The Triumphant Life of Tyler Perry
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The House on Coco Road
THE HOUSE ON COCO ROAD THE HOUSE ON COCO ROAD A FILM BY DAMANI BAKER Duration — 78 min Contact — Damani Baker [[email protected]] Trailer — Vimeo Facebook | Twitter | Instagram www.TheHouseOnCocoRoad.com synopsis — "The House on Coco Road" is an intimate portrait of an activist and teacher who moves her children from Oakland, California to participate in the Grenada Revolution only to find her family in harms way of a U.S. military invasion. It is the filmmaker’s search for historical and emotional truth that will confirm his mother’s place in American history. 4 long synopsis — In 1979 the Grenadian people carry out the first successful revolution in the English - speaking Caribbean. Maurice Bishop becomes prime minister. The Revolution attracts workers from around the world including my mother, Fannie Haughton. In 1982 Angela Davis, her family, and my mother visit Grenada to witness this miraculous Peoples’ Revolution. In 1983 my mother is offered a position in the Ministry of Education and we leave our home in Oakland and move to Grenada. I’d never seen her happier. Grenada was briefly our home. In 1983 the United States led a military invasion following the assassination of the young popular prime minister, Maurice Bishop. We hid under the bed for three days as bombs shook our new paradise, and changed its course forever. Sixteen years later, in 1999, I returned to Grenada with my mother, and began shooting a documentary film, searching for her story, one that felt not just untold but unfinished. In 2014, I discovered a box of family Super-8 footage of my great-grandmother in rural Louisiana on the land our family sharecropped and my grandmother’s migration west. -
Tasha Smith Bio
TASHA SMITH BIO Tasha Smith is a multifaceted actress whose work brings style and intensity to the subjects she plays on the big and small screens. She currently stars in the Tyler Perry television series, “FOR BETTER OR WORSE,” on OWN for which she earned an NAACP Image Award nomination as “Outstanding Actress in a Comedy Series.” Smith‟s memorable portrayal of „Angela,‟ in Perry‟s box office hits, “WHY DID I GET MARRIED?” and its sequel, “WHY DID I GET MARRIED, TOO?”, alongside Janet Jackson and Jill Scott, sparked the creation of the spin-off series which is focused around her relationship with onscreen husband, „Marcus,‟ played by Michael Jai White. She will next be seen on the silver screen in Lionsgate‟s upcoming feature, “ADDICTED,” with Sharon Leal and Boris Kodjoe. The film, adapted from the popular erotic fiction novel which follows trials and tribulations of a successful sex-addicted African-American businesswoman, is slated for an October 10, 2014 theatrical release. Additionally, Smith was just tapped for Fox‟s Lee Daniels hip-hop drama pilot, “EMPIRE,” in a recurring role opposite Taraji P. Henson. Smith‟s other film credits include Tyler Perry‟s “DADDY’S LITTLE GIRLS” (Lionsgate), as “Jennifer” opposite Idris Elba and Gabrielle Union. Her performance still resonates with audiences and critics alike. Smith went on to co-star in the #1 box office film, “JUMPING THE BROOM” (Columbia), starring Paula Patton, Laz Alonso and Angela Bassett. She also appeared in the romantic comedy, “COUPLES RETREAT” (Universal), starring opposite Vince Vaughn, Jon Favreau, Jason Bateman and Faizon Love, adding to her already impressive box office resume which includes; “ATL” (Warner Bros.) with T.I. -
Film Flight: Lost Production and Its Economic Impact on California
I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe. -
Tyler Perry – the Trailblazer Award Waco Theater Center, 2019
