Older People, Sexualities and Soap Operas: Representations of Lesbian

Total Page:16

File Type:pdf, Size:1020Kb

Older People, Sexualities and Soap Operas: Representations of Lesbian Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Humberstone, Nicola (2010) Older people, sexualities and soap operas: representations of lesbian, gay, bisexual sexualities and transgender identity in television soap operas, and older audiences’ responses. PhD thesis, Middlesex University. [Thesis] This version is available at: https://eprints.mdx.ac.uk/6517/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. See also repository copyright: re-use policy: http://eprints.mdx.ac.uk/policies.html#copy Older People, Sexualities and Soap Operas: Representations of lesbian, gay, bisexual sexualities and transgender identity in television soap operas, and older audiences’ responses. A study submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy Nicola Humberstone School of Health and Social Science Middlesex University July, 2010 ACKNOWLEDGEMENTS Thank you to my supervisors Dr. Lon Fleming and Dr. Merja Makinen for their unfailing support, encouragement and enthusiasm. Margaret Davis was extremely helpful in responding to requests with support and practical help. Thank you to the five groups who participated with good will and humour and made the project so enjoyable. Contents Page Abstract 1 Introduction 3 Context of social research in literature and policy 4 Aims of the research 5 Day centres as a site for exploration 7 Television soap operas as a site for exploration 7 Methodology 9 Structure of thesis 10 Questions 11 Chapter 1. Older Audiences: Contexts and Discourses 14 Basis for literature review 14 Consumers 18 Dominant discourses and the popular imagination 19 Gender and sexuality 26 Older lesbians, gay men, bisexuals and transgender people 28 Sexualities, legislation and politics: significance for this research 35 Chapter 2. Theories of Soap Opera: Issues and Contexts 37 Multi narrrative text 39 The text and construction of femininity 46 Intertextuality, melodrama, audience identification and resistance 49 Production values 53 Discursive social audiences 55 Gender in the soap opera text 56 Talk generated by soap opera 63 Conclusion 72 Chapter 3. Close readings of key LGBT representations 74 Lesbians in British prime time soap operas 75 Previews 75 The ‘lesbian’ scenes in relation to the episode 79 Analysis of close reading 80 Reviews and intertextuality 83 Arguments 92 Conclusion 97 Gay men in British prime-time soaps 100 Previews 100 Analysis of close reading 103 Reviews and intertextuality 107 Arguments 115 Older gay men 116 Conclusion 117 The transgender representation in Coronation Street 122 Previews 124 Analysis of close reading 127 Reviews and intertextuality 129 Conclusion 138 Overall conclusions 140 Chapter 4. Cultural and Social Research 145 Cultural and social research methodologies 146 Themes and issues 148 Social research methodology 150 Sites for investigation 150 The East London group 151 The South London outer suburb group 153 Campaigning groups 155 The Older lesbian group 155 The Older gay men’s group 156 The Transgender group 156 Table of participants in discussion groups 157 Coding 158 Gender, class, age and ethnicity 158 Class and age 159 Research methods 161 Recruitment and sampling 164 Access and gatekeeping 164 Rationale for questions structuring the group discussions 166 Narrative analysis 169 Paralinguists 170 Transcribing from voice to text 170 Presentation codes 171 Ethical issues, research governance and reflexivity 171 Ethical issues 171 Reflexivity 173 Chapter 5. Analysis of Older Audiences’ Responses to Television Soap representations and narratives 175 Older audiences 175 Group responses to memories of campaigns 176 Responses to representations of sexualities in soaps 179 Active engagement with the text 179 Intertextuality 187 Recognition of melodramatic imagination 198 Compulsory heterosexuality 201 Encoding, decoding 203 The carnivalesque in group discussions 208 Intensity of feeling in group discussions 211 Contradictions and change of views 213 Language use: gaps, silences and talk ing at once 224 Soap talk 227 Conclusion 232 Chapter 6. Conclusion 239 Theories of soap opera and audiences 239 Soap opera and talk 241 Unexpected outcomes 243 Limitations of the research 243 Significance for research on older people 244 Appendices 1.1. State Pension and pension credits 246 2.1. Close Reading Lesbian Representation 247 2.2. Close Reading Gay Men Representation 253 2.3. Close Reading Transgender Representation 256 3.1. Interview Transcript East London Group 259 3.2. One to One Interview East London Group 284 3.3. Interview Transcript SL. Suburb Group 297 3.4. One to One Interview SL. Suburb Group 329 3.5. Interview Transcript Older Lesbian Group 337 3.6. One to One Interview Older Lesbian Group 380 3.7. Interview Transcript Older Gay Men’s Group 395 3.8. Interview