2Chicago Fall 04-Done

Total Page:16

File Type:pdf, Size:1020Kb

2Chicago Fall 04-Done TORONTO , S HAW FESTIVAL & N IAGARA Thursday, October 18th through Sunday, October 21st Four Seasons Center for the Performing Arts and the Hilton Toronto Toronto on Lake Ontario “When the curtain went up, opera in Canada entered a Rufus Wainwright’s Hadrian , set to Daniel MacIvor’s new era… Toronto now finds itself with one of the finest libretto depicting the Roman Emperor Hadrian’s new opera houses anywhere.” Opera devastating grief after his lover Antinous drowns in the Nile. The composer and librettist have been inspired to “I strongly suspect – in fact, firmly believe – that the celebrate this classical same-sex model of eros set in Shaw Festival at Canada’s Niagara-on-the-Lake is 2nd century Rome and immortalized at the arch ae - the best repertory theater on the entire continent.” Karita Mattila ological ruins of Hadrian’s Villa at Tivoli. The cast of New York Magazine ‘Eugene Onegin’ will feature Joyce El-Khoury, Joseph Kaiser and Gordon Bintner as the The opera Hadrian: “The highly anticipated world protagonists; and ‘Hadrian’ boasts American baritone premiere from composer Rufus Wainwright and librettist Thomas Hampson in the title role, Isaiah Bell as the Daniel MacIvor features the company debuts of opera young Antinous, and veterans Karita Mattila and Ben legends Thomas Hampson and Karita Mattila … and Heppner among the principals. the return out of retirement of heldentenor Ben In addition to the operas, a third performance will be a Heppner .” Canadian Opera Co. concert by the city’s esteemed Toronto Symphony Orchestra at Roy Thomson Hall, where guest Joyce El-Khoury: “Blessed with old-school vocal and Thomas Hampson conductor Thomas Sondergard will be on the podium physical glamour and a richly-coloured, flexible for works by Thomas Adès, Britten, Poulenc and soprano…” Presto Classical Debussy. Finally, our long weekend will also take us to the acclaimed George Bernard Shaw Festival in the Gordon Bintner: “He is tall, slim, handsome, moves charming Victorian village of Niagara-on-the-Lake , well on stage, musicality and charisma to burn, has a with a visit to the spectacular Canadian side of Niagara glorious baritone… This guy has the complete package.” Falls . Our performance at the Shaw Festival will be La Scena Musicale Shakespeare’s blistering anti-war history play, Henry V . “Tenor Isaiah Bell gives a performance of haunting For North American aficionados of classical music, the beauty… with glowing vocal skill.” NY Times Ben Heppner 2007 opening of Toronto’s new state-of-the-art Four Seasons Centre for the Performing Arts proved a he Canadian cultural capital of Toronto remains sensational success. Designed by the Toronto firm of among our most popular fall destinations, when Diamond and Schmitt Architects, this 2,000 seat jewel the new musical and theatrical season combines in the heart of the city has galvanized the city’s with the October weather for an ideal long operatic scene. “Acoustics have been designed to T weekend. This year, we are drawn to the showcase the full glory and range of opera. The tiered Canadian Opera Company (COC) for a pair of not- horseshoe-shaped auditorium is modeled on the best to-be-missed productions. First will be Tchaikovsky’s European houses, offering unparalleled intimacy and Russian masterpiece Eugene Onegin in the romantic sightlines.” (C0C). All opera enthusiasts should travel Robert Carsen staging originally created for the MET. Isaiah Bell to Toronto to share the enriching experience of a Second will be the eagerly awaited world premiere of performance in R. Fraser Elliott Hall. 19 Toronto is a preferred destination for Saturday evening at 7:30 pm, our first opera at Americans due to the advantageous rate of the the Four Seasons Center for the U.S. dollar against the Canadian dollar, for Performing Arts will be the Canadian independent dining and shopping. Opera Company’s performance of Pyotr Ilyich Tchaikovsky’s Eugene Onegin . Based Accommodations for four nights at the deluxe on Pushkin’s ironic poem depicting aristocratic Hilton Toronto , ideally located across the life in St. Petersburg during the Romanov era, street from the new opera house for our ‘Onegin’ remains Tchaikovsky’s most popular performances of the Canadian Opera Company opera by virtue of Tatyana’s soaring ‘Letter and only a few blocks from Roy Thomson Hall. Scene’, Onegin’s aria rejecting the virginal Situated in the heart of the city’s commercial love of Tatyana, the poet Lensky’s haunting and enter tainment district, the Hilton offers aria of farewell before he is killed in the duel, the Tundra Restaurant for award-winning and several waltzes during celebrations in the cuisine, Ruth’s Chris Steak House for prime country and St. Peters burg. Toronto’s cast is beef and fresh seafood. There is also an headed by an all-Canadian trio of principals: inviting Irish pub ( Fionn MacCool’s ) next soprano Joyce El-Khoury as Tatiana opposite door for convenient light fare and Timothy’s bass-baritone Gordon Bintner as Onegin, World Coffee on the same block. Twenty-four and tenor Joseph Kaiser as the romantic poet hour room service and a fitness room/ - Lensky. Moldavan bass Oleg Tsibulko will be swimming pool area are among the hotel’s Niagara Falls heard as Tatyana’s husband, Prince Gremin. The conductor is outstanding features. The Hilton overlooks Johannes Debus , and the production on loan from the MET Toronto’s expansive Univer sity Avenue on the corner of Richmond (originated by director Robert Carsen ) will be staged by the Street West. team of director Peter McClintock with sets designed by Early Thursday evening, October 18th, a cocktail reception will Michael Levine . Sung in Russian with English surtitles. provide an opportunity to meet other members of the Tour. Our On October 21st, a Sunday brunch will be planned at one of the party will be in a private enter tainment suite of the hotel. restaurants in the Hilton complex convenient to the opera house. At 8:00 pm on Thursday, we will enjoy a concert by the Toronto Sunday afternoon, we will return to the opera house for the 2:00 Symphony Orchestra in Roy Thomson Hall , a comfortable pm matinee of Rufus Wainwright’s opera, Hadrian . The young walk from our hotel. The Danish conductor Thomas American-Canadian singer, songwriter and composer achieved Sondergard will be the guest conductor for a program of British previous success with his opera ‘Prima Donna’. He has now and French works including Thomas Adès’ Dances from the collaborated with Canadian actor, director and playwright Daniel opera ‘Powder Her Face’, Benjamin Britten’s Violin Concerto, MacIvor for the world premiere of ‘Hadrian’ for the Canadian Francis Poulenc’s Les animaux modèles, and Claude Debussy’s Opera Company (COC). The first-century A.D. Roman emperor La Mer . The Latvian violinist Baibe Skride is the soloist for was among the earliest gay figures of antiquity, and anyone who Britten’s challenging concerto. has visited Hadrian’s Villa in Tivoli will remember the poignant On Friday, October 19th, we will discover the high thespian history of his love for the young Antinous. In this ground- standards of the famed George Bernard Shaw Festival . While breaking opera, “Emperor Hadrian is devastated after his lover the Festival is devoted to the prolific Shaw canon, it has also Antinous drowns in the Nile River. While matters of state achieved remarkable success with the Shakespeare canon and a encroach on his grief, and advisors clamour for war, Hadrian number of musical revivals ranging from George Gershwin to slips out of time to reencounter the vision and reality of Antinous Stephen Sondheim, the British plays of Terence Rattigan, – and learn the truth about what happened on the Nile.” (COC). Somerset Maugham and Oscar Wilde, and American classics by The company’s Music Diretor Johannes Debus will conduct, Tennessee Williams and Arthur Miller. A two-hour morning drive and he has assembled a brilliant cast headed by American will take us to the splendor of Niagara Falls , baritone Thomas Hampson in the title role, at an optimum time of year after the hordes Finland’s riveting dramatic soprano Karita of summer tourists. Our visit to the Falls will Mattila as Hadrian’s adoptive mother be from the preferred Canadian side. We will Plotina, Canadian tenor Isaiah Bell as then continue to the atmospheric Victorian Antinous, and Canada’s legendary helden - town of Niagara-on-the-Lake on the shores tenor Ben Heppner returning to the stage of Lake Ontario, home of the Shaw Festival, out of retirement as Dinarchus. The director where you will have time to enjoy the is Peter Hinton , and the set designer is boutiques and an independent lunch at one of Michael Gianfrancesco . Sung in English the cafés on the main street. At 2:00 pm, our Joyce El-Khoury Gordon Bintner and Latin, with English surtitles. performance in the ideally intimate venue of Independent departures should be on Monday morning, October the Festival’s Studio Theatre will be William Shakespeare’s 22nd. Henry V . Under the direction of Tim Carroll and Kevin Bennett, “This imaginative spin on Shakes peare is a powerful exploration of IMPORTANT: Please be advised that you should bring your what it means – and costs – to fight for king and country.” We will PASS PORT for entry into Canada and departure at the Toronto return to the hotel in the early evening. Airport. Saturday, October 20th, is left free during the day for independent Toronto, Stratford & Niagara sightseeing in Toronto. Of partic ular interest are the Royal Ont - ario Museum , Toronto’s largest and most important; the Art Price per person, based on double occupancy $ 2,985 Gallery of Ontario , con taining the world’s largest collection of Single room supplement $ 650 the English sculptor Henry Moore; and the McMichael Airfare NOT included.
