Theatre at Its Best
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Dictionary of Norfolk Furniture Makers 1 700-1 840
THE DICTIONARY NORFOLK FURNITURE MAKERS 1700-1840 ABEL, Anthony, cm, 5 Upper Westwick Street, Free [?by purchase] 21/9/1664. Norwich (1778-1802). P 1734 (sen.). 1/12/1778 Apprenticed to Jonathan Hales, King’s ALLOYCE, Abraham jun., tur, St Lawrence, Lynn, £50 (5 yrs). Norwich (1695-1735). D1802. Free 4/3/1695 as s.o. Abraham Alloyce. ABEL, Daniel, up, Pottergate Street; then Bedford P 1710, 1714. 1734 (jun.). 1734/5 - supplement Street, Norwich (1838-1868). (Aloyce). These entries may be for A.A. sen. apart Apprenticed to Thomas Bennett. Free 25/7/1838. from 1734 where both are entered. D 1852, 1854 - cm up, Pottergate St. 1864, 1868 ALLURED, John, up, Market Place, Yarmouth - Bedford St., St Andrews. (1783-1797). ABEL, Thomas, cm, Pitt Street, Norwich App to William Seaman 19/3/1783* (James (1839-1842). D 1839, 1842. Allured), free 15/6/1790. ADCOCK, John, joi, St. Andrew, Norwich Took app William Lyall, 25/12/1790, £40 (5 yrs); (1715-1735). George Allured, 15/12/1792, £20. 28/4/1715 Apprenticed to Charles King, £4. Free NC 5/8/1797: ...John Allured, the younger, of 15/8/1722 as son of Thomas Adcock, tailor. Great Yarmouth...Upholsterer...declared a P 1734, 1734/5 supplement. Bankrupt. ALDEN, James, cm, Norwich (1814). NC 23/9/1797: Auction...Sept. 26, 1797...[4 NM 3/12/1814: Sunday last was married, at St. d ays]...All the genuine Stock in Trade and Giles’s, Mr. James Alden, cabinet-maker, to Miss Household Furniture of Mr. John Allured, Steavens, both of this city. -
The Mirror Crack'd
PRESS RELEASE – Thursday 17 May 2018 IMAGES CAN BE DOWNLOADED HERE @theCentre / Facebook / Instagram / www.wmc.org.uk A Wales Millennium Centre and Wiltshire Creative Production THE MIRROR CRACK’D by Agatha Christie adapted for the stage by Rachel Wagstaff Direction by Melly Still Set Design by Richard Kent Costume Design by Dinah Collin Lighting Design by Malcolm Rippeth Music & Sound Design by Jon Nicholls AGATHA CHRISTIE’S THE MIRROR CRACK’D TO BE PRODUCED FOR THE STAGE FOR THE FIRST TIME EVER IN THE UK THE WALES MILLENNIUM CENTRE AND WILTSHIRE CREATIVE EUROPEAN PREMIERE PRODUCTION WILL TOUR FROM FEBRUARY 2019 Wales Millennium Centre and Wiltshire Creative are thrilled to announce the first ever UK stage adaptation of Agatha Christie’s much-loved Miss Marple thriller The Mirror Crack’d from Side to Side. The Mirror Crack’d will be a European Premiere, opening at Salisbury Playhouse on 15 February before touring to Dublin, Cambridge and Cardiff. The Mirror Crack’d will have an Opening Night on 25 February. The iconic Marple mystery from the world’s best-selling author of all time has been adapted for the stage by Rachel Wagstaff (Flowers for Mrs Harris, Birdsong) and directed by Melly Still (Coram Boy, My Brilliant Friend). Casting is still to be announced. Times are changing. Girls are wearing trousers and Hollywood has come to a sleepy English village in the shape of a beautiful film star. Miss Marple begins to question her place in the world until a mysterious death calls into question the past of all those present. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Justin Avoth
