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Good Practice for Children's Sport in Ireland, June 1996
Code of ethics and good practice for children's sport in Ireland, June 1996. Item Type Report Authors Government of Ireland. Citation Government of Ireland. 1996. Code of ethics and good practice for children's sport in Ireland, June 1996. Dublin: Government of Ireland. Publisher Government Publicatons. Download date 29/09/2021 04:07:56 Link to Item http://hdl.handle.net/10147/575231 Find this and similar works at - http://www.lenus.ie/hse CODE OF ETHICS and· GOOD PRACTICE for children's sport in Ireland June 1996 CODE OF ETHICS and GOOD PRACTICE for children's sport In Ireland Le ceannach direach on OIFIG DHfOLTA FOILSEACHAN RIALTAlS, TEACH SUN ALLIANCE, SAAID THEACH LAIGHEAN, BAllE A THA CllATH 2, n6 trid an bpost 6 FOILSEACHAIN RIAlTAIS, AN RANNOG POST-rRACHTA, 4 - 5 OOTHAR FHEARCHAlR, BAILE A THA CllATH 2, ITeil: 01 - 66131] 1 - to-line 4040/4045; Fax: 01 - 4752760) n6 tri aon diolt6ir leabhar. To be purchased directly from the GOVERNMENT PUBLICATIONS SALE OFFICE, SUN ALLIANCE HOUSE, MOLESWORTH STREET, DUBLIN 2, or by mail order' from GOVERNMENT PUBLICATIONS, POSTAL TRADE SECTION, 4 - 5 HARCOURT ROAD, DUBLIN 2, (Tel, 01 - 66131Il - ext. 4040/4045; FaX' OI - 4752760) or through I any bookseller. PRICE £2.00 © Government of Ireland 1996 Design and typesetting: Irish Uthoprint. Printing: Cahill Printers Ltd, I. J CODE OF ETHICS & GOOD PRACTICE FOR CHILDREN'S SPORT IN IRELAND b CONTENTS FOREWORD BY MR BERNARD ALLEN, TO, MINISTER FOR SPORT AND YOUTH AFFAIRS 3 INTRODUCTION BY DR BREDA McLEAVEY, CHAIRPERSON, CODE OF ETHICS AND GOOD PRACTICE COMMITTEE 4 MEMBERS OF THE COMMITTEE 5 THE NEED FOR A CODE OF ETHICS AND GOOD PRACTICE FOR CHILDREN'S SPORT 6 1. -
Investec Economic Research Commissioned by the Federation of Irish Sport
Investec Economic Research commissioned by the Federation of Irish Sport Economics An Assessment of the Economic Benefits of Sport in Ireland The Federation of Irish Sport is the representative organisation for the National Governing Bodies of Sport (NGBs) and Local Sports Partnerships (LSPs) in Ireland. Our membership consists of over 100 NGBs and LSPs from every corner of the country. Our vision is to provide a dynamic and effective voice for Irish sport, promoting the value of sport to Ireland while providing outstanding representation and services to members. As governing bodies, our members’ priorities lie with their sport. Therefore, our job is to communicate their views regarding the benefits of sport in areas such as personal health/wellbeing, the economy and society as a whole. We are the ‘Voice of Irish Sport’ Federation of Irish Sport Members Angling Council of Ireland | Archery Ireland Athletics Ireland | Badminton Ireland | Basketball Ireland | Baton Twirling Sport Association of Ireland | Bol Chumann na hEireann (Irish Road Bowling Association) | CARA |The Camogie Association | Canoe Ireland | Comhairle Liathróid Láimhe Na hÉireann (GAA Handball) Cricket Ireland | Croquet Association of Ireland | Cycling Ireland Football Association of Ireland | GAA | Olympics Federation of Ireland | Irish Wheelchair Association – Sport | Paralympics Ireland | Irish Kidney Association | Student Sport Ireland | Deaf Sports Ireland |Special Olympics Ireland | Golfing Union of Ireland | Gymnastics Ireland | Horse Sport Ireland | Horseshoe Pitchers -
The Great War in Irish Poetry
Durham E-Theses Creation from conict: The Great War in Irish poetry Brearton, Frances Elizabeth How to cite: Brearton, Frances Elizabeth (1998) Creation from conict: The Great War in Irish poetry, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5042/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Creation from Conflict: The Great War in Irish Poetry The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. Frances Elizabeth Brearton Thesis submitted for the degree of Ph.D Department of English Studies University of Durham January 1998 12 HAY 1998 ABSTRACT This thesis explores the impact of the First World War on the imaginations of six poets - W.B. -