Transcript Transgender Group 441 3.9. Interview Questions 469 Bibliography 470 ABSTRACT The thesis investigates the responses of older audiences to representations of lesbian, gay, and bisexual sexualities and transgender identities in British prime time television soap operas between1986 and 2002. It combines cultural research, in relation to theories of soap opera and audience engagement and social research into the responses and views of older audiences to such representations and the life experiences of the participants which inform their views. The thesis recognises that the voices of older people are under- represented in socio-cultural research, especially when investigating sexuality. Soap opera constitutes a genre which functions as a vehicle for social issues, including sexualities. Soap operas draw large audiences across generations and gender; they have high profile publicity and intertextual material to engage viewers’ interests, and broadly accessible scheduling. They therefore provide an accessible means of engagement with these issues with older people. Chapter 1 outlines the social context of the research and reviews selected discourses and research, noting that much recent research is directed to issues of care and therefore tends to address the needs and preferences of older people rather than their active engagement with,and potential contribution, to popular culture and issues of sexualities and gender identity. Chapter 2 identifies and evaluates cultural theories and issues around textual analysis. The relevance and validity of these general themes are examined in Chapter 3 by means of ‘close readings’ of two selected episodes with relevant narratives and representations through textual analysis and in relation to everyday social interaction. 1 Chapter 4 addresses the epistemological issues involved in combining cultural research into the meanings and significance of these representations and narratives with social research into the meanings, associations and value derived from them by older audiences. The methodological framework for social research and the qualitative research methods are discussed and evaluated. The research focuses upon five groups of older people, two from an Inner London Drop- in Centre and an Outer London Day Centre and three from Campaign groups who identify as members of a London based Older Lesbian Group, Older Gay Men’s Group and Male to Female Transgender Group. More self-conscious readings of the narratives and representations could be expected from groups with a campaigning history or trans-gender identity than the other two groups. Differences and commonalities between and within groups are noted and analysed in Chapter 5 and the analysis of the data is structured by the theories and themes identified and demonstrated in Chapters 2 and 3. The thesis supports and develops recent research which recognises that older people are diverse and demonstrate strong opinions. It also shows that as television audiences and in conversation older people actively engage with issues of non-normative sexualities which are too frequently regarded as peripheral for older people, if not taboo. This could usefully be further investigated. 2 INTRODUCTION The thesis builds on emerging research which recognises the diversity of older people
Recommended publications
  • Daily U.S. Virus Cases Climb to Highest Level Since August
    P2JW290000-6-A00100-17FFFF5178F ****** FRIDAY,OCTOBER 16,2020~VOL. CCLXXVI NO.91 WSJ.com HHHH $4.00 DJIA 28494.20 g 19.80 0.1% NASDAQ 11713.87 g 0.5% STOXX 600 362.91 g 2.1% 10-YR. TREAS. g 3/32 , yield 0.730% OIL $40.96 g $0.08 GOLD $1,903.20 À $1.90 EURO $1.1709 YEN 105.45 Trump and Biden Field Questions in Dueling TV Forums Jobless What’s News Claims Point to Business&Finance Slowing ew jobless-benefits ap- Nplications rose last week to the highest level sincelate Rebound August, as fresh layoffs add to other signs the economic GES recovery is losing steam IMA New applications amid the pandemic. A1 GETTY reach a recent high, Softwareexecutive Rob- SE/ adding to signs of a ert T. Brockman wascharged with hiding about $2 billion cooling recovery in income from U.S. taxau- ANCE-PRES FR thorities over 20 years. A1 BY SARAH CHANEY ENCE LVMH said strong growth AG AND GWYNN GUILFORD at itsbiggest fashion brands ON/ buoyedquarterly revenue, TS Thenumber of people in partly offsetting steep drops WA the U.S. filing newapplications in other luxurysegments. B1 JIM forunemployment benefits S; rose last week to the highest MorgaN Stanley said its PRES level sincelateAugust, as third-quarter profit rose 25%, TED fresh layoffs add to other signs another big U.S. bank to CIA SO the economic recovery is los- skateunscathed through the AS ing steam amid the pandemic. rockiest economyinyears. B1 CI/ Claims increased to Petrochemical makers VUC 898,000 last week,holding AN are pausing multibillion- EV well abovethe pre-pandemic dollar U.S.
