1.1 My Qualifications I Am Alfie Moon, MBCS. I Work As a Director for The
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Southern Conference Cross Country Record Book
Southern Conference Cross Country Record Book www.soconsports.com 1 Men’s Team & Individual Champions Year Site Team Champion, Score Individual Champion Time 1926 Athens, Ga. North Carolina 33 Galen Elliot, North Carolina 1927 Chapel Hill, N.C. North Carolina 17 Galen Elliot, North Carolina 26:26.0 1928 Atlanta, Ga. North Carolina 30 Bob Young, Georgia 24:30.8 1929 Chapel Hill, N.C. North Carolina 56 Bob Young, Georgia 26:58.2 1930 Chapel Hill, N.C. VMI 40 Ham Smith & H.A. Wise, VMI 28:03.4 1931 Chapel Hill, N.C. North Carolina 25 Clarence Jensen, North Carolina 27:10.2 1932 Chapel Hill, N.C. Duke 23 Jerry Bray & Bob Bird, Duke 27.21.6 1933 Chapel Hill, N.C. Duke 23 Dunaj, Washington & Lee 15:27.8 1934 Chapel Hill, N.C. North Carolina 31 Ed McRae, North Carolina 26.41.6 1935 Chapel Hill, N.C. Duke 26 Bill Morse, Duke 26:25.9 1936 Chapel Hill, N.C. North Carolina 32 Bill Morse, Duke 25:34.0 1937 Chapel Hill, N.C. North Carolina 27 Bill Hendrix, North Carolina 25:35.4 1938 Chapel Hill, N.C. North Carolina 28 Bill Hendrix, North Carolina 25:25.7 1939 Chapel Hill, N.C. North Carolina 18 Fred Hardy, North Carolina 26:29.8 1940 College Park, Md. North Carolina 33 Tommy Fields, Maryland 26:08.6 1941 College Park, Md. North Carolina 45 Wendell Lockwood, Duke 21:06.2 1942-45 NO MEET 1946 Chapel Hill, N.C. North Carolina 33 Jimmy Miller, North Carolina 20:00.3 1947 College Park, Md. -
25 Years of Eastenders – but Who Is the Best Loved Character? Submitted By: 10 Yetis PR and Marketing Wednesday, 17 February 2010
25 years of Eastenders – but who is the best loved character? Submitted by: 10 Yetis PR and Marketing Wednesday, 17 February 2010 More than 2,300 members of the public were asked to vote for the Eastenders character they’d most like to share a takeaway with – with Alfie Moon, played by actor Shane Ritchie, topping the list of most loved characters. Janine Butcher is the most hated character from the last 25 years, with three quarters of the public admitting they disliked her. Friday marks the 25th anniversary of popular British soap Eastenders, with a half hour live special episode. To commemorate the occasion, the UK’s leading takeaway website www.Just-Eat.co.uk (http://www.just-eat.co.uk) asked 2,310 members of the public to list the character they’d most like to ‘have a takeaway with’, in the style of the age old ‘who would you invite to a dinner party’ question. When asked the multi-answer question, “Which Eastenders characters from the last 25 years would you most like to share a takeaway meal with?’, Shane Richie’s Alfie Moon, who first appeared in 2002 topped the poll with 42% of votes. The study was entirely hypothetical, and as such included characters which may no longer be alive. Wellard, primarily owned by Robbie Jackson and Gus Smith was introduced to the show in 1994, and ranked as the 5th most popular character to share a takeaway with. 1.Alfie Moon – 42% 2.Kat Slater – 36% 3.Nigel Bates – 34% 4.Grant Mitchell – 33% 5.Wellard the Dog – 30% 6.Peggy Mitchell – 29% 7.Arthur Fowler – 26% 8.Dot Cotton – 25% 9.Ethyl Skinner – 22% 10.Pat Butcher – 20% The poll also asked respondents to list the characters they loved to hate, with Janine Butcher, who has been portrayed by Rebecca Michael, Alexia Demetriou and most recently Charlie Brooks topping the list of the soaps most hated, with nearly three quarters of the public saying listing her as their least favourite character. -
Extras - Episode One
Extras - Episode One by Ricky Gervais & Stephen Merchant COLD OPEN FADE IN: We are watching a TV biopic of the life of Lord Nelson. It is England, 1805. Lady Hamilton is running across a lawn towards a carriage that is being loaded by manservants. ROSS KEMP as Horatio Nelson is standing nearby. LADY HAMILTON Horatio. Ross turns to face Lady Hamilton. ROSS Emma. What are you doing here? LADY HAMILTON I couldn't bear to let you go without saying goodbye. ROSS You shouldn't have come, Emma. People will talk. LADY HAMILTON Let them talk. I'm tired of hiding our love away. I'm not ashamed of how I feel. We cut behind the scenes to see ANDY MILLMAN waiting off camera, dressed as a footman. He is watching the action, waiting for his cue. ROSS Neither am I. But we both know we shouldn't be together. LADY HAMILTON Shouldn't? Who says we shouldn't? Behind the scenes, Andy is tapped on the shoulder. He walks forward and loads his crate onto the back of the carriage. We see him appear in the background of the film clip. ROSS My conscience. My conscience tells me everything I feel for you is wrong. But my heart, my heart says I can't live without you. Andy stands by the carriage. LADY HAMILTON Promise me you'll return. ROSS I promise. Because if Napoleon doesn't kill me, then being away from you surely will. 2. Ross and Lady Hamilton kiss passionately. From behind their heads we see Andy emerge, edging himself into the frame. -
