GARRICK Tercd the Art of Voice Projection, and Mood
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Wheeler Winston Dixon
WHEELER WINSTON DIXON Curriculum Vitae EDUCATION: 1980 - 82 Ph.D. Rutgers University, New Brunswick, NJ Major Focus: 20th Century American and British Literature; Film Studies. 1976 - 80 M.A., M.Phil. Rutgers University, New Brunswick, NJ 1969 - 72 A.B. Livingston College, New Brunswick, NJ APPOINTMENTS HELD: 2010 – Present Coordinator, Film Studies Program 2003 – 2005 Coordinator, Film Studies Program 2000 – Present James P. Ryan Endowed Professor of Film Studies 1999 – 2003 Chairperson, Film Studies Program; Professor, English, University of Nebraska, Lincoln. 1997 Visiting Professor, Department of Communications, The New School University, New York, Summer, 1997. 1992 - 1998 Chairperson, Film Studies Minor; Professor, English, University of Nebraska, Lincoln. 1988 - 1992 Chairperson, Film Studies Program; Associate Professor, English, University of Nebraska, Lincoln. 1984 - 1988 Assistant Professor, English and Art, University of Nebraska - Lincoln. 1983 Visiting Professor, Film Studies, The New School for Social Research, New York, NY. 1974 - 1984 Instructor, English, Rutgers University, New Brunswick. 1969 - 1972 Instructor, Film Studies, Department of Art, Livingston College. COURSES TAUGHT: 2013 Film History, Film Genre: Action and Suspense, 1960s Outlaw Cinema 2012 Film History, Film Genre, Contemporary World Cinema, Science Fiction 2011 Film History, Film Genre, Film Theory 2010 Film History, Film Genre: The Musical, Noir Films 2009 Film History, Film Genre: The Western, Science Fiction Films 2008 Film History, Film Genre: Classic -
Anthony Mann, Geoffrey Shurlock, and the Cult of Theosophy John Wranovics
UNCOMMON GROUND ANTHONY MANN, GEOFFREY SHURLOCK, AND THE CULT OF THEOSOPHY John Wranovics hroughout his career, Anthony Mann pushed the envelope regarding what could be shown on Caldwell’s God’s Little Acre (1958), stories that for years had been stalled by censors and branded as unfilmable. screen. With unprecedented acts of violence, such as Raymond Burr throwing molten Cherries As he moved from Poverty Row to major studios, Mann routinely battled the Production Code Administration (PCA), the Jubilee in Chili Williams’ face in Raw Deal (1948), George Murphy slashed to pieces by a motor- industry’s self-policing censorship office, headed by Irish-Catholic Joseph I. Breen. From its inception in 1932 until 1954, ized harrow in Border Incident (1949), or Alex Nicol firing a bullet through Jimmy Stewart’s hand in Geoffrey Manwaring Shurlock served as Breen’s right-hand man. Shurlock even ran the PCA during Breen’s brief stint as general The Man from Laramie (1955), Mann constantly tested the limits. He didn’t shy away from contro- manager of RKO from 1941-1942. He formally took the reins when Breen retired in ’54, serving as America’s chief film censor T versial sexual subjects either, filming adaptations of James M. Cain’s Serenade (1956) and Erskine until his own retirement in January 1968, when introduction of the ratings system made the PCA superfluous. 26 NOIR CITY I NUMBER 21 I filmnoirfoundation.org filmnoirfoundation.org I NUMBER 21 I NOIR CITY 27 In 1900, Katherine Tingley founded the International Theosophical Headquarters, aka “Lomaland,” in Point Loma, a seaside community in San Diego, California “The code is a set of self-regulations based on sound morals pool, England. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Alone... ; CYRANO!
