National Cultural Heritage Values Assessment and Conflicting Values
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Cumulative Index North Dakota Historical Quarterly Volumes 1-11 1926 - 1944
CUMULATIVE INDEX NORTH DAKOTA HISTORICAL QUARTERLY VOLUMES 1-11 1926 - 1944 A Aiton, Arthur S., review by, 6:245 Alaska, purchase of, 6:6, 7, 15 A’Rafting on the Mississipp’ (Russell), rev. of, 3:220- 222 Albanel, Father Charles, 5:200 A-wach-ha-wa village, of the Hidatsas, 2:5, 6 Albert Lea, Minn., 1.3:25 Abandonment of the military posts, question of, Albrecht, Fred, 2:143 5:248, 249 Alderman, John, 1.1:72 Abbey Lake, 1.3:38 Aldrich, Bess Streeter, rev. of, 3:152-153; Richard, Abbott, Johnston, rev. of, 3:218-219; Lawrence, speaker, 1.1:52 speaker, 1.1:50 Aldrich, Vernice M., articles by, 1.1:49-54, 1.4:41- Abe Collins Ranch, 8:298 45; 2:30-52, 217-219; reviews by, 1.1:69-70, Abell, E. R, 2:109, 111, 113; 3:176; 9:74 1.1:70-71, 1.2:76-77, 1.2:77, 1.3:78, 1.3:78-79, Abercrombie, N.Dak., 1.3: 34, 39; 1.4:6, 7, 71; 2:54, 1.3:79, 1.3:80, 1.4:77, 1.4:77-78; 2:230, 230- 106, 251, 255; 3:173 231, 231, 231-232, 232-233, 274; 3:77, 150, Abercrombie State Park, 4:57 150-151, 151-152, 152, 152-153, 220-222, 223, Aberdeen, D.T., 1.3:57, 4:94, 96 223-224; 4:66, 66-67, 67, 148, 200, 200, 201, Abraham Lincoln, the Prairie Years (Sandburg), rev. of, 201, 202, 202, 274, 275, 275-276, 276, 277-278; 1.2:77 8:220-221; 10:208; 11:221, 221-222 Abstracts in History from Dissertations for the Degree of Alexander, Dr. -
Web-Book Catalog 2021-05-10
Lehigh Gap Nature Center Library Book Catalog Title Year Author(s) Publisher Keywords Keywords Catalog No. National Geographic, Washington, 100 best pictures. 2001 National Geogrpahic. Photographs. 779 DC Miller, Jeffrey C., and Daniel H. 100 butterflies and moths : portraits from Belknap Press of Harvard University Butterflies - Costa 2007 Janzen, and Winifred Moths - Costa Rica 595.789097286 th tropical forests of Costa Rica Press, Cambridge, MA rica Hallwachs. Miller, Jeffery C., and Daniel H. 100 caterpillars : portraits from the Belknap Press of Harvard University Caterpillars - Costa 2006 Janzen, and Winifred 595.781 tropical forests of Costa Rica Press, Cambridge, MA Rica Hallwachs 100 plants to feed the bees : provide a 2016 Lee-Mader, Eric, et al. Storey Publishing, North Adams, MA Bees. Pollination 635.9676 healthy habitat to help pollinators thrive Klots, Alexander B., and Elsie 1001 answers to questions about insects 1961 Grosset & Dunlap, New York, NY Insects 595.7 B. Klots Cruickshank, Allan D., and Dodd, Mead, and Company, New 1001 questions answered about birds 1958 Birds 598 Helen Cruickshank York, NY Currie, Philip J. and Eva B. 101 Questions About Dinosaurs 1996 Dover Publications, Inc., Mineola, NY Reptiles Dinosaurs 567.91 Koppelhus Dover Publications, Inc., Mineola, N. 101 Questions About the Seashore 1997 Barlowe, Sy Seashore 577.51 Y. Gardening to attract 101 ways to help birds 2006 Erickson, Laura. Stackpole Books, Mechanicsburg, PA Birds - Conservation. 639.978 birds. Sharpe, Grant, and Wenonah University of Wisconsin Press, 101 wildflowers of Arcadia National Park 1963 581.769909741 Sharpe Madison, WI 1300 real and fanciful animals : from Animals, Mythical in 1998 Merian, Matthaus Dover Publications, Mineola, NY Animals in art 769.432 seventeenth-century engravings. -
A Lawyer Says That “If You See Any of Those Baggy Pants It Was Huge Mr
