DOCSLIB.ORG

Monatsschrift Für Litcraturftmndc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Monatsschrift Für Litcraturftmndc DilMcratuv Monatsschrift für Litcraturftmndc Sechsunddreißigster Jahrgang Oktober 1933—September 1934 Deutsche Verlags-Anstalt Stuttgart und Berlin Inhalts-Verzeichnis !. Verfasser-Verzeichnis M olo, W alter von: Kultur? ........................................ 19 —, —: Rede auf W ilhelm Schmidtbonn .................... 622 M orariu, Viktor: „Oberon" in rumänischer Übertragung 211 1. Verfasser der Hauptartikel M üller-Freienfels, Richard: Aufgaben und Aussichten Seite einer neuen V olksdichtung.................................... 615 Arens, Hanns: Hans Friedrich Blunck......................... 438 M utius, Gerhard von: Der Mythos der Form.......... 144 Arns, Karl: Wyndham Lewis........................................ 85 Prawdin, M ichael: Der Tatsachenroman ................... 256 Barthel, Ludwig Friedrich: Das Gedicht als Sinnbild Raschle, M artin: Gespräche um Gottfried Benn........ 8 der Nation............................................................. 493 Reich, Hanns: Görres in unserer Zeit......................... 687 Benn, Gottfried: Rede auf Stefan George................ 377 Reinboth, Gerhard: Der Gang durch den W einkeller —, —: G edichte.............................................................. 12 s,,Junges Italien"^................................................ 510 Benndorf, Friedrich K.: Lyrik und Publikum ............ 699 Reisiger, Hans: Guido Looser .................................... 567 Bergengruen, W erner: Koblenz.................................. 318 Rüdiger, Horst: Antonio Machado............................... 389 Blunck, Hans Friedrich: Gedichte.. -........................... 441 Sawatzki, Günther: Das neue Feuilleton................... 72 Bonsels, W aldemar: Über schöpferische Phantasie ... 189 Scheffler, Herbert: Bemerkungen zum Opernlibretto.. 638 Brandenburg, Hans: Im W olgaland fPonten^.......... 132 Schickert, W erner: Der „Jahrgang 1902" und seine Auf­ Deubel, W erner: Die Gedichte Ina Seidels ............. 385 gaben ..................................................................... 137 Diettrich, Fritz: Deutsche Lyrik 1933 ........................... 203 Schilling, Helmut: Lucien Herr, ein politischer Jour­ Dülberg, Franz: Grundfragen des Übersetzertums----- 27 nalist ....................................................................... 267 —, —: Der Buchstabe macht lebendig!....................... 449 Schlien, Hellmut: W eltall — wohin? fEddington^ ... 15 Eckert, Gerd: Der Ton im Film.................................. 151 Schmidt, W alther: Vom Wohnen fG. A. Platz und G. Eggebrecht, Jürgen: Die M utter der W eisheit fHenry Harbers^................................................................. 82 Benraths................................................................. 92 Schmidtbonn, W ilhelm: „M it brüderlicher Stimme" Elster, Hanns M artin: Der Volksdichter Josef W inckler 191 fLersch^................................................................... 442 Fischdick, W ilhelm: Kennst du den Mann, der heute liest? 268 Schneider, Reinhold: Am Vorabend der Tragödie ... 5 Friedrich, Hans E.: Biographie und Persönlichkeitskult 129 —, —: Der Süddeutsche und die preußische Form ... 309 —, —: Dom W ert der Spezialforschung ................... 635 —, —: Spanien und der deutsche Geist fOrtega^___ 374 —, Paul: Der Kritiker Hermann Conradi ................. 323 —, —: Der Geistige in der Geschichte......................... 555 Gabele, Anton: Pathos, Pathetik und König Lear ... 312 Schneider-Schelde, Rudolf: Oswald Spengler — das Goerlitz, Theo L.: Das Einzelschicksal in der Dichtung kalte Herz............................................................... 196 der Zeit .................................................................. 