![[Jargon Society]](https://docslib.b-cdn.net/cover/3505/jargon-society-283505.webp)
[Jargon Society]
OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book. -
SNL05-NLI WINTER 06.Indd
NEWS Number 26: Winter 2006 2006 marked the centenary of the death of the Norwegian poet and playwright Henrik Ibsen. In September, the Library, along with cultural institutions in many countries around the world participated in the international centenary celebration of this hugely influential writer with a number of Ibsen-related events including Portraits of Ibsen, an exhibition of a series of 46 oil paintings by Haakon Gullvaag, one of Norway’s leading contemporary artists, and Writers in Conversation an event held in the Library’s Seminar Room at which RTÉ broadcaster Myles Dungan interviewed the acclaimed Norwegian writer Lars Saabye Christensen. During both September and October, the Library hosted a series of lunchtime readings by the Dublin Lyric Players exploring themes in Ibsen’s writings, and drawing on his Leabharlann Náisiúnta na hÉireann poetry and prose as well as his plays. A series of lunchtime lectures looked at Ibsen’s influence on Irish writers and his impact upon aspects of the Irish Revival. National Library of Ireland The Portraits of Ibsen exhibition coincided with the 4-day State Visit to Ireland by Their Majesties King Harald V and Queen Sonja of Norway. On 19 September, Her Majesty Queen Sonja visited the Library to officially open the Portraits of Ibsen NUACHT exhibition, to visit Yeats: the life and works of William Butler Yeats and also to view a number of Ibsen-related exhibits from the Library’s collections; these included The Quintessence of Ibsenism by George Bernard Shaw (1891), Ibsen’s New Drama by James Joyce (1900); Padraic Colum’s copy of the Prose Dramas of Ibsen, given as a gift to WB Yeats, and various playbills for Dublin performances of Ibsen. -
W. B. Yeats Selected Poems
W. B. Yeats Selected Poems Compiled by Emma Laybourn 2018 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Cover picture shows Ben Bulben, County Sligo, Ireland. Contents To return to the Contents list at any time, click on the arrow ↑ before each poem. Introduction From The Wanderings of Oisin and other poems (1889) The Song of the Happy Shepherd The Indian upon God The Indian to his Love The Stolen Child Down by the Salley Gardens The Ballad of Moll Magee The Wanderings of Oisin (extracts) From The Rose (1893) To the Rose upon the Rood of Time Fergus and the Druid The Rose of the World The Rose of Battle A Faery Song The Lake Isle of Innisfree The Sorrow of Love When You are Old Who goes with Fergus? The Man who dreamed of Faeryland The Ballad of Father Gilligan The Two Trees From The Wind Among the Reeds (1899) The Lover tells of the Rose in his Heart The Host of the Air The Unappeasable Host The Song of Wandering Aengus The Lover mourns for the Loss of Love He mourns for the Change that has come upon Him and his Beloved, and longs for the End of the World He remembers Forgotten Beauty The Cap and Bells The Valley of the Black Pig The Secret Rose The Travail of Passion The Poet pleads with the Elemental Powers He wishes his Beloved were Dead He wishes for the Cloths of Heaven From In the Seven Woods (1904) In the Seven Woods The Folly of being Comforted Never Give All the Heart The Withering of the Boughs Adam’s Curse Red Hanrahan’s Song about Ireland -
Development in Yeats's Use of the Refrain in Ballads and Folk Title Songs in "Beggar to Beggar Cried," "The Rose Tree,"And "Three Things
