Neon Genesis Evangelion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
11eyes AChannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub BenTo Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokurochan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba DFrag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon EnmaKun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! JuudenChan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes GaRei Zero Gatchaman Crowds Genshiken Getbackers Ghost -
What Is Anime?
1 Fall 2013 565:333 Anime: Introduction to Japanese Animation M 5: 3:55pm-5:15pm (RAB-204) W 2, 3: 10:55am-1:55pm (RAB-206) Instructor: Satoru Saito Office: Scott Hall, Room 338 Office Hours: M 11:30am-1:30pm E-mail: [email protected] Course Description This course examines anime or Japanese animation as a distinctly Japanese media form that began its development in the immediate postwar period and reached maturity in the 1980s. Although some precedents will be discussed, the course’s primary emphasis is the examination of the major examples of Japanese animation from 1980s onward. To do so, we will approach this media form through two broad frameworks. First, we will consider anime from the position of media studies, considering its unique formal characteristics. Second, we will consider anime within the historical and cultural context of postwar and contemporary Japan by tracing its specific themes and characteristics, both on the level of content and consumption. The course will be taught in English, and there are no prerequisites for this course. To allow for screenings of films, one of two class meetings (Wednesdays) will be a double- period, which will combine screenings with introductory lectures. The other meeting (Mondays), by which students should have completed all the reading assignments of the week, will provide post-screening lectures and class discussions. Requirements Weekly questions, class attendance and performance 10% Four short papers (3 pages each) 40% Test 15% Final paper (8-10 pages double-spaced) 35% Weekly questions, class attendance and performance Students are expected to attend all classes and participate in class discussions. -
Neon Genesis Evangelion 30 English Sub Download
Neon Genesis Evangelion 3.0 English Sub Download 1 / 4 Neon Genesis Evangelion 3.0 English Sub Download 2 / 4 3 / 4 Rebuild of Evangelion: 3.0. Евангелион 3.33: ты ... Funimation Streams Evangelion: 3.33 Film's English-Dubbed Trailer (Feb 3, 2016). North American Anime .... Slipcase; 56 page, full colour guidebook; Rebuild of Evangelion:3.33; ... Watch/Download Neon Genesis Evangelion Episode 12 English Sub .... English. Evangelion: 3.0 You Can (Not) Redo Subtitle Details. Language: ... 3.0+1.0 .Download Neon Genesis Evangelion . subtitles english.. Amazon.com: Evangelion 3.33 You Can (Not) Redo: Taliesin Jaffe, Brina ... Blu-ray; Language: Japanese (Dolby Digital 5.1); Subtitles: English; Dubbed: English .... Anime dvd neon genesis evangelion vol.1 26 end 5 movie. Image of neon genesis evangelion 3.0 english sub download. The end of evangelion english dub.. Free Download Evangelion: 3.0 You Can (Not) Redo Bluray [BD] English Subbed 480p 290MB 720p 450MB 1080p 800MB Mini MKV. Comic ConNeon Genesis .... ending de Rebuild of Evangelion 3.0 You Can (Not) Redo, Sakura Nagashi ... Can (Not) Redo Movie English Sub Free Online, Stream Evangelion: 3.0 ... DOWNLOAD 1080p: [UTW- THORA] Evangelion 3.33 You Can (Not) .... Neon Genesis Evangelion 3.0 English Sub Download -> http://tinyurl.com/l8eg63b. Neon Genesis IMPACTS (SUB ENGLISH) . 6:56. Neon Genesis Evangelion .... 2012 | bluray | 720 | audio: ES-EN-JP | sub: Spanish, English | MEGA ... Tercera película dentro de la serie “Rebuild of Evangelion”, centrada en servir como remake del ... Download movie: 720p original ─ 720p editado .... DOWNLOAD 1080p: [UTW-THORA] Evangelion 3.33 You Can (Not) Redo [BD][1080p .. -