    [Show full text]
  • Fodimus As Captain Mainwaring (In Bank Manager Mode) to Introduce Our Famous Visitor
    The new season... … got off to a wonderful start with the ribbon-cutting ceremony performed by the actor The Newsletter for the Friends of Diss Museum Ian Lavender. This event was well attended and Basil Abbott gave a bravura performance Editor: David Young, 34, Louie’s Lane, Diss, IP22 4LS fodimus as Captain Mainwaring (in bank manager mode) to introduce our famous visitor. Ian’s pal Telephone 01379 642168 Latin: we cultivate Rick Wakeman, last year’s ribbon-cutter, could be seen at the back of the crowd. To join the Friends, email: [email protected] Issue 005, May 2017 With the opening of the new Corn Hall only a matter of weeks away the Museum loaned Here we are, a quarter of the way through a new season and with the AGM upon us. the Burroughes Corn Traders Desk on which the Grammar School clock used to sit in the As part of the refurbishment of the Heritage Triangle, the Shambles has new Interpretation Shambles. After much discussion, we had only a few days to make other arrangements. Boards. This is the posh way of saying window boards. They are in the modern style, with With timber donated by Barry and Sue Davies, a design by David Young and the skills of lighter print against a darker background. There is no doubt that they look very nice but some Premises Manager, Yoshi Shinagawa– Turner, a clock tower appeared in the Shambles. may feel that the old ones (which were brilliant) may have been more legible, especially in After removal of a cross-member, only required during the erection process, sufficient sunlight.
    [Show full text]
  • A Full List of Signatures Is Here
    IAVA Recipient: Secretary Mattis Letter: Greetings, First, thank you for your service and sacrifice and for your incredible leadership that so many in the military and veteran community have experienced and respect. As you know, more than 1.5 million veterans have have educated themselves with the Post-9/11 GI Bill, and almost 70% of Iraq and Afghanistan Veterans of America (IAVA) members have used or transferred this benefit to a dependent. It could very well be the most transformative federal benefit created. The new restriction on Post-9/11 GI Bill transferability to only those with less than 16 years of service is a completely unnecessary reduction of this critical benefit, and it will ultimately hurt our military recruitment and readiness. In a time of war, it remains enormously important to recruit and retain qualified servicemembers, especially with an ever-decreasing pool of eligible recruits. For years, IAVA has been at the forefront of this fight. We led the effort to establish this benefit in 2008 and we have successfully defended it in recent years. We cannot allow our GI Bill to be dismantled or abused. This is why I am standing with my fellow IAVA members to respectfully request that you reverse this counterproductive policy change that creates barriers to access to these transformative benefits. The GI Bill has been earned by millions of men and women on the battlefield and around the world and it should not be subjected to arbitrary restrictions that limit its use. Again, thank you for your leadership and I ask that you take action now to reverse this decision.