Development in Yeats's Use of the Refrain in Ballads and Folk Title Songs in "Beggar to Beggar Cried," "The Rose Tree,"and "Three Things Author(s) Nishitani, Mariko Citation Zephyr (2014), 26: 1-18 Issue Date 2014-03-31 URL https://doi.org/10.14989/189398 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University Development in Yeats’s Use of the Refrain in Ballads and Folk Songs in “Beggar to Beggar Cried,” “The Rose Tree,” and “Three Things” Mariko Nishitani Introduction Yeats used the refrain throughout his lifetime and developed its functions at different stages in his career. Although the refrain was an important device for him in many senses, with some exceptions, he rarely referred to it in his prose. The following is one of these exceptions. Here, he explains how a simple repetitive phrase invites an audience to participate in a performance of poetry: In a short poem he [the reciter] may interrupt the narrative with a burden, which the audience will soon learn to sing, and this burden, because it is repeated and need not tell a story to a first hearing, can have a more elaborate musical notation, can go nearer to ordinary song…. (The Irish Dramatic Movement p. 103) The quotation refers to two important aspects of the refrain that would have occupied his mind at that time. First, the refrain in ballads and songs has been associated with establishing a cooperative relationship between a singer and his audience, as well as a sense of unity the singer may share with a singing audience. -
Symbolism in the Poetry of William Butler Yeats Alana White Western Kentucky University
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 5-1-1972 Symbolism in the Poetry of William Butler Yeats Alana White Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the English Language and Literature Commons Recommended Citation White, Alana, "Symbolism in the Poetry of William Butler Yeats" (1972). Masters Theses & Specialist Projects. Paper 1035. http://digitalcommons.wku.edu/theses/1035 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. SYMBOLISM IN THE POETRY OF WILLIAM BUTLER YEATS A Thesis Presented to the Faculty of the Department of English Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment of the Requirements for the Degree Master of Arts Alana J. White May 1972 SYMBOLISM IN THE POETRY OF WILLIAM BUTLER YEATS APPROVED (Date) DlFectojb of Thesis t Dean of the Graduate School I wish to dedicate this thesis to Dr. William McMahon and Dr. Dorothy McMahon for the kind assistance they have given me in this project and in other ways as well. iii TABLE OF CONTENTS Page PREFACE 1 Chapter I. ' THE DEVELOPMENT OF A SYMBOLIC SYSTEM . 3 II. THE ROSE AND THE STONE AS SYMBOLS . 20 III. THE ROSE OF THE COUNTESS KATHLEEN AND VARIOUS LEGENDS AND LYRICS AND .THE WIND AMONG THE REEDS 32 IV. YEATS'S OBJECTIVITY THROUGH THE ROSE AND THE STONE 57 BIBLIOGRAPHY 101 lv PREFACE This thesis is a study of the development of the symbolic system formulated by William Butler Yeats and his subsequent application of this system to his poetry, with special attention to the rose and the stone. -
TUNE BOOK Kingston Irish Slow Session
Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected]. -
PAPERS of SÉAMUS DE BÚRCA (James Bourke)
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 74 PAPERS OF SÉAMUS DE BÚRCA (James Bourke) (MSS 34,396-34,398, 39,122-39,201, 39,203-39,222) (Accession Nos. 4778 and 5862) Papers of the playwright Séamus De Búrca and records of the firm of theatrical costumiers P.J. Bourke Compiled by Peter Kenny, Assistant Keeper, 2003-2004 Contents INTRODUCTION 12 The Papers 12 Séamus De Búrca (1912-2002) 12 Bibliography 12 I Papers of Séamus De Búrca 13 I.i Plays by De Búrca 13 I.i.1 Alfred the Great 13 I.i.2 The Boys and Girls are Gone 13 I.i.3 Discoveries (Revue) 13 I.i.4 The Garden of Eden 13 I.i.5 The End of Mrs. Oblong 13 I.i.6 Family Album 14 I.i.7 Find the Island 14 I.i.8 The Garden