1. In a scene from this work entitled “Trial One,”a lawyer says that “if you see any of those baggy pants it was huge Mr. Moscone.” This work is divided into smaller sections called “knee plays,” one of which features its protagonist announcing the death of Harvey Milk, and Act 3 of this opera contains the section “I Feel the Earth Move,” a reference to the protagonist’s home of (*) San Francisco. While the protagonist of this musical is not as committed to nonviolence as the man its composer originally wanted to put at its center, Mahatma Gandhi, she authored a 1994 Federal Assault Weapons Ban and has since worked to promote gun control legislation in the Senate. For 10 points, name this minimalist opera about the senior female senator from California, by Philip Glass. ANSWER: Dianne Feinstein on the Beach 2. This book criticizes Mill and de Tocqueville for “devaluing the consequences of a process they favored for the sake of principle,” and its preface quotes Samuel Johnson that “he who makes a beast of himself gets rid of the pain of being a man.” The narrator discusses the rise of cultural consumption while he travels in a 650 Lightning in L.L. Bean shorts and a Butte sheepherder’s jacket, and this work argues that the center of debate and discourse has moved to (*) coffee shops, where people meet to consume drugs like LSD and mescaline. It was inspired by the author’s attempts to interview the activist Oscar Acosta for Rolling Stone, and it was originally published with illustrations from his previous partner on “The Kentucky Derby Is Decadent and Depraved.” For 10 points, name this work of “gonzo journalism” by Jurgen Habermas. -
Film Film Film Film
Annette Michelson’s contribution to art and film criticism over the last three decades has been un- paralleled. This volume honors Michelson’s unique C AMERA OBSCURA, CAMERA LUCIDA ALLEN AND TURVEY [EDS.] LUCIDA CAMERA OBSCURA, AMERA legacy with original essays by some of the many film FILM FILM scholars influenced by her work. Some continue her efforts to develop historical and theoretical frame- CULTURE CULTURE works for understanding modernist art, while others IN TRANSITION IN TRANSITION practice her form of interdisciplinary scholarship in relation to avant-garde and modernist film. The intro- duction investigates and evaluates Michelson’s work itself. All in some way pay homage to her extraordi- nary contribution and demonstrate its continued cen- trality to the field of art and film criticism. Richard Allen is Associ- ate Professor of Cinema Studies at New York Uni- versity. Malcolm Turvey teaches Film History at Sarah Lawrence College. They recently collaborated in editing Wittgenstein, Theory and the Arts (Lon- don: Routledge, 2001). CAMERA OBSCURA CAMERA LUCIDA ISBN 90-5356-494-2 Essays in Honor of Annette Michelson EDITED BY RICHARD ALLEN 9 789053 564943 MALCOLM TURVEY Amsterdam University Press Amsterdam University Press WWW.AUP.NL Camera Obscura, Camera Lucida Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Edited by Richard Allen and Malcolm Turvey Amsterdam University Press Front cover illustration: 2001: A Space Odyssey. Courtesy of Photofest Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 494 2 (paperback) nur 652 © Amsterdam University Press, Amsterdam, 2003 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
A Social and Cultural History of the New Zealand Horse
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. A SOCIAL AND CULTURAL HISTORY OF THE NEW ZEALAND HORSE CAROLYN JEAN MINCHAM 2008 E.J. Brock, ‘Traducer’ from New Zealand Country Journal.4:1 (1880). A Social and Cultural History of the New Zealand Horse A Thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy In History Massey University, Albany, New Zealand Carolyn Jean Mincham 2008 i Abstract Both in the present and the past, horses have a strong presence in New Zealand society and culture. The country’s temperate climate and colonial environment allowed horses to flourish and accordingly became accessible to a wide range of people. Horses acted as an agent of colonisation for