Zachor, Remember! -- but What? and How?

Total Page:16

File Type:pdf, Size:1020Kb

Zachor, Remember! -- but What? and How? Zachor, Remember! -- But What? And How? By Jeanette Friedman Introduction As someone who has been involved in Holocaust Education for more than 25 years, and as a daughter of Auschwitz and Bergen-Belsen survivors who was born in Brooklyn, NY, the only perspective I can offer is one from continued study and my own personal experience, most of it in the United States. I am familiar with materials that are used in suburban public high schools and in some Jewish private schools. I served as Education Coordinator for the then International Network of Children of Jewish Holocaust Survivors and as a Second Generation Education Liaison to the United States Holocaust Memorial Museum in Washington, DC. I also served as a member of the [Arthur] Goldberg Commission to Examine the Role of American Jews During the Holocaust, which proved to be a valuable experience in determining some of the directions that Holocaust Education needed to take. This took place between the years 1972 and 1985. I realize that Europe is not the United States. On the other hand, we live in a global society, and young people share many, many ideas and attitudes and characteristics, no matter where they live. We also now have media and communication tools we never had at our disposal before, which should make us evaluate how we teach the Holocaust—what are its lessons, and are they true to the legacy the survivors want to leave behind? Below is an examination of what the survivors wanted to accomplish and what they have accomplished. In some areas they succeeded admirably, particularly in the public arena and at the university level. On the other hand, what is happening in secular and Jewish high school classrooms is another story altogether—and depending on who is teaching and how, results will vary. In the best case scenario, the result is character development of a young person into a decent, caring human being. In the worst, Holocaust education becomes a tool that creates disdain for Jewish people, ramps up the Victim Olympics, and creates the opposite of what it was supposed to do—old fashioned antisemitism and self-hatred with a modern twist. Tempus Fugit —The Survivors Are Running Out oF Time Madonna has a hit song that begins with the sound of a clock ticking. As the ticking continues to impose itself her voice chimes in: “Time goes by, so slowly, so slowly, so slowly.” Maybe for some, but not for everyone—time is passing like a runway train for Holocaust survivors and they worry that their legacy will be forgotten. Every day another personal connection to the past that so shaped our present and linked us to the seminal event of our age, to our murdered families and Yiddishkeit—our Yiddish culture, not our Judaism—is broken. And the time goes by so quickly, so quickly…so quickly. A conscientious person can spend every day, all day, paying respects at funerals and making shiva calls on Holocaust survivor families. It is a wrenching experience, made more difficult by 1 knowing that the lessons from those who are passing—from the Judaism of their childhoods, to the terror of the Holocaust, to the lives they rebuilt and gave us—are far from learned. In fact, in some places there is already erosion, misinterpretation, trivialization, and perhaps, worst of all, exploitation of the Holocaust as a means of raising funds for causes that have nothing to do with the Holocaust or for political purposes to create a siege mentality. It is a desecration to the Six Million that the aging and often ailing survivors find hard to swallow—along with their prohibitively expensive medical care. And every day the news gets worse and the survivors ask, “Is this why we survived?” From the first activist days of the Holocaust Education movement, which began in the 1970’s— though the historians were tackling the “academic” issues like statistics and causes before that— the Holocaust survivors, who had pledged to bear witness, knew that the story had to be told. It began with commemorations in communities of survivors who wanted to say Kaddish for their families, and that were basically ignored by the rest of the Jewish community. There were memoirs and books before, but no formal Holocaust education until the 1970s, when the sons and daughters of the survivors realized it was a subject that simply never came up, except at home. Rarely was the Holocaust taught in any school system, not Jewish, not secular, unless it was somehow mentioned in a history course on the college level. There was little or nothing for people to use in high school classrooms, and the event was not on anyone’s radar. There were certainly no statewide or national observances or commemorations. The Holocaust that so affected the Jews was not even a blip on the education radar screen, even in their own Jewish schools. Instead, in English literature courses in some schools, like in