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POL 462/2313: Comparative Political Parties and Elections
POL 462/2313: Comparative Political Parties and Elections INSTRUCTOR: Professor Lawrence LeDuc, 329 Alumni Hall (416-9261300, x3232) e-mail: [email protected] TEXTS: Alan Ware, Political Parties and Party Systems Lawrence LeDuc, Richard G. Niemi & Pippa Norris (eds.) Comparing Democracies 2: New Challenges in the Study of Elections and Voting [CD2] Paul Abramson, John Aldrich & David Rohde, Change and Continuity in the 2000 and 2002 Elections [CC] Readings packet incorporating articles not included in the above texts [PKT] The following books also contain material on the party systems and/or electoral systems of the countries covered in this course, and are recommended as additional reference sources. David Farrell, Electoral Systems: a Comparative Introduction Steven Wolinetz, Parties and Party Systems in Liberal Democracies Peter Mair (ed.), The West European Party System Mark Kesselman & Joel Krieger, European Politics in Transition Warren Miller & J. Merrill Shanks, The New American Voter Hans-Dieter Klingemann & Dieter Fuchs, Citizens and the State Leon Epstein, Political Parties in Western Democracies Paul Allen Beck, Party Politics in America David Broughton & Mark Donovan, Changing Party Systems in Western Europe Herbert Kitschelt, The Transformation of European Social Democracy Simon Hix & Christopher Lord, Political Parties in the European Union Herb Asher, Presidential Elections and American Politics Michael Gallagher et al, Representative Democracy in Western Europe David Farrell & Rüdiger Schmtt-Beck (eds.), Do Political -
Ada Finifter to Be APSR Editor
Association News New APSA William Nelson, Jr., The Ohio and career service within their Officers Elected State University fields of political science. At the 90th Annual Meeting, the Federalism and Intergovernmental Relations slate of officers put forward by the Ada Finifter to be APSA Nominating Committee was APSR Editor The Distinguished Scholar Award unanimously accepted. The 1994-95 in recognition of distinguished APSA officers are: At the August 31 Council Meet- scholarly contributions to the study of federalism and intergovernmen- President: ing presided over by APSA Presi- dent Charles O. Jones, Ada W. tal relations was awarded to Sam- Sidney Verba, Harvard uel H. Beer, Harvard University. University Finifter, Michigan State University, was unanimously approved to be The Best Paper Award, conferred President-Elect: the next Managing Editor of the upon the best paper in the field of Arend Lijphart, University of American Political Science Review. federalism and intergovernmental California, San Diego Jones and Council members praised relations presented at the previous the scholarly and administrative year's annual APSA meeting was Vice-Presidents: achievements of Finifter and ex- presented to Rey Koslowski, Uni- F. Chris Garcia, University of pressed their confidence that she versity of Pennsylvania. New Mexico would follow in the exemplary style Betty Glad, University of South of the current Managing Editor, G. Carolina Bingham Powell, Jr. The editorial Law and Courts Catherine Kelleher, The Brook- transition of the APSR with begin The C. Herman Pritchett Award ings Institution in the summer of 1995. Finifter will for the best book in the field of Treasurer: start to receive manuscripts in the Law and Courts authored by a po- Susan Bourque, Smith College fall of 1995 and will publish her litical scientist in 1993 was awarded first issue of the APSR as Manag- to Howard Gillman, University of Secretary: ing Editor in March 1996. -
Marjana Program
Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 www.TargetMargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Daniel Nelson MARJANA Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Leigh Honigman, Matt Hunter, Sarah McEneaney Press Rep: Everyman Agency / John Wyszniewski AND THE BOARD OF DIRECTORS Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. FORTY ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays THIEVES inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. UP NEXT TMT LAB | NEWS OF THE STRANGE June 6 – June 23, 2019 This year’s edition of the TMT LAB will commission three new works by Moe Yousuf, Leyya Tawil, and The Million Underscores exploring a collection of rarely seen tales from The One Thousand and One Nights, as well as early Medieval Arab fantasy writing. 2019 ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid- career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in- Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, and Deepali Gupta, Sarah Hughes, and Chana Porter. -