Eamonn Bedford Agency 1st Floor - 28 Mortimer Street London W1W 7RD EBA t +44(0) 20 7734 9632 e [email protected] represented by Eamonn Bedford www.eamonnbedford.agency JUSTIN AVOTH HEIGHT: 6’0” (182cm) HAIR: Dark Brown EYES: Brown TITLE (Role) DIRECTOR PRODUCTION COMPANY TELEVISION Father Brown (Conrad French) BBC Medici: Kingdom Of Gold Frank Spotnitz Big Light Productions (Bishop Vitelleschi) Ripper Street - Series Reg (Isaac Bloom) Richard Warlow BBC/Amazon Prime/Tiger Aspect Obsession: Dark Desires (Rev. Caleb Dyer) Shani Grewal October Films for Discovery ID Dracula (Mr Cameron) Brian Kelly NBC/Sky Doctors (Eddy Gallacio) Bath Akoto BBC Dark Matters (St Martin/Hamilton/Barman) James Tovell Science Channel (USA) Whitechapel (Hipster) John Strickland ITV The Borgias (Ericado) Simon Cellan-Jones Showtime Holby City (Sean Edwards) Michael Buffong BBC Midsomer Murders (Dan Malko) Richard Holthouse ITV Merlin (Sir Robert) David Moore BBC Spooks (Rudy Korn) Sam Miller BBC Coronation Street (Status-Quo Lawyer) Kay Neville Granada Judge John Deed (Bryce Bond) Steve Kelly BBC Persuasion (Officer) Roger Mitchell BBC THEATRE My Brilliant Friend (Antonio/Pietro) Melly Still National Theatre/ Rose Theatre Kingston Love From A Stranger (Michael Lawrence) Lucy Bailey Fiery Angel/UK Tour Lot And His Gold (Drogheda) Robyn Winfield-Smith The Print Room The Only True History Of Lizzie Finn Blanche McIntyre Southwark Playhouse (Robert Gibson) Our Brother David (Anthony) Anthony Clark Watford Palace Theatre Beasts And Beauties (Man 1/Man 3) Melly -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Iv: the Allan Wilkie Shakespearean Company, 1920-1926
IV: THE ALLAN WILKIE SHAKESPEAREAN COMPANY, 1920-1926 "Our True Intent is all for Your Delight." In September 1920, Allan Wilkie announced his plans to establish Australia's first permanent Shakespearean company, drawing a parallel to Frank Benson's Company in England. The inaugural production by the new Allan Wilkie Shakespearean Company was to be a "new arrangement" of Macbeth, and Wilkie gave it as his fixed intention to produce all thirty-seven of Shakespeare's plays, some of which had never previously been staged in Australia." Advance publicity emphasized the potentially historic nature of the occasion: When in future years this company will be counted one of the institutions of which Australia is proud, those who attend on the opening night will tell with satisfaction how they were present during the enthusiastic hours which saw the inception of the company [Argus, 9 September 1920]. Many cynics were quick to point out the unlikelihood of Wilkie's venture surviving for long, or even getting off the ground, in view of the history of Shakespeare production in Australia. His was by no means the first proposal to establish a permanent company, but lack of demand had ended all previous efforts. In order to arouse audience curiosity, Wilkie advertised, as mentioned above, a "new arrangement" of Macbeth. His presentation was to have two novel aspects, which were to form the basis of his production methods in the years to come. They were interdependent: first, a new method of scenic arrangement, and second, a new organisation of the play, made possible by simplified scenery. -
52 - Sir Frank Benson
52 - SIR FRANK BENSON By Ann Pennington The proudest moment in the life of Frank Benson occurred when he was knighted by King George V during the tercentenary performance of Julius Caesar at Drury Lane in 1916, the first actor to be so honoured within the walls of a theatre. Previously he had been awarded the Freedom of the Borough of Stratford-upon-Avon for his services to Shakespearean theatre. Francis Robert Benson, known by his family as Frank and almost invariably by his fellow Thespians as F.R.B. was the fourth child and third son of William Benson, descended from Quaker stock, and Elizabeth Soulsby Benson (nee Smith), reputed to be one of the most beautiful women of her day. Their grave and memorial is in the New Alresford churchyard. Born in Tunbridge Wells on 4th November 1858, Frank Benson was quite a little boy when the