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Openness in the Music Business– How Record Labels and Artists May Profit from Reducing Control
Table of Contents TECHNISCHE UNIVERSITÄT MÜNCHEN Dr. Theo Schöller-Stiftungslehrstuhl für Technologie- und Innovationsmanagement Openness in the music business– How record labels and artists may profit from reducing control Johannes L. Wechsler Vollständiger Abdruck der von der Fakultät für Wirtschaftswissenschaften der Technischen Universität München zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften (Dr. rer. pol.) genehmigten Dissertation. Vorsitzender: Univ.-Prof. Dr. I. Welpe Prüfer der Dissertation: 1. Univ.-Prof. Dr. J. Henkel 2. Univ.-Prof. Dr. F. v. Wangenheim Die Dissertation wurde am 09.12.2010 bei der Technischen Universität München eingereicht und durch die Fakultät für Wirtschaftswissenschaften am 11.05.2011 angenommen. i Table of Contents Table of Contents DETAILED TABLE OF CONTENTS .................................................................................................... II LIST OF FIGURES .................................................................................................................................. V LIST OF TABLES ................................................................................................................................. VII LIST OF ABBREVIATIONS..................................................................................................................IX ABSTRACT..............................................................................................................................................XI 1 INTRODUCTION ...................................................................................................................... -
The Recalled, Lived Experience of Adultdaughters of Bipolar Mothers
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2009 Connection, Caretaking, and Conflict: The Recalled, Lived Experience of Adultdaughters of Bipolar Mothers Louise Ribeiro Presley Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Social Work Commons Recommended Citation Presley, Louise Ribeiro, "Connection, Caretaking, and Conflict: The Recalled, Lived Experience of Adultdaughters of Bipolar Mothers" (2009). Dissertations. 260. https://ecommons.luc.edu/luc_diss/260 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2009 Louise Ribeiro Presley LOYOLA UNIVERSITY CHICAGO CONNECTION, CARETAKING, AND CONFLICT: THE RECALLED LIVED EXPERIENCE OF ADULT DAUGHTERS OF BIPOLAR MOTHERS A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SCHOOL OF SOCIAL WORK BY LOUISE RIBEIRO PRESLEY CHICAGO, IL AUGUST 2009 Copyright by Louise R. Presley, 2009 All rights reserved. ACKNOWLEDGEMENTS I applied to Loyola’s School of Social Work to learn how to research, write, and share my ideas by publishing them. The faculty of the School has allowed me to fulfill my intentions and still encourages me. There are too many to thank individually, but Dr. Marcia Spira has always helped me with issues about mothers and daughters. She became member of my committee. Dr James Marley has guided my early efforts at research and also became a committee member. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
Campus Catfisher Identified As CSU Employee
Volume 126, No. 126 Tuesday, May 2, 2017 OPINION COLLEGIAN GOES HEAD TO HEAD ON 13 REASONS WHY PAGE 6 Campus Catfi sher SPORTS identifi ed as CSU employee LACROSSE PREPARES Jalen Perez was recently charged with catfi shing two females and sexually assaulting one of them. Perez was a resident assistant in Ingersoll Hall FOR NATIONALS and an employee at the Student Recreation Center. PHOTO BY DAVIS BONNER COLLEGIAN AFTER CU LOSS By Haley Candelario @H_Candelario98 boyfriends fell through multiple When the victim made it apologized to the victim nu- PAGE 8 times. clear she did not want to talk to merous times. According to the arrest a - Perez, the false male identity told Perez went to FCPS on Feb. Trigger warning: The Col- davit, the two females discovered the victim over text message that 27 to talk about the claims made legian would like to inform its that the numbers they texted for the two should make up. against her by the females and to readers that the content in this ar- the two male CSU students were “Well all I know is y’all bet- talk about the use of the Pinger ticle may trigger those a ected by the same number and deter- ter get over whatever it is real see CATFISHER on page 4 >> sexual assault. mined that Perez used the Pinger quick because you guys are too A Colorado State University texting application to communi- close for that fi ghting shit,” Pe- student recently charged for cat- cate with the two females. rez wrote as the male identity. -