Daily Record Article for January 10 2004 00050575 .DOC
attorneys at law . a professional corporation Down Like the Titantic By: Jim Astrachan Late last month the Second Circuit Court of Appeals sunk the copyright infringement claim of an aspiring songwriter who said he had written the Academy Award-winning theme song from the blockbuster movie, Titanic. It kept afloat his claim that Fox Film Music had copied the same song which was released as, Lonely Grill, by the band Lonestar. With summary judgment granted to the Titanic songwriters, but denied to Fox Film, this case points out the need for every company to adopt a policy either rejecting unsolicited submissions of anything even remotely creative, or requiring the submitter to sign an agreement before the submission is even read. John Jorgansen, the songwriter, claimed that the hit song sung by Celine Dion and written by James Horner and Will Jennings, My Heart Will Go On, infringed his song, Long Lost Lover. He also claimed Lonely Grill infringed, Long Lost Lover. Jorgansen had sent mass mailings of his song throughout the industry, and he claimed that his song was substantially similar to those recorded by Ms. Dion and Lonestar. He alleged Defendants had copied his songs. 99001.003/50575 1 To succeed in a copyright case, a plaintiff must prove ownership of the copyright and copying. Registration of the work is prima facie evidence of ownership; copying can be proved by direct evidence or circumstantial evidence. Most cases are made on circumstantial evidence because there are not often witnesses to the occurrence. A showing of access and substantial similarity between the two works will meet a plaintiff's burden of proof in the absence of direct evidence. -
75-3223 WERTMAN, Douglas Allen, 1948- the ELECTORATE of RELIGIOUSLY-BASED POLITICAL PARTIES: the CASE of the ITALIAN CHRISTIAN DEMOCRATIC PARTY
75-3223 WERTMAN, Douglas Allen, 1948- THE ELECTORATE OF RELIGIOUSLY-BASED POLITICAL PARTIES: THE CASE OF THE ITALIAN CHRISTIAN DEMOCRATIC PARTY. The Ohio State University, Ph.D., 1974 Political Science, general Xerox University Microfilms,Ann Arbor, Michigan 48106 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED. THE ELECTORATE OF RELIGIOUSLY-BASED POLITICAL PARTIES: THE CASE OF THE ITALIAN CHRISTIAN DEMOCRATIC PARTY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Douglas Allen Wertman, B.A., M.A. ***** The Ohio State University 1974 Reading Committee: Approved By Giacomo Sani Loren Waldman C. Richard Hofstetter illO'fAtC Department of Political Science ACKNOWLEDGMENTS I would first of all like to thank Giacomo Sani for his interest, encouragement, and assistance in the writing of thi3 dissertation and in my study of the politics of Italy during the past four years while I have been at Ohio State University. I would further like to thank him for allowing me to use the 1972 Italian survey. I would also like to express my gratitude to Dr. Samuel Barnes of the University of Michigan for permitting me to employ the 1972 Italian data, of which he was co-investigator with Dr. Sani, and the 196 8 Italian survey, which he directed by himself. Funds for these surveys ware provided by the Ford Founda tion and the National Science Foundation. I want to give special thanks to Loren Waldman for his many helpful comments and his willingness to devote so much time and effort to assisting me. -
Curriculum Vitae MARC J. HETHERINGTON Current
Curriculum Vitae MARC J. HETHERINGTON Department of Political Science Vanderbilt University PMB 505 230 Appleton Place Nashville, Tennessee 37203-5721 Phone: (615) 322-6240 email: [email protected] Current Appointment Vanderbilt University Professor. Department of Political Science, Nashville, TN. 2009- Previous Appointments Vanderbilt University Associate Professor. 2004-2009. Bowdoin College Assistant Professor. Department of Government. Brunswick, ME. 1998-2004. Princeton University Visting Research Fellow. Center for the Study of Democratic Politics. Princeton, NJ. 2001-2002 University of Virginia Lecturer. Department of Government, Charlottesville, VA. 1997- 1998. Education University of Texas at Austin. Government, Ph.D., 1997 University of Pittsburgh. Political Science, B.A. summa cum laude, departmental honors, 1990 Publications Books Why Washington Won’t Work: Polarization, Political Trust, and the Governing Crisis (with Thomas J. Rudolph), University of Chicago Press, 2015. (Winner of the Alexander George Award from the International Society of Political Psychology, 2016). Authoritarianism and Polarization in America (with Jonathan D. Weiler), Cambridge University Press. 