    [Show full text]
  • Simon Dale 1St Assistant Director
    Simon Dale 1st Assistant Director Phone: 07957 392 701 E-Mail: [email protected] British Full Clean Driving Licence Movie Magic Scheduling Final Draft 1st Assistant Director ‘Bounty’ (Big Talk Productions) C4 Comedy Blaps NovemBer 2018 (Manchester) Dir: George Kane Pro: Lara Singer LP: Helen Blyth ‘Timewasters – Series 2’ (Big Talk Productions) ITV2 July – SeptemBer 2018 (Liverpool) Dir: George Kane Pro: Jim Poyser LP: Katie Kearney ‘God’s Own County’ (Guilty Party Pictures) C4 Comedy Blaps May 2018 (Holmfirth) Dir: Jim Archer Pro: Spencer Millman LP: David Finnigan ‘Biggleton – Series 1’ (CBeebies) CBeebies July 2017 – Sept 2017 (Manchester) Dir: Iwan Watson / Luk Ying Yick ‘Scallywagga – Series 2’ (BBC) BBC3 July 2009 – Sept 2009 (Manchester) Dir: David Sant LP: David Noble ‘Britannia High: Block 4’ (ITV Productions) ITV1 Sept 2008 – Nov 2008 (Manchester) Dir: Brian Grant LP: Howard Ella Recent 1st AD Dailies & Commercials APRIL 2019: ‘Sanditon’ (Red Planet Pictures / ITV) Main Unit (1 Day) / LP Ian Hogan APRIL 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling MARCH/APRIL 2019: ‘Coronation Street’ (ITV) Main Unit (Multiple 5+) JAN – APRIL 2019: ‘Hollyoaks’ (Lime Pictures / C4) Main Unit (Multiple 15+) MARCH 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling / PM: Lee Meredith MARCH 2019: ‘EFC / Davanti Tyres’ Commercial (The Mob Film Company) Dir: Martin McGreal / PM: Michael Evans NOV 2018: FEATURE ‘Military Wives’ (Koliko Films) 2nd Unit (4 Days) / PM Claire Campbell NOV 2018:
    [Show full text]
  • Great Britain - Queen Elizabeth II
    Great Britain - Queen Elizabeth II 17th January 2017. Ancient Britain. 1st 1st Battersea Shield, London, Skara Brae Village, Orkney Is- 350-50 BC lands, 3100-2500 BC £1.05 £1.05 Star Carr Headdress, Yorkshire, Maiden Castle Hill Fort, Dorset, 9000 BC 400 BC © Gerard J McGouran 2018 www.gbstampalbums.co.uk © Gerard J McGouran 2018 J GerardMcGouran © £1.33 £1.33 Avebury Stone Circles, Wiltshire, Drumbest Horns, County Antrim, 2500 BC 800 BC £1.52 £1.52 Grime’s Graves Flint Mines, Mold Cape, Flintshire, Norfolk, 2500 BC 1900-1600 BC www.gbstampalbums.co.uk © Gerard J McGouran 2018 QEII Decimal Commemoratives 311 Great Britain - Queen Elizabeth II 15th February 2017. Windsor Castle (1st Issue). 1st 1st The Long Walk The Round Tower 1st £1.52 The Norman Gate St George’s Hall © Gerard J McGouran 2018 www.gbstampalbums.co.uk£1.52 £1.52 © Gerard J McGouran 2018 J GerardMcGouran © The Queen’s Ballroom The Waterloo Chamber 15th February 2017. Windsor Castle (1st Issue). Self-adhesive. 1st 1st www.gbstampalbums.co.uk QEII Decimal Commemoratives 312 Great Britain - Queen Elizabeth II 15th February 2017. Windsor Castle (2nd Issue). 1st 1st St George’s Chapel Nave: St George’s Chapel Nave: Sir Reginald Bray Roof Boss Fan-Vaulted Roof £1.33 £1.33 St George’s Chapel Quire: St George’s Chapel Quire: © GerardGarter Banners J McGouranSt George’s Cross Roof 2018 Boss www.gbstampalbums.co.uk © Gerard J McGouran 2018 J GerardMcGouran © 14th March 2017. David Bowie (1947-2016, Singer, Songwriter and Actor) Commemoration. Self-adhesive. 1st 1st 1st Hunky Dory Aladdin Sane Heroes £1.52 £1.52 £1.52 Let’s Dance Earthling Black Star www.gbstampalbums.co.uk QEII Decimal Commemoratives 313 Great Britain - Queen Elizabeth II 6th April 2017.
