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Issue 189.Pmd
email: [email protected] NIGHTSHIFTwebsite: nightshift.oxfordmusic.net Free every Oxford’s Music Magazine month. Issue 189 April 2011 YYYYYYoungoungoungoung KnivesKnivesKnivesKnives Go Pop! Out on their own and back with a brilliant new album photo: Cat Stevens NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WILCO JOHNSON AND listings for the weekend, plus ticket DEACON BLUE are the latest details, are online at names added to this year’s www.oxfordjazzfestival.co.uk Cornbury Festival bill. The pair join already-announced headliners WITNEY MUSIC FESTIVAL returns James Blunt, The Faces and for its fifth annual run this month. Status Quo on a big-name bill that The festival runs from 24th April also includes Ray Davies, Cyndi through to 2nd May, featuring a Lauper, Bellowhead, Olly Murs, selection of mostly local acts across a GRUFF RHYS AND BELLOWHEAD have been announced as headliners The Like and Sophie Ellis-Bextor. dozen venues in the town. Amongst a at this year’s TRUCK FESTIVAL. Other new names on the bill are host of acts confirmed are Johnson For the first time Truck will run over three full days, over the weekend of prog-folksters Stackridge, Ben Smith and the Cadillac Blues Jam, 22nd-24th July at Hill Farm in Steventon. The festival will also enjoy an Montague & Pete Lawrie, Toy Phousa, Alice Messenger, Black Hats, increased capacity and the entire site has been redesigned to accommodate Hearts, Saint Jude and Jack Deer Chicago, Prohibition Smokers new stages. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Deutsche Nationalbibliografie 2014 T 05
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 05 Stand: 21. Mai 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2014-2 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Nawang Khechog the Great Arya Tara Tibetan Meditation Music 5:11
Playlists by David Ruekberg Dance to Awaken the Heart, Rochester, NY #27: January 28, 2017 Artist Song Title Album Length Nawang Khechog The Great Arya Tara Tibetan Meditation Music 5:11 Maneesh de Moor Morning Praise Om Deeksha 8:54 Ernst Reijseger Homo Spiritualis Cave Of Forgotten Dreams (Original Motion Picture Soundtrack) 2:21 Hukwe Zawose Nhongolo The Essential Guide To Africa 8:54 Dead Can Dance Nierika Memento 5:46 Deva Premal Guru Rinpoche Mantra Deva Lounge 7:23 Balligomingo Purify Absolute More Relaxed [Disc 2] 4:13 Manu Dibango Bessoka (Version Courte) The Essential Guide To Africa 3:28 Miriam Makeba Pata Pata 2000 Homeland 3:49 Thievery Corporation The Lagos Communique African Groove 3:55 Christina Aguilera featuring Steve Winwood Makes Me Wanna Pray Back To Basics 4:11 The Beatles Tomorrow Never Knows (Remastered) Revolver (Remastered) 2:59 Brian Eno & Rick Holland Glitch Drums Between The Bells 2:58 Sean Dinsmore Mangalam (Chillums at Dawn Remix) Dakini Lounge: Prem Joshua Remixed 6:00 India.Arie Slow Down Voyage To India 3:53 Jai Uttal Guru Bramha Shiva Station (Bonus Edition) 4:24 Bon Iver Lisbon, OH Bon Iver 1:34 Ulrich Schnauss Amaris Passage 5:20 David Ruekberg Silence_5s.mp3 Silence 0:05 Itzhak Perlman Bach: Violin Partita #2 In D Minor, BWV 1004 - 3. Sarabanda Bach: Sonatas & Partitas For Solo Violin [Disc 2] 3:52 Anoushka Shankar Ancient Love Rise 11:08 Ray Lynch Her Knees Deep In Your Mind Conversations With God 6:19 Soloists of the Ensemble Nipponia [Shakuhachi, Shamisen, Biwa, EsashiKoto] Oiwake ("Esashi Pack-horseman's -
July 2019 up and Down the Country That Need Your Support
Issue 93 July2019 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. f. t. i. SUGO at The Lamb & Flag SUGO at Friar St 30 The Tything 19-21 Friar Street, Worcester Worcester WR1 1JL WR1 2NA 01905 729415 01905 612211 [email protected] [email protected] It’s another bumper month here in Slapland with so much to look forward to as we deadline on the hottest day of the year so far! It was wonderful to see the sun shining on Glastonbury this year with some incredible performances beamed straight into your home. But remember, Glastonbury would be nothing if wasn’t for the unique grass roots music culture we have in this country, so while it’s fantastic to see the festival vibe on the red button it’s nowhere near as good as actually being there. Tickets may be scarce for Glastonbury but there are literally hundreds of festivals July 2019 up and down the country that need your support... In the following pages we look back at two very different local festivals for you, Wychwood in Cheltenham and Hopfest in SLAP MAGAZINE Bewdley just to get you in the festy mood. Unit 3a, Lowesmoor Wharf, This months local festivals include our very own mini Glasto in Worcester WR1 2RS Noztock the Hidden Valley near Bromyard, The brilliant 2000 Trees in Cheltenham, El Darado in Ledbury and Linton in Ross- on- Wye, Telephone: 01905 26660 to name but a few. -
THE UNIVERSITY of HULL “Typical Really” an Examination of the Emergence of a British Art-Cinema During the 1960S Being A
