor of Arts in English/Dramatic Arts Cleveland State University May 2012 Master of Arts in English Cleveland State University May 2015 submitted in partial fulfillment of requirements for the degree MASTER OF FINE ARTS IN CREATIVE WRITING at the NORTHEAST OHIO MFA and CLEVELAND STATE UNIVERSITY May 2018 We hereby approve this thesis For KATIE WALLACE Candidate for the MASTER OF FINE ARTS IN CREATIVE WRITING degree For the department of English, the Northeast Ohio MFA Program And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by ________________________________________________________________ Thesis Chairperson, Imad Rahman ____________________________________________________ Department and date _________________________________________________________________ Eric Wasserman _____________________________________________________ Department and date ________________________________________________________________ Michael Geither ____________________________________________________ Department and date Student’s date of defense April 19, 2018 CONTRADICTIONARY LIES: A PLAY NOT ABOUT KURT COBAIN KATIE WALLACE ABSTRACT Contradictionary Lies: A Play Not About Kurt Cobain is a one-act play that follows failed rocker Jimbo as he deals with aging, his divorce, and disappointment. As he and his estranged wife Kelly divvy up their belongings and ultimately their memories, Jimbo is visited by his guardian angel, the ghost of dead rock star Kurt Cobain. Part dark comedy,
    [Show full text]
  • Smells Like Teen Spirit Appears in Rock & Pop 2018
    ACCESS ALL AREAS... SMELLS LIKE TEEN SPIRIT APPEARS IN ROCK & POP 2018 Released: 1991 Album: Nevermind Label: DGC Records ABOUT THE SONG Nirvana’s Kurt Cobain was attempting to write the ‘ultimate pop song’ when he came up with the guitar riff that would become ‘Smells Like Teen Spirit’. He WITH THE LIGHTS OUT, wanted to write a song in the style of The Pixies, telling Rolling Stone in 1994: ‘I was basically trying to rip off The Pixies. I have to admit it.’ The title came IT’S LESS DANGEROUS after Kathleen Hanna, lead singer of Bikini Kill, spray- painted ‘Kurt smells like Teen Spirit’ on his bedroom “ wall. Teen Spirit was actually a brand of deodorant. HERE WE ARE NOW, The first single from Nirvana’s second album Nevermind, ‘Smells Like Teen Spirit’ was a surprise hit. The label had anticipated that ‘Come As You Are’, the follow-up single, would be the song to cross over to a mainstream audience. ‘Smells Like Teen Spirit’ ENTERTAIN US was first played on college radio before rock stations and MTV picked it up. It is widely praised as one of I FEEL STUPID AND CONTAGIOUS the greatest songs in the history of rock music. RECORDING AND PRODUCTION Cobain began writing ‘Smells Like Teen Spirit’ a few weeks before Nirvana were due in the studio to record Nevermind. After presenting the main riff and melody of the chorus to the rest of the band, they jammed around the riff for an hour and a half. Bassist Krist Novoselic slowed the verse down and drummer Dave Grohl created a drum beat and as a result, ‘Smells Like Teen Spirit’ is the only song on Nevermind to give songwriting credits to all three band members.
    [Show full text]