2009. (Winner of the Philip Converse Award from the Elections, Public Opinion, and Voting Behavior section of the American Political Science Association, 2016). 1 Why Trust Matters: Declining Political Trust and the Demise of American Liberalism. Princeton: Princeton University Press (Hardcover, 2005, Paperback 2007). Parties, Politics, and Public Policy in America, 11th Edition (with Bruce A. Larson). Washington: CQ Press (2010). Parties, Politics, and Public Policy in America, 9th and 10th Editions. (with William J. Keefe). Washington: CQ Press (2003, 2007). Peer Reviewed Articles Revisiting the Myth: New Evidence for a Polarized America (with Meri Long and Thomas J. Rudolph). -
Wedding Processionals & Recessionals Sacred Music Jewish
“ANTHEM” 1 Song List for Ensembles or Soloists Please note: If you don’t see what you’re looking for, please ask. We have access to far more music than we could ever list here! Wedding Processionals & Recessionals Bach, Jesu, Joy of Man’s Desiring Pachelbel, Canon in D Beethoven, Ode to Joy Purcell, Trumpet Tune Brahms, Theme from 1st Symphony Mussorgsky, Promenade from Pictures at an Exhibition Clarke, Trumpet Voluntary Mendelssohn, Wedding March (traditional recessional) Handel, Hornpipe from Water Music Vivaldi, Spring Handel, La Rejouissance Wagner, Bridal Chorus (traditional processional) Sacred Music Our library contains all standard hymns and spirituals. In addition to these, we recommend the following selections for sacred services and ceremonies. Amazing Grace Beethoven, Ode to Joy Bach, Jesu, Joy of Man’s Desiring Bradbury/Thrupp, Savior, Like a Shepherd Lead Us Bach, Sheep May Safely Graze Franck, Panis Angelicus Bach/Gounod, Ave Maria Jewish Ceremony and Reception Erev Shel Shoshanim K’shoshana Ben Hachochim Dodi Li Hitragut Bruchim Habaim Jerusalem of Gold Mi Adir Wedding March Sheva Brachot Chorshat Ha’ekaliptus K’var Achare Chatsot Eli Eli Y’did Nefesh Hakotel Celtic and Gaelic Ireland National Anthem Maids of Mourne Shore Carolan’s Concerto My Love is Gone to Sea Countess of Sutherland Pretty Girl Milking Her Cow Danny Boy Rakes of Mallow The Flower Of The Quern Road to Lisdoonvarna Garton Mother’s Lullaby Si Beag Si Mor Give Me Your Hand Timour the Tartar Sor Blanca Maria Yell Yell Last Rose of Summer Jigs, Reels, Hornpipes, -
Biography -- Printable Version
Biography -- Printable Version Peter Wolf's Historical Biography Written & Researched by Bryan Wiser, and Sheila Warren with Mimi Fox. Born in New York City, Peter grew up in the Bronx during the mid-1950's in a small, three-room apartment where he lived with his parents, older sister, two cats, dog and parakeet. For some time, Peter lived with his grandmother, an actress in New York City's Yiddish Theater. She and Peter had a strong bond, and she affectionately named him "Little Wolf" for his energetic and rambunctious ways. His father was a musician, vaudevillian and singer of light opera. Like Peter did years later, his father left home at age fourteen to join the Schubert Theater Touring Company with which he traveled the country performing light operas such as The Student Prince and Merry Widow. He had his own radio show called The Boy Baritone, which featured new songs from Tin Pan Alley, and was a member of the Robert Shaw Chorale. As a result of such artistic pursuits, Peter's father underwent long periods of unemployment that created a struggle to make financial ends meet. Peter's mother was an elegant and attractive woman who taught inner-city children in the South Bronx for 27 years. A political activist, union organizer and staunch civil rights advocate, she supported racial equality by attending many of the southern "freedom rides" and marches. Peter's older sister was also a teacher as well as a photographer who now works as an advocate for persons with disabilities. She continues her mother's tradition, often marching on Washington to support the rights of the disabled. -
Song Artist Ain't No Sunshine Bill Withers All I Ask of You Andrew
