Unit 5 Antecedents, Chronology and Geographical Spread
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Harappan civilization 2 Architecture 2 Drainage System 3 The planning of the residential houses were also meticulous. 4 Town Planning 4 Urban Culture 4 Occupation 5 Export import product of 5 Clothing 5 Important centres 6 Religious beliefs 6 Script 7 Authority and governance 7 Technology 8 Architecture Of Indus Valley Civilisation 9 The GAP 9 ARTS OF THE INDUS VALLEY 11 Stone Statues 12 MALE TORSO 12 Bust of a bearded priest 13 Male Dancer 14 Bronze Casting 14 DANCING GIRL 15 BULL 16 Terracotta 16 MOTHER GODDESS 17 Seals 18 Pashupati Seal 19 Copper tablets 19 Bull Seal 20 Pottery 21 PAINTED EARTHEN JAR 22 Beads and Ornaments 22 Toy Animal with moveable head 24 Page !1 of !26 Harappan civilization India has a continuous history covering a very long period. Evidence of neolithic habitation dating as far back as 7000 BC has been found in Mehrgarh in Baluchistan. However, the first notable civilization flourished in India around 2700 BC in the north western part of the Indian subcontinent, covering a large area. The civilization is referred to as the Harappan civilization. Most of the sites of this civilization developed on the banks of Indus, Ghaggar and its tributaries. Architecture The excavations at Harappa and Mohenjodaro and several other sites of the Indus Valley Civilisation revealed the existence of a very modern urban civilisation with expert town planning and engineering skills. The very advanced drainage system along with well planned roads and houses show that a sophisticated and highly evolved culture existed in India before the coming of the Aryans. -
Sarasvati Civilization, Script and Veda Culture Continuum of Tin-Bronze Revolution
Sarasvati Civilization, script and Veda culture continuum of Tin-Bronze Revolution The monograph is presented in the following sections: Introduction including Abstract Section 1. Tantra yukti deciphers Indus Script Section 2. Momentous discovery of Soma samsthā yāga on Vedic River Sarasvati Basin Section 3. Binjor seal Section 4. Bhāratīya itihāsa, Indus Script hypertexts signify metalwork wealth-creation by Nāga-s in paṭṭaḍa ‘smithy’ = phaḍa फड ‘manufactory, company, guild, public office, keeper of all accounts, registers’ Section 5. Gaṇeśa pratimā, Gardez, Afghanistan is an Indus Script hypertext to signify Superintendent of phaḍa ‘metala manufactory’ Section 6. Note on the cobra hoods of Daimabad chariot Section 7 Note on Mohenjo-daro seal m0304: phaḍā ‘metals manufactory’ Section 8. Conclusion Introduction The locus of Veda culture and Sarasvati Civilization is framed by the Himalayan ranges and the Indian Ocean. 1 The Himalayan range stretches from Hanoi, Vietnam to Teheran, Iran and defines the Ancient Maritime Tin Route of the Indian Ocean – āsetu himācalam, ‘from the Setu to Himalayaś. Over several millennia, the Great Water Tower of frozen glacial waters nurtures over 3 billion people. The rnge is still growing, is dynamic because of plate tectonics of Indian plate juttng into and pushing up the Eurasian plate. This dynamic explains river migrations and consequent desiccation of the Vedic River Sarasvati in northwestern Bhāratam. Intermediation of the maritime tin trade through the Indian Ocean and waterways of Rivers Mekong, Irrawaddy, Salween, Ganga, Sarasvati, Sindhu, Persian Gulf, Tigris-Euphrates, the Mediterranean is done by ancient Meluhha (mleccha) artisans and traders, the Bhāratam Janam celebrated by R̥ ṣi Viśvāmitra in R̥ gveda (RV 3.53.12). -
Unit 6 Material Characteristics