AMUSEMENTS. AMUSEMENTS. Drama News and Reviews Hollywood Diary "Fresh and Elizabeth Taylor, Lawford biting."—Coe, Post Arena Stage, Aged 6 Months, To Do "Ivanhoe" in Britain THE ADDING MACHINE" -By Sheilah Graham- Elmer Rice's Comedy HU! Has Had Fine, Brave Life w/.vw/d«.v/.v.v.w.'.VAi.'.v.'.v/y«.vd HOLLYWOOD: “House on the Square” film. In Eves., Tues., San. 8:30—*1.96 of the suddenness of the S»l. Mat. 2:30—*1.30 By Jay Carmody Peter Lawford, as the star of spite Mall and Phone Orders, DI. 8592 Arena Stage will be six months old on Thursday and this is ’Tvanhoe.” with Elizabeth Taylor nuptials, Connie cables that she has known the for three a noteworthy thing. as his fair lady, Rebecca, is now boy years. ************************ In life, life in the large, six months is not much. It is different a No. 1 at Metro. * * * * reality They NtW 1011 AVI AT I4TH IT In the theater. To attain that age is to begin to feel like “Oklahoma!” both go to England, but that Gig Young is if not am- ;»o«m JOSE FERRER* or ‘‘South Pacific” and to have packed enough of experience to might be good for Elizabeth— nothing JKoth.VL.AZA;ai._ g bitious. He has asked Helen Wills POORS OPEN 9:45 A.M. think of writing a memoir. make her forget her recent ro- ♦--_____ Roark to partner him in the mixed Zelda Fichandler and Edward" mantic problems. doubles at the Palm Springs celeb- Mangum, the leading (sometimes downs than have Bette Davis is on the verge of might been ex- tennis tournament. -
A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pratt, Carol Isaacs, "A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952." (1976). LSU Historical Dissertations and Theses. 3043. https://digitalcommons.lsu.edu/gradschool_disstheses/3043 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
The History of the Hartman Theatre, 1938-1963
This dissertation has been microfilmed exactly as received 69-11,698 RODGERS, Charles Andrew, 1932- THE HISTORY OF THE HARTMAN THEATRE, 1938-1963. The Ohio State University, Ph.D., 1968 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan THE HISTORY OF THE HARTMAN THEATRE 1938 - 1963 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Charles Andrew Rodgers, B„Sc0, M.A„ ****** The Ohio State University 1968 Approved by p/ p s Adviser PREFACE The popular, even the scholarly, concept of the American theatre has tended to center about theatrical ac tivities in New York City0 Only recently, with increasing emphasis placed upon educational, community, and summer theatre, has there arisen increasing recognition of the theatrical world outside New York. And though the ex istence of the road has long been acknowledged, a substan tial part of that theatre history--made when the theatre’s most important personalities in their original roles were criss-crossing America--still remains to be written. In the professional theatre of the nineteen sixties the road is confined to a relatively small group of larger cities privileged to view Broadway successes and mediocrities Columbus, Ohio is one of these cities. Over the years Columbus has had many legitimate playhouses (Market House, Comstock's Theatre, The Great Southern Theatre), but the Hartman Theatre, since its opening in 1911, has been the busiest and most important theatre in central Ohio. From its opening until the present except for a period of dark ness between 1963 and 1964, the Hartman has made profes sional theatre available to Ohio audiences. -
Lobby Cards Gift of Professor Rennard Strickland
Strickland Collection of Law and Popular Culture Lobby Cards Gift of Professor Rennard Strickland Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 1 title card 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 2 2011 Card Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 3 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 4 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 5 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 6 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 7 2011 Card Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 8 2011 Card Lobby Universal- Dennis O'Keefe; Abandoned 1949 Joe Newman 49/461 2011 Card International Gale Storm Paul Newman; Lobby Absence of Malice 1981 Columbia Sydney Pollack Sally Field; Bob 810169 2 2011 Card Balaban Spring Byington; According to Mrs. Lobby Jean 1951 Monogram Anthony Caruso; 51/166 2013 Hoyle Card Yarborough Brett King Spring Byington; According to Mrs. Lobby Jean 1951 Monogram Anthony Caruso; 51/166 2013 Hoyle Card Yarborough Brett King Print Number Year of Image Movie Title Format Year Distributor -
