Rev. Dr. Howard-John Wesley, Winner Of
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Towards the Development of a Black Mestizo Homiletic Timothy Jones
Black Preaching in Brown Places: Towards the Development of a Black Mestizo Homiletic Timothy Jones PhD Student in Practical Theology/Homiletics Boston University School of Theology Abstract: Many Black neighborhoods across the United States are becoming increasingly Latin@. Black churches in these neighborhoods will need to adjust their ministry practices in order to build community amongst this changing demographic. Borrowing Elizondo’s notion of mestizo as one who can operate as both insider and outsider in different cultural locations, this paper begins to reimagine Black preaching in the churches that serve these changing neighborhoods. Using the postcolonial themes of marginality, hybridity, and self-reflexivity, this paper proposes the beginnings of a Black Mestizo homiletic that looks to merge Black and Latin@ preaching traditions in order to form congregations representative of the community. The Second Baptist Church in Los Angeles, CA, has served its community faithfully since it was founded in 1885. The oldest Black church in Los Angeles, Second Baptist played a very important role in the Civil Rights Movement and actually became the west coast pulpit of the Rev. Dr. Martin Luther King, Jr., during the movement. While ministering at Second Baptist, Dr. King preached messages about serving the community and building the “beloved community” for all people. The challenge of preaching in this “beloved community” has changed in recent years for Second Baptist’s current Pastor, Rev. William Epps, as there have been major shifts in the demographics of Second Baptist’s neighborhood. A community that was once comprised of mixed income African Americans, has now become “a very low-income, largely Latino immigrant community.”1 While the church continues to be primarily African American, made up of members that commute in from other areas, there is a new challenge of preaching in ways that promote the idea of serving this newly Latino community. -
Westcott Named Southwick Police Sergeant
TONIGhT: Chance of showers. Low of 64. Search for The Westfield News The WestfieldNews Search for“I TheT WestfieldIS THE NewsANONYMOUS Westfield350.com The WestfieldNews ‘THEY,’ THE ENIGMATIC Serving Westfield, Southwick, and surrounding Hilltowns ‘THEY“TIME’ WHOIS THE ARE ONLY IN CHARGE. WEATHER WHO ISCRITIC ‘THEY WITHOUT’? I DON ’T KNOW. TONIGHT NOBODYAMBITION KNOWS..” N OT EVEN Partly Cloudy. ‘JOHNTHEY STEINBECK’ THEMSELVES.” Low of 55. www.thewestfieldnews.com Search for The Westfield News Westfield350.comWestfield350.org The WestfieldNews — JOseph heLLer “TIME IS THE ONLY VOL. 86 NO. 151 Serving Westfield, Southwick, and surrounding Hilltowns WEATHER TUESDAY, JUNE 27, 2017 75 centsCRITIC WITHOUT VOL. 88 NO. 186 THURSDAY, AUGUST 8, 2019 75 Cents TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL. 86 NO. 151 WestcottTUESDAY, named JUNE 27, Southwick2017 Police sergeant 75 cents By HOPE E. TREMBLAY it.” Correspondent Westcott said he connects with residents SOUTHWICK – The Select Board this while off the clock, whether it’s at Big Y or week unanimously named Southwick on a ball field. Police K-9 officer Michael Westcott the “It’s my town,” he said. “I live here, I town’s new sergeant. grew up here, it’s where my family is from. Westcott, along with fellow officers I’ve traveled a lot and it’s always nice to Roger P. Arduini and Michael A. Taggert, come home.” The action heats up on the ice during the eighth interviewed for the position during a public When asked who he admires most, annual Kevin J. Major Memorial Hockey meeting of the board. -
“Charleston, Goddam”: an Editorial Introduction to ACT 14.2 Brent C
Sunderman Conservatory of Music Faculty Sunderman Conservatory of Music Publications 8-2015 “Charleston, Goddam”: An Editorial Introduction to ACT 14.2 Brent C. Talbot Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/consfacpub Part of the Curriculum and Social Inquiry Commons, and the Social and Philosophical Foundations of Education Commons Share feedback about the accessibility of this item. Talbot, Brent C. “'Charleston, Goddam': An Editorial Introduction to ACT 14.2." Action, Criticism, and Theory for Music Education 14.2 (August 2015), 1-24. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/consfacpub/9 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. “Charleston, Goddam”: An Editorial Introduction to ACT 14.2 Abstract In this editorial, I trace the events following the tragic and racist shootings that occurred at the A.M.E. church in Charleston, South Carolina on June 17, 2015. Drawing upon anti-racist scholars and musical activists, I make a case for getting political and for cultivating activism in our classrooms. I ask our field to critically reflect upon our participation in a system that advantages Whites. I suggest that one possibility to engage in dialogue around issues of race is to encourage an environment of musical creativity where—together with students—teachers study and write music that speaks to our times and addresses issues of social justice within our local communities and across the globe. -
