Commercialization, Domestication, and Resistance in New York City from Melville to Mckay
ABSTRACT A (RE)CONCEPTION OF THE CITY: COMMERCIALIZATION, DOMESTICATION, AND RESISTANCE IN NEW YORK CITY FROM MELVILLE TO MCKAY James Baltrum, Ph.D. Department of English Northern Illinois University, 2014 Dr. Deborah DeRosa, Director This dissertation characterizes the historical changes that shaped nineteenth and twentieth century New York City by examining how Herman Melville, Stephen Crane, Edith Wharton, John Dos Passos, and Claude McKay expressed these changes in their literary works. I employ the ideological principles of scholars such as Henri Lefebvre, who viewed physical spaces including the modern city as socially constructed products, and the methodology of writers such as Michel Foucault, whose genealogical approach prompts an open-ended and multi-faceted analysis. Consequently, my argument shows how various economic, social, cultural, political, and technological developments worked with and against each other to shape (and reshape) people’s perceptions of New York City and how particular writers have work such perceptions into their literature. Starting in the 1850s with the American Renaissance and concluding in the late 1920s with the emergence of Modernism and the Harlem Renaissance, my dissertation focuses on Herman Melville’s “Bartleby, the Scrivener” (1856), Stephen Crane’s Maggie: A Girl of the Streets (1893) and George’s Mother (1896), Edith Wharton’s The House of Mirth (1905), John Dos Passos’s Manhattan Transfer (1925) and Claude McKay’s Home to Harlem (1928). I focus on how the developments in the city influenced these authors to continually re-conceive New York City’s commercial and domestic social spaces from the 1850s through the 1920s. Likewise, each text illustrates how certain historical developments produced counter-cultural currents of resistance against hegemonic authorities in each author’s given era.
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