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Mythic Collection, LLC Form 253G1 Filed 2021-06-09
SECURITIES AND EXCHANGE COMMISSION FORM 253G1 Filing Date: 2021-06-09 SEC Accession No. 0001477932-21-003906 (HTML Version on secdatabase.com) FILER Mythic Collection, LLC Mailing Address Business Address 16 LAGOON CT. 16 LAGOON CT. CIK:1773026| IRS No.: 833427237 | State of Incorp.:DE | Fiscal Year End: 1231 SAN RAFAEL CA 94903 SAN RAFAEL CA 94903 Type: 253G1 | Act: 33 | File No.: 024-10983 | Film No.: 211003855 415-335-6370 SIC: 5900 Miscellaneous retail Copyright © 2021 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Filed pursuant to Rule 253(g)(1) File No. 024-10983 OFFERING CIRCULAR DATED MAY 24, 2021 MYTHIC COLLECTION, LLC 16 LAGOON CT, SAN RAFAEL, CA 94903 (415-335-6370) Telephone Number www.mythicmarkets.com Best Efforts Offering of Series Membership interests Mythic Collection, LLC (“we,” “us,” “our,” “Mythic Collection” or the “Company”) is a Delaware series limited liability company whose core business is the identification, acquisition, marketing and management of vintage comic books, collectible cards and fantasy art. The Company is offering, on a best efforts basis, membership interests in each of the series of the Company listed in the “Series Offering Table” beginning on page 1 of this offering circular. All of the series of our company being offered may collectively be referred to in this offering circular as the “series” and each, individually, as a “series.” The interests of all series may collectively be referred to in this offering circular as the “interests” and each, individually, as an “interest” and the offerings of the interests may collectively be referred to in this offering circular as the “offerings” and each, individually, as an “offering.” See “Securities Being Offered” for additional information regarding the interests. -
The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. -
Mythic Collection, LLC Form 1-A POS Filed 2021-05
SECURITIES AND EXCHANGE COMMISSION FORM 1-A POS Filing Date: 2021-05-10 SEC Accession No. 0001477932-21-002961 (HTML Version on secdatabase.com) FILER Mythic Collection, LLC Mailing Address Business Address 16 LAGOON CT. 16 LAGOON CT. CIK:1773026| IRS No.: 833427237 | State of Incorp.:DE | Fiscal Year End: 1231 SAN RAFAEL CA 94903 SAN RAFAEL CA 94903 Type: 1-A POS | Act: 33 | File No.: 024-10983 | Film No.: 21905554 415-335-6370 SIC: 5900 Miscellaneous retail Copyright © 2021 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document POST QUALIFICATION AMENDMENT TO OFFERING STATEMENT EXPLANATORY NOTE This is a post-qualification amendment no. 4 to an offering statement on Form 1-A originally filed by Mythic Collection, LLC (the “Company”) with the U.S. Securities and Exchange Commission (the “SEC”) on July 31, 2019 and qualified by the SEC on August 5, 2019. The original offering statement was amended by post-qualification amendment no. 1, filed with the SEC on December 13, 2019 and qualified on April 28, 2020, post-qualification amendment no. 2, filed with the SEC on June 30, 2020 and qualified on July 20, 2020, and post-qualification amendment no. 3, initially filed with the SEC on January 7, 2021 and qualified on January 14, 2021. The purpose of this post-qualification amendment is to add to the offering circular contained within the offering statement, as amended and qualified, the audited financial statements of the Company for the year ended December 31, 2020, and to amend, update and/or replace certain information contained in the offering circular. -
Distinguishing Literal from Metaphorical Depictions of Exaggerated Size