TYLER PERRY – THE TRAILBLAZER AWARD WACO THEATER CENTER, 2019 On Saturday, June 1, 2019, actor, playwright and filmmaker Tyler Perry will receive The Trailblazer Award at WACO Theater Center’s Wearable Art Gala in Los Angeles. Perry’s inspirational journey from the hard streets of New Orleans to the heights of Hollywood's A-list is the stuff of American legend. Born into poverty and raised in a household scarred by abuse, Perry fought from a young age to find the strength, faith and perseverance that would later form the foundations of his much-acclaimed plays, films, books and shows. It was a simple piece of advice from Oprah Winfrey that set Perry's career in motion. Encouraged to keep a diary of his daily thoughts and experiences, he began writing a series of soul-searching letters to himself. The letters, full of pain and in time, forgiveness, became a healing catharsis. His writing inspired a musical, I Know I've Been Changed, and in 1992, Perry gathered his life's savings in hopes of staging it for sold out crowds. He spent all the money but the people never came, and Perry once again came face to face with the poverty that had plagued his youth. He spent months sleeping in seedy motels and his car but his faith - in God and, in turn, himself - only got stronger. He forged a powerful relationship with the church, and kept writing. In 1998 his perseverance paid off and a promoter booked I Know I've Been Changed for a limited run at a local church-turned-theatre. -
Comeback Dad
THE UP PREMIERE MOVIE COMEBACK DAD PREMIERES EXCLUSIVELY ON UP SATURDAY, JULY 12 SYNOPSIS In Comeback Dad, Nima Babineaux (Tatyana Ali) looks like a woman who has it all – she is an accomplished pianist who runs her own music school and is engaged to Spence (Brad James), a successful engineer who adores her. But, in truth, she has never recovered from her alcoholic father, Othell (Charles Dutton), walking out on their family and it has made it hard for her to truly trust anyone. When Othell decides it is time to make amends and tries to reenter her life, Nima begins an emotional and eye-opening journey she could have never expected. Loretta Devine stars as Malinda, Othell’s sister. The ensemble cast also includes Donna Brisco, Elizabeth Omilami, Ja’El Robertson, Takara Clark, E. Roger Mitchell, Todd Anthony and Palmer Williams, Jr. Filmed in Atlanta, Comeback Dad is directed and executive produced by nationally-syndicated radio host/writer/producer/director Russ Parr (The Undershepherd, 35 and Ticking) and produced by Swirl Films. The script is by newcomer Kimberly Walker, the Honorable Mention Winner in last year’s UP Faith & Family Screenplay Competition at ABFF. Last year’s Competition Grand Prize screenplay winner Mary Jo’s Candy (working title), is scheduled to go into production in June and premiere later this year on UP. ABOUT THE CAST CHARLES S. DUTTON (“OTHELL”) A graduate of The Yale School of Drama, Charles S. Dutton has a career spanning theater, television and film, and is one of the few actors to earn Tony, Emmy® and Golden Globe nominations for the same role. -
Volunteers Sought for New Youth Running Series
TONIGHT Clear. Low of 13. Search for The Westfield News The WestfieldNews Search for The Westfield News “I DO NOT Westfield350.com The WestfieldNews Serving Westfield, Southwick, and surrounding Hilltowns “TIME ISUNDERSTAND THE ONLY WEATHER CRITIC THEWITHOUT WORLD , TONIGHT AMBITIONBUT I WATCH.” Partly Cloudy. ITSJOHN PROGRESS STEINBECK .” Low of 55. www.thewestfieldnews.com Search for The Westfield News Westfield350.comWestfield350.org The WestfieldNews — KaTHERINE ANNE PORTER “TIME IS THE ONLY VOL. 86 NO. 151 Serving Westfield,TUESDAY, Southwick, JUNE 27, and2017 surrounding Hilltowns 75 cents VOL.88WEATHER NO. 53 MONDAY, MARCH 4, 2019 CRITIC75 CentsWITHOUT TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com Attention Westfield: Open Space VOL. 86 NO. 151 75 cents Let’s ‘Retire the Fire!’ CommitteeTUESDAY, JUNE 27, 2017 By TINA GORMAN discussing Executive Director Westfield Council On Aging With support from the changes at Westfield Fire Department, the Westfield Public Safety Communication Center, the next meeting Westfield News, the Westfield By GREG FITZPATRICK Rotary Club, and Mayor Brian Correspondent Sullivan, the Westfield Council SOUTHWICK – The Open On Aging is once again launch- Space Committee is holding ing its annual Retire the Fire! another meeting on Wednesday at fire prevention and safety cam- 7 p.m. at the Southwick Town paign for the City’s older Hall. TINA GORMAN According to Open Space adults. During the week of Executive Director March 4 to 8, residents of Committee Chairman Dennis Westfield Council Clark, the meeting will consist of Westfield will see Retire the On Aging Fire! flyers hung throughout reviewing at the changes that have the City and buttons with the been made to the plan, including Sunny Sunday Skier at Stanley Park slogan worn by Council On Aging staff, seniors, and the new mapping that will be Kim Saffer of Westfield gets in some cross-country ski practice on a sunny community leaders. -
Rev. Dr. Howard-John Wesley, Winner Of
FOR IMMEDIATE RELEASE EIGHT INDIVIDUALS AND ORGANIZATIONS THAT HAVE IMPACTED OUR NATION’S SOCIAL JUSTICE ENVIRONMENT TO RECEIVE NAACP CHAIRMAN’S AWARD AT THE 47TH NAACP IMAGE AWARDS Two-Hour Special Airs Live on Friday, February 5 on TV One at 9:00 p.m. ET; One-Hour Pre-Show Airs Live from the Red Carpet at 8:00 p.m. ET LOS ANGELES, CA (Jan. 19, 2016) – This year the Chairman of the NAACP National Board of Directors, Roslyn M. Brock, will present the prestigious Chairman’s Award to individuals and organizations who have used their distinct platforms to be agents of change. The recipients are Brittany “Bree” Newsome; Justice League NYC; Concerned Student 1950 Collective at the University of Missouri, Columbia; The University of Mississippi NAACP College Chapter; Rev. Dr. Otis Moss III; Rev. Dr. Howard-John Wesley; Rev. Dr. Jamal Harrison Bryant, and Jussie Smollett. The presentation will take place during the 47th NAACP Image Awards, broadcast live on Friday, February 5 (9:00 p.m. ET/PT tape-delayed) on TV One, the civil rights organization announced today. “It is a rare privilege for me to present the NAACP Chairman’s 2016 Award to an outstanding group of trailblazing leaders all under the age of 50 who have given voice and vision to the mantra that black lives matter,” stated Roslyn M. Brock, Chairman of the NAACP National Board of Directors. “The five individuals and three organizations have raised awareness of social, educational, and economic injustice from college campuses, church pulpits and the streets, and exemplify what this award symbolizes - “Courage Will Not Skip this Generation.®” The NAACP Chairman’s Award is bestowed in recognition of special achievement and distinguished public service. -
R42 Million in Box Office Earnings
Page | 1 EXECUTIVE SUMMARY v South Africa’s (SA) total Box Office earnings in the first half of 2019 amounted to the sum total of R590 million - 8% less than in the first half of 2018 (which was a total of R631 million). v A total of 102 films were released in SA cinemas, 14 of which were SA produced1; v These 14 SA produced titles earned a total of R42 million in Box Office earnings; v The Market Share of SA produced films for the first half of 2019 (H1, 2019) was therefore 7%; v The highest-grossing films in 2019 were: o Avengers: Endgame (grossing over R104 million) o Captain Marvel (at R49 million) o Aladdin (at R43 million) v Action/Adventure/Sci-fi was the highest-earning genre in this period; this was followed by Animation, then Comedy; v A total of 23 3D/4DX/IMAX format films were released during the period and these accounted for 65% of the total box office revenue. 1 “SA produced” refers to films that are produced by South Africans, and shot in South Africa, and further includes films classified as national films by virtue of having received official co-production status. Page | 2 1. SOUTH AFRICA’S GROSS BOX OFFICE South Africa’s performance at the box office was very impressive in the first half of the year (referred to H1 2019 hereafter). 14 local films were released with the total box office earning R42 million - an increase from R17 million in the previous period (H1 2018). Figure 1: Gross Box Office - SA produced films Gross Box Office - SA produced films R 50 R 47 R 45 R 44 R 42 Millions R 40 R 35 R 33 R 30 R 30 R 28 R 25 R 23 R 20 R 17 R 15 R 10 R 5 R 0 H1 2012 H1 2013 H1 2014 H1 2015 H1 2016 H1 2017 H1 2018 H1 2019 2. -