the Orthodox Beth Jacob School in Brooklyn, in the 60’s, students were assigned to read Elie Wiesel’s Night or The Diary of Anne Frank, two classics that remain the two most important works that influence young students. But very few educators tackled the subject itself because it raised too many theological questions they couldn’t handle; the event was too raw; and the lessons of the Holocaust hadn’t yet been figured out. In secular classrooms, it wasn’t even an issue. That changed when a television program aired in the United States. It was called Holocaust, produced by Gerald Green, and it was a frankly melodramatic interpretation of a fictional/realistic version of Holocaust stories called a docudrama. As a result, Holocaust deniers picketed the studios of the network, and the Holocaust survivors, their families and their allies realized that they needed to wake up the world to the story of the past. A movement to teach about the Holocaust was born, and with the self-empowerment of the survivors, the publishing of memoirs and the gathering of facts by historians, Holocaust education began to take shape. One of the first courses to be taught in the United States was the course given by Dr. Yaffa Eliach in Brooklyn College in 1972, where the class—mostly sons and daughters of survivors—were asked to go home and collect their parents’ testimonies. The result was an examination of the notion of “going like sheep to the slaughter,” which in turn 2 led to a discussion of collective responsibility and some philosophical discussion. Did it lead to action or character development? Judging by the students, it was hard to tell. On the other hand, Dr. Eliach developed the Center for Holocaust Studies. As a result, she collected the raw material that later enabled the designers of the Us Holocaust Memorial Museum to build the Tower of Faces (known to most as the Tower of Eishishok) because she realized was important to remember individuals, actual people, not corpses or statistics. Her resources and materials were eventually absorbed by the Museum of Jewish Heritage in downtown New York. In the meantime, the Judaic Studies Department, created at the same time the class was first taught at Brooklyn College, featured scholars like Dr. Henry Friedlander and others. At first, then, everything was done at the university level. The Graduate Center of the City University presented a series of lectures by top scholars—some of whom were also survivors. Lecturers included Professors Yehuda Bauer, Henry Friedlander, Henry Feingold, Randolph Braham, Raul Hillberg, Eric Goldhagen—stellar researchers into facts and statistics, and it was all about the PROCESS of killing six million Jews, from the Einzatsgruppen to the gas chambers, and about political history and power. These lectures were free and open to the public. They were mostly attended by Holocaust survivors, sons and daughters of survivors, and history majors. This was something that took place after the survivors assembled in Israel at the World Gathering in 1981, and again at the American Gathering in Washington in 1983. These widely covered events empowered the survivors by using Holocaust education to galvanize governments into recognizing their responsibilities. Therefore you might say the first stage of Holocaust Education was “public education” for the public service sector. This resulted in the nationalization of the recognition of the Holocaust. That means that while in 1960, there were a handful of Holocaust commemorations, on Yom HaShoah in 2007, the Holocaust is remembered on a day that commemorates the anniversary of the Warsaw Ghetto Uprising from sea to shining sea in the U.S. --as well as in cities and hamlets around the world. In synagogues and churches, on Capitol Hill and in state capitals and city hall, scholars and universities in virtually every state of the Union, commemorations are held annually. This “public education” also resulted in the creation of public institutions to teach the Holocaust: the Holocaust Memorial Museum in Washington, DC, the Museum of Jewish Heritage in New York, the Simon Wiesenthal Center in Los Angeles, the memorial in Berlin, and hundreds of smaller resource centers and memorials around the world. Of course, the largest and most important of these repositories of information, testimony, history and memorialization is at Yad Vashem in Israel. “Public education” – and a strong dose of Iranian Holocaust denial -- also resulted in the United Nations, more than 60 years after the fact, finally formalizing commemoration and remembrance of the Holocaust on January 27, the day Auschwitz was liberated. Another result of this “public education” was that Holocaust denial was condemned by the UN’s member nations (though 92 nations did not approve the resolution), which was sponsored by the United States and Rwanda, earlier this year; and previously Holocaust denial was outlawed in a number of countries, including Germany, Canada and Austria.