579 -, -: Stil................................................................... 500 Goetz, W olfgang: Eduard Stucken................................ 444 Scholtz, Rudolf von: Religion von außen gesehen---- 249 Günther, Herbert: Otto Ehrhardt-Dachau ................. 21 Scholz, W ilhelm von: Memoiren III ........................ 259 —, Joachim: Die Situation der Lyrik und Albert Der- —, —: Fürstinnen Memoiren ........................... 496 wey.......................................................................... 574 Schröder, Hans Eggert: Die deutsche Romantik und die Heinrich, Gregor: Isolde Kurz..................................... 75 Gegenwart............................................................. 433 —,—: Von den Folkewisern ..................................... 571 Schück, Karl: Giovanni Papini .................................. 512 Helmersen, Joachim von: Gestalt und Volk fStefan Seidel, Ina: Der Dichter und sein Volk..................... 369 George/.................................................................. 208 —, —: Posthumes Porträt sSusanne Trautwein^— 558 Hering, Gerhard: Richard Benz................................... 618 Stucken, Eduard: Balladen........................................... 446 Homeyer, Fritz: Zwei bisher unbekannte Briefe Kleists 577 Sturm, Hans: „Die Garbe" des Sechzigjährigen Jenkner, Hans: Plädoyer für die Novelle ................. 330 Münchhausens....................................................... 321 —, —: Deutsche W ortmusik sH. Simons...................... 694 Süskind, W. C.: Wege der Erzählung sHamsun, Ponten, Kappstein, Theodor: Evangelisch-theologische Schrift­ Mann, Carossa, Melchow^..................................... 682 steller der Jetztzeit................................. Tränckner,391 Christian: Jan van 't Moor fM oritz Jahnas 382 Kenter, Heinz Dietrich: Max Rene Hesse .................... 140 Urbach, O.: Der französische Faust ............................. 89 Keyserling, Graf Hermann: Die Gründung einer neuen Vietta, Egon: Die Bannmeile des Schöpferischen — 69 europäischen Gesellschaft ....................................... 128 —, —: Zum Tatsachenroman............^........................ 453 Klein, Johannes: Die Lyrik Detlevs von Liliencron .. 563 Dring, Georg von der: Besuch beim M arschendichter Klepper, Jochen: Die Schule des Rundfunks............. 77 fHermann Allmers^ .............................................. 25 Knauß, Bernhard: Bemerkungen zu einer deutschen W interlicher Traum sHamsun^ ....................... 266 Geschichte................................................................ 675 W eller, Hermann: Lateinische Dichtung der Gegenwart 632 Kraft, W erner: Schmidt von Lübeck ........................... 88 W erner, Kurt: Fritz Diettrich, ein deutscher Lyriker .. 326 Kramp, W ill: Sprache und Entwurzelung................... 625 W iegand, Heinrich: Geometrie, Kontraste und Lyrik Kunze, W ilhelm: Eduard Reinacher.............................. 504 fGoethe)................................................................. 262 Leupold, Ulrich: Kirchenlied und Raum...................... 514 W inckler, Josef: ZweiMänner der literarisch en W estfront Leuteritz, Gustav: Die Problematik des deutschen Lust­ M üller-Clemm und Cremers^ ............................. 316 spiels ........................................................................ 144 W indelband, W olfgang: Eine neue Ausgabe von Bis­ Luther, Arthur: Russische Emigrantendichtung............ 146 marcks Briefen.............................. 200 M aier, Hansgeorg: M oeller van den Bruck ................. 678 W ohlfarth, Paul: Joseph Conrad und die Rahmen­ M artin, Victor: Die W issenschaft von Rom................. 690 erzählung ............................................................... 