Journal of the Indiana Academy of the Social Sciences Volume 21 Issue 1 Article 41 2018 Structural and Contextual Frameworks: Distinguishing Literal from Metaphorical Depictions of Exaggerated Size Christopher A. Crawford Indiana University South Bend Igor Juricevic Indiana University South Bend Follow this and additional works at: https://digitalcommons.butler.edu/jiass Recommended Citation Crawford, Christopher A. and Juricevic, Igor (2018) "Structural and Contextual Frameworks: Distinguishing Literal from Metaphorical Depictions of Exaggerated Size," Journal of the Indiana Academy of the Social Sciences: Vol. 21 : Iss. 1 , Article 41. Retrieved from: https://digitalcommons.butler.edu/jiass/vol21/iss1/41 This Article is brought to you for free and open access by Digital Commons @ Butler University. It has been accepted for inclusion in Journal of the Indiana Academy of the Social Sciences by an authorized editor of Digital Commons @ Butler University. For more information, please contact [email protected]. Structural and Contextual Frameworks: Distinguishing Literal from Metaphorical Depictions of Exaggerated Size* CHRISTOPHER A. CRAWFORD Indiana University South Bend IGOR JURICEVIC Indiana University South Bend ABSTRACT In 2016, the authors proposed the Contextual Framework and Structural Framework for understanding pictorial metaphors. These two dichotomous frameworks are especially useful for assessing the apprehension by viewers of pictorial devices that can be used either literally or metaphorically. One such pictorial device is exaggerated size—that is, depicting objects as being overly large. This pictorial device can be used metaphorically (e.g., to indicate importance) or literally (e.g., to depict a giant). We analyze three comic book covers from the Silver Age of American comic books using both frameworks to illustrate how observers distinguish metaphoric pictorial devices from literal ones. -
Alter Ego #78 Trial Cover
Roy Tho mas ’Merry Marble WHO SAAYSS A COOMMIICC BOOOKK Comics Fan zine HAS TO BEE GOODD?? NNOOTT MMIIRTTHHFFUULL MARIE SEVVEERI N—ANND $7.95 NOT BRAND In the USA ECHH! TM No.95 July 2010 . c n I , ; . s r c e n t I c , a s r r a e t h c C a r l a e h v r C a l e M v f r o a ; k n M i r r a 0 e v 1 m e 0 e S 2 d a e © r i t r a & a M s i M 0 T h 1 s h 0 c e 2 E o r © d e t n h r a l a r e r B v e r t a h o t N o M PLUS: 7 0 5 3 6 7 7 2 8 5 6 2 8 1 Edited by ROY THOMAS The greatest ‘zine of the 1960s is back, ALL-NEW , and focusing on ITAL ITAL ITAL GOLDEN AND SILVER DIGDITION DIGDITION DIGDITION E BLE E BLE E BLE AGE comics and creators with ARTICLES, AVAILA AVAILA AVAILA INTERVIEWS, UNSEEN ART, P.C. Hamerlinck’s FCA (Fawcett Collectors of America, featuring ALTER EGO #80 ALTER EGO #81 ALTER EGO #82 the archives of C.C. BECK and recollections by SWORD-AND-SORCERY COMICS! Learn New FRANK BRUNNER Man-Thing cover, a MLJ ISSUE! Golden Age MLJ index Fawcett artist MARCUS SWAYZE ), Michael T. about Crom the Barbarian, Viking Prince, look at the late-’60s horror comic WEB OF illustrated with vintage images of The Gilbert’s MR. -
PALGRAVE STUDIES in COMICS and GRAPHIC NOVELS Series Editor: Roger Sabin
PALGRAVE STUDIES IN COMICS AND GRAPHIC NOVELS Series Editor: Roger Sabin LONE HEROES AND THE MYTH OF THE AMERICAN WEST IN COMIC BOOKS, 1945–1962 David Huxley Palgrave Studies in Comics and Graphic Novels Series Editor Roger Sabin University of the Arts London London, UK This series concerns Comics Studies—with a capital “c” and a capital “s.” It feels good to write it that way. From emerging as a fringe interest within Literature and Media/Cultural Studies departments, to becoming a minor field, to maturing into the fastest growing field in the Humanities, to becoming a nascent discipline, the journey has been a hard but spectacular one. Those capital letters have been earned. Palgrave Studies in Comics and Graphic Novels covers all aspects of the comic strip, comic book, and graphic novel, explored through clear and informative texts offering expansive coverage and theoretical sophistica- tion. It is international in scope and provides a space in which scholars from all backgrounds can present new thinking about politics, history, aesthetics, production, distribution, and reception as well as the digital realm. Books appear in one of two forms: traditional monographs of 60,000 to 90,000 words and shorter works (Palgrave Pivots) of 20,000 to 50,000 words. All are rigorously peer-reviewed. Palgrave Pivots include new takes on theory, concise histories, and—not least—considered provo- cations. After all, Comics Studies may have come a long way, but it can’t progress without a little prodding. Series Editor Roger Sabin is Professor of Popular Culture at the University of the Arts London, UK. -