Kon Satoshi E Morimoto Kōji
Corso di Laurea Magistrale in Lingue, Economie e Istituzioni dell’Asia e dell’Africa Mediterranea ordinamento ex D.M. 270/2004 Tesi di Laurea Magistrale Oltre i limiti della realtà: Kon Satoshi e Morimoto Kōji Relatore Ch. Prof. Maria Roberta Novielli Correlatore Ch. Prof. Davide Giurlando Laureando Maura Valentini Matricola 841221 Anno Accademico 2016 / 2017 要旨 数年前、私は『妄想代理人』というアニメを見たことがある。その作品はあのとき見てい たアニメに全く異なるもので、私を非常に驚かせた。一見普通のように見える探偵物語は次第 に奇妙な展開になり、私はその魅力に引き込まれた。当時の私はそのアニメの監督をまだ知ら なかったが、「このような作品を考え出すことができる人は素晴らしい映画人と言っても過言では ない」と思ったことをはっきり覚えている。小さい頃から新しい視線で見た現実について語る物語 に興味があった。故に、私の卒業論文を夢、思い出、シュールレアリスムなどを使って違った現実 を語る幻視的芸術家の今敏と森本晃司について書くことに決めた。 今敏と森本晃司はお互いに何の関係もないと考えられる。前者はマッドハウスと協力し て海外でも有名な映画をつくり、後者は多岐にわたる才能を持つ芸術家で、主に短編映画で 知られている。しかし、よく見ると二人には多くの共通点がある。この論文の目的は今と森本の 作品を基にして二人の共通点を解説するということである。 はじめに、二人の社会文化的影響を示すために、歴史的背景と監督たちの経歴を短 く説明する。次に、二人が協力して作った『Magnetic Rose』という映画を分析して、二人の主 な特徴を見つける。その特徴は限界がない特別な現実観、テクノロジーの魅力、そして音楽や 比喩を使って表した物の意味が深まることである。最後に今と森本のさまざまな作品を分析し、 二人の特徴を見つけて、検討する。 この研究は私の情熱から生まれたものであり、この論文を読んで今敏や森本晃司の作 品に興味を持つ人が増えることを願う。 INDICE INTRODUZIONE .............................................................................................. 3 CAPITOLO 1. CONTESTO STORICO E SOCIO-CULTURALE.............................................. 5 1.1. Shinjinrui: la “nuova razza”................................................................................................. 5 1.2. I mondi incantati dello Studio Ghibli ................................................................................... 7 1.3. Visioni post-apocalittiche -
Viewed and Discussed in Wired Magazine (Horn), Japan's National Newspaper the Daily Yomiuri (Takasuka),And the Mainichi Shinbun (Watanabe)
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 You Are Not Alone: Self-Identity and Modernity in Neon Genesis Evangelion and Kokoro Claude Smith III Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ASIAN STUDIES YOU ARE NOT ALONE: SELF-IDENTITY AND MODERNITY IN NEON GENESIS EVANGELION AND KOKORO By CLAUDE SMITH III A Thesis submitted to the Department of Asian Studies in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Thesis of Claude Smith defended on October 24, 2008 . __________________________ Yoshihiro Yasuhara Professor Directing Thesis __________________________ Feng Lan Committee Member __________________________ Kathleen Erndl Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii My paper is dedicated in spirit to David Lynch, Anno Hideaki, Kojima Hideo, Clark Ashton Smith, Howard Phillips Lovecraft, and Murakami Haruki, for showing me the way. iii ACKNOWLEDGEMENTS I would like very much to thank Dr. Andrew Chittick and Dr. Mark Fishman for their unconditional understanding and continued support. I would like to thank Dr. Feng Lan, Dr. Erndl, and Dr. Yasuhara. Last but not least, I would also like to thank my parents, Mark Vicelli, Jack Ringca, and Sean Lawler for their advice and encouragement. iv INTRODUCTION This thesis has been a long time in coming, and was first conceived close to a year and a half before the current date. -
AMV Nacht.Xlsx