507 Wolter, Karl Kurt: Erkenntnisse — Nicht Wissen fJeans^s 271 Klein, Hermann .............................................................. 242 Zerkauten, Heinrich: Heinz Steguweit...................... - - 253 Klepper, Jochen .............................................................. 414 Zimmer, Friß Alfred: Der sächsische Volkscharakter in Knauß, Bernhard 120, 240, 301, 361, 424, 475, 480, Kurt Arnold Findeisens Dichtung ........................ 628 547, 548, 663, 728 Knöller, Fritz ...................................................................... 602 Koppen, Edlef........................................ 46, 114, 170, 718 2. Verfasser der „Kurzen Anzeigen" Kunze, Wilhelm 182, 230, 231, 233, 352, 416 (2mal), 535, 536, 601, 655, 657, 717 Lilienfein, Heinrich........................................ 117, 353, 601 Ackerknecht, Erwin............................................................ 238 Lobsien, Wilhelm .............................................................. 417 Alker, Ernst ....................................................................... 290 Lorsch, Lili.......................................................................... 600 Anders, Hermann W......................................................... 418 Arens, Franz........................................ 178, 228, 359, 541 Lücke, Theodor .................................................................. 122 Maier, Hansgeorg........................ ................. 233, 234, 656 —, Hanns ........................................................................ 352 Baldus, Alexander ........................................ 241, 293, 471 Märker, Friedrich .......................................... 299, 547, 668 Barth, Emil................ 300, 470, 472, 539, 546, 598, 721 Meckel, Eberhard 115, 171, 536, 538, 664, 716, 725, 729 Barthel, L. F.................................................... 420, 540, 597 Menz. Gerhard................................................................ 54 Bauer, Walter.........................................................
Load more

Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • RCA LHMV 1 His Master's Voice 10 Inch Series
    RCA Discography Part 33 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA LHMV 1 His Master’s Voice 10 Inch Series Another early 1950’s series using the label called “His Master’s Voice” which was the famous Victor trademark of the dog “Nipper” listening to his master’s voice. The label was retired in the mid 50’s. LHMV 1 – Stravinsky The Rite of Spring – Igor Markevitch and the Philharmonia Orchestra [1954] LHMV 2 – Vivaldi Concerto for Oboe and String Orchestra F. VII in F Major/Corelli Concerto grosso Op. 6 No. 4 D Major/Clementi Symphony Op. 18 No. 2 – Renato Zanfini, Renato Fasano and Virtuosi di Roma [195?] LHMV 3 – Violin Concerto for Violin and Orchestra No. 2 (Bartok) – Yehudi Menuhin, Wilhelm Furtwangler and the Philharmonia Orchestra [1954] LHMV 4 – Beethoven Concerto No. 5 in E Flat Op. 73 Emperor – Edwin Fischer, Wilhelm Furtwangler and the Philharmonia Orchestra [1954] LHMV 5 – Brahms Concerto in D Op. 77 – Gioconda de Vito, Rudolf Schwarz and the Philharmonia Orchestra [1954] LHMV 6 - Schone Mullerin Op. 25 The Maid of the Mill (Schubert) – Dietrich Fischer-Dieskau, Gerald Moore [1/55] LHMV 7 – Elgar Enigma Variations Op. 36 Wand of Youth Suite No. 1 Op. 1a – Sir Adrian Boult and the London Philharmonic Orchestra [1955] LHMV 8 – Bach Brandenburg Concerto No. 2 in F/Brandenburg Concerto No. 5 in D – Harold Jackson, Gareth Morris, Herbert Sutcliffe, Manoug Panikan, Raymond Clark, Gerraint Jones, Edwin Fischer and the Philharmonia Orchestra [1955] LHMV 9 – Beethoven Symphony No. 5 in C Minor Op.
