DOCSLIB.ORG

Where We Share the World with You

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Where We Share the World with You Where we share “the world with you. SPRING 2019 ” THE CENTER The Center offers interesting and thought-provoking courses and events to help community members enhance their knowledge and for teachers to meet their professional development requirements. www.camdencc.edu/CIVICCENTER The Center at Camden County College focuses on the needs and interests of educators and the community at large. Its goal is to create an informed citizenry through exploration of humanities, social sciences, natural sciences and issues critical to a democratic society. Citizens have the opportunity to meet scholars, scientists, government officials and business leaders to explore historical and current issues and discuss societal problems and their solutions. OPEN ADMISSIONS POLICY All members of the community are welcome to attend our courses, special events and lecture series. Minors may attend, preferably if accompanied by a registered parent or guardian. ABOUT US The Center offers interesting and thought-provoking courses and events to help teachers meet their professional development requirements and community members to enhance their knowledge. Registrants may choose to attend one or more sessions of any series or course. OUR STAFF Director – John L. Pesda Project Coordinator – Valerie Concordia REGISTRATION In order for us to notify you of any cancellations or changes, all participants are asked to register prior to attending. We reserve the right to cancel or reschedule programs should the need arise. Please check our website for cancellations, changes, and other updates. CONTACT INFORMATION Mailing Address: Fax: The Center at Camden County College, (856) 374-5092 PO Box 200, Blackwood, NJ 08012 Email: Office: [email protected] Madison Connector 103, Main Campus (Blackwood) Phone: (856) 227-7200, ext. 4333 For more information, visit our website: www.camdencc.edu/civiccenter 2 LECTURE SERIES All lectures are free and open to the public. You do not have to be a Camden County resident to attend. AUSTRIA ON FILM COURSE #: TIME: IDY-209-75 6:30pm DAY: LOCATION: Tuesdays Connector 105, Civic Hall Austrians have impacted filmmaking in the USA and abroad. This lecture series will WEEK 4: 2/25 *NOTE THIS IS A MONDAY promote an understanding of Austrian culture and the historic relationship between our nations as reflected in the work of Austrian and Austrian-American filmmakers and An Odyssey of Groundbreaking Cinema films set there. Participants will learn about the way directors and writers have impacted Maurizio Giammarco will present this second talk on the later films of Kubrick, including American culture with their contributions to our film industry and how their unique Dr. Strangelove, A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket and backgrounds influenced their art. Eyes Wide Shut, and the impact of the 1938 Anschluss and exodus of Austrian Jewish immigrants from Europe on his work. Often lauded for his exacting precision, Kubrick WEEK 1: 2/5 consistently engaged his audiences with issues surrounding morality, discipline, power, and ambition. The Fascination with Vienna in Film Joseph W. Moser, Assistant Professor of German at West Chester University, will discuss WEEK 5: 3/5 the fascination with Vienna in films, starting with the post-WW II image of the city in The Third Man (1949), then analyzing the Cold War context in the 007 spy film The Living The Sound of Music Story Daylights (1987), and finally examining the romance film Before Sunrise (1995), which is as Tom Santopietro much a romance film as a glorious film tour of Vienna, a city. Beginning with fascinating behand-the-scenes stories of the filming in Salzburg and the intriguing casting decisions that informed the film, acclaimed author Tom Santopietro WEEK 2: 2/12 (the New York Times Editor’s Choice), will mix film clips and his work as a film historian to analyze why The Sound of Music remains beloved by multiple generations the world over, Early Kubrick and what its extraordinary hold on audiences tells us about our lives in the 21st century. Maurizio Giammarco, Ph.D., Intellectual Heritage Program and English department, The talk will also cover the reactions of both the real-life von Trapp family and the citizens Temple University, will discuss the early films of Stanley Kubrick from the 1950s (Killer’s of Austria to the film. Kiss, The Killing, Paths of Glory) through 1962’s Lolita. Across these films, one can see the burgeoning skills and amplifying voice of this director, and the strong influence on his political views of his Austrian-Jewish immigrant upbringing. WEEK 3: 2/19 Film Noir: The Austrian Influence Foster Hirsch, film professor at Brooklyn College, is a film historian who specializes in the Hollywood studio era, 1930s-1960s. His talk will focus on the major impact of the work of three Austrian directors - Fritz Lang, Billy Wilder, and Otto Preminger - on the evolution of American suspense films of the 1940s and 1950s that have since come to be identified as ‘film noir.’ Excerpts from such seminal noir dramas as Lang’s Scarlet Street and Woman in the Window; Wilder’s Double Indemnity and Sunset Boulevard; and Preminger’s Laura and Where the Sidewalk Ends will illustrate characteristic themes, characters, dialogue, settings, and visual patterns of the noir style. Sponsored by 3 LECTURE SERIES All lectures are free and open to the public. You do not have to be a Camden County resident to attend. AUTISM AWARENESS COURSE #: TIME: IDY-209-76 6:30pm DAY: LOCATION: Tuesdays Connector 105, Civic Hall Thank you to CNNH’s Speaker Bureau for providing 2 of our speakers this series. WEEK 1: 4/2 - CAMDEN CAMPUS, CTC 201 WEEK 3: 4/16 A Basic Introduction to Autism Spectrum Disorders How to Cope with Meltdowns Jennifer Hoheisel, professor of Philosophy at Camden County College, has been a Crystal Harms, M.Ed., BCaBA is the Clinical Director at ConnectPlus Therapy. Crystal has teacher for the past 26 years. She is the parent of a young man with autism who has been a BCaBA for 22 years and was certified as a Teacher of the Handicapped in 1997. been in inclusion, self-contained, private, public, and homebased classes. She, along This workshop will examine the difference between a sensory based “meltdown” and with her son Will, provide this lecture as an overview of the symptoms and behavior functionally driven behavior in individuals with Autism Spectrum Disorder. Each trigger for commonly exhibited by individuals with Autism Spectrum Disorder. Emphasis will be on these behaviors may need to be responded to in a different way, depending on the nature understanding the strengths and challenges for these students and on equipping teachers of the situation. This workshop will focus on how to determine when the behavior is due with curricula and strategies to meet some of the educational needs of these individuals. to wanting access to, or escape from something, and when the child is truly escalated This will be a very general session that both introduces Autism and provides a few “take into crisis. In addition, strategies will be shared on how to respond to these situations in a home” strategies. compassionate and productive way. The session with be very conversational and allow for examples and discussion with the audience. WEEK 2: 4/9 WEEK 4: 4/23 Social Skills: Assessment and Instruction Art Therapy for High Functioning Autism Amy Golden, BCBA is a Board Certified Behavior Analyst at Evesham Township School Alexandra Back, M.A., ATR-BC, LPC is a Board-Certified Art Therapist and Licensed District. She was previously a Behavior Analyst at Behavior Therapy Associates, the Director Professional Counselor. Alexandra currently serves at the Director of Creative Arts of HI-STEP Summer Social Skills Program in Marlton, and Parent Services Coordinator at Therapies at CNNH, an outpatient neurology center in Voorhees, NJ. Alexandra works with Autism New Jersey. Ms. Golden has extensive experience consulting in public schools. both individuals and groups and utilizes an eclectic, patient-centered approach to her This workshop will discuss evidence-based, practical strategies to identify and target work. This presentation will identify the role of Art Therapy in treating psychosocial and socially significant skills for development. Social Skills are critical for success in school, emotional needs of individuals with HF ASD. Learn about what Art Therapy is, what is isn’t, the workplace, and among family members, and they may also contribute to individuals why art-making can be a critical element to a therapeutic relationship for an individual becoming increasingly more independent. This includes assessment and goal selection with ASD, what qualifications prospective patients can look for in seeking work with an Art as well as various approaches to develop skills such as direct instruction, individualized Therapist, and about Art Therapy services available currently at CNNH. programming, small-group, natural environment teaching, monitoring progress, fostering generalization across environments, parent training and collaboration, and peer modeling WEEK 5: 4/30 Applied Behavior Analysis : What is it and How Do We Use it? In this presentation, Nicole Pelliciari and her team will explore the application of Applied Behavior Analysis and its benefits when used as therapeutic approach to treatment I really enjoyed learning about Autism for children with autism. Specifically, attendees will learn how ABA Therapy is used to and hearing Wills story. What a beautiful develop skill sets, identify why behavior occurs and what common behavior supports look story! Thank you for sharing your like. Nicole Pelliciari, MS, BCBA has over a decade of experience in the field of behavioral health. As a BCBA, Nicole provides on-site consultation at CNNH for families, develops and knowledge, experience and overall oversees ABA therapy programs, and provides behavior services in various school districts “open minded perspectives on Autism.