Recommended publications
  • Rufus Wainwright
    SOUTHERN CALIFORNIA NOVEMBER 2019 RUFUS WAINWRIGHT A RARE GLIMPSE INSIDE THE MIND OF THE CELEBRATED SINGER-SONGWRITER SNUGGLE UP TO CUBBY THE ECCENTRIC, LOVABLE LGBTQ FEATURE DEBUT FROM MARK BLANE STEVE GRAND PINK CHAMPAGNE AND MARTINIS WITH THE ALL AMERICAN BOY SET YOUR PHASERS TO STUNNING FAZE EXPANDS OUTER LIMITS OF ASTRO-POP ROOM FOR A THIRD? MATTHEW LYNN’S SEXY AND STYLISH NEW DEKKOO ORIGINAL SERIES WINTER IS COMING FRANCES FISHER STARS IN THE LION IN WINTER EXPLORING YUCATÁN A RICH, PROUD HERITAGE LIFESTYLE EVENTS FASHION ENTERTAINMENT NIGHTLIFE COMMUNITY November 2019 VOLUME 13 ISSUE 6 SPOTLIGHTS 22 FILM Snuggle up to Cubby 28 STREAM QUEEN Matthew Lynn’s Sexy and Stylish Dekkoo Original Series The Third 32 ARTIST SPOTLIGHT Pink Champagne and Martinis with Steve Grand 34 ONE TO WATCH Faze expands outer limits of astro-pop COMMUNITY 10 CALIFORNIA MEN’S GATHERING 28 12 LGBTQ COMMUNITY EVENTS FEATURE 14 LGBTQ COMMUNITY EVENTS INTERVIEW PALM SPRINGS REINVENTING RUFUS 16 DESERT BRIEFS WITH BELLA DA BALL STAGE 36 THE LION IN WINTER 38 ANASTASIA 40 SAN DIEGO THEATRE BRIEFS 42 ORANGE/L.A. COUNTIES THEATRE BRIEFS INDULGENCES 20 RAGE RECOMMENDS 44 TRAVEL: EXPLORING YUCATÁN 48 BUSINESS SPOTLIGHT: THE NEW CLUB SAN DIEGO 50 IMAGE LAB: THE ‘WAX’ KING OF PALMER SKIN 52 THE L EFFECT 54 SEXUALITY 56 GENERATION Y 58 CALENDAR: FAB EVENTS THIS MONTH 62 CLOSING OPINION photo by matthew welch 6 RAGE monthly | NOVEMBER 2019 feature interview by tom andrew he New York Times has lauded Rufus Wainwright for his “genuine originality.” Rolling Stone calls him “brilliant,” and The Guardian says he’s “an incorrigible crowd pleaser.” He has had quite a tumultuous life and career, but there’s REINVENTING Treally no need to go into all of that except to say that what he has experienced in his life thus far has come out in his lyrics and music.
    [Show full text]
  • Hadrian and the Greek East
    HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way.
    [Show full text]
  • Meow Meow's Pandemonium Rufus Wainwright Amanda
    KABARETT HAUS MEOW MEOW’S PANDEMONIUM RUFUS WAINWRIGHT AMANDA PALMER Image: Karl Giant Image: Mark Gambino Founder Principal Partner CREDITS WELCOME TO KABARETT HAUS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs Kabarett Haus Designer Bruce McKinven It is a rare being who in solo performance can create Peter Rubie and knowledge on their kwobidak boodjar. Kabarett Haus Lighting Designer an electricity and connection with an audience in the hugeness of a concert hall that is both grand and genuine. When I was asked if I could bring two people for They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers MEOW MEOW’S PANDEMONIUM and custodians and the vital role Noongar people play for our community and our Festival to flourish. a program that celebrates the solo voice, I immediately Created & Performed by Meow Meow thought of two artists with an extraordinary sense of Conductor Iain Grandage honesty in their performance – Rufus Wainwright and Featuring Thomas M Lauderdale (piano) Amanda Palmer. West Australian Symphony Orchestra It is with great pleasure that I have curated this mini- First Violin Semra Lee-Smith, Graeme Norris, series of concerts for Perth Festival’s Kabarett Haus Stephanie Dean, Beth Hebert, Alexandra Isted, season. I am thrilled to present two artists who in their Christina Katsimbardis, Kathryn Lee, Cerys Tooby songwriting, musicianship, art, activism and lives bring Second Violin Zak Rowntree, Kylie Liang, what is for me the essence of great performance – I’m Sarah Blackman, Sunmi Jung, Lucas O’Brien, calling it ‘epic intimacy’.