    [Show full text]
  • Livres Et Documents Sur Richard Wagner (1813-1883)
    LIVRES ET DOCUMENTS SUR Richard WAGNER (1813-1883) (Mise à jour le 25 mars 2013) Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 Médiathèque Musicale Mahler – Bibliographie Wagner / 2013 Livres et documents sur Richard Wagner (1813-1883) LIVRES A : Catalogues, catalogues d'expositions, programmes… 3 B : Ecrits de Richard Wagner, correspondance… 4 C: Biographies, études… 6 D : Ouvrages collectifs, colloques, symposiums… 15 E : Revues… 16 G : Analyses d'œuvres… 17 Wagner dans les ouvrages thématiques… 23 Wagner dans les biographies d'autres compositeurs… 32 PARTITIONS 36 ENREGISTREMENTS SONORES 41 REVUES 64 FONDS D'ARCHIVES 66 ARCHIVES NUMÉRISÉES 75 2 Médiathèque Musicale Mahler – Bibliographie Wagner / 2013 LIVRES BIOGRAPHIES DE RICHARD WAGNER A : catalogues… Bayreuth 1876-1976. - Bayreuth : Festspielleitung Bayreuth, 1976. - (BM WAG A14) Dossier Richard Wagner de Roger Commault. - . - (BM WAG A11 (Réserve)) Exposition Richard Wagner : Musée Galliéra, 24 juin-17 juillet 1966. - Paris : Musée Galliéra, 1966. - (BM WAG A13) Richard Wagner Kalender : Merkbüchlein über Richard Wagner's Leben, Werke und Wirken für alle Tage des Jahres. - Wien : Fromme, 1882. - (BM WAG A5 (Réserve)) Richard Wagners photographische Bildnisse. - München : Bruckmann, 1908. - (BM WAG A7) Wagner e Venezia : catalogo della mostra, Palazzo Vendramin-Calergi, 13 febbraio - 31 luglio 1983. - Venezia : Palazzo Vendramin-Calergi, 1983. - (BM WAG A10) ALLGEMEINER RICHARD-WAGNER-VEREIN. - Bayreuther Taschenkalender für das Jahr 1885. - München : Schmid, 1885. - (BM WAG A5 (Réserve)) ALLGEMEINER RICHARD-WAGNER-VEREIN. - Bayreuther Taschenkalender für das Jahr 1886. - München Leipzig : Schmid : Leede, 1886. - (BM WAG A5 (Réserve)) ASSOCIAZIONE RICHARD WAGNER DI VENEZIA. - Venezia per Wagner : progetto per la fondazione a Venezia di un museo e di un centro internazionale di studi e di ricerche dedicati a Richard Wagner.
    [Show full text]
  • Building a Library
    BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 2000 – July 2001 .................................................................................................................................. 24 September 2001 – July 2002 .................................................................................................................................. 46 September 2002 – July 2003 .................................................................................................................................. 74 September 2003 – July 2004 .................................................................................................................................. 98 September 2004 – July 2005 ................................................................................................................................ 128 September 2005 – July 2006 ................................................................................................................................ 155 September 2006 – July 2007 ...............................................................................................................................