THE UNIVERSITY OF HULL \Typical Really" An Examination of the Emergence of a British Art-Cinema during the 1960s being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Martin R. Hall, BA (Hons) March, 2013 Acknowledgements I want to give thanks first and foremost to my Dad, without whom so much more than just this thesis would not have been possible. Thank you for everything. More thanks go to my wife, an immeasurable wellspring of support. You helped me through, from proof reading to just about everything else. If you could have done the work for me I know you would have, however reluctantly! You have done so much to help and support me in every way thinkable that I am astounded as I now think about your part in all of this. I thank you and, of course, I love you. Thanks must be given to Dr. Bruce Woodcock, whose guidance and encouragement started me on this self-destructive path into academia. Thank you also to Dr. John Hoyles and the Hull Film Society minions for my education and amusement, merci beaucoup. I thank Dr. Alan Burton, one of my many supervisors, for your direction and support in the early stages of my research, and Professor Neil Sinyard for sharing his wealth of experience in aid of my work and in introducing me to information and to people. Finally, thank you Dr. James Aston for your assistance and counsel during my final stretch. Whilst my guidance was thrust unexpectedly upon you, you were a resounding source of help and advice, and for that I am extremely grateful. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Mr Angry on Holiday Keith Talks to Chas
October 2017 October 99 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Mr Angry on holiday Keith talks to Chas McDevitt Marti Canal conducts an interview We “borrow” more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 2 Emma Peel (who doesn’t have the faintest idea why she’s here but dealt with many odd situations in her time with The Avengers) says: “ HOLD THE THIRD PAGE! ” Hi Gang. Welcome to the autumn edition of Tales From The Woods magazine, a busy time for us all at this moment in time. At the end of this very month of October we shall be at London’s legendary 100 Club, and we all here at TFTW are in a state of excited anticipation in readiness for our return to this, the oldest music venue in London and possibly the UK, that has seen countless venues come and go, some lost to the passage of time since it first opened its doors in the heart of London’s west end amidst the carnage and destruction of World War II an incredible 75 years ago. The legend that is our wonderful headliner, Tommy Hunt, former member of doo- wop royalty in his native USA with The Flamingos, later to have huge hits and following as a bona fide soul man, a particular hero on the British northern soul circuit, is so looking forward to performing for us, on a show dedicated to that golden age of doo-wop back in the late fifties and early sixties. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
Butch and Sundance: the Early Years
Butch and Sundance: The Early Years hat do you do when you have a for Burns’s quirky script for Butch and work so well is the great score by smash hit film that becomes an Sundance: The Early Years . Patrick Williams, one of two happy col - Winstant classic, that breaks box- laborations with Richard Lester, both office records, and that audiences flock The casting of the film proved inspired. from 1979, the other being his wonder - to see? Easy – you do a sequel, of For Butch it was the young actor, Tom ful score to Lester’s Cuba . Patrick course. However, doing a sequel be - Berenger, who’d just gotten a lot of at - Williams, born in 1939, began scoring comes a little problematic if your two tention for Looking for Mr. Goodbar . films in 1968 with How Sweet It Is. Over leading characters are dead at the end While he wasn’t an exact dead ringer for the years he’s written some truly superb of the film. That was the problem faced Paul Newman, there was definitely an scores, such as The One and Only, by Twentieth Century-Fox in 1969 with uncanny resemblance. For The Sun - Casey’s Shadow, The Cheap Detective, their monster hit, Butch Cassidy and dance Kid it was another young up-and- Hero at Large, Used Cars, Breaking The Sundance Kid , written by William comer, William Katt, who’d had a big Away (Oscar nomination), Some Kind of Goldman, directed by George Roy Hill, success in the Brian de Palma block - Hero, The Toy, The Buddy System , and and starring Paul Newman and Robert buster, Carrie , followed by an excellent many, many others, along with scores Redford in what some would say were performance in the John Milius film, Big for such television classics as The the most iconic roles of their long and Wednesday . -
The Slide Above Reads: “Our SPC Ethical Decision
1 2016-2021 Quality Enhancement Plan (QEP) Ethical Decision-Making (EDM) Tues 6 October 2020 Weekly Progress Report The slide above reads: “Our SPC Ethical Decision-making steps 1) Stop and think to determine the facts; 2) Identify options; 3) Consider consequences for yourself and others; 4) Make an ethical choice and take appropriate action.” and “Core Values of the Alamo Colleges: Students First; Respect for All; Community Engaged; Collaboration; Can-Do Spirit; Data-Informed” (Internal note: The statement above was added for Quality Matters (QM) and for Universal Design compliance.) EDM quote or tip slide, above for October 5: “The most valuable possession you can own is an open heart. The most powerful 1 2 weapon you can be is an instrument of peace.” Carlos Santana- Singer, Song Writer, ten-time-Grammy Award Winner https://en.wikipedia.org/wiki/Carlos_Santana One of our four Ethical Decision-making steps highlighted in this quote: 3) Consider consequences for yourself and others. One of our six Core Values also highlighted: Respect for All. 1947: Santana was born in Mexico; learns to play violin at age five and guitar at age eight from his father, a mariachi musician. Family moves from Autlán to Tijuana, then to San Francisco, California. 1966: begins his musical career by forming the Santana Blues Band, embraces musical and spiritual inspiration and influences, support from and collaboration with: Ritchie Valens,Sly [Stone], Jimi Hendrix, the Stones, the Beatles, Tito Puente, Mongo Santamaría, Buddy Miles, Pharoah Sanders, Gregg Rolie, Michael Carabello, Michael Shrieve, David Brown, José "Chepito" Areas, Rob Thomas, B.B. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.