Song Artist Ain't No Sunshine Bill Withers All I Ask Of You Andrew Lloyd Webber Always On My Mind Wayne Thomps Angel Sarah Mclachlan As Long As You Love Me Backstreet Boys Autumn Leaves Johnny Mercer Beautiful Christina Aguilera Because Of You Kelly Clarkson Bed Of Roses Bon Jovi Black Eyed Boy Texas Blowin’ In The Wind Bob Dylan Blue Moon Richard Rodgers Bring Him Home Claude Michel Schonberg Can You Read My Mind? John Williams, Leslie Bricusse Candle In The Wind Elton John Chasing Cars Snow Patrol CHASING PAVEMENTS Adele Climb Every Mountain Richard Rodgers, Oscar Hammerstein II Close To You Carpenters Cockles and muscles Irish Air Come Away With Me Norah Jones Crazy Willie Nelson Cry Me A River Arthur Hamilton Dancing In The Dark Arthur Schwartz Danny Boy Londonderry Air, Traditional Irish Tune, Frederic Weatherly 1910 Don’t Know Why Norah Jones Don’t Speak No Doubt Durham Town Roger Whittaker Eternal Flame Bangles Evergreen Barbra Streisand Everlasting Love Gloria Estefan Fallen Lauren Wood Fallen Sarah McLachlan Fallin’ Alicia Keys Fields Of Gold Sting Fix You Coldplay Fly Me To The Moon Bart Howard Georgia On My Mind Hoagy Carmichael, Stuart Gorrell Girl, You'll Be A Woman Soon Neil Diamond Gymnopodie No.1 Satie Hallelujah Leonard Cohen Have I Told You Lately Van Morrison Hello Again Neil Diamond And Alan Lindgren, Neil Diamond Here Comes The Sun George Harrison Here There And Everywhere Paul McCartney, John Lennon Hero Mariah Carey Home Sweet Home Henry Bishop How Deep Is Your Love Bee Gees How You Remind Me Nickelback I Believe -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved. -
Kristin Anne Goss
Updated July 9, 2021 KRISTIN ANNE GOSS Kevin D. Gorter Professor of Public Policy Sanford School of Public Policy and Political Science Sanford 234, Box 90245, Duke University Director, Duke in DC Program Durham, N.C. 27708 Director, Center for the Study of Philanthropy [email protected]; 919-613-7331 and Voluntarism @kagoss; kristingoss.com EDUCATION HARVARD UNIVERSITY, Cambridge, Mass. A.M. in Government, 1999; Ph.D. in Government, 2003. Focus field: American politics. Dissertation: Disarmed: The Real American Gun Control Paradox Winner, American Political Science Association’s Harold D. Lasswell Award, best dissertation in public policy, 2003; published by Princeton U. Press, 2006/2009 Committee: Robert D. Putnam (chair), Theda Skocpol, Mark H. Moore, Philip J. Cook DUKE UNIVERSITY, Durham, N.C. Master of Public Policy, with faculty award for overall excellence, 1996 Master's Thesis: “We All Have to Come Together”: Moms’ Role in Disarming Kids in the Nation's Capital. Chair: Philip J. Cook HARVARD COLLEGE, Cambridge, Mass. Bachelor of Arts, magna cum laude in History and Literature, 1987 Certificate in Latin American Studies Honors Thesis: Coverage of Human Rights Abuses in the Buenos Aires Daily Press During Argentina's 'Dirty War,' 1976-1979: A Rule of Silence and Its Exception FACULTY POSITIONS Kevin D. Gorter Professor of Public Policy and Political Science Sanford School of Public Policy, Duke University, 2019-present. Founder & Director, Duke in DC Director, Duke Center for the Study of Philanthropy and Voluntarism Bass Society of Fellows Duke Affiliations: Center for Strategic Philanthropy and Civil Society, Hart Leadership Program, Duke Center for Firearms Law Prior Positions: Kevin D. -
Configuration Recommendations for DOCSIS IP Transport of IP Video
CONFIGURATION RECOMMENDATIONS FOR DOCSIS TRANSPORT OF MANAGED IP VIDEO SERVICE WILLIAM T. HANKS With special thanks to the following contributors: Jim Allen, Tom Cloonan, Michael Dehm, Amit Eshet, J.R. Flesch, Dwain Frieh, Will Jennings, Tal Laufer, Tushar Mathur, Dan Torbet, John Ulm, Bill Ward, and Ian Wheelock TABLE OF CONTENTS INTRODUCTION ............................................................................................. 4 TARGET AUDIENCE ........................................................................................ 4 VENDOR AND PRODUCT AGNOSTICISM ........................................................ 4 TECHNOLOGY BACKGROUND ........................................................................ 5 Video ServicEs ................................................................................................................ 5 LinEar Broadcast TV vs. On-dEmand Content ............................................................ 5 Television ChannEl ViewErship ................................................................................... 5 TV ChannEl ChangE ExpEctations ............................................................................... 8 InternEt Protocol (IP) ...................................................................................................... 8 ConnEction-OriEnted vs. ConnEctionlEss ................................................................... 8 IP Multicast – One StrEam, MultiplE DEstinations ..................................................... 9 IP Unicast – One StrEam,