Ben's Dad on Secret Life.Pdf
Ben's Dad On Secret Life All he really wanted was to sleep with Adrian Lee and continue his life like usual. Both Adrian and Ben thought that Ricky and Amy had done much more. 'Secrets & Lies' Post-Show Reveals Final Shocker: Is Ben Dead? – Watch 'Revenge' Recap: (SPOILER) Dies After Discovering A Huge Secret I think he is just in Jail some where far away since he did “kill” a child he has life in prison. In the season one episode The Secret Wedding of the American Teenager, Ben and Amy Ben's dad and Dylan's parents catch Dylan and her friends smoking. My dad and I picked it out, this past Weekend", Ben said, in agreement, looking around the interior of the vehicle with awe. "When I get my driver's license, we're. Adrian and Ben had a one night stand in The Rhythm of Life which resulted in Adrian's dad doesn't know about her pregnancy, but Adrian wants to tell her. Ben Affleck had an ancestor who was a slaveowner and he actively sought to keep so public as Ben Affleck the media loves dirt and they would make his life miserable. I did not own slaves, my dad did not own slaves, nor my grandfather. Ben's Dad On Secret Life >>>CLICK HERE<<< The Secret Life of the American Teenager The Suite Life of Zack and Cody Ben becomes a surprise dad to a baby girl when she's left on his doorstep. Seemingly good-natured painter Ben Crawford (MacGruber's Ryan Still, plenty of people have played cops with no back story and no life outside the got the same feeling about the youngest like she knows her dad is guilty because she. -
Download the Activity Sheet As A
Fill up your week with these free fun art activities! Every Monday, National Galleries of Scotland posts a new set of creative activities that have been designed for children of all ages to explore at their own pace. And, of course, grown-ups can join in too – especially with the mid-week #ArtTogether activities! These wee taster activities require absolutely NO ART MATERIALS – just a little bit of imagination and a lot of creativity. They aim to develop creativity skills, such as problem solving, imagination, curiosity and open-mindedness. Please keep in mind that there are no wrong answers - this is all about looking, chatting, making and enjoying your time together at home! Visit nationalgalleries.org to see the activities, artist videos, zoom in on artworks and more – or work your way through these PDF versions! We’d love to see the great art you make at home, and to hear how you’re getting on so please share your photos on our Facebook page or by using #HomeArt on Twitter or Instagram! HOME IS WHERE THE ART IS Week Three: ‘Everything is going to be alright’ Cold War Steve, Harold, the Ghost of Lost Futures, 2019 The inspiration for this week is the collage ‘Harold, the Ghost of Lost futures’ by the artist Cold War Steve. He created the work by collecting images of celebrities and creating a surreal scene which you would never see in real life! His real name is Christopher Spencer. Choose your own ‘artist’ name before you start this week's activities! HOME IS WHERE THE ART IS Week Three: ‘Everything is going to be alright’ 1. -
Report Title Here Month Here
Alcohol & Soaps Drinkaware Media Analysis September 2010 © 2010 Kantar Media 1 CONTENTS •Introduction 3 •Executive Summary 5 •Topline results 7 •Coronation Street 16 •Eastenders 23 •Emmerdale 30 •Hollyoaks 37 •Appendix 44 Please use hyperlinks to quickly navigate this document. © 2010 Kantar Media 2 INTRODUCTION •Kantar Media Precis was commissioned to conduct research to analyse the portrayal of alcohol and tea in the four top British soap operas aired on non-satellite television, Coronation Street, Eastenders, Emmerdale and Hollyoaks. The research objectives were as follows: •To explore the frequency of alcohol use on British soaps aired on non-satellite UK television •To investigate the positive and negative portrayal of alcohol •To explore the percentage of interactions that involve alcohol •To explore the percentage