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Exhibitions and Programs September 24–December 29, 2019

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Exhibitions and Programs September 24–December 29, 2019 FALL Exhibitions and Programs September 24–December 29, 2019 The Museum is free for all UC Davis | manettishrem.org | 530-752-8500 Calendar at a Glance September October continued November continued 26 Fall Season 19–20 23–24 Celebration, Artist-Led Workshop, Artist-Led Workshop, 5–8 PM 2–4 PM 2–4 PM 22 UC Davis Human 30 Artist-Led Workshop, October Rights: Midnight 2–4 PM Traveler, 3 Visiting Artist 5:30–8 PM December Lecture: Yevgeniya 26–27 Baras, Artist-Led Workshop, 1 Artist-Led Workshop, 4:30–6 PM 2–4 PM 2–4 PM Doug Aitken: 5 5 Visiting Artist Artist Talk, November Lecture: Amelia 2 PM Jones, 2–3 Artist-Led Workshop, 4:30–6 PM 5–6 Artist-Led Workshop, 2–4 PM Photo: Jose Luis Villegas 7–8 Artist-Led Workshop, 2–4 PM 6 Faculty Book Series: 2–4 PM Philosopher as Pam Houston, 9 14–15 Curator: Jose Luis 4:30–6 PM Join us in welcoming Artist-Led Workshop, Barrios, 7 Visiting Artist 2–4 PM 4:30–6 PM Lecture: Kathy 19 Evening Salon: the new fall season! Butterly, 10 Evening Salon: Patris Miller, Roma Devanbu, 4:30–6 PM September 26, 5–8 PM 7–8:30 PM 7–8:30 PM 9–10 21–22 Artist-Led Workshop, Experience the opening of NEW ERA, an installation by Doug Aitken — a West 12–13 Artist-Led Workshop, 2–4 PM Coast premiere at the Manetti Shrem Museum. Visit two exciting exhibitions: Artist-Led Workshop, 2–4 PM 2–4 PM 16–17 Kathy Butterly | ColorForm and Landscape Without Boundaries 28–29 Artist-Led Workshop, 19 Arneson’s Artist-Led Workshop, The Palace at 9 a.m.: 2–4 PM Artist Talk, 6 PM 2–4 PM A Conversation 21 Evening Salon: Exhibiting artist Kathy Butterly, who received her master of fine arts at with Sandra Steph Rue, UC Davis, will be in conversation with art historian Jenelle Porter. Shannonhouse and 7–8:30 PM Rachel Teagle, Hear live music from Cloud Hats 2:30 PM Enjoy sweet and savory snacks Take part in art activities based on Butterly’s exhibition As always, the event is free for all! 2 3 Exhibitions EXHIBITION EXHIBITION Installation view: Doug Aitken: NEW ERA at 303 Gallery, New York, 2018. © Doug Aitken, courtesy 303 Gallery, New York; Victoria Miro Gallery, London; Galerie Presenhuber, Zurich; Regen Projects, Los Angeles. Photo: John Berens. The Manetti Shrem Museum presents Doug Aitken: Artist Talk NEW ERA, an installation by Doug Aitken Saturday, October 5 September 26, 2019–June 14, 2020 2 PM Doug Aitken, a Los Angeles artist and filmmaker, explores the technological Doug Aitken has earned international acclaim with his groundbreaking work ambivalence of contemporary culture through a multi-channel video that redefines how we experience art. Defying categorization, he integrates installation. Martin Cooper, 90, a Motorola executive who invented the first moving images into sculptural and immersive environments and pushes the hand-held cellular phone in 1973, is a protagonist of sorts in Aitken’s poetic limits of perception. With a profound knowledge and understanding of the visual narrative about humanity’s history and future. This installation of history of 20th-century avant-gardes, experimental music and cinema, and moving images, expanding architecture and surrounding sound, set within a an intimate kinship with the protest movements of the late 1960s, Aitken has hexagonal pavilion built into the gallery space, creates a “liquid environment.” invented a unique aesthetic that transforms viewers into collaborators. The Manetti Shrem Museum presentation is the West Coast premiere of NEW ERA, which was first installed in New York in 2018 and has been exhibited in Europe and Asia. Curator: Rachel Teagle, Founding Director 4 5 Exhibitions Landscape Without Boundaries: Selections from the Jan Shrem Arneson’s The Palace at 9 a.m.: A Conversation with and Maria Manetti Shrem Museum of Art Sandra Shannonhouse and Rachel Teagle Through December 15, 2019 Saturday, October 19 EXHIBITION 2:30 PM Drawing from the Manetti Shrem Museum’s permanent collection, this exhibition explores the singularly vital mix of approaches to the idea of Join in a lively conversation about Robert Arneson’s Alice series and the landscape in art represented by artists in and around Davis. It also charts making of The Palace at 9 a.m., the centerpiece of the exhibition Landscape the ways in which painting, sculpture and drawing addressed the Northern Without Boundaries. In conversation with Founding Director Rachel Teagle, EXHIBITION California landscape in the years after World War II. Included are significant the artist’s widow, Sandra Shannonhouse, will share her perspectives on the works by artists including Robert Arneson, Joan Brown, Bruce Conner, Mike importance of this series as well as her personal reflections on the UC Davis Henderson, Robert Hudson, Judith Linhares, Gladys Nilsson, Jaune Quick-to- and Bay Area art scene in which she and Arneson were active participants. See Smith, Martín Ramírez, Peter Saul, Cornelia Schulz, Wayne Thiebaud and William T. Wiley. Guest Curator: Dan Nadel Detail: Robert Arneson, The Palace at 9 a.m., 1974. Glazed earthenware, Fine Arts Collection, Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Purchased in memory of Price Amerson with matching funds provided by the Office of the Chancellor and NELSON ARTfriends. Photo: Cleber Bonato. 