The Triumphant Life of Tyler Perry
the triumphant life of y T ler HOW HEPerr SURVIVED A PAINFUL y CHILDHOOD TO BECOME AN ENTERTAINMENT Grateful Dad SUPERSTAR—AND DISCOVER “I have this beautiful son and this amazing life,” says THE LOVE THAT WOULD HEAL HIM Perry (at his studio on Aug. 27, 2019). “It’s By MARY GREEN more than I could have ever dreamed.” Photographs by SHAYAN ASGHARNIA PEOPLE October 14, 2019 39 Difficult who made everything possible, his mother. “She’d Childhood Siblings (from left) be very, very proud,” he says. “She’d say, ‘Who’d Melva, Emmbre, have thunk it?’ That was her thing. ‘Who’d have Yulanda and Tyler thunk you could have made all of this?’” leaned on each other in trying times. Below: Perry around Surviving a Traumatic Childhood age 8. One of four children raised in New Orleans by Maxine, a preschool teacher, and her husband, Emmitt, a construction contractor, Perry says, “I don’t think I ever felt safe or protected as a child.” Perry says his father was an abusive alcoholic who once beat him so severely with a vacuum cord it ripped the skin off of his back. “The weekends were When Tyler Perry was a boy, whenever when the hell would start,” Perry recalls. “I nev things got really bad for him, he’d crawl er felt that I was loved by him. I don’t know if he under the front porch of his house and knows what love is. Never felt respected by him. let his imagination transport him to Never felt like a person to him.” His mother once another world —a world without a vio tried to take the kids and leave, but Emmitt told lent father, predators and pain. -
Anti-Racism Resources
Anti-Racism Resources Prepared for and by: The First Church in Oberlin United Church of Christ Part I: Statements Why Black Lives Matter: Statement of the United Church of Christ Our faith's teachings tell us that each person is created in the image of God (Genesis 1:27) and therefore has intrinsic worth and value. So why when Jesus proclaimed good news to the poor, release to the jailed, sight to the blind, and freedom to the oppressed (Luke 4:16-19) did he not mention the rich, the prison-owners, the sighted and the oppressors? What conclusion are we to draw from this? Doesn't Jesus care about all lives? Black lives matter. This is an obvious truth in light of God's love for all God's children. But this has not been the experience for many in the U.S. In recent years, young black males were 21 times more likely to be shot dead by police than their white counterparts. Black women in crisis are often met with deadly force. Transgender people of color face greatly elevated negative outcomes in every area of life. When Black lives are systemically devalued by society, our outrage justifiably insists that attention be focused on Black lives. When a church claims boldly "Black Lives Matter" at this moment, it chooses to show up intentionally against all given societal values of supremacy and superiority or common-sense complacency. By insisting on the intrinsic worth of all human beings, Jesus models for us how God loves justly, and how his disciples can love publicly in a world of inequality. -
The House on Coco Road
THE HOUSE ON COCO ROAD THE HOUSE ON COCO ROAD A FILM BY DAMANI BAKER Duration — 78 min Contact — Damani Baker [[email protected]] Trailer — Vimeo Facebook | Twitter | Instagram www.TheHouseOnCocoRoad.com synopsis — "The House on Coco Road" is an intimate portrait of an activist and teacher who moves her children from Oakland, California to participate in the Grenada Revolution only to find her family in harms way of a U.S. military invasion. It is the filmmaker’s search for historical and emotional truth that will confirm his mother’s place in American history. 4 long synopsis — In 1979 the Grenadian people carry out the first successful revolution in the English - speaking Caribbean. Maurice Bishop becomes prime minister. The Revolution attracts workers from around the world including my mother, Fannie Haughton. In 1982 Angela Davis, her family, and my mother visit Grenada to witness this miraculous Peoples’ Revolution. In 1983 my mother is offered a position in the Ministry of Education and we leave our home in Oakland and move to Grenada. I’d never seen her happier. Grenada was briefly our home. In 1983 the United States led a military invasion following the assassination of the young popular prime minister, Maurice Bishop. We hid under the bed for three days as bombs shook our new paradise, and changed its course forever. Sixteen years later, in 1999, I returned to Grenada with my mother, and began shooting a documentary film, searching for her story, one that felt not just untold but unfinished. In 2014, I discovered a box of family Super-8 footage of my great-grandmother in rural Louisiana on the land our family sharecropped and my grandmother’s migration west. -