    [Show full text]
  • VETERAN's LIQUORS Zoning for Prof!'Ulonal Offices, As Before Taking Any Action
    Page 4 GREENBELT NEWS REVIEW . Thursday, November 14, 1963 P1y lai• for IHI Staff irtenbtlt '< NOW OPEN ••• Vote4 Eff•tive Dec. 1d Phone: GR 4-4881 .,. (bade Wlmllelf7 For your convenience The Greenbelt Hom• IDe. board of cllrectorw voted COI'JICiN'" Open Tues., Wed., Sat. 9 to 8 New Parking Lot In the tiea employees a IOI'ely needed and JoDg a'ftftecl pay mer.. Ill& Thlll'8., Fri. 9 to 9 'l'hunday night The pay hike, which will fatteD ........ ~ rear of Co-op Supenna.rket. .Jltws Btuitw ber 13 pay checb by 8D average ailS tile 1lciMd, perc8at ... CLOSED MONDAYS Space for 120 cars. wu the out,rowth of a nceat 8UrYeY CClllllaet.cl bJ eorpntila management ezpert NatiiUa SbiDdermu. - · , · Volume 27, Number 51 GREENBELT, MARYLAND Permanents $8.50 and Up Thlll'llday, November 21; 1963 Sbfndei'IIWI, wbo bu lhlee be- BONELESS ROUND come a GHI directDr, bad recom- re&IOil for ft. Nllmftl' C.ouncil Handles 2~ Item Agenda, WHAT GOES ON mendecl tbe euti~-Ji¥ lltraGtuN of.. __!_Qefem!4 .ICtlaD ~__L_:ncll!l!t­ 'lbahctay, N~ !1, 7:SO p.m. the corporation be revamped illont 1DeJ1C1at1on 'to hire AD ............f!w Haryland Deer Hunters Informa­ linea almilar to that of the Federal a.alltant. Kaaapr Bzube&n cJe.. c tion alnlc, Youth Center government. clared that be · needed GREENBELT BARBER SHOP Approves Zoning FJr Offices a1tbouch lb. Friday, Nowrnber !!, 8 p.m. The increase will brm. GHI wa- help badly, he felt tile pay b-e for 141 Centerway by Charles T. McDcmald Men's Basketball Lea&'Ue a well attended meeting on Monday, November 18, Green­ gea tc:i a level comparable to that of GHI emplOJM* WU tar more ba­ Near Post Office and Co-op ~ 8:80, Duplicate Bridge, Hospital· ted portant at thl.l time, and llllld be STEAK eral workers In lfmllar pay could get aJc)q without an aalltant belt C1ty Council ~andled a 22-item agenda and adjourned at 11:15 ity Room grades after they have received the for a wblle.
    [Show full text]
  • 25 Years of Eastenders – but Who Is the Best Loved Character? Submitted By: 10 Yetis PR and Marketing Wednesday, 17 February 2010
    25 years of Eastenders – but who is the best loved character? Submitted by: 10 Yetis PR and Marketing Wednesday, 17 February 2010 More than 2,300 members of the public were asked to vote for the Eastenders character they’d most like to share a takeaway with – with Alfie Moon, played by actor Shane Ritchie, topping the list of most loved characters. Janine Butcher is the most hated character from the last 25 years, with three quarters of the public admitting they disliked her. Friday marks the 25th anniversary of popular British soap Eastenders, with a half hour live special episode. To commemorate the occasion, the UK’s leading takeaway website www.Just-Eat.co.uk (http://www.just-eat.co.uk) asked 2,310 members of the public to list the character they’d most like to ‘have a takeaway with’, in the style of the age old ‘who would you invite to a dinner party’ question. When asked the multi-answer question, “Which Eastenders characters from the last 25 years would you most like to share a takeaway meal with?’, Shane Richie’s Alfie Moon, who first appeared in 2002 topped the poll with 42% of votes. The study was entirely hypothetical, and as such included characters which may no longer be alive. Wellard, primarily owned by Robbie Jackson and Gus Smith was introduced to the show in 1994, and ranked as the 5th most popular character to share a takeaway with. 1.Alfie Moon – 42% 2.Kat Slater – 36% 3.Nigel Bates – 34% 4.Grant Mitchell – 33% 5.Wellard the Dog – 30% 6.Peggy Mitchell – 29% 7.Arthur Fowler – 26% 8.Dot Cotton – 25% 9.Ethyl Skinner – 22% 10.Pat Butcher – 20% The poll also asked respondents to list the characters they loved to hate, with Janine Butcher, who has been portrayed by Rebecca Michael, Alexia Demetriou and most recently Charlie Brooks topping the list of the soaps most hated, with nearly three quarters of the public saying listing her as their least favourite character.
