COURSE SYLLABUS Ukraine 0030-1010(10697)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ukrainian Weekly 1993, No.23
www.ukrweekly.com INSIDE: • Ukraine's search for security by Dr. Roman Solchanyk — page 2. • Chornobyl victim needs bone marrow transplant ~ page 4 • Teaching English in Ukraine program is under way - page 1 1 Publishfd by the Ukrainian National Association inc., a fraternal non-prof it association rainianWee Vol. LXI No. 23 THE UKRAINIAN WEEKLY SUNDAY, JUNE 6, 1993 50 cents New York commemorates Tensions mount over Black Sea Fleet by Marta Kolomayets Sea Fleet until 1995. 60th anniversary of Famine Kyyiv Press Bureau More than half the fleet — 203 ships — has raised the ensign of St. Andrew, by Andrij Wynnyckyj inaccurate reports carried in the press," KYYIV — Ukrainian President the flag of the Russian Imperial Navy. ranging from those of New York Times Leonid Kravchuk has asked for a summit NEW YORK — On June 1, the New None of the fleet's Warships, however, reporter Walter Duranty written in the meeting with Russian leader Boris have raised the ensign. On Friday, May York area's Ukrainian Americans com 1930s, to recent Soviet denials and Yeltsin to try to resolve mounting ten memorated the 60th anniversary of the Western attempts to smear famine sions surrounding control of the Black (Continued on page 13) tragic Soviet-induced famine of І932- researchers. Sea Fleet. 1933 with a "Day of Remembrance," "Now the facts are on the table," Mr. In response, Russian Foreign Minister consisting of an afternoon symposium Oilman said. "The archives have been Andrei Kozyrev is scheduled to arrive in Parliament begins held at the Ukrainian Institute of opened in Moscow and in Kyyiv, and the Ukraine on Friday morning, June 4, to America, and an evening requiem for the Ukrainian Holocaust has been revealed arrange the meeting between the two debate on START victims held at St. -
Commemorative Coins Issued in 2019
Commemorative Coins Issued in 2019 Banknotes and Сoins of Ukraine 164 OUTSTANDING PERSONALITIES OF UKRAINE SERIES 2019 Bohdan Khanenko Put into circulation 17 January 2019 Face value, hryvnias 2 Metal Nickel silver Weight, g 12.8 Diameter, mm 31.0 Quality Special uncirculated Edge Grooved Mintage, units 35,000 Designer Engravers Maryna Kuts Volodymyr Atamanchuk, Anatolii Demianenko The commemorative coin is dedicated to Bohdan Obverse: at the top is Ukraine’s small coat of arms; Khanenko, a representative of a senior cossack dynasty, the circular legends read 2019 УКРАЇНА (2019 Ukraine) collector, patron of the arts, entrepreneur, and a public (top left), ДВІ ГРИВНІ (two hryvnias) (top right), БОГДАН figure, who was reputable in the financial and industrial ХАНЕНКО 1849–1917 (Bohdan Khanenko 1849–1917) circles and distinguished in the business and public life (at the bottom); the center of the coin shows a portrait of Kyiv. of Bohdan Khanenko in the foreground and a portrait of Varvara Khanenko in the background. On the right Collecting items was life’s work for Bohdan Khanenko. is the mint mark of the NBU’s Banknote Printing Together with his wife Varvara Khanenko, he made and Minting Works against the smooth background. a significant contribution to the cultural heritage of Ukraine: for over 40 years, Bohdan and Varvara Reverse: a symbolic composition depicting hands Khanenko collected unique pieces of art from all that hold a stylized colored picture (pad-printed). over the world, and founded the museum that currently bears their names. -
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Ukrainian Identity in Modern Chamber Music: A Performer's Perspective on Valentyn Silvestrov's Violin Sonata "Post Scriptum" and its Interpretation in the Context of Ukrainian Chamber Works. Permalink https://escholarship.org/uc/item/8874s0pn Author Khomik, Myroslava Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. -
Contemporary Socio-Economic Issues of Polish-Ukrainian Cross-Border Cooperation