UNIT 6 MATERIAL CHARACTERISTICS Structure Objectives Introduction From Villages to Towns.and Cities Harappan Civilization : Sources Geographical Spread Important Centres 6.5.1 Harappa 6.5.2 Mohenjodaro 6.5.3 Kalibangan 6.5.4 Lothal 6.5.5 Sutkagen-Dor Material Characteristics 6.6.1 Town-Planning 6.6.2 Pottery 6.6.3 Tools and Implements- 6.6.4 Arts and Crafts 6.6.5 The Indus Script 6.6.6 Subsistence Pattern Let Us Sum Up Key Words Answers to Check Your Progress Exercises 6.0 OBJECTIVES This Unit deals with the geographical extent and the material features of the Harappan Civilization. It describes the main sites of Harappan Civilization as well as the material remains which characterised these sites. After reading this Unit you should be able to : understand that there was continuity of population and material traditions between the Early Harappan and Harappan Civilization. know about the geographical and climatic aspects of the settlement pattern of Harappan Civilization, describe the specific geographical, climatic and subsistence related characteristics of the important centres of Harappan Civilization. learn about the material features of the impoitant Harappan sites and specially the uniformities in the material features of these sites. 6.1 INTRODUCTION In this Unit we discuss the geographical spread and material characteristics of the Harappan Civilization which aroge on the foundation of pastoral and agricultuial communities and small townships. It refers to the continuity of the population and material traditions between Early Harappan and Harappan Civilization. The geographical spread of Harappan Civilization with special reference to some important centres has been highlighted. -
Walking with the Unicorn Social Organization and Material Culture in Ancient South Asia
Walking with the Unicorn Social Organization and Material Culture in Ancient South Asia Jonathan Mark KenoyerAccess Felicitation Volume Open Edited by Dennys Frenez, Gregg M. Jamison, Randall W. Law, Massimo Vidale and Richard H. Meadow Archaeopress Archaeopress Archaeology © Archaeopress and the authors, 2017. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78491 917 7 ISBN 978 1 78491 918 4 (e-Pdf) © ISMEO - Associazione Internazionale di Studi sul Mediterraneo e l'Oriente, Archaeopress and the authors 2018 Front cover: SEM microphotograph of Indus unicorn seal H95-2491 from Harappa (photograph by J. Mark Kenoyer © Harappa Archaeological Research Project). Access Back cover, background: Pot from the Cemetery H Culture levels of Harappa with a hoard of beads and decorative objects (photograph by Toshihiko Kakima © Prof. Hideo Kondo and NHK promotions). Back cover, box: Jonathan Mark Kenoyer excavating a unicorn seal found at Harappa (© Harappa Archaeological Research Project). Open ISMEO - Associazione Internazionale di Studi sul Mediterraneo e l'Oriente Corso Vittorio Emanuele II, 244 Palazzo Baleani Archaeopress Roma, RM 00186 www.ismeo.eu Serie Orientale Roma, 15 This volume was published with the financial assistance of a grant from the Progetto MIUR 'Studi e ricerche sulle culture dell’Asia e dell’Africa: tradizione e continuità, rivitalizzazione e divulgazione' All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by The Holywell Press, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2017. -
Harappan Geometry and Symmetry: a Study of Geometrical Patterns on Indus Objects
Indian Journal of History of Science, 45.3 (2010) 343-368 HARAPPAN GEOMETRY AND SYMMETRY: A STUDY OF GEOMETRICAL PATTERNS ON INDUS OBJECTS M N VAHIA AND NISHA YADAV (Received 29 October 2007; revised 25 June 2009) The geometrical patterns on various Indus objects catalogued by Joshi and Parpola (1987) and Shah and Parpola (1991) (CISI Volumes 1 and 2) are studied. These are generally found on small seals often having a boss at the back or two button-like holes at the centre. Most often these objects are rectangular or circular in shape, but objects of other shapes are also included in the present study. An overview of the various kinds of geometrical patterns seen on these objects have been given and then a detailed analysis of few patterns which stand out of the general lot in terms of the complexity involved in manufacturing them have been provided. It is suggested that some of these creations are not random scribbles but involve a certain understanding of geometry consistent with other aspects of the Indus culture itself. These objects often have preferred symmetries in their patterns. It is interesting to note that though the swastika symbol and its variants are often used on these objects, other script signs are conspicuous by their absence on the objects having geometric patterns. Key words: CISI volumes, Geometric pattern, Grid design, Swastika 1. INTRODUCTION Towns in the Indus valley have generally been recognised for their exquisite planning with orthogonal layout. This has been used to appreciate their understanding of geometry of rectangles and related shapes. -