    [Show full text]
  • ARSC Journal
    HISTORICAL REISSUES ROYAL OPERA HOUSE COVENT GARDEN, HISTORICAL RECORDINGS OF ACTUAL PERFORMANCES: PUCCINI: Boheme (4 June 1926)--Gioventu mia (Finale, Act 2); Dorme? ripose? (Finale, Act 4). Margaret Sheridan, soprano (Mimi); Aurora Rettore, soprano (Musetta); Angelo Minghetti, tenor (Rodolfo); Giuseppe Noto, baritone (Marcello); Eduard Cottreuil, basso (Colline); Ernesto Badini, baritone (Schaunard); Pompilio Malatesta, basso (Alcindoro); Vincenzo Bellezza, conductor. MELBA'S FAREWELL (8 June 1926): VERDI: Otello--Piangea cantando; Ave Maria. Dame Nellie Melba, soprano (Desdemona); Jane Bourguignon, mezzo-soprano (Emilia); Vincenzo Bellezza, conductor. PUCCINI: Boh~me--Entrate ••• C'e Rodol­ fo?; D'onde lieta usci; Addio, dolce svegliare. Dame Nellie Melba, soprano (Mimi); Aurora Rettore, soprano (Musetta); Browning Mummery, tenor (Rodolfo); John Brownlee, baritone (Marcello); Vincenzo Bellezza, conductor. Melba's farewell speech. BOITO: Mefistofele (31 Ma.J. 1926)--Ave, Signore; So lo spirito che nega; Sabha, Sabha, Saboe! Feodor Chaliapin, basso (Mefistofele); Vincenzo Bellezza, conductor. GOUNOD: Faust (22 June 1928)--Act 1 complete; Allens, amis, point de vaines alarmes! ••• Le veau d'or; Nous nous retrouverons, mes amis ••• Ainsi que la brise; Salut, demeure chaste et pure; Il etait temps; Qu'attendez-vous encore •.• Vous qui faites l'endormie. Joseph Hislop, tenor (Faust); Feodor Chaliapin, basso (Mephistopheles); Franklyn Kelsey, baritone (Wagner); Jane Laugier, mezzo-soprano (Siebel); Sir Eugene Goossens, conductor. VERDI: Otello (17 June 1926)--Inaffia l'ugola; Mio signore ••• Che brami?; A~ ••• Ora e per sempre addio; Ah! mille vite ••• Si, pel ciel marmoreo giuro; Dio! mi potevi scag­ liar; Tutto e spento ••• Quest'~ una ragna; Niun mi tema. Giovanni Zenatello, tenor (Otello); Giuseppe Noto, baritone (Iago); Luigi Cilla, tenor (Cassio); Octave Dua, tenor (Roderigo); Eduard Cottreuil, basso (Ludovico); Michele Sampieri, basso (Montano); Vincenzo Bellezza, con­ ductor.
    [Show full text]
  • Die Meistersinger, New York City, and the Metropolitan Opera: the Intersection of Art and Politics During Two World Wars
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2016 Die Meistersinger, New York City, and the Metropolitan Opera: The Intersection of Art and Politics During Two World Wars Gwen L. D'Amico Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1221 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DIE MEISTERSINGER, NEW YORK CITY, AND THE METROPOLITAN OPERA: THE INTERSECTION OF ART AND POLITICS DURING TWO WORLD WARS by GWEN D’AMICO A dissertation submitted to the Graduate Faculty in Musicology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 ii © 2016 Gwen D’Amico All Rights Reserved iii Die Meistersinger, New York City, and The Metropolitan Opera: The Intersection of Art and Politics During Two World Wars By Gwen D’Amico This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _______________________"""""""""""""""""""""""""""""""""""""""""""__________________________________" Date Norman Carey " " " " " " " Chair of Examining Committee ______________________"""""""""" " " _____________________________________" Date Norman Carey " " " " " " " Executive Officer Supervisory Committee Allan Atlas, Advisor Bruce MacIntyre, First Reader Nicholas Vazsonyi THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Die Meistersinger, New York City, and The Metropolitan Opera: The Intersection of Art and Politics During Two World Wars By Gwen D’Amico Advisor: Professor Allan Atlas In 1945, after a five-year hiatus, the Metropolitan Opera returned Richard Wagner’s Die Meistersinger von Nürnberg to its stage.