Center of European Projects European Neighbourhood Instrument Cross-border Cooperation Programme Poland-Belarus-Ukraine 2014-2020 Publication of the Scientifi c Papers of the International Research and Practical Conference Contemporary Socio-Economic Issues of Polish-Ukrainian Cross-border Cooperation Warsaw 2017 Center of European Projects European Neighbourhood Instrument Cross-border Cooperation Programme Poland-Belarus-Ukraine 2014-2020 Publication of the Scientifi c Papers of the International Research and Practical Conference Contemporary Socio-Economic Issues of Polish-Ukrainian Cross-border Cooperation Edited by: Leszek Buller Hubert Kotarski Yuriy Pachkovskyy Warsaw 2017 Publisher: Center of European Projects Joint Technical Secretariat of the ENI Cross-border Cooperation Programme Poland-Belarus-Ukraine 2014-2020 02-672 Warszawa, Domaniewska 39 a Tel: +48 22 378 31 00 Fax: +48 22 201 97 25 e-mail: [email protected] www.pbu2020.eu The international research and practical conference Contemporary Socio-Economic Issues of Polish-Ukrainian Cross-border Cooperation was held under the patronage of Deputy Prime Minister, Minister of Economic Development and Finance Mr Mateusz Morawiecki. OF ECONOMIC The conference was held in partnership with: University of Rzeszów Ivan Franko National University of Lviv This document has been produced with the fi nancial assistance of the European Union, under Cross-border Cooperation Programme Poland-Belarus-Ukraine 2007-2013. The contents of this document are the sole respon- sibility of the Joint Technical Secretariat and can under no circumstances be regarded as refl ecting the position of the European Union. Circulation: 500 copies ISBN 978-83-64597-06-0 Dear Readers, We have the pleasure to present you this publication, which is a compendium of articles received for the Scientifi c Conference “Contemporary Socio-economic Issues of Polish-Ukrainian Cross-border Cooperation”, which took place on 15-17 November 2017 in Rzeszów and Lviv. -
Culture and Customs of Ukraine Ukraine
Culture and Customs of Ukraine Ukraine. Courtesy of Bookcomp, Inc. Culture and Customs of Ukraine ADRIANA HELBIG, OKSANA BURANBAEVA, AND VANJA MLADINEO Culture and Customs of Europe GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Helbig, Adriana. Culture and customs of Ukraine / Adriana Helbig, Oksana Buranbaeva and Vanja Mladineo. p. cm. — (Culture and customs of Europe) Includes bibliographical references and index. ISBN 978–0–313–34363–6 (alk. paper) 1. Ukraine—Civilization. 2. Ukraine—Social life and customs. I. Buranbaeva, Oksana. II. Mladineo, Vanja. III. Title. IV. Series. DK508.4.H45 2009 947.7—dc22 2008027463 British Library Cataloguing in Publication Data is available. Copyright © 2009 by Adriana Helbig, Oksana Buranbaeva, and Vanja Mladineo All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2008027463 ISBN: 978–0–313–34363–6 First published in 2009 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 The authors dedicate this book to Marijka Stadnycka Helbig and to the memory of Omelan Helbig; to Rimma Buranbaeva, Christoph Merdes, and Ural Buranbaev; to Marko Pećarević. This page intentionally left blank Contents Series Foreword ix Preface xi Acknowledgments xiii Chronology xv 1 Context 1 2 Religion 30 3 Language 48 4 Gender 59 5 Education 71 6 Customs, Holidays, and Cuisine 90 7 Media 114 8 Literature 127 viii CONTENTS 9 Music 147 10 Theater and Cinema in the Twentieth Century 162 Glossary 173 Selected Bibliography 177 Index 187 Series Foreword The old world and the New World have maintained a fluid exchange of people, ideas, innovations, and styles. -
Curriculum Vitae/Resume