Finding Meaning in Britain's Earl
‘If I had more time it could be better, but the new wave’s about spontaneity, right?’: finding meaning in Britain’s early punk fanzines (1976–77) Article Accepted Version Worley, M. (2020) ‘If I had more time it could be better, but the new wave’s about spontaneity, right?’: finding meaning in Britain’s early punk fanzines (1976–77). Punk and Post-Punk, 9 (2). pp. 223-245. ISSN 2044-1983 doi: https://doi.org/10.1386/punk_00028_1 Available at http://centaur.reading.ac.uk/87866/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1386/punk_00028_1 Publisher: Intellect All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Matthew Worley University of Reading ‘If I had more time it could be better, but the new wave’s about spontaneity, right?’: Finding meaning in Britain’s early punk fanzines (1976–77) Abstract This article uses fanzines produced from the UK in 1976–77 to explore how punk’s politics, production and cultural impact were understood by those first enticed by ‘the new wave’. It is divided into three principal sections, the first offering some context: a rough survey of who made fanzines and how. -
Top 50 Singles Top 50 Albums
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TW THIS WEEK LW LAST WEEK TI TIMES IN HP HIGH POSITION * BULLET TOP 50 SINGLES WEEK COMMENCING 8 MAY, 2017 TOP 50 ALBUMS TW LW TI HP TITLE Artist COMPANY CAT NO. TW LW TI HP TITLE Artist COMPANY CAT NO. * 1 NEW 1 1 I'M THE ONE DJ Khaled Feat. Justin Bieber, Quavo, Chance the Ra… EPI/SME G0100037210105 * 1 NEW 1 1 OFF THE GRID Bliss N Eso LIB/UMA ILLC154 2 1 17 1 SHAPE OF YOU Ed Sheeran <P>4 ASYL/WAR GB-AHS-17-00003 2 1 9 1 ÷ Ed Sheeran <P>3 WAR 9029585903 3 3 5 2 HUMBLE. Kendrick Lamar <G> INR/UMA US-UM7-17-03085 3 3 2 3 GUARDIANS OF THE GALAXY VOL. 2: AWESOME MIX VOL. 2 Sou… HWR/UMA 8736871 4 2 9 2 GALWAY GIRL Ed Sheeran ATL/WAR GB-AHS-17-00008 * 4 NEW 1 4 HUMANZ Gorillaz PLG/WAR 9029585120 5 4 7 4 SYMPHONY Clean Bandit Feat. Zara Larsson EW/WAR 190295832780 5 5 3 2 DAMN. Kendrick Lamar INR/UMA 5760871 6 8 2 6 THERE'S NOTHING HOLDIN' ME BACK Shawn Mendes ISL/UMA US-UM7-17-02833 * 6 NEW 1 6 THE GREAT COUNTRY SONGBOOK VOL. II Adam Harvey & Beccy… SME 88985410882 7 5 10 2 SOMETHING JUST LIKE THIS The Chainsmokers & Coldplay <P>2 COL/SME G010003691499M 7 4 3 3 A TRIBUTE TO MARIO LANZA Mark Vincent SME 88985431722 8 7 10 3 STAY Zedd Feat. -
No Break from Learning for Some Centralia Students Natalie Johnson / [email protected] Grace E
$1 Serving our communities since 1889 — www.chronline.com Weekend Edition DeGoede Bulb Farm Saturday, in Bloom / Main 13 April 9, 2016 Animal Cruelty Charges More Than a Garden Onalaska Woman Pleads Not Guilty After Salvation Army Program in Centralia County Seizes Animals From Property / Main 5 Provides Food, Positive Work / Main 4 No Break From Learning for Some Centralia Students Natalie Johnson / [email protected] Grace E. Barker makes her irst appearance Friday in Lewis County Superior Court on suspicion of irst-degree assault with a knife. She was held in restraints during the hearing. Victim in Mossyrock Stabbing Suffers ‘Jugular Hematoma,’ Damaged Lung RESTRAINTS: Bail Set at $500,000 for 26-Year-Old Woman Accused in Attack By Natalie Johnson [email protected] The victim of a stabbing in Moss- yrock Wednesday is in critical condi- tion after suffering a punctured lung and a “jugular hematoma,” accord- ing to court documents. Grace Ella Barker, 26, of Mossy- Pete Caster / [email protected] rock, was charged Friday in Lewis Dorinda Iverson, left, a Paciic Lutheran University student inishing up her inal year in the teaching program, works with kindergartners from Ford’s Prairie County Superior Court with first- Elementary during the Spring Break Outreach Program on Monday afternoon at Catholic Housing Services of Western Washington commons area in Centralia. degree assault. Lewis County Deputy The free program focuses on continuing education for kindergarten through sixth grade students during the week-long break. Prosecutor Kevin Nelson said Friday that his office may file more serious K-6: Free Program Keeps Focus break academic outreach program this Prairie, said the presence of more EL stu- charges in the future. -