47Th NAACP Image Awards
www.theaustinvillager.com CLASSIFIEDS THE VILLAGER/February 19, 2016 ~ Page 7 EMPLOYMENT | PROPOSALS | PUBLIC INFORMATION FOR SALE | FOR RENT | BIDS | MISCELLANEOUS The Winners of the ’47th NAACP Image Awards’ Announced Live by Naomi Richard | The Austin Villager Newspaper Loretta Devine, Shonda Rhimes, Omari Hardwick, The winners of the “47th NAACP Image Awards” Wendy Raquel Robinson, Sanaa Lathan, RonReaco Lee, were announced during the live broadcast from Pasa- Keke Palmer, Teyonah Parris, Michael Ealy, Tom Joyner, dena Civic Auditorium which aired on TV One (9-11 p.m. LeToya Luckett, Ken Jeong, F. Gary Gray and more. Also ET live/PT tape-delayed) on February 5, 2016. The two- expected are cast members from “Empire” – Terrence hour live special was hosted by Anthony Anderson. Howard, Taraji P. Henson, Jussie Smollett, Bryshere Gray, There was a one-hour live pre-show from the red car- Grace Gealy, Trai Byers, Serayah, Gabourey Sidibe, pet hosted by Terrence Jenkins and Tracey Edmonds. Ta’Rhonda Jones, Kaitlin Doubleday, Lee Daniels, Danny NAACP Chairwoman Rosyln Brock presented the Strong and more. NAACP Chairman’s Award to Brittany “Bree” Newsome; The winners of the “47th NAACP Image Awards” in Justice League NYC; Concerned Student 1950 Collec- the non-televised categories were announced during a tive at the University of Missouri, Columbia; The Uni- gala dinner celebration that took place Thursday, Feb- versity of Mississippi NAACP College Chapter; Rev. Dr. ruary 4, 2016, at the Pasadena Conference Center – the Otis Moss III; Rev. Dr. Howard-John Wesley; Rev. Dr. event was hosted by Affion Crockett and Nischelle Jamal Harrison Bryant, and Jussie Smollett. -
Tasha Smith Bio
TASHA SMITH BIO Tasha Smith is a multifaceted actress whose work brings style and intensity to the subjects she plays on the big and small screens. She currently stars in the Tyler Perry television series, “FOR BETTER OR WORSE,” on OWN for which she earned an NAACP Image Award nomination as “Outstanding Actress in a Comedy Series.” Smith‟s memorable portrayal of „Angela,‟ in Perry‟s box office hits, “WHY DID I GET MARRIED?” and its sequel, “WHY DID I GET MARRIED, TOO?”, alongside Janet Jackson and Jill Scott, sparked the creation of the spin-off series which is focused around her relationship with onscreen husband, „Marcus,‟ played by Michael Jai White. She will next be seen on the silver screen in Lionsgate‟s upcoming feature, “ADDICTED,” with Sharon Leal and Boris Kodjoe. The film, adapted from the popular erotic fiction novel which follows trials and tribulations of a successful sex-addicted African-American businesswoman, is slated for an October 10, 2014 theatrical release. Additionally, Smith was just tapped for Fox‟s Lee Daniels hip-hop drama pilot, “EMPIRE,” in a recurring role opposite Taraji P. Henson. Smith‟s other film credits include Tyler Perry‟s “DADDY’S LITTLE GIRLS” (Lionsgate), as “Jennifer” opposite Idris Elba and Gabrielle Union. Her performance still resonates with audiences and critics alike. Smith went on to co-star in the #1 box office film, “JUMPING THE BROOM” (Columbia), starring Paula Patton, Laz Alonso and Angela Bassett. She also appeared in the romantic comedy, “COUPLES RETREAT” (Universal), starring opposite Vince Vaughn, Jon Favreau, Jason Bateman and Faizon Love, adding to her already impressive box office resume which includes; “ATL” (Warner Bros.) with T.I. -
Tyler Perry – the Trailblazer Award Waco Theater Center, 2019
TYLER PERRY – THE TRAILBLAZER AWARD WACO THEATER CENTER, 2019 On Saturday, June 1, 2019, actor, playwright and filmmaker Tyler Perry will receive The Trailblazer Award at WACO Theater Center’s Wearable Art Gala in Los Angeles. Perry’s inspirational journey from the hard streets of New Orleans to the heights of Hollywood's A-list is the stuff of American legend. Born into poverty and raised in a household scarred by abuse, Perry fought from a young age to find the strength, faith and perseverance that would later form the foundations of his much-acclaimed plays, films, books and shows. It was a simple piece of advice from Oprah Winfrey that set Perry's career in motion. Encouraged to keep a diary of his daily thoughts and experiences, he began writing a series of soul-searching letters to himself. The letters, full of pain and in time, forgiveness, became a healing catharsis. His writing inspired a musical, I Know I've Been Changed, and in 1992, Perry gathered his life's savings in hopes of staging it for sold out crowds. He spent all the money but the people never came, and Perry once again came face to face with the poverty that had plagued his youth. He spent months sleeping in seedy motels and his car but his faith - in God and, in turn, himself - only got stronger. He forged a powerful relationship with the church, and kept writing. In 1998 his perseverance paid off and a promoter booked I Know I've Been Changed for a limited run at a local church-turned-theatre. -