    [Show full text]
  • Wagner's Die Meistersinger
    Wagner’s Die Meistersinger: A partial discographical survey by Ralph Moore There are around ninety recordings of Die Meistersinger, of which only seven were studio-made and the last of those was recorded nearly twenty years ago; a handful are composite recordings from radio broadcasts or live performances but the majority are simply live recordings of one performance, with all the hazards, extraneous noises and potential for errors that the presentation of such a long and complex work entails. I review here some 24 recordings in all, including all seven studio versions, some live or radio broadcast performances, a couple of early recordings of excerpts and Böhm’s 1939 recording of Act 3, for reason of its exceptional quality. Two are in English: the 1923 pioneering effort and Goodall’s Sadler’s Wells performance in 1968. Some understandably esteem this opera above all Wagner’s other works, even the Ring. Certainly my experience in recent years of having seen two excellent productions, one at Glyndebourne and the other at the ENO confirms the validity of that assessment; not only is it musically deeply satisfying but it provides an absorbing dramatic spectacle and Beckmesser’s antics can even be genuinely funny – not a quality we necessarily associate with Wagner. The riot scene concluding Act 2, the cacophonous confusion melting away to leave the sole figure of the Nightwatchman intoning the hour, is one of the most thrilling in all opera; it must surely have influenced or even inspired Strauss in his use of three Nightwatchmen to provide a consoling conclusion to the end of Act 1 of his own Act 2 to Die Frau ohne Schatten.
    [Show full text]
  • Discographie
    Discographie Das Hamburger Archiv für Gesangskunst (http://www.vocal‐classics.com) veröffentlichte im Oktober 2010 zwei CD‐Boxen mit insgesamt fünf CDs, die einen interessanten Querschnitt des Opernschaffens Erna Schlüters bieten und mit einem kompetenten Begleittext ergänzt wurden. Als besondere Rarität konnte das Archiv die Erstveröffentlichung des Monologs der Chawa aus Rudi Stephans „Die ersten Menschen“ und Walter Braunfels Szene für Sopran und Orchester „Tod der Kleopatra“ möglich machen. Bestellungen können sie unter der angegebenen Internet‐Adresse vornehmen. Rudi Stephan: Die ersten Menschen Mit Erna Schlüter (Chawa), Franz Fehringer, Ferdinand Frantz, Otto von Rohr Orchester des Frankfurter Rundfunks, Dirigent: Winfried Zillig Aufgenommen 1952 in Frankfurt, Line Music GmbH 2014, Cantus Classics – CACD 5.01824 F Richard Strauss: Elektra, Ariadne auf Naxos (Final Scenes) Royal Philharmonic Orchestra, Dirigent: Sir Thomas Beecham Mit Erna Schlüter (Elektra), Paul Schöffler, Ljuba Welitsch, Walter Widdop u.a. EMI Studio No. 1, Abbey Road, London, 27th‐29th October, 1947 – Naxos Historical 8.111372 Ludwig van Beethoven: Fidelio mit Erna Schlüter (Leonore), Lisa Della Casa, Julius Patzak, Rudolf Schock, Ferdinand Frantz Wiener Philharmoniker, Dirigent: Wilhelm Furtwängler Liveaufnahme 1948, Salzburger Festspiele – Myto 991.H.025 Halévy: La Juive (deutsch gesungen) Mit Erna Schlüter (Rachel), Joachim Sattler, Otto von Rohr Radio‐Sinfonieorchester Frankfurt, Dirigent: Kurt Schröder Rundfunkaufnahme 1951, Frankfurt – Walhall 0029 Marschner:
    [Show full text]
  • 221 April 2016 Number 221 April 2016
    No: 221 April 2016 Number 221 April 2016 CONTENTS 3 Editor’s and Chairman’s notes Andrea Buchanan Richard Miles 5 From the Treasurer Neil King 7 New Committee Members 8 Memories of Pierre Boulez Dame Gwyneth Jones 9 A Tribute to Pierre Boulez John Crowther 11 Hans Knappertsbusch – A Celebration Paul Dawson-Bowling 21 Anton Seidl Peter West 23 Wagner and the Jews Professor Derek Hughes 25 Debussy’s Journey from Pro-Wagner to Anti-Wagner John Crowther 28 A Visit to the Nibelunghalle Richard and Sylvia Lemon 30 Thank You to the Wagner Society Kirstin Sharpin 32 Wagner and Shakespeare John Crowther 34 Review – The Rinse Cycle Katie Barnes 36 Review – Die Walküre in Dresden James Flattery 37 Review – Fulham Opera’s Der fliegende Holländer Katie Barnes 41 Review – A Recent Concert at the Liceu, Barcelona Jeremy Rowe 42 Review – Tristan und Isolde in Baden-Baden Andrea Buchanan 43 Wagner Society Contacts 44 Forthcoming Events Cover photo: Stuart Skelton in Tristan and Isolde, Festspielhaus Baden-Baden Copyright Monika Rittershaus Printed by Rap Spiderweb – www.rapspiderweb.com 0161 947 3700 Editor’s Note Andrea Buchanan Taking over from Roger Lee, albeit temporarily, was never going to be an easy task and I have discovered just how true this is in putting together this edition of Wagner News. It has deepened my respect and admiration for Roger in performing the role so competently and creatively for so long. I have done my best to make a decent job of editing this magazine. You wilI note that it is slightly shorter than usual and I trust you will forgive me for this.