Arts of the Indus Valley
2 ARTS OF THE INDUS VALLEY HE arts of the Indus Valley Civilisation emerged during Tthe second half of the third millennium BCE. The forms of art found from various sites of the civilisation include sculptures, seals, pottery, jewellery, terracotta figures, etc. The artists of that time surely had fine artistic sensibilities and a vivid imagination. Their delineation of human and animal figures was highly realistic in nature, since the anatomical details included in them were unique, and, in the case of terracotta art, the modelling of animal figures was done in an extremely careful manner. The two major sites of the Indus Valley Civilisation, along the Indus river—the cities of Harappa in the north and Mohenjodaro in the south—showcase one of earliest examples of civic planning. Other markers were houses, markets, storage facilities, offices, public baths, etc., arranged in a grid-like pattern. There was also a highly developed drainage system. While Harappa and Mohenjodaro are situated in Pakistan, the important sites excavated in India are Lothal and Dholavira in Gujarat, Rakhigarhi in Haryana, Bust of a bearded priest Ropar in Punjab, Kalibangan in Rajasthan, etc. Stone Statues Statues whether in stone, bronze or terracotta found in Harappan sites are not abundant, but refined. The stone statuaries found at Harappa and Mohenjodaro are excellent examples of handling three-dimensional volumes. In stone are two male figures—one is a torso in red sandstone and the other is a bust of a bearded man in soapstone—which are extensively discussed. The figure of the bearded man, interpreted as a priest, is draped in a shawl coming under the right arm and covering the left shoulder. -
1.2 Origin of the Indus Valley Civilization
8 MM VENKATESHWARA ASPECTS OF ANCIENT INDIAN OPEN UNIVERSITY ART AND ARCHITECTURE www.vou.ac.in ASPECTS OF ANCIENT INDIAN ART AND ARCHITECTURE AND ART INDIAN ANCIENT OF ASPECTS ASPECTS OF ANCIENT INDIAN ART AND ARCHITECTURE [M.A. HISTORY] VENKATESHWARA OPEN UNIVERSITYwww.vou.ac.in ASPECTS OF ANCIENT INDIAN ART AND ARCHITECTURE MA History BOARD OF STUDIES Prof Lalit Kumar Sagar Vice Chancellor Dr. S. Raman Iyer Director Directorate of Distance Education SUBJECT EXPERT Dr. Pratyusha Dasgupta Assistant Professor Dr. Meenu Sharma Assistant Professor Sameer Assistant Professor CO-ORDINATOR Mr. Tauha Khan Registrar Author: Dr. Vedbrat Tiwari, Assistant Professor, Department of History, College of Vocational Studies, University of Delhi Copyright © Author, 2019 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. Information contained in this book has been published by VIKAS® Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, the Publisher and its Authors shall in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use. Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT LTD E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 Fax: 0120-4078999 Regd. -
(Harappan) Civilisation
Shinde, V and Willis, R J 2014 A New Type of Inscribed Copper Plate Ancient Asia from Indus Valley (Harappan) Civilisation. Ancient Asia, 5: 1, pp. 1-10, DOI: http://dx.doi.org/10.5334/aa.12317 RESEARCH PAPER A New Type of Inscribed Copper Plate from Indus Valley (Harappan) Civilisation Vasant Shinde* and Rick J. Willis† A group of nine Indus Valley copper plates (c. 2600–2000 BC), discovered from private collections in Pakistan, appear to be of an important type not previously described. The plates are significantly larger and more robust than those comprising the corpus of known copper plates or tablets, and most signifi- cantly differ in being inscribed with mirrored characters. One of the plates bears 34 characters, which is the longest known single Indus script inscription. Examination of the plates with x-ray fluorescence (XRF) spectrophotometry indicates metal compositions, including arsenical copper, consistent with Indus