    [Show full text]
  • Film Club Sky 328 Newsletter Freesat 306 MAY/JUNE 2020 Virgin 445
    Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping as usual that you are all safe and well in these troubled times. Our cinema doors are still well and truly open, I’m pleased to say, the channel has been transmitting 24 hours a day 7 days a week on air with a number of premières for you all and orders have been posted out to you all every day as normal. It’s looking like a difficult few months ahead with lack of advertising on the channel, as you all know it’s the adverts that help us pay for the channel to be transmitted to you all for free and without them it’s very difficult. But we are confident we can get over the next few months. All we ask is that you keep on spreading the word about the channel in any way you can. Our audiences are strong with 4 million viewers per week , but it’s spreading the word that’s going to help us get over this. Can you believe it Talking Pictures TV is FIVE Years Old later this month?! There’s some very interesting selections in this months newsletter. Firstly, a terrific deal on The Humphrey Jennings Collections – one of Britain’s greatest filmmakers. I know lots of you have enjoyed the shorts from the Imperial War Museum archive that we have brought to Talking Pictures and a selection of these can be found on these DVD collections.
    [Show full text]
  • Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
    Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'.
    [Show full text]
  • Collectors Club Special Price List
    LEGEND PRODUCTS CLUB MEMBER'S ONLY 2003 Collector's Club Price List & Order Form Please tick any item and mail it to us MY CLUB MEMBER NO.IS Customer Name: Customer Address Order Date: Delivery Date Req The 'Roost' 1 garden Villas, Cefn Y Bedd, Wrexham LL12 9UT.UK TEL(44) (0)1978 760800 SPECIAL COLLECTORS CLUB PAINTINGS Description Price Each £ Qty. Ordered Description Qty .Ordered Price Each £ ARTFUL DODGER 19.00 CLEOPATRA BLACK/GOLD/ 19.00 FAGIN 19.00 POPE JOHN PAUL ALL GOLD 30.00 PICKWICK 19.00 WI. SHAKESPEARE GREEN/GOLD 19.00 SAIRY GAMP 19.00 THE COOK GREEN/WHITE 19.00 BILL SYKES 19.00 CHR'S. COLUMBAS white/gold 19.00 BUMBLES 19.00 GULF WAR VETERAN 19.00 CLOWN 1 19.00 CLOWN 2 19.00 CLOWN 3 19.00 CLUB SPECIAL MODELS 6" pieces CLOWN 4 19.00 ROBINSON CRUSOE 22.50 CLOWN 5 19.00 HUCK FINN 19.00 CLOWN 6 19.00 SEAFARER CRIMSON /GREY 19.00 CLOWN 7 19.00 DICK TURPIN 19.00 CLOWN 8 19.00 ROBERT BURNS BLACK /SILVER 19.00 LENA 19.00 80.00 LOUIS 19.00 American history BRIGAND 19.00 NAVAJO WITH WAR PAINT 19.00 BEDOUIN 19.00 CRAZY HORSE & WAR PAINT 19.00 AFGHAN 19.00 SITTING BULL & WAR PAINT 19.00 INDIAN PRINCE 19.00 WESTERNER BLUE &YELLOW 19.00 AHMED 19.00 SIKH 19.00 MEXICAN 19.00 Larger 7" & 8" pieces LIMITED EDITIONS MARK ANTHONY7" PURPLE/GOLD 22.50 No 105 JACK CARDS 26.00 THE JUDGE GREY/WHITE 8" 32.50 No 106 QUEEN CARDS 26.00 No 107 KING CARDS 26.00 BARBARY BUCCANEER (DOUBLE) 35.00 EASTERN HAWK (DOUBLE) 35.00 KING ARTHUR 29.00 ROMANY ROGUE (DOUBLE) 35.00 QUEEN GUINEVERE 29.00 THE INDIAN HORSEMAN (DOUBLE) 35.00 MERLIN THE MAGICIAN 29.00 LEGEND SPECIAL 250 80.00 ORONATION ST.