Load more

Recommended publications
  • Book Vs. Film: LA CHIENNE Vs. SCARLET STREET
    BOOK VS FILM Brian Light author’s commentary on the incestuous bed- counterpoint to the plotline. The book is fellows of art and commerce. frank in its depiction of the sordid relation- ew French writers in the first In his preface, de la Fouchardière calls ship between Lulu and Dédé and the pseudo half of the 20th century could attention to the theatrical staging used to romantic/financial arrangement between rival the output of Georges de set up the narrative structure of the story: Lulu and Legrand. la Fouchardière. He produced “I have chosen a technique borrowed from In 1931, Jean Renoir adapted the book 33 humorous novels and crime dramatic art…each of the characters who to the screen with the same title. An early Fthrillers, over a dozen of which were adapted participate in the story will in turn take the example of poetic realism, this was only for the screen in the 1920s and ’30s. He was a stage and tell in his own way about events Renoir’s second talking picture, and, to his prodigious journalist and devout pacifist who in which he has been implicated.” In chap- credit, he shot the entire film using actual covered WWI and WWII for two newspapers, ters titled “He,” “She,” and “The Other,” Parisian street locations. The preceding year La Vague and Paris-Soir, and he also wrote a we are provided with three distinct points of Alfred Knopf published an English transla- column for the weekly journal Paris-Sport. In view. “He” (Maurice Legrand) is the princi- tion of La Chienne, titled Poor Sap, which 1929, he published La Chienne (The Bitch), pal storyteller, and, as such, he is depicted enjoyed a second printing.
    [Show full text]
  • Violence and Masculinity in Hollywood War Films During World War II a Thesis Submitted To
    Violence and Masculinity in Hollywood War Films During World War II A thesis submitted to: Lakehead University Faculty of Arts and Sciences Department of History In partial fulfillment of the requirements for the degree in Master of Arts Matthew Sitter Thunder Bay, Ontario July 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-84504-2 Our file Notre référence ISBN: 978-0-494-84504-2 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Film Club Sky 328 Newsletter Freesat 306 MAY/JUNE 2020 Virgin 445
    Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping as usual that you are all safe and well in these troubled times. Our cinema doors are still well and truly open, I’m pleased to say, the channel has been transmitting 24 hours a day 7 days a week on air with a number of premières for you all and orders have been posted out to you all every day as normal. It’s looking like a difficult few months ahead with lack of advertising on the channel, as you all know it’s the adverts that help us pay for the channel to be transmitted to you all for free and without them it’s very difficult. But we are confident we can get over the next few months. All we ask is that you keep on spreading the word about the channel in any way you can. Our audiences are strong with 4 million viewers per week , but it’s spreading the word that’s going to help us get over this. Can you believe it Talking Pictures TV is FIVE Years Old later this month?! There’s some very interesting selections in this months newsletter. Firstly, a terrific deal on The Humphrey Jennings Collections – one of Britain’s greatest filmmakers. I know lots of you have enjoyed the shorts from the Imperial War Museum archive that we have brought to Talking Pictures and a selection of these can be found on these DVD collections.