Valley technology. Microscopy of the metal surface and internal structure reveals detail such as pitting, microcrystalline structure, and corrosion, consistent with ancient cast copper artifacts. Given the relative fineness of the engraving, it is hypothesised that the copper plates were not used as seals, but have char- acteristics consistent with use in copper plate printing. As such, it is possible that these copper plates are by far the earliest known printing devices, being at least 4000 years old. Background The peak of Indus Valley (also known as Harappan) civili- sation ranged from about 2600 BC to 2000 BC. The set- tled life in the Indian subcontinent started, as is evident at Mehrgarh in Baluchistan (Jarrige, et al., 1995), around 7000 BC and there has been gradual growth in the cul- tures culminating into the formation of the Harappan cul- ture starting around 4000 BC. -
Tracing the Tradition of Sartorial Art in Indo-Pak Sub-Continen
TRACING THE TRADITION OF SARTORIAL ART IN INDO-PAK SUB-CONTINEN ZUBAIDA YOUSAF Abstract The study of clothing in Pakistan as a cultural aspect of Archaeological findings was given the least attention in the previous decades. The present research is a preliminary work on tracing the tradition of sartorial art in the Indo-Pak Sub-Continent. Once the concept of the use of untailored and minimal drape, and unfamiliarity with the art of tailoring in the ancient Indus and Pre Indus societies firmly established on the bases of early evidences, no further investigation was undertaken to trace the history of tailored clothing in remote antiquity. Generally, the history of tailored clothing in Indo-Pak Sub-Continent is taken to have been with the arrival of Central Asian nations such as Scythians, Parthians and Kushans from 2nd century BC and onward. But the present work stretches this history back to the time of pre-Indus cultures and to the Indus Valley Civilization. Besides Mehrgarh, Mohenjo-Daro and Harappa, many newly exposed proto historic sites such as Mehi, Kulli, Nausharo, Kalibangan, Dholavira, Bhirrana, Banawali etc. have yielded a good corpus of researchable material, but unfortunately this data wasn’t exploited to throw light on the historical background of tailored clothing in the Indo-Pak Sub-Continent. Though we have scanty evidences from the Indus and Pre-Indus sites, but these are sufficient to reopen the discussion on the said topic. Keywords: Indus, Mehrgarh, Dholavira, Kulli, Mehi, Kalibangan, Harappa, Mohenjao- Daro, Clothing, Tailoring. 1 Introduction The traced history of clothing in India and Pakistan goes back to the 7th millennium BC. -
Indus Civilization (2500 BC-1750 BC)
Harappan - Indus Civilization (2500 BC-1750 BC) 1. The oldest name - Indus Civilization. 2. According to archaeological tradition, the most appropriate name -Harappan Civilization (Harappa - the first discovered site). 3. According to geographical point of view, the most suitable name Inuds -Saraswati Civilization (the largest concentration of settlement - along the Indus - Saraswati river valley; 80% settlement along the Saraswati). 4. The most accepted period - 2500 BC - 1750 BC (by Carbon-14 dating). 5. John Marshall was the first scholar to use the term 'Indus Civilization'. 6. The Indus Civilization belongs to Proto-Historic Period (Chalcolithic Age / Bronze Age). 7. The Indus Civilization was spread over Sindh, Baluchistan, Punjab, Haryana, Rajasthan, Gujarat, Western U.P. and Northern Maharashtra. 8. Scholars generally believe that Harappa-Ghaggar-Mohenjodaro axis represents the heartland of the Indus Civilization. 9. The Northern-most site of Indus Civilization - Ropar (Sutlej)/Punjab (Earlier); Manda (Chenab)/Jammu-Kashmir (Now). i. The Southern-most site of Indus Civilization Bhagatrav (Kim) / Gujarat (Earlier); Daimabad (Pravara)/Maharashtra (Now). ii. The Eastern-most site of Indus Civilization - Alamgirpur(Hindon) / Uttar Pradesh. iii. The Western-most site of Indus Civilization - Sutkagendor (Dashk)/ Makran Coast, Pakistan—Iran Border. 10. Capital Cities - Harappa, Mohenjodaro Port Cities - Lothal, Sutkagendor, Allahdino, Balakot, Kuntasi i. Site--------->Harappa ii. River--------->Ravi iii. District--------->Sahiwal iv. State/Province--------->Punjab v. Country Excavators---->Pakistan Daya Ram Sahni(1921), Madho Swaroop Vatsa (1926),Wheeler (1946) i. Site--------->Mohenjodaro (Nakhlistan i.e. Oasis of Sindh) ii. River--------->Indus iii. District--------->Larkana iv. State/Province-------->Sindh v. Country Excavators---->Pakistan Rakhal Das Bannerji (1922), Mackay (1927) Wheeler (1930) i. -