2019-2020 Catalog
2019-2020 CATALOG www.PQC.edu BOT Approved October 1, 2019 The catalog presents information regarding admission requirements, offered courses, degree requirements, tuition, fees and the general rules and regulations of Paul Quinn College. The information was as accurate as possible at the time of publication, October 2018. Updates will be made in the catalog as needed. Such changes will be publicized through normal channels and updated to the electronic version available via the College Web site. ANTI-DISCRIMINATION STATEMENT Paul Quinn College admits students of any race, color, religion, sex, sexual orientation, or national or ethnic origin to all the rights, privileges, programs, and activities generally accorded or made available to students of the College. It does not discriminate on the basis of race, color, religion, sex, sexual orientation, or national or ethnic origin in administration of its educational policies, admissions policies, scholarships and loan programs, and athletic and other school-administered programs. No disabled person is, on the basis of the disability, excluded from participation in, denied benefits of, or otherwise subjected to discrimination under any program, employment, or activity at Paul Quinn College. Contact Information Paul Quinn College www.PQC.edu 3837 Simpson Stuart Road, Dallas, TX 75241-4398 Academic Advising/Office of Retention [email protected] 214.379.5441 Academic Affairs [email protected] 214.379.5484 Alumni Affairs [email protected] 214.379.5551 Athletics [email protected] 214.379.5551 -
South Carolina Black History Bugle – Issue 3
Book Review: HEART AND SOUL: The Story of America and African Americans Activism Education Literacy Music & the pursuit of Civil Rights I S Beacon of Hope, S A Light Out of Darkness U E T H R E E TO DREAM A BETTER WORLD The South Carolina Black History Bugle (SCBHB) is a Greetings Students, publication of the South Carolina Department of Education Welcome to the 2016 edition of The South Carolina developed by the Avery Institute of Afro-American History and Culture. Black History Bugle! The theme of this issue is, “To averyinstitute.us Dream a Better World!” We want you to use the lessons of the past to fuel your vision for a better Editor-in-Chief tomorrow. This issue is full of historical information Patricia Williams Lessane, PhD about how American slavery impacted the lives of everyday Americans—regardless of their enslaved status—well after its BUGLE STAFF abolition in 1865. Yet even after slavery’s end, African Americans Deborah Wright have continued to face various forms of oppression, and at Associate Editor times, even violence. For example, here in South Carolina, student Daron Calhoun protestors known as the Friendship Nine and those involved in the Humanities Scholar Orangeburg Massacre faced legal persecution in their pursuit of Savannah Frierson civil rights. Then in June 2015, nine members of Emanuel African Copy Editor Methodist Episcopal Church in Charleston were killed in a racist attack. South Carolinians from all walks of life came together GUEST CONTRIBUTORS to support the surviving members of Emanuel Church and the Celina Brown Charleston community at large. -
May 28-June 3, 2009 CT.Qxd
Thug Messiah: The Myth And Legend of Tupac Shakur Page 5 Vol. 30 No. 33 AUGUST 17 - 23, 2017 The Heritage Act To Protect SC Monuments Gov. Henry McMaster Sen. Darrell Jackson From Staff Reports federate monuments in 31 states Supporter of Confederate across the nation? Monuments in South Carolina The Heritage Act was pass in Florence Weed and Seed celebrated 20 years of service to the North Florence community with a party and awards pro - can rest well after last weekend’s the heat of the debate after the gram. Community leaders join present and past participates in the celebration of hosting one of the most successful after events in Charlottesville, death of the Emmanuel Nine a Virginia. Because according to a time when emotions ran high in school and summer programs in the State of South Carolina. Above Emma Sellers is joined with supporters and friends state law that was pass during the all of South Carolina and across who were honored during the celebration. Weed and Seed is a program of Pee Dee Community Action Partnership. removal of the Confederate Flag the nation but it is now clear that from the statehouse grounds it both side just wanted a victory. would take a two-third vote in So the supports of the Flag both chamber of the General included legislation that would Assemble to remove any monu - protect all other symbols of the ment in South Carolina. confederacy while those who The South Carolina Heritage wanted the Confederate Flag Act as the law is known was pass taken down only address the to protect Confederate monu - issue of the moment.