of each episode that involves alcohol •To assess how many characters drink over daily guidelines •To explore the relationship between alcohol and the characters who regularly/excessively consume alcohol •To look further into the link between the location of alcohol consumption and the consequences depicted •To identify and analyse the repercussions, if any, of excessive alcohol consumption shown •To explore the frequency of tea use on British soaps aired on non-satellite UK television •Six weeks of footage was collected for each programme from 26th July to 6th September 2010 and analysed for verbal and visual instances of alcohol and tea. •In total 21.5 hours was collected and analysed for Emmerdale, 15.5 hours for Coronation Street, 15.5 hours for Hollyoaks and 13 hours for Eastenders. © 2010 Kantar Media 3 INTRODUCTION cont. •A coding sheet was formulated in conjunction with Drinkaware before the footage was analysed which enabled us to track different types of beverages and their size (e.g. -
You Are Being Served…Again
Press Release 18 th January 2009 YOU ARE BEING SERVED…AGAIN. Selfridges re-creates Are You Being Served? in a one-off charity sale in honour of the late Wendy Richard MBE _______________________________________________________________________ Selfridges, the UK’s leading department store is to re-create Are You Being Served? as memorabilia belonging to the late Wendy Richard MBE is to be sold in aid of Lady Taveners charity. “You Are Being Served Again” will be open for business at Selfridges, Oxford Street on January 19 th 2010, selling designer clothing, shoes and bags belonging to the late Wendy Richard MBE. Proceeds from the sale will be donated to Lady Taveners charity, which provides young people with special needs a sporting chance. For one morning only, Wendy’s show business friends including Natalie Cassidy, June Brown and Nicholas Smith - who played Mr Rumbold in Are You Being Served? - will help to sell the hundreds of designer outfits and accessories Wendy collected throughout her life from designers including Chanel, YSL and Gucci. Wendy was best known for her role as the sexy Miss Brahms before going on to play the nation’s favourite soap personality, Pauline Fowler in EastEnders. She loved shopping and considered Selfridges her ‘corner shop’. Sally Scott, Selfridges’ Director of Marketing said: “There are few television series that have stood the test of time as Are You Being Served?. Whilst Selfridges may be a little more modern than Grace Brothers we are looking forward to welcoming the characters, re-creating the set and raising monies for Lady Taveners.” John Burns, Wendy Richard’s husband, said: “It will be great to see Wendy’s belongings at Selfridges in support of such a cause. -
ORIGINS and OUTCOMES .0 Background 1 the 16-19 Imtlatlve
ORIGINS AND OUTCOMES .0 Background 1 The 16-19 Imtlatlve ongmated m the work earned out m the earner ESRC Imtlatwe, Young People m Society (YPS) Launched m 1979, YPS embraced a number of studies of adolescent development m the areas of occupational and polltlcal soclallsatlon, dnnkmg and smokmg, fnendshlp and peer groups, and juvemle dehnquency The research undertaken was characterised by mter-dlsclplmary research perspectwes and naturalistic methods of enquiry, mcludmg account gathering and observation Results from a number of the studies were reported at the successful symposusm convened by Rudolph Schaffer at the 1983 conference of the Bntlsh Psychological Society m York Subsequently papers about tbe research were pubhshed m, a book Gettm~ mto Llf~ (Beloff, 1986) and summanscd m the JZSRCpamphlet, What Next (McGurk, 1987) 12 One outcome of the YPS programme was the decmon by the Human Behawour and Development Committee (HBD) to follow It with a major longitudinal study which would put on a sounder footing conclusions about the factors producing changes m mdmduals during adolescence This would embrace the study of a number of aspects of adolescent soclallsatlon researched earner, wlthm the framework of a single enqurry 13 Papers produced by Rudolph Schaffer summarlslrrg the results of the YPS programme and by Harry McGurk, dlscussmg design posslblhtles for the Iongltudmal study, were cmculated to members of the UK youth research commumty arsd comments were mvlted on how the Imhatwe should be developed Subsequently lt was decided that -
Older People, Sexualities and Soap Operas: Representations of Lesbian