The Harappan Civilization)
Theme 1 BRICKS, BEADS AND BONES (THE HARAPPAN CIVILIZATION) ✓ Indus valley civilization is also known as Harappan civilization. ✓ It started flourishing along River Indus (now in Pakistan) at around 2600 B.C ✓ Harappan civilization was the largest Bronze age civilization in the world ✓ Harappa was the first site of this civilization discovered by archaeologists ✓ It was an urban civilization. ✓ Its script has not been deciphered. ✓ After 1900 B.C.E. most of the sites were abandoned due to some reasons ✓ By 1900 B.C.E. major part of the civilization ended Period of Harappan Civilization ✓ The civilization is dated between 2600 BCE and 1900 BCE ✓ The period of the civilization is broadly divided in to three: 1.The Early Harappan culture (Before 2600 BCE) 2. The Mature Harappan culture (2600 BCE to 1900 BCE) 3. The Late Harappan culture (After 1900 BCE) Some important sites of Harappan civilization Kalibangan, Lothal, Rakhigarhi, Dholavira, Ropar, Harappa, Ganeriwala, Chanhudaro, Shortughai, Mohenjodaro, Amri, Balakot, Kot Diji, Rangpur, Nageshwar etc. Major Developments in Harappan Archaeology ✓ 1875-Report of Alexander Cunningham on Harappan seal ✓ 1924-John Marshall announced the discovery of Harappan civilization ✓ 1925-Excavation began at Mohenjodaro ✓ 1946- R E M Wheeler began excavation at Harappa ✓ 1955-S.R.Rao began excavation at Lothal ✓ 1960-B.B Lal & B.K Thaper began excavation at Kalibangan ✓ 1974-M.R.Mughal began exploration at Bahawalpur ✓ 1990-R.S Bisht began excavation at Dholavira. Early archaeological cultures ✓ There were several archaeological cultures in the region prior to the Mature Harappan. ✓ These cultures were associated with distinctive pottery, evidence of agriculture, pastoralism and some crafts. -
Bi-Annual Research Journal “BALOCHISTAN REVIEW—ISSN
- i - ISSN: 1810—2174 Balochistan Review Volume XXVIII No. 1, 2013 (HEC RECOGNIZED) Editor: Ghulam Farooq Baloch BALOCHISTAN STUDY CENTRE UNIVERSITY OF BALOCHISTAN, QUETTA-PAKISTAN - ii - Published bi-annually by the Balochistan Study Centre, University of Balochistan, Quetta-Pakistan. @ Balochistan Study Centre 2013-1 Subscription rate (per annum) in Pakistan: Institutions: Rs. 300/- Individuals: Rs. 200/- For the other countries: Institutions: US$ 50 Individuals: US$ 30 Contact: Balochistan Review—ISSN: 1810-2174 Balochistan Study Centre, University of Balochistan, Quetta-Pakistan. Tel: (92) (081) 9211255 Facsimile: (92) (081) 9211255 E-mail: [email protected] Website: uob.edu.pk - iii - Editorial Board Patron in Chief: Prof. Dr. Rasul Bakhsh Raisani Vice Chancellor, University of Balochistan, Quetta-Pakistan. Patron Prof. Dr. Abdul Hameed Shahwani Director, Balochistan Study Centre, UoB, Quetta-Pakistan. Editor Ghulam Farooq Baloch Asstt Professor Balochistan Study Centre, UoB, Quetta-Pakistan. Assistant Editor Waheed Razzaq Research Officer Balochistan Study Centre, UoB, Quetta-Pakistan. Members: Prof. Dr. Andriano V. Rossi Vice Chancellor & Head Dept of Asian Studies, Institute of Oriental Studies, Naples, Italy. Prof. Dr. Saad Abudeyha Chairman, Dept. of Political Science, University of Jordon, Amman, Jordon. Prof. Dr. Bertrand Bellon Professor of Int’l, Industrial Organization & Technology Policy, University de Paris Sud, France. Dr. Carina Jahani Inst. of Iranian & African Studies, Uppsala University, Sweden. Prof. Dr. Muhammad Ashraf Khan Director, Taxila Institute of Civilization, Quaid-i-Azam University Islamabad, Pakistan. Prof. Dr. Rajwali Shah Khattak Professor, Pushto Academy, University of Peshawar, Pakistan. Mr. Ayub Baloch Member, Balochistan Public Service Commission, Quetta. Prof. Dr. Mehmood Ali Shah, Professor Emeritus, University of Balochistan, Quetta.