their role in shaping the landscape and fostering relationships between coloniser and colonised. Imported horses and the traditions associated with them, served to maintain a cultural link between Great Britain and her colony, a characteristic that continued well into the twentieth century. Not all of these transplanted readily to the colonial frontier and so they were modified to suit the land and its people. There are a number of horses that have meaning to this country. The journey horse, sport horse, work horse, warhorse, wild horse, pony and Māori horse have all contributed to the creation of ideas about community and nationhood. How these horses are represented in history, literature and imagery reveal much of the attitudes, values, aspirations and anxieties of the times. -
Readers' Kaimanawas Major Milestone Return to the Ranges
KAIMANAWA HERITAGEOur Heritage – Their Future HORSES Major Milestone Equidays Results and Photos Return to the Ranges Photos from the Ranges Tour Wild Horses of the World Story from Australia How Kaimanawas Compare Readers’ Kaimanawas And their New Foals Christmas Reading Book Reviews and Excerpts Issue 9 December 2014 KAIMANAWA HERITAGEOur Heritage – Their Future HORSES In This Issue From the Chair 3 Managing Editor Kaimanawa Krazy 4 Ben Moores 021-105-5853 Sale of Wild Horses 6 [email protected] Book Reviews 7 Advertising The Story of Kozi and Red 8 Elder Jenks 09-236-4115 Major Milestone 10 [email protected] Readers’ Kaimanawas 16 Welfare An End 20 Michele Haultain 07–823–6099 A Request for Sightings 22 [email protected] Merchandise 23 Return to the Ranges 24 In Search of a Wild Horse 30 For all contact details see Page 39 Welfare Report 32 For Sale 32 SpiritRides Quin 37 Simone Frewin and Mana at Equidays About Us aimanawa Heritage Horses is a non-profit charitable society run by a volunteer group of passionate horse people, dedicated to the care and welfare of Kaimanawa Khorses in both the wild and domestic environments. We are advocates for the horses and work closely with the Department of Conservation and other interested groups on the welfare and future of the Kaimanawa horses in the wild. Prior to each muster we search for suitable homes and complete home checks to About Our Cover place as many horses as possible. We actively support our members and their domestic Photographer: Kimber Brown Kaimanawa horses through our welfare team, area representatives, magazine, education and training, Annual Shows, and Ribbon Days. -
Manawatu Breeders Annual Show an Inhand Show Spectacular Monday 27Th December 2010 Foxton Racecourse
The Manawatu Breeders Annual Show An Inhand Show spectacular Monday 27th December 2010 Foxton Racecourse A show for: Riding Ponies, Welsh, Shetland, Kaimanawa, Led Sport Horse, Standardbred, Thoroughbreds, Connemaras and Coloured horses. Postal Entries close 17th December 2010 Other contacts after hours: 021 223 6345 (Show day only) Entrance is Via Bergin Road; there is now an automatic gate at this entrance. See map at end of programme. MANAWATU BREEDERS ANNUAL SHOW POSTAL ENTRIES CLOSE 17th December 2010 ALL CLASSES $6.00 per class LATE ENTRIES $10.00 surcharge on the day STABLES $5.00 YARDS $5.00 GROUND LEVY $5.00 each equine RULES AND REGULATIONS All ponies must be 148cm and under. Refunds will only be given with a vets or Dr’s certificate less 20% Neither the Manawatu Breeders or the Show Committee will be responsible for any accidents during the day. You enter the grounds at your own risk. By signing your entry form you agree to us using your name where applicable. e.g Catalogue, publishing results etc The executive of the Manawatu & Districts Breeders show reserve the right to amalgamate, amend or alter classes as they see fit. Protests must be lodged in writing within 10 minutes of completion of event with a deposit of $20.00 which will be refunded if protest is upheld. The judicial committee will decide and their decision will be final. All trophies are perpetual and are to be engraved by the winners at their expense. Any person whose horse or pony shows a tendency to be a danger to other competitors or spectators will be asked to remove it from the grounds. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Where Are They Now... Kaimanawa Winter Readers' Kaimanawas 2015