Recommended publications
  • Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
    Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • South Park and Absurd Culture War Ideologies, the Art of Stealthy Conservatism Drew W
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2009-01-01 South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Mass Communication Commons, and the Political Science Commons Recommended Citation Dungan, Drew W., "South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism" (2009). Open Access Theses & Dissertations. 245. https://digitalcommons.utep.edu/open_etd/245 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan Department of Communication APPROVED: Richard D. Pineda, Ph.D., Chair Stacey Sowards, Ph.D. Robert L. Gunn, Ph.D. Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © by Drew W. Dungan 2009 Dedication To all who have been patient and kind, most of all Robert, Thalia, and Jesus, thank you for everything... South Park and Absurd Culture War Ideologies. The Art of Stealthy Conservatism by DREW W. DUNGAN, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2009 Abstract South Park serves as an example of satire and parody lampooning culture war issues in the popular media.
    [Show full text]
  • SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
    CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised.
    [Show full text]
  • Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
    SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).
    [Show full text]
  • One Survivor Remembers Teacher’S Guide 0 Grades 8 Through 12 Contents a Summary of Gerda’S Story 3 How to Use This Kit 4 a Note About the Primary Documents 5
    ONE SURVIVOR REMEMBERS Teacher’s Guide 0 Grades 8 ThrouGh 12 Contents A Summary of Gerda’s Story 3 How to Use This Kit 4 A Note About the Primary Documents 5 LESSON PLANS Providing Context for the Film Tapping Students’ Prior Knowledge 7 Holocaust Timeline Activity 10 Viewing the Film Discussing the Film 11 Connecting with Gerda 34 Empathizing with Loss 37 Humanizing the Dehumanized 39 Building on the Film’s Themes Antisemitism 42 Bullies & Bystanders 49 Holding Onto Hope 54 Applying the Film’s Themes A Call to Action: Service Learning 58 Intolerance Today 61 EXTRAS Recommended Resources 69 Content Standards 70 Acknowledgements 71 A Note from Gerda 73 one survivor remembers PREFACE A Summary of Gerda’s Story by Michael Berenbaum This is a story about the strength of the human spirit, the story of a woman who survived the Holocaust and emerged with her humanity intact. Stripped of family, friends, pos- sessions and freedom, she lived to tell her story, a story she tells eloquently and power- fully in One Survivor Remembers. A Polish Jew, Gerda Weissmann lived six years under German rule. It was a time when Jews were stigmatized, discriminated against, harassed and beaten. Their houses of worship were burned; their places of business, looted. They were driven from their homes, imprisoned in ghettos and forced to work in slave-labor camps. And they were murdered — some where they lived, town by town, person by person; others in death camps, where millions were gassed in an assembly-line process that mimicked the great factories of industrialized Europe.
    [Show full text]
  • Random Jottings 11 This Isn’T the Fanzine You’Re Looking For
    Random Jottings 11 This isn’t the fanzine you’re looking for. Issue 11 Not the Fanzine You’re Looking For Random Jottings 11, Not the Fanzine You’re Looking For, is an irregularly published magazine edited and published by Michael Dobson. It is available for customary fannish reasons or editorial whim, and can also be found as a free PDF at http://efanzines.com/RandomJottings/index.htm (along with most previous issues of Random Jottings), or in print from your favorite online book retailer at a modest price. Copyright © 2016 by Michael Dobson and Timespinner Press. All rights revert to the individual contributors. Letters of comment to [email protected] or to 8042 Park Overlook Drive, Bethesda, Maryland 20817-2724 USA. Table of Contents (all by Michael Dobson unless noted) This Isn’t the Fanzine You’re Looking For ..........................................2 Where’s the Fire, Son? ..............................................................................7 First Call, by James Dobson .................................................................13 Friday Night, by James Dobson ...........................................................15 Boxing Lessons .......................................................................................19 Seven Days in May .................................................................................31 Random Jottings on Random Jottings (letters) ..................................51 Credits .......................................................................................................56 Other Titles from Timespinner Press .................................................59 This Isn’t the Fanzine You’re Looking For This Isn’t the Fanzine You’re Looking For UNTIL A COUPLE OF WEEKS AGO, Random Jottings 11 was scheduled to be The Murder Issue. On April 13, 1975, on my way home from seeing Young Frankenstein, I heard what I thought was a backfire or maybe a firecracker, but what turned out to be gunshots. An unemployed Silver Spring carpenter was on a shooting spree in suburban Wheaton, Maryland.