family moved to Langtons, now Langton House, at the corner of East Street and Sun Lane in Alresford. Both house and grounds are much smaller now than when the Bensons, their six children and a battalion of servants lived there. The property included the farm with its paddocks, pastures, stables and grounds with long sloping lawns, flower walks and an enclosed kitchen garden. This was the home Frank Benson remembered in later life with almost passionate affection. Throughout his schooldays his main interests were physical fitness and the love of word and rhythm. In his two final years at Winchester he was Head of House (Wickham's) and had won the straight mile, appropriately on the Alresford road. -
Victoria Moseley Photo: Jennie Scott
1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Victoria Moseley Photo: Jennie Scott Before the lockdown Victoria was playing the role of Gigliola in My Brilliant Friend at the NT. She recently worked with Lewis Arnold on Jimmy McGovern’s new drama “Time” for the BBC. Greater London, England, United Appearance: White Kingdom Location: Eye Colour: Blue Merseyside, England, United Kingdom Hair Colour: Blond(e) Height: 5'3" (160cm) Hair Length: Long Weight: 8st. 6lb. (54kg) Voice Character: Friendly Playing Age: 35 - 45 years Voice Quality: Warm Television 2020, Television, Volunteer, Time, BBC, Lewis Arnold 2019, Television, Lena Parker, Doctors, BBC, Peter Fearon 2018, Television, Marcia, Coronation Street, ITV, Various 2014, Television, Ensemble Performer, The War Horse Prom, NT/ BBC, Melly Still 2010, Television, Liz McGettrick, Doctors, BBC, Brett Fallis 2008, Television, Nurse, The First True Olympics, BBC4 Documentary, Anna Thompson 2007, Television, Helen Forrester, Doctors, BBC Television, Paul Cotter 2003, Television, Laura Galloway, Mersey Beat, BBC Television 2001, Television, Shelley, Doctors, BBC Television, John Greening 2000, Television, Sgt. Tessa Baines, The Whistle Blower, BBC Television, Ben Bolt 2000, Television, Lucy, Mindblowing, HTV, Eros Lynn 2000, Television, Alice, Jo-90, Meridian, Anna Thompson Stage 2019, Stage, Gigliola, My Brilliant Friend, National Theatre, Melly Still 2019, Stage, Woman, Passenger, Greenwich and Docklands International Festival, Jessica Wilson -
Scuttlebutt from the Spermaceti Press 2015
Jan 15 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 161st birthday during the long weekend from Jan. 7 to Jan. 11. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at Annie Moore's, and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morn- ing, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Alan Bradley, co-author of MS. HOLMES OF BAKER STREET (2004), and author of the award-winning "Flavia de Luce" series; the title of his talk was "Ha! The Stars Are Out and the Wind Has Fallen" (his paper will be published in the next issue of The Baker Street Journal). The William Gillette Luncheon at Moran's Restaurant was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton and An- drew Joffe) entertained the audience with an updated version of "The Sher- lock Holmes Cable Network" (2000). The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber), which honors the most whimsical piece in The Ser- pentine Muse last year: the winner (Jenn Eaker) received a certificate and a check for the Canonical sum of $221.17. And Otto Penzler's traditional open house at the Mysterious Bookshop provided the usual opportunities to browse and buy. -
A Midsummer Nights Dream 11 'T} S , O(;;)-2 by Wilham Shakespeare