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Things I Hate About You DVD-0812 27 Dresses DVD-8204 1000 Eyes of Dr. Mabuse DVD-0048 28 Days Later DVD-4333 10th Victim DVD-5591 DVD-6187 12 DVD-1200 28 Weeks Later c.2 DVD-4805 c.2 12 and Holding DVD-5110 3 Women DVD-4850 12 Angry Men DVD-0850 3 Worlds of Gulliver DVD-4239 12 Monkeys DVD-3375 3:10 to Yuma DVD-4340 12 Years a Slave DVD-7691 30 Days of Night DVD-4812 1776 DVD-0397 300 DVD-6064 1900 DVD-4443 35 Shots of Rum DVD-4729 1984 (Hurt) DVD-4640 39 Steps DVD-0337 DVD-6795 4 Little Girls DVD-0051 1984 (Obrien) DVD-6971 400 Blows DVD-0336 2 Autumns, 3 Summers DVD-7930 42 DVD-5254 2 or 3 Things I Know About Her DVD-6091 50 First Dates DVD-4486 20 Million Miles to Earth DVD-3608 500 Years Later DVD-5438 2001: A Space Odyssey DVD-0260 61 DVD-4523 2010: The Year We Make Contact DVD-3418 70's DVD-0418 2012 DVD-4759 7th Voyage of Sinbad DVD-4166 2012 (Blu-Ray) DVD-7622 8 1/2 DVD-3832 21 Up South Africa DVD-3691 8 Mile DVD-1639 24 Season 1 (Discs 1-3) DVD-2780 Discs 9 to 5 DVD-2063 25th Hour DVD-2291 9.99 DVD-5662 9/1/2015 9th Company DVD-1383 Adventures of Ozzie and Harriet DVD-0831 A.I.
    [Show full text]
  • Case Study: Fritz Lang and Scarlet Street*
    Studia Filmoznawcze 31 Wroc³aw 2010 Barry Keith Grant Brock University (Canada) CASE STUDY: FRITZ LANG AND SCARLET STREET* Fritz Lang’s work in film spans the silent era almost from its beginnings through the golden era of German Expressionism in the 1920s and the classic studio sys- tem in Hollywood to the rise of the international co-production. In the course of his career Lang directed more acknowledged classics of the German silent cinema than any other director, made the first important German sound film (M, 1932), and dir ected some of the most important crime films and film noirs of the American studio era, including You Only Live Once (1937), The Big Heat (1953), and Scarlet Street (1945). Critics have commonly divided Lang’s extensive filmography into two major periods, the silent German films and the American studio movies. In the former he had considerable artistic freedom, while in Hollywood he worked against the greater constraints of the studio system and B-picture budgets; yet the thematic and stylistic consistency in Lang’s work across decades, countries, and different production contexts is truly remarkable. Consistently Lang’s films depict an entrapping, claustrophobic, deterministic world in which the characters are controlled by larger forces and internal desires beyond their understanding. In this cruelly indifferent world, people struggle vainly against fate and their own repressed inclinations toward violence. As in Hitchcock’s films, Lang’s often deal with the violent potential lurking within the respectable citizen and suggest that social order requires controlling the beast within. M (1932), Lang’s first sound film, is about a serial child killer (Peter Lorre) who explains to the kangaroo court of criminals about to execute him that he is possessed by a murder- * The text is taken, with the agreement of its author, from his book Film Genre: From Iconog- raphy to Ideology, London 2007, pp.
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • A Subcategory of Neo Noir Film Certificate of Original Authorship
    Louise Alston Supervisor: Gillian Leahy Co-supervisor: Margot Nash Doctorate in Creative Arts University of Technology Sydney Femme noir: a subcategory of neo noir film Certificate of Original Authorship I, Louise Alston, declare that this thesis is submitted in fulfillment of the requirements for the award of the Doctorate of Creative Arts in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the exegesis. This document has not been submitted for qualifications at any other academic institution. This research is supported by the Australian Government Research Training Program. Signature: Production Note: Signature removed prior to publication. Date: 05.09.2019 2 Acknowledgements Feedback and support for this thesis has been provided by my supervisor Dr Gillian Leahy with contributions by Dr Alex Munt, Dr Tara Forrest and Dr Margot Nash. Copy editing services provided by Emma Wise. Support and feedback for my creative work has come from my partner Stephen Vagg and my screenwriting group. Thanks go to the UTS librarians, especially those who generously and anonymously responded to my enquiries on the UTS Library online ‘ask a librarian’ service. This thesis is dedicated to my daughter Kathleen, who joined in half way through. 3 Format This thesis is composed of two parts: Part one is my creative project. It is an adaptation of Frank Wedekind’s Lulu plays in the form of a contemporary neo noir screenplay. Part two is my exegesis in which I answer my thesis question.