    [Show full text]
  • Mention the War: British Sitcoms and Military Masculinity
    93 ANETTE PANKRATZ Mention the War: British Sitcoms and Military Masculinity 1. Introduction "Military virtues such as aggression, strength, courage and endurance have repeatedly been defined as the natural and inherent qualities of manhood" and "the soldier has become the quintessential figure of masculinity" (Dawson 1994, 1; cf. Braun 1996, 180; Connell 2005, 73, 213). Despite the assertive tone of these statements, military masculinity is fraught with contradictions and paradoxes. Soldiering, especially the killing of people in combat, can be seen as morally ambiguous (Braun 1996, 180). More importantly, the ideal type of military masculinity can never be reached and is enmeshed in a "dense web of double binds" (Belkin 2012, 4), that is, in disciplinary rituals that address soldiers as "girls" or "poofs" or in exercises that infantilise and feminise them (Belkin 2012, 33). Since the abolishment of National Service in 1961, serving in the army has become a very specialised occupation for a minority of the population in Britain and the warrior hero has been superseded by figures such as the "entrepreneurial individual" (Connell 2005, 254). (British) situation comedies featuring soldiers, from The Army Game (ITV, 1957- 1966) to Bluestone 42 (BBC, 2013-2015), broach this field of tensions with comic intent. They operate with incongruity between the exemplary figure of the warrior hero and its real-life performance, either by turning the norm upside down or by exaggerating and stereotyping it. The implicit juxtaposition of the ideal and its comic Other also puts into play different versions of masculinity, from the anxiously overt or the supposedly 'normal' to the deficient or explicitly dissident.
    [Show full text]
  • Report Title Here Month Here
    Alcohol & Soaps Drinkaware Media Analysis September 2010 © 2010 Kantar Media 1 CONTENTS •Introduction 3 •Executive Summary 5 •Topline results 7 •Coronation Street 16 •Eastenders 23 •Emmerdale 30 •Hollyoaks 37 •Appendix 44 Please use hyperlinks to quickly navigate this document. © 2010 Kantar Media 2 INTRODUCTION •Kantar Media Precis was commissioned to conduct research to analyse the portrayal of alcohol and tea in the four top British soap operas aired on non-satellite television, Coronation Street, Eastenders, Emmerdale and Hollyoaks. The research objectives were as follows: •To explore the frequency of alcohol use on British soaps aired on non-satellite UK television •To investigate the positive and negative portrayal of alcohol •To explore the percentage of interactions that involve alcohol •To explore the percentage of each episode that involves alcohol •To assess how many characters drink over daily guidelines •To explore the relationship between alcohol and the characters who regularly/excessively consume alcohol •To look further into the link between the location of alcohol consumption and the consequences depicted •To identify and analyse the repercussions, if any, of excessive alcohol consumption shown •To explore the frequency of tea use on British soaps aired on non-satellite UK television •Six weeks of footage was collected for each programme from 26th July to 6th September 2010 and analysed for verbal and visual instances of alcohol and tea. •In total 21.5 hours was collected and analysed for Emmerdale, 15.5 hours for Coronation Street, 15.5 hours for Hollyoaks and 13 hours for Eastenders. © 2010 Kantar Media 3 INTRODUCTION cont. •A coding sheet was formulated in conjunction with Drinkaware before the footage was analysed which enabled us to track different types of beverages and their size (e.g.
    [Show full text]