6 7 Faculty First: Fall Season Exhibition Preview Exhibitions Tuesday, September 24 5–7 PM Kathy Butterly | ColorForm The Manetti Shrem Museum invites faculty to an open house for the fall Through December 29, 2019 exhibition season including a curator-led overview of Landscape Without Boundaries: Selections from the Jan Shrem and Maria Manetti Shrem FACULTY Museum of Art and Kathy Butterly | ColorForm, plus a sneak peek of NEW ERA, an installation by Doug Aitken. Time in the galleries is followed by conversation over a casual dinner to open up broader discussion about the work presented in the exhibitions. Together, faculty will think through with EXHIBITION peers and museum staff ways the exhibitions connect to faculty research and teaching. Please RSVP to Jennifer Wagelie, Academic Liaison, [email protected] by Thursday, September 19. Kathy Butterly, The Weight of Color, 2015. Clay, glaze, 5.25 x 6.38 x 5.25 inches (13.34 x 16.21 x 13.34 cm). Private collection. © Kathy Butterly. Kathy Butterly’s first retrospective exhibition brings the artist back to UC Davis, the site of her MFA, and to the Northern California region that has been so generative for ceramic art over the last half-century. Encompassing her career through 71 works, the exhibition focuses on the last 10 years of work, including sculpture made especially for this occasion. Butterly is distinguished among modern and contemporary sculptors for her move to a highly personal, yet nakedly accessible ceramic language of line, form and color that tilts ever closer to emotive, endlessly inventive abstraction. Guest Curator: Dan Nadel Meet Kathy Butterly at the November 7 Visiting Artist Lecture Series; see page 11 for details. Photo: Holly Guenther 8 9 Kathy Butterly Art Studio Visiting Artist Thursday, November 7 4:30–6 PM Lecture Series Kathy Butterly has exhibited widely in the United States and internationally, with her first retrospective,Kathy Butterly I ColorForm, currently on view The Art Studio Visiting Artists Lecture Series, organized by Art Studio faculty at the Manetti Shrem Museum. Her works are in the permanent collections TALKS ART and master of fine arts candidates, invites some of the most compelling of the Museum of Modern Art, New York, N.Y.; the Detroit Institute of Arts, practitioners and thinkers working today to UC Davis including nationally and Mich.; the Museum of Fine Arts, Boston, Mass.; the Carnegie Museum of Art, internationally recognized artists, critics and curators for public lectures, Pittsburgh, Pa.; and the de Young Museum, San Francisco, among others. She readings and critiques with students and faculty across disciplines. has been the recipient of numerous awards and grants including a Louis ART TALKS ART Comfort Tiffany Foundation Grant (2017), a Guggenheim Fellowship Award This series is co-sponsored by the Manetti Shrem Museum. (2014), a Smithsonian American Art Museum’s Contemporary Artist Award (2012), a Pollock-Krasner Foundation Grant (2011), and a Joan Mitchell Foundation Grant (2009). Butterly received her bachelor of fine arts degree at Moore College of Art before earning a master of fine arts at University of California, Davis, where she studied with Robert Arneson. She lives and works in New York, N.Y. Amelia Jones Thursday, December 5 4:30–6 PM Amelia Jones is Robert A. Day Professor and Yevgeniya Barras Vice Dean of Research, Roski School of Art & Untitled Design, USC, and is a curator and scholar of 16 by 20 inches Oil and wood on canvas contemporary art, performance, and feminist/ 2018 sexuality studies. Recent publications include Seeing Differently: A History and Theory of Yevgeniya Baras Identification and the Visual Arts (2012); Thursday, October 3 co-edited with Erin Silver, Otherwise: Imagining 4:30–6 PM Queer Feminist Art Histories (2016); and the Photo: Garry Gamboa, Jr. edited special issue “On Trans/Performance” Yevgeniya Baras received her bachelor of arts and master of science degrees of Performance Research (2016). Jones is from the University of Pennsylvania (2003) and a master of fine arts in Painting currently working on a retrospective of the work of Ron Athey with and Drawing from the School of the Art Institute of Chicago (2007). She is accompanying catalogue (Queer Communion: Ron Athey) and a book represented by Nicelle Beauchene Gallery in New York and the Landing Gallery titled In Between Subjects: A Critical Genealogy of Queer Performance in Los Angeles.
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