    [Show full text]
  • Documentary Movies
    Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460
    [Show full text]
  • National Film Registry Titles Listed by Release Date
    National Film Registry Titles 1989-2017: Listed by Year of Release Year Year Title Released Inducted Newark Athlete 1891 2010 Blacksmith Scene 1893 1995 Dickson Experimental Sound Film 1894-1895 2003 Edison Kinetoscopic Record of a Sneeze 1894 2015 The Kiss 1896 1999 Rip Van Winkle 1896 1995 Corbett-Fitzsimmons Title Fight 1897 2012 Demolishing and Building Up the Star Theatre 1901 2002 President McKinley Inauguration Footage 1901 2000 The Great Train Robbery 1903 1990 Life of an American Fireman 1903 2016 Westinghouse Works 1904 1904 1998 Interior New York Subway, 14th Street to 42nd Street 1905 2017 Dream of a Rarebit Fiend 1906 2015 San Francisco Earthquake and Fire, April 18, 1906 1906 2005 A Trip Down Market Street 1906 2010 A Corner in Wheat 1909 1994 Lady Helen’s Escapade 1909 2004 Princess Nicotine; or, The Smoke Fairy 1909 2003 Jeffries-Johnson World’s Championship Boxing Contest 1910 2005 White Fawn’s Devotion 1910 2008 Little Nemo 1911 2009 The Cry of the Children 1912 2011 A Cure for Pokeritis 1912 2011 From the Manger to the Cross 1912 1998 The Land Beyond the Sunset 1912 2000 Musketeers of Pig Alley 1912 2016 Bert Williams Lime Kiln Club Field Day 1913 2014 The Evidence of the Film 1913 2001 Matrimony’s Speed Limit 1913 2003 Preservation of the Sign Language 1913 2010 Traffic in Souls 1913 2006 The Bargain 1914 2010 The Exploits of Elaine 1914 1994 Gertie The Dinosaur 1914 1991 In the Land of the Head Hunters 1914 1999 Mabel’s Blunder 1914 2009 1 National Film Registry Titles 1989-2017: Listed by Year of Release Year Year
    [Show full text]
  • 2018 Disseminator Grant
    2018 Disseminator Grant: Project Title: Unraveling the Past to Create a Better and Inclusive Future Jacqueline Torres-Quinones, Ed.D [email protected] South Dade Senior High School 7701 ONCE I THOUGHT THAT ANTI-SEMITISM HAD ENDED; TODAY IT IS CLEAR TO ME THAT IT WILL PROBABLY NEVER END. - ELIE WIESEL, JEWISH SURVIVOR For Information concerning ideas with Impact opportunities including Adapter and Disseminator grants, please contact: Debra Alamo, interim Program Manager Ideas with Impact The Education Fund 305-558-4544, Ext 105 Email: [email protected] www.educationfund.org Acknowledgment: First and foremost, the Unraveling the Past to Create a Better and Inclusive Future Grant, has led to the development of a practical and relevant Holocaust unit filled with various lessons that can be chunked and accessible resources for secondary teachers to use. The supportive guidance was provide by Eudelio Ferrer-Gari , a social science guru- [email protected] from Dr. Rolando Espinosa K-8 Center, The Echoes and Reflections, and the Anti-Defamation League Organizations. Within this grant, teachers will be able to acquire knowledge of how to help students understand the Holocaust better and assist them to make critical thinking connective decisions as well of how they can make a positive difference today- when dealing with challenging social and political issues. Resources used throughout the grant: Founded in 2005, Echoes & Reflections is a comprehensive Holocaust education program that delivers professional development and a rich array of resources for teachers to help students make connections to the past, gain relevant insight into human dilemmas and difficult social challenges, and to determine their roles and responsibility in the world around them.