    [Show full text]
  • Automatic Turntables Speakers -Large and Small
    The Schubert Symphonies a reappraisal 1dC 1 nCTO 3E THE MAGAZINE FOR MUSIC LISTENERS New Products solid -state receivers automatic turntables speakers -large and small :,... :1;' . .,ti,.......:._ ., , stereo tape recorders .- , : cabinets and accessories www.americanradiohistory.com slid -state stereo receiver lity under $330. a superb, all- solid -state FM- multiplex tuner with automatic mono -stereo switching, an extremely ver- satile stereo control -preamplifier, and a heavy -duty, silicon -powered stereo amplifier. All the stereo electronics you are ever likely to need, all with Fisher reliability. The Fisher 440 -T fairly bristles with engineering innovations, convenience features and Fisher ex- clusives. Read the specifications on the right -hand page and convince yourself. Then ask your Fisher dealer for a demonstration. We predict you'll The Fisher 44O-T walk out with a 21 -1b. package under your arm 4á0 TUNING THE FISHIER PROFESSIONAL SERIES STEREO STEREO TAPE o PHONO MONO o FM AUTO TAPE L TAPE FM 3 HEA MONO TAPE R AUX o MODE TAPE MONITOR PHONES SELECTOR ACTUAL SIZE ! www.americanradiohistory.com Introducing the first sc of Fisher quai It is not easy to make an all -in -one receiver that equals or surpasses the performance of comparable separate components. It is even more difficult to adapt the complex new technology of transistor circuits to simple, reliable, integrated stereo receiver design. But to do both at a truly moderate price takes almost occult powers. Or Fisher engineering. It is with exceptional pride and an unprecedented sense of achievement that Fisher introduces the 440 -T stereo receiver, a no- compromise, all- transistor instrument suitable for the most advanced audio systems and selling for only $329.50.
    [Show full text]
  • Associació Wagneriana. Apartat Postal 1159. 08080-Barcelona Http.//Associaciowagneriana.Com [email protected]
    WAGNERIANA CASTELLANA Nº 39 AÑO 2000 TEMA 5: WAGNERIANISMO TÍTULO: APÉNDICE SOBRE “EL TEATRO AL AIRE LIBRE DEL BOSQUE DE ZOPPOT” AUTOR: Associació Wagneriana En base a la información facilitada por la autora de la tesis y a unos pocos documentos obtenidos por otros conductos, procedemos a reseñar algunos datos de interés complementarios de todo lo dicho hasta ahora. REPRESENTACIONES EN LA ÓPERA DEL BOSQUE DE ZOPPOT 1909: Conradin Kreutzer (1780-1849), “Das Nachtlager von Granada”. 1910: Richard Wagner, “Tannhäuser”; Ignaz Brüll (1846-1907), “Das goldene Zreuz” 1911: Ignaz Brüll, “Das goldene Kreuz”; Thille, “Lobetanz” 1912: Smetana: “La Novia Vendida”; Engelbert Humperdink, “Hänsel und Gretel”. 1913: Glück: “Die Maienkönigin”; Johann Strauss: “El Barón Gitano”. 1914: Carl Maria von Weber, “El Cazador Furtivo”. 