A Midsummer NightS Dream 11 't} s , o(;;)-2 by WilHam Shakespeare ~ BAm~ Tiieater BRooKLYN AcADEMY oF Music Compa11y ~~~~~~~~~ \.. ~ , •' II I II Q ,\.~ I II 1 \ } ( "' '" \ . • • !I II'" r )DO I \ ., : \ I ~\ } .. \ ;; .; 'I' ... .. _:..,... 1t ; rJ ,.I •\ y v \ YOUR MONEY GROWS LIKE MAGIC AT THE THE DIME SAVINGS BANK DF NEW YORK -..1-..ett•O•C MANHATTAN • DOWNTOWN BROOKLYN • BENSONHURST • FLATBUSH CONEY ISLAND • KINGS PLAZA • VALLEY STREAM • MASSAPEQUA HUNTINGTON STATION TABLE OF Old CONTENTS Hungary "An authentic ~ ounpany~~~~~~~ Hungarian restaurant right here in Brooklyn" Beef Goulash, Ch1cken Papnka, St uffed Cabbage, Palacsinta and other traditional dishes " Live Piano Music Nightly" The Actors 5-8 PRE-T HEATRE AND AFTER THEATRE DINNER 142 Montague St., Bklyn . Hghts. Notes on the Play 9-14 625· 1649 Production Team 15 § The Staff 16 'R(!tauranb The Actors 17-19 tel: 855-4830 Contributors 20-21 UL8-2000 Board of Directors 22 open daily for lunch and dinner till 9 P. M. Italian and A m erican Cuisine special orders upon request Flowers, plants and fruit baskets for all occasions (212) 768-6770 25th Street & 768-0800 5th Avenue Deluxe coach service following DIRECTORY BAM Theater Company Directory of Facilities a nd Services Box Office: Monday 10 00 to &.00 Tue.day throu~h ~tur performances day 10 00 to Y 00 Sunday Performance limes only Lost ond ~o und : Telephone &36-4 150 Restroom: Operu We pick you up and take you back llouse Women .ond Men. Mezzanme level. HandKapp<.·d Or c h c~t r a level Ployh ou,e: Women Orchestra l~vcl ,\.1cn .'Ae1 (to Manhattan) 1.anme lt•vel llandocapped Orchestra level Lepercq Spucc: The BAMBus Express will pick-up BAM Theater Company Wom en ,,nd Men Tht•c.H e r level Public T ele phon es. -
SHARON HOWARD-FIELD 1 Casting Director
SHARON HOWARD-FIELD 1 Casting Director EMPLOYMENT HISTORY: • Howard-Field Casting, (Los Angeles, London & Europe) 1993-2014 • Director of Feature Casting, Warner Bros. Studios, Los Angeles 1989-1993 • Howard-Field Casting ( London & Europe) 1983-1989 • Casting & Project Consultant RKO, London operations 1983-1985 • Associate Casting Director Royal Shakespeare Company, London 1977-1983 • Production Assistant to director/producer Martin Campbell, London 1975-1977 • Assistant to writer, Tudor Gates, Drumbeat Productions, London 1975-1977 FILMS CURRENTLY IN DEVELOPMENT FOR 2014/15: AMOK – Director: Kasia Adamik. Screenplay: Richard Karpala. Executive producer: Agnieszka Holland. Producers: Beata Pisula, Debbie Stasson - in development for spring 2015 WALKING TO PARIS – Director: Peter Greenaway, Producer: Kees Kasander and Julia Ton. Scheduled to commence pp February 2015 in Romania, Switzerland and France. THE WORLD AT NIGHT – Director: TBC. Screenplay: William Nicholson. Producer: Vanessa van Zuylen, (VVZ Presse, Paris, France), Matthias Ehrenberg, Jose Levy, (Cuatro Films Plus) Ibon Cormenzana, (Arcadia Motion Pictures), – in development to shoot Argentina and France Spring 2015. Daniel Bruhl attached. RACE – In association with Suzanne Smith Casting. Director: Stephen Hopkins. Filming Berlin and Canada, September 2014. Casting a selection of cameo roles from the UK AMERICAN MASSACRE – Director: TBC Producer: Emjay Rechsteiner (Staccato Films); Executive Producer: Harris Tulchin - in development for Spring 2015, shooting New Zealand and Canary Islands LITTLE SECRET (Pequeno Segredo) – Director: David Schurmann; Writer: Marcos Bernstein; Producers: Matthias Ehrenberg (Cuatro Films Plus), Joao, Roni (Ocean Films, Brazil), Emma Slade (Fire Fly Films, NZ), Barrie Osborn – in development to shoot Brazil, October 2014. Finnoula Flanagan attached THE BAY OF SILENCE: - Director: Mark Pellington; Screenwriter & Producer: Caroline Goodall, Executive Producer: Peter Garde. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I.