Read Ebook {PDF EPUB} the Ghost Rider by Dick Ayers the Ghost Rider 1 2 3 4 5 6 7 Complete Series 1967
Read Ebook {PDF EPUB} The Ghost Rider by Dick Ayers The Ghost Rider 1 2 3 4 5 6 7 Complete Series 1967. The Ghost Roder #1, 2, 3, 4, 5, 6, 7 UngradedComplete SerisIst Phantom Rider by Dick Ayers (1967) All comice come complete with board and bagged from a smoke free home. If you have questions please don’t hesitate to contact me. Thank you for stopping by. Similar items. The Ghost Rider 1 2 3 4 5 6 7 Complete Series 1st Phantom Rider 1967 Dick Ayers. The Ghost Rider 1 2 3 4 5 6 7 Complete Series 1st Phantom Rider 1967 Dick Ayers. Cosmic Ghost Rider 1 2 3 4 5 (marvel, 2018) All Ghost Rider 1 2 3 4 5 6 7 8 9 10 11 12 1st Robbie Reyes 1 - 3, What If. Cosmic Ghost Rider 1, 2, 3, 4, 5 (first Prints, Vf, ) Donny Cates, Burnett. Ghost Rider (1967 Marvel Western) comic books. Origin and first appearance of Ghost Rider (Carter Slade) and his horse Banshee in "The Origin of the Ghost Rider," script by Gary Friedrich, Roy Thomas, and Dick Ayers (plot), pencils by Dick Ayers, inks by Vince Colletta; School teacher Carter Slade was making his way to Bison Bend, Montana, to become the teacher for the new school built by newly settled homesteaders looking to build a home. Upon his arrival, however, he witnessed an attack by Indians; Slade put up a good fight but was outnumbered; Flaming Star treated Slade's wounds and pleaded to the gods for days to spare the life of the white man; Finally, on the Eighth day, Slade awoke which prompted Flaming Star to proclaim him the chosen one that had been revealed in prophecy that would become a powerful warrior, a living legend called "He Who Rides the Night Winds." Also a 6 page Kid Colt reprint, "The Menace of the Mask Maker!", script by Stan Lee, art by Jack Keller; A mask maker frames Kid Colt for a crime; originally presented in Kid Colt Outlaw # 105 (07/1962). -
Click Above for a Preview, Or Download
J A C K K I R B Y C O L L E C T O R F O R T Y - S E V E N $ 9 I N 9 T H E 5 U S All characters TM & ©2006 Marvel Characters, Inc. Contents THE NEW Kirby’s SUPER TEAMS! OPENING SHOT / UNDER THE COVERS . 2 (let’s give the editor a break) UNCOVERED . 3 ISSUE #47, FALL 2006 Collector (a never-seen DC team-up plot) INNERVIEW . 4 (Kirby in Cleveland) UPSTARTS . 6 (the evolution of Kirby’s teams) GALLERY 1 . 10 (super-team pencils!) JACK F.A.Q. s . 18 (Mark Evanier may have laid to rest the mystery of FF #1’s inker) REIMAGINEERS . 22 (the Eternal John Romita Jr. speaks) KIRBY OBSCURA . 24 (Barry Forshaw claws his way through a monstrously funny look at obscure Kirby work) FOUNDATIONS . 26 (a complete reprint of the first Boy Explorers story from 1946!) NOVEL APPROACHES . 33 (author Jonathan Lethem has a lot to say about Kirby) MUSEUM PAGE . 41 (visit & join www.kirbymuseum.org) KIRBY AS A GENRE . 42 (Adam McGovern gets dramatic...) ORIGINS . 44 (secrets of the Fantastic Four) ACCOLADES . 46 (Kirby Award winner Marty Lasick on knowing Jack and Roz) INCIDENTAL ICONOGRAPHY . 49 (Charlie? Herbie? Z-Z-1-2-3? We’re so confused...) GALLERY 2 . 50 (gorgeous storyboards from the 1978 FF animated series) FOURGROUND . 74 (a very family-friendly look at the FF) COLLECTOR COMMENTS . 78 PARTING SHOT . 80 (the fabulous Fifties live again!) Front cover inks: JACK KIRBY Back cover inks: MIKE ROYER Cover colors: TOM ZIUKO COPYRIGHTS: 3-D Man, Avengers, Captain America, Crystal, Dr. -
TCC Lucas Rosa 2017.Pdf