Motivating Your Mind … Inspiring Your Spirit I
MMoottiivvaattiinngg yyoouurr MMiinndd IInnssppiirriinngg yyoouurr SSppiirriitt 22001155 ee--bbooookk Wishing you a great 2015 from Shian Chuan Welcome January 2015 Dear Reader This e-book has been compiled from the generous contributions by 95 Australian, Asian, European, New Zealand, South African, Canadian, United States, United Arab Emirates, Hong Kong and Philippines industry experts, CE0’s, CFO’s, Company Directors and business owners we have known or worked with in the professional education and MICE* industry. Together, these e-book contributors have over 2700 years of business experience and 4600 years of people experience. Some younger, some more experienced, yet all exceptionally talented, intelligent and gifted in their area of expertise. None of our contributors were paid for their articles nor were they charged a fee to be involved. There is immeasurable value from our co-author’s contributions. I deeply appreciate their knowledge and in giving to this joint venture project. E-book Purpose This e-book was created for clients, customers and our worldwide readers to enjoy. We trust the stories, tips, insights and case studies can benefit you at a business, professional or personal education level. As a complimentary gift and added value resource from our alliance of contributors, this e-book is FREE for everyone to use. Feel free to share it with colleagues, business associates, friends or those you feel would benefit from the content. Feel free to send it to others via e-mail, through your social media links or your mobile device. The stories could be read over lunch or during travels on a plane, train, bus or just hanging out at a cafe, beach or park. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright “Hardcore Makes Me Sick” Truth, Youth and Unity in Australian Hardcore Punk Subculture J.E. Donovan M. Phil (Arts and Social Sciences) 2014 Department of Performance Studies University of Sydney Thesis submitted in fulfilment of the requirement of the degree of Master of Philosophy. “Hardcore Makes Me Sick” Truth, Youth and Unity in Australian Hardcore Punk Subculture J.E. Donovan M. Phil (Arts and Social Sciences) University of Sydney CONTENTS Chapter 1 PAGES Introduction 1 – 14 Chapter 2 A History of Subcultural Studies 15 – 55 Chapter 3 Methodology 56 – 73 Chapter 4 Unity 74 – 127 Chapter 5 Youth 128 – 155 Chapter 6 Truth 156 – 198 Chapter 7 Conclusion 199 – 204 Bibliography 205 – 217 CHAPTER ONE Introduction We are in a quiet industrial area in Sydney’s inner west. -
Cranked up Really High: Genre Theory & Punk Rock
CRANKED UP REALLY HIGH: GENRE THEORY & PUNK ROCK by Stewart Home CHAPTER IV: RELICS FROM THE PAST British PUNK ROCK circa 1977 Before getting to grips with the dialectical transformations of Punk Rock, I want to deal with a particular moment in the history of PUNK ROCK that was a time of both fusion and division. This is the period when the legacy of sixties garage rock became completely entangled with the ideology of Punk Rock passed down to a subsequent generation by the likes of the MC5. Indeed, quite a number of intellectually unsophisticated writers would lead you to believe that the genesis of PUNK ROCK is to be found in this period. However, as I've already pointed out, as an evolving musical genre, PUNK ROCK has no fixed boundaries. 1977 is only one of many points at which we could begin to investigate this phenomenon. Those pseudo-intellectuals who believe that it is possible to discover the 'origins' of Punk Rock at this particular juncture in the development of the discourse have quite simply failed to grasp the dynamics of culture and their 'work' should be subjected to merciless criticism. 