    [Show full text]
  • GSC Films: S-Z
    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
    [Show full text]
  • Download Package List As
    Switch International CLASSIC MOVIES | 736 TITLES APPROX 1100 HOURS COMEDY MUSICAL FAMILY X167 a bride for henry.mp4 a farewell to arms.mp4 a star is born.mp4 adventure island.mp4 affairs of cappy ricks.mp4 against a crooked sky.mp4 alice adventures in wonderland.mp4 alice of wonderland in paris.mp4 all over town.mp4 angel on my shoulder.mp4 antonio.mp4 beat the devil.mp4 behave yourself.mp4 beyond tomorrow.mp4 bill cracks down.mp4 black tights.mp4 boys in the city.mp4 breakfast in hollywood.mp4 broadway limited.mp4 calender girl.mp4 career girl.mp4 catch me a spy.mp4 colonel effinghams raid.mp4 country gentleman.mp4 delightfully dangerous.mp4 dixiana.mp4 doll face.mp4 earthworm tractors.mp4 escape to paradise.mp4 eternally yours.mp4 fairplay.mp4 false pretensis.mp4 fiesta.mp4 flying wild.mp4 freckles comes home.mp4 ghost on the loose.mp4 ginger in the morning.mp4 good bye love.mp4 gullivers travels.mp4 hay foot.mp4 heading for heaven.mp4 her favorite patient aka bedside manner.mp4 here comes trouble.mp4 hi de ho.mp4 hi diddle diddle.mp4 his double life.mp4 his girl friday.mp4 his private secretary.mp4 hollywood and vine.mp4 hoosier schoolboy.mp4 i'm from akansas.mp4 it seemed likr a good idea at the time.mp4 kid dynamite.mp4 killer diller.mp4 king kelly of the usa.mp4 lay that rifle down.mp4 let's get tough.mp4 lets go collegate.mp4 life with father.mp4 lonely wives.mp4 lost honeymoon.mp4 lost in the stratosphere.mp4 love laughs at andy hardy.mp4 lovers and liars.mp4 made for each other.mp4 meet the mayor aka a fools advice.mp4 minstrel
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • The Blank Wall Vs. the Reckless Moment
    BOOK VS FILM Jake Hinkson serving in the Pacific. Slipping away from her arrival of a nervous hood named Donnelly kids one day, Lucia drives the family station who has some love letters written by Bee to n her time, few mystery writers were wagon to a cheap hotel in midtown Manhat- Darby. He wants cash, he says, or he’ll send as respected as Elisabeth Sanxay tan to see a man named Ted Darby, a sleazy the letters to the police. Holding. Raymond Chandler called charmer who’s been seeing Lucia’s teen- The story of a woman desperately trying her “the top suspense writer of them aged daughter, Bee. Lucia wants Darby to to hold her life together and protect her child all,” and critic Christopher Morley stay away from her underage daughter, but from an ever-rising tide of danger, The Blank Isaid her books were perfect for the “few when she confronts him, he tries to shake Wall demonstrates Holding’s great gift as a like myself who find the purest refreshment her down for a payoff. Later that night, he writer, a precise emphasis on the inner life in hallucinations and horrors, in damna- sneaks up to the Holley’s lakefront home for of her characters (she wrote “psychological tion, dipsomania, and dismay.” Morley’s a clandestine meeting with Bee. noir” before that was a thing). Lucia Hol- description nicely sums up your average fan The Blank Wall takes a dark turn when ley doesn’t stop being Lucia Holley after the of noir, yet today Holding is less well known Lucia discovers Darby’s dead body on the dead body shows up, she must still manage than her contemporaries like Chandler or beach near her house the next morning.
    [Show full text]
  • WRAP THESIS Pilkington 2015.Pdf
    A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/79404 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications The Courtroom Trial Sequence in Hollywood Cinema, 1934-1966 Patrick Pilkington A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Film and Television Studies October 2015 1 Table of Contents List of Tables ........................................................................................................................ 4 List of Illustrations ............................................................................................................... 5 Acknowledgments ................................................................................................................ 9 Declaration ......................................................................................................................... 10 Abstract ............................................................................................................................... 11 Introduction .......................................................................................................................
    [Show full text]