CURRICULUM VITAE/RESUME HABALEVYCH VASYL PROFESSIONAL VIOLIN PLAYER Date of birth : 24-December-1990 SUMMARY Highly motivated violin player with a comprehensive background of performance. Participant of many Ukrainian and international contests and festivals. More than 10 years have been spend in a variety of ensembles, quartets, symphony orchestras and as a soloist. Skilled ensemblist in sight-reading of new pieces with a high degree of accuracy and at desired tempo from the beginning till the end. An enthusiastic team player who accepts coaching graciously and quickly incorporates feedback into performances. Poised and charismatic ensemble performer who quickly masters new repertoires, foreign musical styles. Deal with duties in a good way. Experienced collaboration with a diverse range of prominent musicians and conductors. HIGHLIGHTS • Sociable • Poised • Organized healthy way of life • Enthusiastic • Responsible • Creative • Hardworking WORK EXPERIENCE Violin player 9/2003 till Nowadays Performed a huge selection of music in a variety of styles with different orchestras. Participation in numerous competitions, festivals and concerts both locally and nationally; master classes with such prominent musicians as Bohodar Kotorovych, Kyrylo Stetsenko, Marko Komonko, Michael Strycharz, Oleh Krysa, Oleksandr Brusilovskyi. Experience in playing music in front of live audience, on television shows as a member of musical group. Accurate following of musical notation. Sight-reading of difficult music precisely and at required tempo. Play music with a foreign stylistic range as a member of duets, quartets and orchestras. Expressing music themes through tempo, phrasing, volume and dynamics. S.KRUSHELNYTSKA OPERA AND BALLET OPERA STUDIO Lviv, Ukraine Violin player 1/2012 till Nowadays Played violin in the orchestra at many stages. -
EEFI 2020-2021 Moot Problem
The Lohengrin on the other side of the Carpathians1 The sacred power, the wonder of my order, the strength with which my secret arms me, I wished to dedicate to the service of that purest heart: Why did you wring that secret from me? Now, alas, I must be parted from you! **** Ut queant laxis Resonare fibris Mira gestorum Famuli tuorum, Solve polluti Labii reatum, Sancte Ioannes. The Prelude 1. In mid-1800’s, long before Ernest Hemingway labelled Paris ‘a moveable feast’, a German composer Richard Wagner moved to Paris in the hopes to better deal with his Germanness, which he for some reason felt as a somewhat inferior trait for a man of culture. Wagner wrote in French and generally believed Paris to be the “capital city of the nineteenth century”. He badly dreamed of recognition by the French cultural establishment and would not take anything else for success. Although Wagner’s younger friend, Friedrich Nietzsche, claimed Wagner’s only true home was Paris, Wagner’s relationship with Paris was ambivalent. 2. In 1845 Richard Wagner returned from Paris to Dresden, and, quite distressed at the move, worked as a Kapellmeister at the Royal Dresden Court. By then he gained support from King Ludwig II of Bavaria and was a successful composer. Wagner was working on several musical pieces, when someone left a book of German fairytales on his desk. Richard took the book with him to Marienbad in Karlovy Vary where he went for fashionable health treatment with his wife Cosima. Wagner got absorbed by old German stories and seemed to believe that history and myth were all the same, which may of course be true from the standpoint of culture, and that is all what mattered to Richard Wagner. -
39 September 29, 1996
INSIDE:• House-Senate conferees approve earmark for Ukraine — page 3. • Zaporizhia oak is witness to 700 years of history — page 4. • Horbulin’s independence anniversary address — page 8. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXIV HE No.KRAINIAN 39 THE UKRAINIAN WEEKLY SUNDAY, SEPTEMBER 29, 1996 EEKLY$1.25/$2 in Ukraine Ukraine’sT independenceU anniversary markedW on Capitol Hill by Yaro Bihun Special to The Ukrainian Weekly WASHINGTON – The fifth anniversary of Ukraine’s independence was marked in the U.S. Congress on September 18 with warm praise for its accomplishments and assurances of support from the U.S. lawmakers who addressed the anniversary luncheon reception in the Senate Russell Office Building. The more than 250 people attending the event also heard a progress report on Ukraine’s development from Volodymyr Horbulin, secretary of the National Security Council of Ukraine, who was the luncheon’s keynote speaker. The reception was sponsored by the Ukrainian American Coordinating Council (UACC), the Ukrainian Congress Committee of America (UCCA) and Sen. Carl Levin (D-Mich.) as well some 30 other U.S. senators and representatives. Mr. Horbulin, who was visiting Washington for talks with Clinton administration officials, said Ukraine has laid down a “sound foundation” for a market economy. It has a “clear economic reform strategy,” brought into effect soon after President Leonid Kuchma’s election in 1994, which seeks to achieve and maintain financial sta- bility, control inflation, denationalize and develop a pri- vate sector, and create a favorable climate for foreign investment. The process was helped by the adoption of Ukraine’s new Constitution, which, among other things, ensures var- ious economic and ownership rights, including the right to private property, to own land and the right of entrepre- neurship. -
The Ukrainian Weekly 2007, No.28
www.ukrweekly.com INSIDE: • Wrzesnewskyj speaks on Holodomor at OSCE PA — page 3. • Ukraine’s new envoy to the United Nations — page 4. • Soccer in Ukraine: all you need to know — pages 10-11. HE KRAINIAN EEKLY T PublishedU by the Ukrainian National Association Inc., a fraternal non-profitW association Vol. LXXV No. 28 THE UKRAINIAN WEEKLY SUNDAY, JULY 15, 2007 $1/$2 in Ukraine Shukhevych centennial marked in Ukraine OSCE Parliamentary Assembly by Illya M. Labunka Prominent Lviv residents, and concludes annual meeting in Kyiv Special to The Ukrainian Weekly guests like Mr. Oleskiw who traveled from Europe and North America, filled by Zenon Zawada LVIV – In the view of London resi- the Solomiya Krushelnytska Lviv Kyiv Press Bureau dent and World War II displaced per- Opera House for a commemorative son Vasyl Oleskiw, Ukrainian evening on June 29 that featured KYIV – Meeting in Insurgent Army (UPA) Commander-in- speeches and concert performances. Ukraine for the first time, the Chief Roman Shukhevych deserves to Amidst the crowd were UPA veter- 16th annual session of the be recognized as among the greatest ans, some of whom fought alongside Parliamentary Assembly of figures in Ukrainian history. Shukhevych, Ukrainian Orthodox and the Organization for Security “During one of the most difficult peri- Catholic clergy, the legendary com- and Cooperation in Europe ods in our history, he led the struggle for mander’s son, Yurii Shukhevych, All- (OSCE) called upon its liberation for such an extended period of Ukrainian Union of Veterans Chair member-states to sign and time, with support almost exclusively Ihor Yukhnovskyi, Ivan Franko immediately ratify the from the Ukrainian people,” said Mr. -
Toccata Classics TOCC 0137 Notes
P MYROSLAV SKORYK AND HIS MUSIC by Solomia Soroka* Myroslav Skoryk is one of the most prominent composers in Ukraine. He is the author of a diverse body of works, which includes opera, ballets, cantatas, instrumental concertos, orchestral works and instrumental and vocal chamber compositions; he has also written incidental and film music. He has a chair in composition at the Lysenko Music Academy in Lviv, Ukraine, teaches composition at the National Music Academy in Kyiv, and in spring 2011 he accepted the position of Artistic Director of the National Opera in Kyiv. Myroslav Skoryk was born on 13 July 1938 in Lviv.1 His family was deeply connected with the intellectual life of western Ukraine. His parents were educators: his mother was a chemistry teacher and his father was a director of the gymnasium in Sambir, a small town in western Ukraine. Skoryk’s grandfather was a well-known ethnographer, and his grandmother’s sister was the world-famous operatic soprano Solomiya Krushelnytska.2 It was indeed Skoryk’s renowned great-aunt who recognised his musical talent at an early stage and encouraged him to study