Lfd.Nr. Zeit Editor Titel Anime Musik #01 00:02:30 SilentMan Drawn Dream Natsume Yūjin-Chō Coldplay - Life In Technicolor #02 00:04:14 CodeZTM Anything But Howl's Moving Castle Vanessa Carlton - Ordinary Day #03 00:03:37 KagatoAMV Building Steam Steamboy Abney Park - Building Steam #04 00:03:37 Rellik Mecha Love Appleseed Hadouken! - Mecha Love #05 00:04:23 JCD Speed Master Redline M.o.v.e. - Speed Master #06 00:02:32 Cyber-EG So Jazzy Durarara!! Parov Stelar - Chambermaid Swing #07 00:02:59 Godix Longed For Him. Got Him. Shit Romeo x Juliet Cirque du Soleil - Alegria #08 00:02:20 Creed KinoPOP Arakawa under the Bridge Pun Pun Run Run - Hey You #09 00:05:55 Umika Traumerei Various Globus - Orchard of Mines #10 00:05:00 NightHawk Spinning Infinity Tengen Toppa Gurren Lagann Foo Fighters - The Pretender #11 00:02:39 Carloscurro No Escape Tatami Galaxy Parov Stelar - The Mojo Radio Gang (radio version) #12 00:02:57 tehninjaness Outta The Box Tatami Galaxy, Atarashii Sekai Holding Mercury - Stuck in a Box #13 00:02:39 Creed The Shrink Colorful Therapy Tatami Galaxy, Trapeze Rinocerose - Cubicle #14 00:04:13 Qwaqa Pencilhead Various Fatboy Slim - Right Here, Right Now #15 00:03:09 Roeor Basquashers Forever Basquash! DJ Lobsterdust - Shut Up Now #16 00:01:34 Snowcrash U.Robot I, Robot Trailer (Fr) Various #17 00:04:04 l33tmeatwad Shinji does (not) Mean Business Neon Genesis Evangelion Flight of the Conchords - Business Time #18 00:03:13 Sniper Anime Kiss Various 3OH!3 - My first Kiss #19 00:05:12 Douggie Senpai Says Various, Original Various, -
Anime Publisher Year a Tree of Palme ADV Films 2005 Abenobashi ADV
Anime Publisher Year A Tree of Palme ADV Films 2005 Abenobashi ADV Films 2005 Ah! My Goddess Pioneer 2000 Air Gear ADV Films 2007 Akira Pioneer 1994 Alien Nine US Manga 2003 Android Kikaider Bandai Entertainment 2002 Angelic Layer ADV Films 2005 Aquarian Age ADV Films 2005 Arjuna Bandai Entertainment 2001 Black Cat Funimation 2005 Black Heaven Pioneer 1999 Black Lagoon Funimation 2006 Blood: The Last Vampire Manga Entertainment 2001 Blood+ Sony Pictures 2005 BoogiePop Phantom NTSC 2001 Brigadoon Tokyo Pop 2003 C Control Funimation 2011 Ceres: Celestial Legend VIS Media 2000 Chevalier D'Eon Funimation 2006 Cowboy Bebop Bandai Entertainment 1998 Cromartie High Scool ADV Films 2006 Dai-Guard ADV Films 1999 Dears Bandai Visual 2004 DeathNote VIS Media 2003 Elfen Lied ADV Films 2006 Escaflowne Bandai Entertainment 1996 Fate Stay/Night TBS Animation 2013 FLCL Funimation 2000 Fruits Basket Funimation 2002 Full Metal Achemist: Brotherhood Funimation 2010 Full Metal Alchemist Funimation 2004 Full Metal Panic? ADV Films 2004 G Gundam Bandai Entertainment 1994 Gankutsuou Gnzo Media Factory 2004 Gantz ADV Films 2004 Geneshaft Bandai Entertainment 2001 Getbackers ADV Films 2005 Ghost in the Shell Bandai Entertainment 2002 Ghost Stories ADV Films 2000 Grave of the Fireflies Central Pak Media 1988 GTO Great Teacher Onizuka Tokyo Pop 2004 Gungrave Pioneer 2004 Gunslinger Girl Funimation 2002 Gurren Lagann Bandai Entertainment 2007 Guyver ADV Films 2007 Heat Guy J Pioneer 2002 Hellsing Pioneer 2002 Infinite Ryvius Bandai Entertainment 1999 Jin-Roh Bandai -
Nihilism and Existentialist Rhetoric in Neon Genesis Evangelion
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Tsukuba Repository 〈Articles〉Beyond 2015 : Nihilism and Existentialist Rhetoric in Neon Genesis Evangelion 著者 TSANG Gabriel F.Y. journal or Journal of International and advanced Japanese publication title studies number 8 page range 35-43 year 2016-03 URL http://doi.org/10.15068/00146740 © 2016 Journal of International and Advanced Japanese Studies Vol. 8, February 2016, pp. 35–43 Master’s and Doctoral Program in International and Advanced Japanese Studies Graduate School of Humanities and Social Sciences, University of Tsukuba Article Beyond 2015: Nihilism and Existentialist Rhetoric in Neon Genesis Evangelion Gabriel F. Y. TSANG King’s College London, Department of Comparative Literature, Ph.D. Student Generally categorized as low art, Japanese manga and anime draw insufficient overseas critical attention, regardless of their enormous cultural influence in East Asia. Their popularity not simply proved the success of cultural industrialization in Japan, but also marks a series