    [Show full text]
  • This List Attempts to Document Every Vinyl Record Released in the USA, Only, Relating to the Batman Craze of the 1960’S
    This list attempts to document every vinyl record released in the USA, only, relating to the Batman craze of the 1960’s. US 7”/Singles: Artist – “Title” A-Side / “Title” B-Side (Mfg’r Record #, Date) (Notes) · 4 Of Us - “Batman” / “You Gonna Be Mine” (Hideout 1003, 1965) (A surf instrumental and is not related to the TV series; later pressings of this single have the Batman song retitled as “Freefall”) · 5th Avenue Busses - “Robin Boy Wonder” / “Fantastic Voyage” (20th Century Fox 45-6653, 1966) (Promo copy exists) · The Airmen Of Note – “Theme From Batman” / “Second Time Around” (The United States Airforce Public Service Program” GZS 108695, 1966?) (“Music In the Air” radio transcription 33 1/3 RPM, 7” single, Programs NR: 423/424. Label reads “This record is the property of the U.S. Government and cannot be used for commercial purposes.” The Airmen Of Note are the jazz ensemble within the US Army Air Forces Band and was formed to carry on the music of The Major Glenn Miller Army Air Forces Orchestra.) · Davie Allan & The Arrows - “Batman Theme” (Reportedly recorded in 1966 but never issued as 45. Instead, it first appeared on the 1996 reissue CD of the Various Artists “Wild Angels” soundtrack.) · Astronauts - “Batman Theme” (Never issued as 45. A surf instrumental first released on 1963 LP so is not TV show influenced) · Avengers - “The Batman Theme” / “Back Side Blues” (MGM K 13465, 1966) (Though released as by "The Avengers," the A-side was recorded by all-female group The Robins, while the flip was recorded by popular Ardent recording
    [Show full text]
  • Rick Ludwin Collection Finding
    Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles.
    [Show full text]
  • Instructor's Guide
    DRAWN TO THE GODS Religion and Humor in The Simpsons, South Park, and Family Guy Instructor’s Guide Dives into a new world of religious satire illuminated through the layers of religion and humor that make up the The Simpsons, South Park, and Family Guy. Drawing on the worldviews put forth by three wildly popular animated shows – The Simpsons, South Park, and Family Guy– David Feltmate demonstrates how ideas about religion’s proper place in American society are communicated through comedy. The book includes discussion of a wide range of American religions, including Protestant and Catholic Christianity, Judaism, Islam, Buddhism, Native American Religions, New Religious Movements, “Spirituality,” Hinduism, and Atheism. Along the way, readers are shown that jokes about religion are influential tools for teaching viewers how to interpret and judge religious people and institutions. Feltmate develops a picture of how each show understands 304 pages | Paper | 978-1-4798-9036-1 Religion and communicates what constitutes good religious practice as well as which traditions they seek to exclude on the basis of Contents: race and ethnicity, stupidity, or danger. From Homer Simpson’s • Chapter Summaries with Discussion Questions spiritual journey during a chili-pepper induced hallucination to and Recommended Episodes South Park’s boxing match between Jesus and Satan to Peter • Questions for Reflection Griffin’s worship of the Fonz, each show uses humor to convey • Supplementary Assignments a broader commentary about the role of religion in public life. Through this examination, an understanding of what it means to "Without a doubt, I will use this delightful, well-researched, well-crafted monograph in my media, religion, and popular culture courses.
    [Show full text]