Tyler Perry Good Deeds Soundtrack Amazon
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Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture Jack HARBORD School of Arts and Media University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, June 2015 Table of Contents List of Figures iii Acknowledgements vii Abstract viii Introduction 1 1. Literature Review of Minstrelsy Studies 7 2. Terminology and Key Concepts 20 3. Source Materials 27 4. Methodology 39 5. Showing Blackface 5.1. Introduction 58 5. 2. Change the Joke: Blackface in Satire, Parody, and Irony 59 5. 3. Killing Blackface: Violence, Death, and Injury 95 5. 4. Showing Process: Burnt Cork Ritual, Application, and Removal 106 5. 5. Framing Blackface: Mise-en-Abyme and Critical Distance 134 5. 6. When Private goes Public: Blackface in Social Contexts 144 6. Talking Blackface 6. 1. Introduction 158 6. 2. The Discourse of Blackface Equivalency 161 6. 3. A Case Study in Blackface Equivalency: Iggy Azalea 187 6. 4. Blackface Equivalency in Non-African American Cultural Contexts 194 6. 5. Minstrel Show Rap: Three Case Studies 207 i Conclusions: Findings in Contemporary Context 230 References 242 ii List of Figures Figure 1 – Downey Jr. playing Lazarus playing Osiris 30 Figure 2 – Blackface characters in Mantan: The New Millennium Minstrel Show 64 Figure 3 – Mantan: Cotton plantation/watermelon patch 64 Figure 4 – Mantan: chicken coup 64 Figure 5 – Pierre Delacroix surrounded by African American caricature memorabilia 65 Figure 6 – Silverman and Eugene on return to café in ‘Face -
Tyler Perry Studios Application
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Tyler Perry and the Rhetoric of Madea: Contrasting Performances of Perry’S Leading Lady As She Appears on Stage and Screen
religions Article Tyler Perry and the Rhetoric of Madea: Contrasting Performances of Perry’s Leading Lady as She Appears on Stage and Screen Katherine Whitfield 1 and Andre E. Johnson 2,* 1 Formation for Ministry, Memphis Theological Seminary, Memphis, TN 38104, USA 2 Communication and Film, University of Memphis, Memphis, TN 38152, USA * Correspondence: [email protected]; Tel.: +1-(901)-678-2565 Received: 15 May 2019; Accepted: 10 July 2019; Published: 16 July 2019 Abstract: In this essay, we will explore the variances in Madea’s character and presence on stage and on screen in both productions of Tyler Perry’s Madea Goes to Jail: The Play and Madea Goes to Jail. Specifically, we examine the multiple and varying ways in which the character of Madea performs for different audiences by examining how the roles of violence, religion and wisdom operate on stage and screen. Exploring the subtle—and at times, not-so-subtle—ways in which Madea’s performances differ from stage to screen, we suggest that Madea also performs as a text that Perry then uses to impart different messages to audiences of both stage and screen. Keywords: Tyler Perry; rhetoric; media; film; theater; black studies; popular culture 1. Introduction Industry leaders recognize Tyler Perry as one of the most successful Black entertainers of all time.1 As the first African American to own a major film studio, Perry has also realized success as an actor, playwright, filmmaker and producer. Even those who have never seen a Tyler Perry production will likely recognize his name as synonymous with that of his signature character, Madea.