of local phenomena, reflecting social dynamicity and complexity, that deserve interdisciplinary analysis. During the lost decade in the 1990s, which many scholars studied with economic accent (Katz 1998, Grimes 2001, Lincoln 2001, Amyx 2004, Beason and Patterson 2004, Rosenbluth and Thies 2010), manga and anime industry in Japan entered its golden age. The publication and broadcast of some remarkable works, such as Dragon Ball, Sailor Moon, Crayon Shin-chan and Slam Dunk, not only helped generate huge income (nearly 600 billion yen earned in the manga market in 1995) that alleviated economic depression, but also distracted popular focus from the urge of demythologising national growth. -
Yokai Invasion!
Yokai Invasion! July 30-Aug 1, 2021 Coralville, Iowa Coralville Marriott Hotel and Conference Center Visit The AnimeIowa Inari Shrine! Ready for a change of pace from the convention chaos? Looking for a unique photo spot? Need to offer a special prayer to a higher power? Please join the yōkai in our peaceful Japanese garden. But beneath this idyllic setting, does the shrine harbor an ancient secret? Stop by our Marketplace location to nd out! This attraction is free to visit, but all shrine donations will benet the Iowa Asian Alliance. ~ Sponsored by AnimeIowa Labs ~ July 30-Aug 1, 2021 “Yokai Invasion!” Table of Contents Registration 03 Art Show 21 Convention Rules and Information Charity Project 21 General Behavior 04 Photoshoots 22 Harassment 04 Paneling Safety and Heath Measures 05 Schedule 23 Volunteers 06 Descriptions Accessibility 07 GoH Panels 26 Info Desk 07 Friday 27 Sponsors 08 Saturday 28 Honored Guests 09 Sunday 30 Programming Video Rooms Tabletop Gaming 15 Schedule 31 Video Gaming 17 Descriptions 33 Family Programming 18 Staff 40 Cosplay Marketplace Hall Cosplay 19 Listings 41 Masquerade Cosplay 20 Map 42 Hours of Operation Convention Hours Friday Noon - Midnight Anime Marketplace Friday 3pm - 8pm Saturday 8 am - Midnight & Artists Alley Saturday 10am - 6pm Sunday 8 am - 6 pm Sunday 10am - 4pm Opening Ceremonies Friday 1 pm - 2 pm Cosplay Central Friday 12pm - 8pm Closing Ceremonies Sunday 4 pm - 5 pm Saturday 10am - 4pm Sunday 10am - 4pm Registration Thursday 5:30 pm - 8:30 pm Masquerade Saturday 6:30pm - 9pm Friday 9:00 am - 8:00 pm At-The-Door Sat Only Available Saturday 9:00 am - 4:00 pm Reg for AI 2022 Sunday 9:00 am - 4:30 pm A Special THANK YOU to the Mindbridge Foundation You are invited to the Mindbridge Foundation is a not-for-prot corporation organized to provide a resource Mindbridge Panel on group for those interested in Science Fiction, Fantasy, and related areas. -
From the Con Chair
Bakuretsu Con 2018 Thank you for attending Bakuretsu Con. We hope that you will have fun this weekend. Check out our information desk for up-to-date schedules and other information. Enjoy the Con! BAKURETSU CON CODE OF CONDUCT Your membership to the convention is a privilege. Your badge is your proof of membership; never forget that you are representing Bakuretsu Con once you purchase a badge. Please be respectful to your fellow convention attendees, the convention staff, and the hotel. We reserve the right to revoke the membership privileges of any attendee for any reason. If we find your conduct inappropriate and feel you deserve a warning, one will be given. If you are given a warning, a hole will be punched in your badge. Only one warning will be given; any problems after that and you will be asked to leave. If you are asked to leave the convention your badge fee will NOT be refunded. OTHER THINGS TO REMEMBER - If it’s illegal outside of the convention, it’s still illegal here. - If you are found to be in possession of anything illegal you will be evicted from the convention and the police may be called. - There is no smoking in the convention center. Please do not smoke in doorways either. - No alcohol is permitted in any of the convention areas. - No weapons allowed. If you buy a weapon from a dealer, please bring it to your room or car. - We are not responsible for lost or stolen articles. Please don’t leave your belongings unattended. Lost and found items will be brought to the info desk, or, after the Con, the hotel front desk. -