music. He began his musical education in the Music School at the Lviv Conservatoire, but it did not last long. Krushelnytska was unfortunate enough to be visiting her sisters in western Ukraine in September 1939 when the Soviet army invaded. She was never able to return to her home in Italy, and was forced by the Soviet authorities to ‘sell’ all her estates in Italy to them for the symbolic price of one loaf of bread in exchange for the promise of her own safety and the safety of her closest relatives.3 That promise was not kept: in 1947 Skoryk’s family was deported to Anzhero-Sudzhensk in Siberia and he was able to return to Ukraine only in 1955 – without his parents, who were not allowed to accompany him and had to remain in Siberia. -
Trabajo Fin De Grado
Trabajo Fin de Grado Los orientalismos en Puccini: Madame Butterfly y Turandot Orientalisms in Puccini: Madame Butterfly and Turandot Autor Blanca Mallada Atarés Director Prof. Dr. Roberto Anadón Mamés Facultad de Filosofía y Letras 2017-2018 ÍNDICE 1 INTRODUCCIÓN ................................................................................................................ 1 1.1 JUSTIFICACIÓN DEL TEMA .................................................................................... 1 1.2 ESTADO DE LA CUESTIÓN ...................................................................................... 1 1.2.1 HISTORIAS DE LA ÓPERA ............................................................................... 2 1.2.2 OBRAS SOBRE EL PERIODO MUSICAL TRATADO .................................... 2 1.2.3 BIOGRAFÍAS DE PUCCINI ................................................................................ 3 1.2.4 MONOGRAFÍAS SOBRE BUTTERFLY, TURANDOT O EL EXOTISMO EN PUCCINI ............................................................................................................................... 4 1.3 OBJETIVOS DEL TRABAJO ...................................................................................... 6 1.4 METODOLOGÍA ......................................................................................................... 7 2 EXOTISMO, MÚSICA Y CONTEXTO .............................................................................. 8 3 ATMÓSFERA, ORIENTALISMO Y COLOR LOCAL ...................................................... 9 -
The Ukrainian Weekly, 2017
INSIDE: l Farewell to Ukraine’s consul general in New York – page 4 l Anne Applebaum’s new book, “Red Famine” – page 7 l Eighth annual Ukrainian Festival at UACCNJ – page 11 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXV No. 43 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 22, 2017 $2.00 Protesters in Kyiv see Ukrainian Museum and Library of Stamford marks 80th anniversary a victory in bill on ending by Anisa Mycak STAMFORD – More than 100 people from lawmakers’ immunity the tri-state area and beyond celebrated the 80th anniversary of the Ukrainian Museum by Christopher Miller and Library of Stamford, (Conn.), the oldest RFE/RL cultural institution of its kind in the United States. At a cocktail hour and festive ban- KYIV – Protesters calling for quet at the Stamford Sheraton Hotel on Ukrainian President Petro Poroshenko October 7, members, friends and donors to enact anti-corruption reforms or gathered to pay tribute to the institution’s step down notched a small victory on founders, acknowledge the achievements of October 19 as the Verkhovna Rada past decades and look ahead to its future. sent a bill on lifting lawmakers’ immu- The celebrants heard a keynote address nity from prosecution to the by Metropolitan Lawrence Huculak, OSBM, Constitutional Court for review. archbishop of Winnipeg and a talk by guest Hundreds of demonstrators aligned speaker Jurij Dobczansky of the Library of with opposition parties cheered the Congress. A special guest – David Martin, news when it was announced in front the mayor of Stamford, made an appear- Anisa Mycak of the legislature, where they have ance and also offered remarks.