KAIMANAWA HERITAGEOur Heritage – Their Future HORSES Kaimanawa Winter Five photographers share Where are they now... their experiences Stallion Challenge Horses 6 Months on Gentle Introductions Handling Clinic report and the Wild horse’s perspective 2015 Elections Meet the New Committee Readers’ Kaimanawas Meet some members and their horses September 2015 KAIMANAWA 11 HERITAGEOur Heritage – Their Future HORSES Contents 3 Outgoing Chairmans Report 4 Chairmans Report 5 Photographers Trip 11 Committee 2015–2016 15 15 Kaimanawa Challenge Horses 19 Readers’ Kaimanawas 24 Kaimanawa Handling Clinic 26 The Wild Horses’ Perspective 28 27 Kaimanawa Teeth 28 For Sale 19 24 15 5 ©2015 Tony Gorham About Us aimanawa Heritage Horses is a non-profit charitable society run by a volunteer group of passionate horse people, dedicated to the care and welfare of Kaimanawa Khorses in both the wild and domestic environments. We are advocates for the horses and work closely with the Department of Conservation and other interested groups on the welfare and future of the Kaimanawa horses in the wild. Prior to each muster we search for suitable homes and complete home checks to place as many horses as possible. We actively support our members and their domestic Kaimanawa horses through our welfare team, area representatives, magazine, education and training, Annual Shows, and Ribbon Days. Our members’ generosity, through membership and donations, is our primary funding source. On the Cover Follow Us Online Photographer: Kimber Brown Email [email protected] Taken on the Photographers Ranges Website www.KaimanawaHeritageHorses.org Trip. You can buy prints and see more Facebook www.facebook.com/KaimanawaHeritageHorses of Kim’s work at www.pipiart.co.nz Contact Us See inside the back page for committee member contacts 2 Kaimanawa Heritage Horses September 2015 Outgoing Chairmans Report o all members, the time has come for me to stand down as your Chairman. -
Guy Fawkes River National Park Horse Management Plan
NORTHERN BRANCH Guy Fawkes River National Park Horse Management Plan For further information about this plan please contact: The Manager, Dorrigo Plateau Area PO Box 170 Dorrigo NSW 2453 ph: 02 6657 2309 fax: 02 6657 2145 Main cover image: View of Guy Fawkes River National Park (Sean Leathers © DEC) Inset images (from left): - Mare and foal (Brad Nesbitt © DEC) - Trap at Wonga Flats in operation (Brad Nesbitt © DEC) This publication should be cited as: NSW National Parks and Wildlife Service (2006) Guy Fawkes River National Park: Horse Management Plan. Department of Environment and Conservation NSW, Sydney South. Published by Department of Environment and Conservation NSW 59–61 Goulburn Street PO Box A290, Sydney South NSW 1232 Ph: 02 9995 5000 (switchboard) Ph: 1300 361 967 (national parks information and publications requests) Fax: 02 9995 5999 TTY: 02 9211 4723 [email protected] Website: www.environment.nsw.gov.au ISBN: 1 74137 976 8 Copyright © Department of Environment and Conservation NSW Material presented in the report and bibliography can be copied for personal use or published for non- commercial purposes, provided that copyright is fully acknowledged. July 2006 DEC 2006/391 Executive Summary The Guy Fawkes River National Park is regarded as a “biodiversity hotspot” with over 40 different vegetation communities, 28 threatened plant species, 24 threatened fauna species and significant areas of old growth forest protected within the reserve. It contains spectacular examples of valley and rugged river gorges including the deeply incised Guy Fawkes River Valley and the rugged gorges of the Aberfoyle, Sara and Henry Rivers. -