CAMPUS BAGÉ LICENCIATURA EM LETRAS LÍNGUA PORTUGUESA E RESPECTIVAS LITERATURAS TRABALHO DE CONCLUSÃO DE CURSO LUCAS FREITAS DA ROSA FUNDAMENTOS PARA UM ESTUDO DO SUPER-HERÓI NAS HISTÓRIAS EM QUADRINHOS: O DESENVOLVIMENTO DA TEMÁTICA E DO PROTAGONISMO SOBRE-HUMANO ATRAVÉS DE UM ESTUDO DE CASO DA MAXISSÉRIE STARMAN BAGÉ DEZEMBRO, 2016 ii LUCAS FREITAS DA ROSA [[email protected]] FUNDAMENTOS PARA UM ESTUDO DO SUPER-HERÓI NAS HISTÓRIAS EM QUADRINHOS: O DESENVOLVIMENTO DA TEMÁTICA E DO PROTAGONISMO SOBRE-HUMANO ATRAVÉS DE UM ESTUDO DE CASO DA MAXISSÉRIE STARMAN Monografia apresentada ao componente curricular de Trabalho de Conclusão de Curso II do Curso de Licenciatura em Letras - Língua Portuguesa e Respectivas Literaturas da Universidade Federal do Pampa, como requisito parcial para obtenção do título de Licenciado em Letras. Orientação: Prof. Dr. Rodrigo Borges de Faveri. BAGÉ DEZEMBRO, 2016 iii LUCAS FREITAS DA ROSA FUNDAMENTOS PARA UM ESTUDO DO SUPER-HERÓI NAS HISTÓRIAS EM QUADRINHOS: O DESENVOLVIMENTO DA TEMÁTICA E DO PROTAGONISMO SOBRE-HUMANO ATRAVÉS DE UM ESTUDO DE CASO DA MAXISSÉRIE STARMAN Monografia apresentada ao componente curricular de Trabalho de Conclusão de Curso II do Curso de Licenciatura em Letras - Língua Portuguesa e Respectivas Literaturas da Universidade Federal do Pampa, como requisito parcial para obtenção do título de Licenciado em Letras. Área de concentração: Linguística, Letras e Artes. Trabalho de Conclusão de Curso defendido e aprovado em: Banca examinadora: ___________________________________________________________________________ Prof. Dr. Rodrigo Borges de Faveri (orientador) Licenciatura em Letras - Línguas Adicionais: Inglês, Espanhol e Respectivas Literaturas (UNIPAMPA/Bagé) ___________________________________________________________________________ Prof. Me. Adriano de Souza Licenciatura em Letras - Língua Portuguesa e Literaturas de Língua Portuguesa (UNIPAMPA/Bagé) ___________________________________________________________________________ Prof. -
The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Examining Committee Douglas Barbour, English and Film Studies Brad Bucknell, English and Film Studies William Beard, English and Film Studies Steven Harris, Art and Design Bart Beaty, Communications and Culture, University of Calgary This document is the product of work, support, and love from many people, and so there is no one person I could possibly dedicate it to. I would like to thank my parents, Michael Kidder and Joanna Ussner, for giving me both a love of fantasy and the ability to critique it; Dr. Kirsten Uszkalo for suggesting, years ago, that I do a dissertation on comic books at all; Dr. -
Volume 21, Full Contents
Journal of the Indiana Academy of the Social Sciences Volume 21 Issue 1 Article 51 2018 Volume 21, Full Contents JIASS Staff Follow this and additional works at: https://digitalcommons.butler.edu/jiass Part of the Social and Behavioral Sciences Commons Recommended Citation Staff, JIASS (2018) "Volume 21, Full Contents," Journal of the Indiana Academy of the Social Sciences: Vol. 21 : Iss. 1 , Article 51. Retrieved from: https://digitalcommons.butler.edu/jiass/vol21/iss1/51 This Article is brought to you for free and open access by Digital Commons @ Butler University. It has been accepted for inclusion in Journal of the Indiana Academy of the Social Sciences by an authorized editor of Digital Commons @ Butler University. For more information, please contact [email protected]. ISSN 1522-7030 (print) ISSN 1937-7770 (online) JIASS JOURNAL OF THE INDIANA ACADEMY OF THE SOCIAL SCIENCES Anthropology • Business • Criminology • Economics • History • Political Science • Psychology Sociology • Environmental Studies • Gender Studies • International Studies • Urban Studies Volume 21 (2018) www.iass1.org SENIOR EDITOR IN CHIEF Kenneth Colburn, Jr. Butler University SENIOR DEPUTY EDITOR Surekha Rao Indiana University Northwest ISSN 1522-7030 (print) ISSN 1937-7770 (online) JIASS JOURNAL OF THE INDIANA ACADEMY OF THE SOCIAL SCIENCES Volume 21 (2018) www.iass1.org SENIOR EDITOR IN CHIEF Kenneth Colburn, Jr. Butler University SENIOR DEPUTY EDITOR Surekha Rao Indiana University Northwest COPY EDITOR Stephanie R. S. Stringham EDITORIAL OFFICE Sociology & Criminology Department BUTLER UNIVERSITY Jordan Hall 272B 4600 Sunset Avenue Indianapolis IN 46208 [email protected] (317) 940-9767 Objectives of the Indiana Academy of the Social Sciences The objectives of the Academy shall be to facilitate a more effective cooperation among social scientists, to promote the interests of the several social sciences, and to increase the usefulness and advance the effectiveness of both teaching and research in the several social sciences in Indiana.