1915: Hoffmannsthal, “Jedermann” 1919: Anzengruber, “Die Kreuzelschreiber”. 1920: Leoncavallo, “Payasos” 1921: Ludwig van Beethoven, “Fidelio”. Associació Wagneriana. Apartat Postal 1159. 08080-Barcelona http.//associaciowagneriana.com [email protected] 1922: Richard Wagner, “Siegfried” 1924: Richard Wagner, “Die Walküre” 1925: Richard Wagner, “Tannhäuser” 1926: Richard Wagner, “Lohengrin” 1927: Richard Wagner: “Götterdämerung” 1928: Richard Wagner, “Parsifal” 1929: Richard Wagner: “Die Meistersinger von Nürnberg” 1930: Carl Maria von Weber, “El Cazador Furtivo” 1931: Richard Wagner: “Die Walküre”, “Siegfried” i “Götterdämerung”. 1932: Eugen d’Albert: “Tiefland”; Richard Wagner, “Lohengrin” 1933: Ludwig van Beethoven, “Fidelio” 1934: Richard Wagner, “Die Meistersinger von Nürnberg”, “Die Walküre”. 1935: Richard Wagner, “Rienzi” y “Die Meistersinger von Nürnberg”. 1936: Richard Wagner, “Rienzi” y “Parsifal”. (1) 1937: Richard Wagner, “Parsifal” y “Lohengrin”. 1938: Richard Wagner, “Lohengrin”, “Das Rheingold”, “Die Walküre”, y “Siegfried”. (2) 1939: Richard Wagner, “Tannhäuser” y la “Tetralogía” completa.
    [Show full text]
  • Decca Classical Discography by David Edwards & Mike Callahan © 2018 by Mike Callahan Decca Classical Discography
    Decca Classical Discography by David Edwards & Mike Callahan © 2018 by Mike Callahan Decca Classical Discography Part 1. 10 Inch LP’s Decca DL-4000 Gold Label Series: DL-4000 – Liszt Hungarian Rhapsody No. 2/Hungarian Rhapsody No. 12 – Bavarian Symphony Orchestra; Edmund Nick, conductor [1952] DL-4001 – Lehar The Merry Widow –Munich Philharmonic Orchestra, Edmund Nick, conductor [195?] DL-4002 – Rossini Overtures – Berlin Philharmonic Orchestra, Paul van Kampen (1st work) and Ferenc Fricsay, (2nd and 3rd work) conductors [195?] William Tell Overture/The Silken Ladder Overture/El Signor Bruschino Overture DL-4003 – Berlioz Overture to Benvenuto Cellini/Auber Overture to Fra Diavolo – Berlin Philharmonic Orchestra, Paul van Kampen, conductor (1st work)/Munich Philharmonic Orchestra, Fritz Lehmann, conductor (2nd work) [195?] DL-4004 – Beethoven Romance No. 1 in G Major, Op. 40/Romance No. 2 in F Major, Op. 50 – Los Angeles Philharmonic Orchestra, Thomas Scherman, conductor [195?] DL-4005 – Renata Tebaldi Sings Arias from La Boheme, Andrea Chenier, La Wally – Renata Tebaldi [1952] Si, Mi Chiamano Mimi/Donde Lieta Usci/La Mamma Morta/Ebben, Ne Andro Lontana DL-4006 – Mendelssohn Overture to a Midsummer’s Night Dream/Carl Maria von Weber Overture to Oberon – The Berlin Philharmonic; Ferenc Fricsay, conductor (1st work); Eugen Jochum, conductor (2nd work) [1952] DL-4007 – Puccini Arias – Camarata and his Orchestra [1952] Un Bel Di Vedremo/O Mio Babbino Caro/Musetta's Waltz Song/Che Gelida Manina DL-4008 – Operatic Arias – Camarata and his Orchestra
    [Show full text]