Worldwide Selections of Choice and Rare Coins, Medals, Paper Money
AMERICAN NUMISMATIC SOCIETY Volume 1 Descriptions Selections of Choice To Be Sold Only By Mail Bid Closing Date - July 18, 1975 and Rare Friday, 11:00 P.M. CDT Goins Medals PaperMoney PROUDLY PRESENTED BY: COINS OF THE WORLD Bank of San Antonio Building, Suite 208, One Romana Plaza, San Antonio, Texas 78205 Phone: 512-227-3471 BID SHEET ALMANZAR’S COINS OF THE WORLD MAIL BIDS CANNOT BE FRIDAY, BANK OF SAN ANTONIO BLDG., SUITE 208 ACCEPTED AFTER 1975 ONE ROMANA PLAZA JULY 18, SAN ANTONIO, TEXAS 78205 PLEASE ENTER THE FOLLOWING BIDS FOR ME IN YOUR AUCTION SALE OF JULY 18, 1975. I HAVE READ AND AGREE TO ABIDE BY THE TERMS OF SALE AND WILL REMIT PROMPTLY UPON RECEIPT OF INVOICE FOR ALL LOTS THAT I PURCHASE. , 1975 SIGNATURE NAME ADDRESS CITY STATE ZIP CODE LOT // BID LOT // BID LOT // BID Please bill me $1.00 for a copy of the prices realized list (fee covers postal costs). Auction catalog subscribers need not check this box. The prices realized list will be mailed as soon as the list is published and only to those persons who have subscribed, consigned items to this auction, or who have paid the $1.00 fee. As a buyer unknown to you, I wish to establish credit with your firm. My credit references include: FIRM OR INDIVIDUAL CITY STATE ZIP CODE and/or I include $ as a deposit to guarantee my intent to buy all lots for which I am the high bidder. (ALL PERSONS WHO HAVE ESTABLISHED CREDIT WITH US MAY IGNORE THIS PARAGRAPH) PLEASE PRINT OR WRITE CLEARLY. -
Comparison of Head Morphometric Traits Within Five Selected Performance Types of Quarter Horses(Eguus Cabullus) Redacted for Privacy
AN ABSTRACT OF THE THESIS OF Elana Morgana Smith for the degree of Master of Science in Animal Science Presented on October 25, 2002 Title: Comparison of Head Morphometric Traits Within Five Selected Performance Types of Quarter Horses(Eguus cabullus) Redacted for privacy Abstract approved: Thomas F. Savage A study was conducted to investigate if morphometric facial measurements could be utilized to differentiate five categorical performance types of Quarter Horses. The five categories being Western, Halter, English, Reining, and Cutting. The measurements were collected from 323 registered Quarter Horses representing animals who ranged in age from one year to 30 years of age and one of three gender (Stallion, Gelding, and Mare) categories. Eight facial measurements were obtained from two geographic areas, Florida and Oregon. A correlation was performed and resulted in a reduction of the data from eight to five facial measurements, due to the presence of facial symmetry. The reduced data was subsequently analyzed by Multivariate Analysis, using the Wilks Lambda Analysis of Variance. The Main effects, age, gender, and categorical performance type were all significant (p<0.0001 to 0.00 1). Of the two-way interactions only age:gender was not significant (p>0.05) and the three- way interaction age:gender:type was also not significant (p>O.O5) Based upon the not significant (J)>O.O5) Based upon the results, the five original performance categories could be reduced to four (English, Halter, Cutting, and Western/Reining). This indicates that there are a number of similarities in facial measurements between the Western and Reining horses.