1977, at least in the way it was mythologised by the Clash on the flip-side of their first single White Riot, was a time of apocalypse. However, this was not the only vision of what that year was about, according to the brief sleeve notes on the back of a Beggars Banquet compilation album entitled Streets: Select Highlights from Independent British Labels: 1977 was the year that the music came out of the concert halls and onto the streets; when independent labels sprang out of the woodwork to feed new tastes; when rock music once again became about energy and fun; when the majors' boardrooms lost control. -
Music and Depression Part 1: Pilot Survey Report Help Musicians UK
Can Music Make You Sick? Music and Depression A study into the incidence of musicians’ mental health Part 1: Pilot Survey Report Help Musicians UK Authors: Sally Anne Gross and Dr. George Musgrave University of Westminster / MusicTank November, 2016 About This Paper Help Musicians UK commissioned this report (the first UK academic study on the incidence of mental health and musicians) in response to the charity’s observation around the rise in the number of calls and applications from musicians with mental health problems and is seeking to understand and quantify their significance as well as find solutions to this issue within the industry. This report is part one of a more extensive research project that will follow in 2017. Written by: Sally Anne Gross Dr. George Musgrave University of Westminster / MusicTank Published by: MusicTank Publishing University of Westminster Watford Road, Harrow, Middlesex HA1 3TP musictank.co.uk | @musictank First Published London, November, 2016 Copyright © 2016 University of Westminster The copyright in this publication is held by University of Westminster. This material may not be copied or reproduced wholly or in part for any purpose (commercial or otherwise) except for permitted fair dealing under the Copyright, Designs, and Patents Act 1988, without the prior written permission of University of Westminster. The copyright owner has used reasonable endeavours to identify the proprietors of third- party intellectual property included in this work. The author would be grateful for notification of any material whose ownership has been misidentified herein, so that errors and omissions as to attribution may be corrected in future editions. -
Protest and Survive: a Brief History and Analysis of the Politics of Punk
PROTEST AND SURVIVE: A BRIEF HISTORY AND ANALYSIS OF THE POLITICS OF PUNK A THESIS IN Musicology Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF MUSIC by DILLON PATRICK HENRY B.F.A., Carnegie Mellon University, 2010 M.M., University of Michigan, 2014 Kansas City, Missouri 2018 © 2018 DILLON PATRICK HENRY ALL RIGHTS RESERVED PROTEST AND SURVIVE: A BRIEF HISTORY AND ANALYSIS OF THE POLITICS OF PUNK Dillon Patrick Henry, Candidate for the Master of Music Degree University of Missouri-Kansas City, 2018 ABSTRACT Politics are an important aspect of most punk music, and many authors, avoiding concrete description, paint the genre with a nebulous left-ish brush. This, however, is insufficient at explaining how and why the genre has adapted to (as well as helped shape) geographically and culturally disparate communities across the globe over the last half- century. Moreover, most academic treatment of punk rock comes from a cultural and sociological perspective, lacking a theoretical and analytical discussion of the music itself. This document will synthesize the evolving genre’s musical and cultural entanglements with politics. To this end, the document will focus on landmark bands, albums, and locations around the world in a mostly chronological order with occasional overlap, documenting cultural development of the genre with supplemental musical analysis. With rigorous primary-source analysis of punk rock zines, this document will also recognize punk rock communities and transmission of ideas outside of the bands themselves. The elusive intertwining and occasionally paradoxical stances of the punk subculture are precisely why creating a single definition of punk rock is a difficult endeavor.