Photographs., Date (Inclusive): 1925-1972 Collection Number: MSS PHOTO 172 Collector: Stark, Samuel Extent: 6.5 Linear Ft
http://oac.cdlib.org/findaid/ark:/13030/ft4s20046c No online items Guide to the Samuel Stark Film stills : photographs, 1925-1972 Processed by Special Collections staff; machine-readable finding aid created by Michael G. Olson. Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc/ © 2002 The Board of Trustees of Stanford University. All rights reserved. Guide to the Samuel Stark Film MSS PHOTO 172 1 stills : photographs, 1925-1972 Guide to the Samuel Stark Film stills: photographs, 1925-1972 Collection number: MSS PHOTO 172 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc/ Processed by: Special Collections staff Encoded by: Michael G. Olson © 2002 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Samuel Stark Film stills : photographs., Date (inclusive): 1925-1972 Collection number: MSS PHOTO 172 Collector: Stark, Samuel Extent: 6.5 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions None. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Acquisition Information Gift of Samuel Stark, 1969. Preferred Citation Samuel Stark Film stills : photographs.. MSS PHOTO 172. -
Baseball and Softball on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
BASEBALL AND SOFTBALL ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Josie Walters-Johnston January 2019 Introduction This is a guide to moving image materials on the subject of baseball and softball in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide contains a wide variety of items spanning the history of film, television and video, it does not attempt to list every reference to baseball and softball in the collection. How to Use this Guide Entries are grouped by genre and listed chronologically. Please be advised that while it is possible for a title to span more than one genre, all titles are listed only once under one of the following: Newsreels Select newsreels containing stories related to the subject of baseball. Newsreels were prevalent between the 1910s and the late 1960s and were typically shown before a feature film. Actualities An actuality film is an unstructured non-fiction film genre that uses footage of real events, places, and things. Historical footage of baseball related titles and home movies are also included in this section. Short Subjects & Featurettes Short subjects and featurettes are films typically composed of four or less reels with a running time between 5–40 minutes. Fiction and non-fiction baseball related content are included. Educational/Instructional/Documentary Films about baseball fundamentals, slow-motion footage, history of the game, Little League, documentaries about teams and players, oral history interviews, etc. Feature Films Theatrically released fiction and non-fiction films. -
The Actors Studio and Hollywood in the 1950S: a History of Theatrical
THE ACTORS STUDIO AND HOLLYWOOD IN THE 1950s A History of Theatrical Realism Mario Beguiristain The Edwin Mellen Press Lewiston •Queenston• Lampeter Library of Congress Cataloging-in-Publication Data Beguiristain, Mario. The actors studio and Hollywood in the 1950s : a history of theatrical realism I Mario Beguiristain. p.cm.. Includes bibliographical references and index. ISBN-·13: 978-0-7734-.5703-4 ISBN-10: 0-7734-.5703-8 L Title. hors serie. A CIP catalog record for this book is available from the British Library .. Copyright © 2006 Mario Beguiristain All rights reserved.. For information contact The Edwin Mellen Press The Edwin Mellen Press Box450 Box67 Lewiston, New York Queenston, Ontario USA 14092-0450 CANADA LOS 1LO The Edwin Mellen Press, Ltd. Lampeter, Ceredigion, Wales UNITED KINGDOM SA48 8LT Printed in the United States of America The Actors Studio and Hollywood in the 1950s A History of Theatrical Realism For my parents, Rosa and Rodolfo, and in memory of my professor, Arthur Knight TABLE OF CONTENTS Foreword by Peter Krikes, Ph.D. i Preface iii Acknowledgments v Chapters I. THE SEARCH FOR A FILM STYLE Intro0A/@5;: 1 -@A>1-:0"A><;?1;2@41%@A0E 3 1102;>@41%@A0E 5 &;C->0-125:5@5;:;2%@E81 7 125:5@5;:;2&41-@>5/-8$1-85?9 9 1@4;0;8;3E 13 >5@5/-8<<>;-/4 16 $1B51C;2@415@1>-@A>1 21 II. REALISM IN FILM AND THEATRE: 5?@;>5/-8:@1>-/tion 29 $1-85?9;:@41%/>11: 34 589-:0&41-@>1 41 III.