The Dissemination and Localization of Anime in China: Case Study on the Chinese Mobile Video Game Onmyoji
The dissemination and localization of anime in China: Case study on the Chinese mobile video game Onmyoji Wuqian Qian The Department of Asian, Middle Eastern and Turkish Studies Master Program in Asian Studies, 120 hp Autumn term 2016 Supervisor: Jaqueline Berndt English title: Professor Abstract In the 2017 Chinese Gaming Industry Report, a new type of video games called 二次 元 game is noted as a growing force in the game industry. Onmyoji is one of those games produced by Netease and highly popular with over 200 million registered players in China alone. 二次元 games are characterized by Japanese-language dubbing and anime style in character design. However, Onmyoji uses also Japanese folklore, which raises two questions: one is why Netease chose to make such a 二次元 game, the other why a Chinese game using Japanese folklore is so popular among Chinese players. The attractiveness of an exotic culture may help to explain the latter, but it does not work for the first. Thus, this thesis implements a media studies perspective in order to substantiate its hypothesis that it is the dissemination of anime in China that has made Onmyoji possible and successful. Unlike critics who regard anime as an imported product from Japan which is different from domestic Chinese animation and impairs its development, this study pays attention to the interrelation between media platforms and viewer (or user) demographics, and it explores the positive influence of Japanese anime on the Chinese creative industry, implying the feasibility of anime or 二次元 products to be created in other countries than Japan. -
Anime's Ancestry: Kawabata's the Scarlet Gang Of
ANIME’S ANCESTRY: KAWABATA’S THE SCARLET GANG OF ASAKUSA AND OE’S HELP US TO OUTGROW OUR MADNESS AS A PRELUDE TO JAPANESE ANIMATION A Thesis by Cynthia Naomi Moss Bachelor of Arts, Friends University, 2010 Submitted to the Department of English and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts December 2012 © Copyright 2012 by Cynthia Moss All Rights Reserved ANIME’S ANCESTRY: KAWABATA’S THE SCARLET GANG OF ASAKUSA AND OE’S HELP US TO OUTGROW OUR MADNESS AS A PRELUDE TO JAPANESE ANIMATION The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in English. ____________________________________ Peter Zoller, Committee Chair ____________________________________ Kimberly Engber, Committee Member ____________________________________ Wilson Baldridge, Committee Member iii ACKNOWLEDGEMENTS I would like to thank my advisor, Peter Zoller, for his patient guidance and support. Without his inspired topic suggestion, this thesis would not exist. I am grateful for every fielded concern and encouraging comment. Appreciation is also due to Dr. Kimberly Engber and Dr. Wilson Baldridge for their thoughtful commentary, creative input, and interest in the project. I am grateful to my parents, who offered help every step of the way. My thanks also go to Merritt Stuever, both a sounding board and patient support. iv ABSTRACT Much research exists on the considerable influence of American and European culture on the newly opened borders of Japan in the 1920’s, yet there is very little recognition of French influences beyond the acknowledgement of Surrealism in literary and artistic circles.