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Humberstone, Nicola (2010) Older people, sexualities and soap operas: representations of lesbian, gay, bisexual sexualities and transgender identity in television soap operas, and older audiences’ responses. PhD thesis, Middlesex University. [Thesis] This version is available at: https://eprints.mdx.ac.uk/6517/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Thesis Final Draft.Pages
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Bell, Stuart (2016) "Don't Stop": Re-Thinking the Function of Endings in Narrative Television. PhD thesis http://theses.gla.ac.uk/7282/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] “Don’t Stop…” Re-thinking the Function of Endings in Narrative Television Stuart Bell (MA, MLitt) Submitted in fulfilment for the requirements for the degree of Doctor Of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow November 2015 (c) Stuart Bell, November 2015 !1 Abstract “Don’t Stop…” Re-thinking the Function of Endings in Television This thesis argues that the study of narrative television has been limited by an adherence to accepted and commonplace conceptions of endings as derived from literary theory, particularly a preoccupation with the terminus of the text as the ultimate site of cohesion, structure, and meaning. Such common conceptions of endings, this thesis argues, are largely incompatible with the realities of television’s production and reception, and as a result the study of endings in television needs to be re-thought to pay attention to the specificities of the medium. -
Ridden Hunters – Weight Classes ______-______
RIDDEN HUNTERS – WEIGHT CLASSES ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________-______________________________ KINDLY SPONSORED BY HFN LANDSCAPES ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________-______________________________ H1 Catplant Group of Companies Ltd Lightweight Show Hunter - Horse of the Year Show Qualifier. Mare or gelding, 4 years old or over, capable of carrying up to 12 stone 7 lbs. Exceeding 148cms. 19 Ceri Simpson - Abraham's Quest, Oldenberg, Abraham, GELDING, Ceri Simpson 89 Mr & Mrs M Jerram - Ballarin My Lady, Hunter, Kings Master, Seefin Rosewood, GELDING, Katie Jerram- Hunnable 90 Mr & Mrs M Jerram - Tally Ho Forrard, Hunter, Golden Master, Coragh Lady, GELDING, Katie Jerram- Hunnable 91 Mr & Mrs C Hunnable - Killmatulla Trump Card, Hunter, Watermill Swatch, Cullaghs Folly, GELDING, Katie Jerram-Hunnable 159 Sue Hookham & Elanor Bulmer - Welsh Bezique, Woodlander Wesuvio, Magic Bubbles, GELDING, Matt Ainsworth 198 Penny Clarke and Louisa Harvey - Caledonia, Hunter, GELDING, Penny Clarke 283 Miss L Lockwood - Chantilly Bojangles, 3/4 TB, GELDING, Lucy Lockwood 293 Polly Coles - Last Orders III, Irish Sport Horse, GELDING, Polly Coles 318 JILL DAY - Somerville -
What Can Google Trends Data Tell Us About Dialect Labels: an Exploratory Study
Globe: A Journal of Language, Culture and Communication, 5: 48-76 (2017) What can Google Trends data tell us about dialect labels: An exploratory study Marie Møller Jensen, Aalborg University1 Abstract: The aim of this article is twofold: firstly, it sets out to explore the usefulness of Google Trends to the study of language and the perception of variants and, secondly, it investigates the social realities of dialect labels as reflected in searches on the Internet search engine Google. Google Trends is an online tool which is freely available and allows you to map the search volume of search terms across time and space, and also see which other related searches Google users performed within the specified time period or area. In this way, Google Trends can perhaps help us shed light on what it is Google users are curious about or interested in when they search for words such as Geordie, Scouse and Cockney – is it the dialects which the labels denote or is it something else? The study thus takes as its primary interest the application of the Google Trends search tool to the study of folk perceptions of dialect labels and, as a secondary aim, if this can be used to uncover what these dialect labels denote to lay people. With regard to the first aim, the study found that using Google Trends data can be useful in the early stages of perceptual dialectology studies of dialects and dialect labels. With regard to the second aim, the main finding of the study was that there are vast differences between the three dialect labels investigated here, both in terms of sheer search volume over time but also with regard to the collocates with which they are associated.