of Eden 14 I.i.9 Handy Andy 14 I.i.10 The Intruders 14 I.i.11 Kathleen Mavourneen 15 I.i.12 Kevin Barry 15 I.i.13 Knocknagow 15 I.i.14 Limpid River 15 I.i.15 Making Millions 16 I.i.16 The March of Freedom 16 I.i.17 Mrs. Howard’s Husband 16 I.i.18 New Houses 16 I.i.19 New York Sojourn 16 I.i.20 A Tale of Two Cities 17 I.i.21 Thomas Davis 17 I.i.22 Through the Keyhole 17 I.i.23 [Various] 17 I.i.24 [Untitled] 17 I.i.25 [Juvenalia] 17 I.ii Miscellaneous notebooks 17 I.iii Papers relating to Brendan and Dominic Behan 18 I.iv Papers relating to Peadar Kearney 19 I.v Papers relating to Queen’s Theatre, Dublin 22 I.vi Essays, articles, stories, etc. -
Sport Matters 2017
IRISH SPORT DOES MATTER The Federation of Irish Sport is the representative body for Ireland’s National Sporting Organisations and the country’s 28 Local Sports Partnerships (LSP’s). The Federation works on behalf of its members to create a greater awareness of the importance of sport across a wide number of areas including health, business, tourism, community, diversity and the economy. Membership is comprised of : NGB’s LSP’s • Angling Council of Ireland • Irish Rugby Football Union • Carlow Sports Partnership • Archery Ireland • Irish Sailing Association • Cavan Sports Partnership • Athletics Ireland • Irish Squash • Clare Sports Partnership • Australian Rules Football League of Ireland • Irish Surfing • Cork Sports Partnership • Badminton Ireland • Irish Taekwondo Union • Donegal Sports Partnership • Basketball Ireland • Irish Ten Pin Bowling Association • Dublin City Sport and Wellbeing Partnership • Baton Twirling Association of Ireland • Irish Tug of War Association • Dun Laoghaire-Rathdown Sports Partnership • Bol Chumann na hEireann • Irish Underwater Council • Fingal Sports Partnership • Bowling League of Ireland • Irish Water Safety • Kerry Recreation and Sports Partnership • Canoeing Ireland • Irish Waterski and Wakeboard Federation • Kildare Sports Partnership • Comhairle Liathróid Láimhe na hÉireann • Irish Wheelchair Association • Kilkenny Recreation and Sports Partnership • Cricket Ireland • Ladies Gaelic Football Association • Laois Sports Partnership • Croquet Association of Ireland • Motor Cycling Ireland • Leitrim -
Study on Sports Agents in the European Union
STUDY ON SPORTS AGENTS IN THE EUROPEAN UNION A study commissioned by the European Commission (Directorate-General for Education and Culture) November 2009 KEA – CDES – EOSE: Study on sports agents in the European Union 2 KEA – CDES – EOSE: Study on sports agents in the European Union EXECUTIVE SUMMARY I. Overview of the study In March 2007, the European Parliament invited the European Commission to assist football bodies and organisations in improving the regulations governing sports agents 1. In July 2007, the European Commission indicated in its White Paper on Sport 2 that it would “ carry out an impact assessment to provide a clear overview of the activities of players’ agents in the EU and an evaluation of whether action at EU level is necessary, which will also analyse the different possible options ”. The European Commission’s terms of reference for this study confirm that the European Commission “ wants to have an analysis of the situation regarding sports agents in all the sports they deal with”. The aim of the study is therefore to examine the situation of sports agents in the European Union and to identify, analyse and describe the questions that their activities give rise to as well as the solutions that have already been provided by public and/or private actors, thus enabling the European Commission to assess – on the basis of the data collected, the problems identified and the analyses carried out – whether intervention is required and, if so, at what level and in what form. The study develops, for the first time, a European outlook on the issue of sports agents.