    [Show full text]
  • Interview with Rufus Wainwright
    PRIMA DONNA/RUFUS WAINWRIGHT INTERVIEW WITH RUFUS WAINWRIGHT In 2009, you presented Prima Donna, the opera, a project that grew over time to become first a film, then a visual concert. How was this project born? Rufus Wainwright: I’ve always loved the opera. It’s a form that’s part of my musical culture. When I was about thirteen, a so-called normal child who listened to pop music and had long been immersed in my parents’ folk music, I had a sort of revelation while listening to Verdi’s Requiem with Leontyne Price. I was enthralled. Since then, even though I’ve always known I wanted to be a pop singer, opera has been a sort of secret refuge that has even influenced my own music. I’ve often used its symbolism, its emotions, but also its orchestration in my own compositions, thanks in particular to string instruments. Writing Prima Donna was my way of giving back to opera all that opera gave me. What was the starting point of the libretto? I was about to start working on an opera loosely based on Marguerite Yourcenar’s Memoirs of Hadrien. But I didn’t feel ready to conquer the Roman Empire musically with the tools I had at my disposal! I wasn’t quite ready to write the orchestration I imagined for that project. So I started looking for a subject that wouldn’t have that kind of historical weight, that would be more personal. That’s when I came across the series of interviews Maria Callas gave to Lord Harewood in 1968.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Filumena and the Canadian Identity a Research Into the Essence of Canadian Opera
    Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final thesis for the Bmus-program Icelandic Academy of the Arts Music department May 2020 Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final Thesis for the Bmus-program Supervisor: Atli Ingólfsson Music Department May 2020 This thesis is a 6 ECTS final thesis for the B.Mus program. You may not copy this thesis in any way without consent from the author. Abstract In this thesis I sought to identify the essence of Canadian opera and to explore how the opera Filumena exemplifies that essence. My goal was to first establish what is unique about Canadian ​ opera. To do this, I started by looking into the history of opera composition and performance in Canada. By tracing these two interlocking histories, I was able to gather a sense of the major bodies of work within the Canadian opera repertoire. I was, as well, able to deeper understand the evolution, and at some points, stagnation of Canadian opera by examining major contributing factors within this history. My next steps were to identify trends that arose within the history of opera composition in Canada. A closer look at many of the major works allowed me to see the similarities in terms of things such as subject matter. An important trend that I intend to explain further is the use of Canadian subject matter as the basis of the operas’ narratives. This telling of Canadian stories is one aspect unique to Canadian opera.
    [Show full text]
  • The Prima Donna : Vocal Score
    UNIVERSITY OF ILLINOIS LIBRARY At URBANA-CHAMPAIGN MUSIC The person charging this material is re- sponsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theff, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF IlllNOIS LIBRARY AT URBANA-CHAMPAIGN DUfe^i ii.7 L161— O-I0<)6 FROM c,:r. miJ, M^MIp SMI y^ rRfTZ:! OCh OPE RA CO M PA N ^JiiiiwjjTx oir^u^liDis ^y THE AUTHOR. AND C0hAPO3t«i OP Rights of Pei-foi-mance and for Mechanical Instruments Reserved. Chas. Dillingham's Production FRITZI 8CHEFF OPERA COMPANY «9« The PrimA Donna • ®nj®> BOOK AND LYRICS BY HENRY BLOSSOM MUSIC BV VICTOR HERBERT. VOCAL SC0RE,Pr.|2PP net. "l^- KWiTMARK (S) Sons, N£WYORK, CHICAGO. LONDON, PARIS. Mclbotime.Australia, ALLAN aC9 Coparijiif HCHVlll ii/ MWilTriirkiSoiis.- Entered at Stationer's Hall, Umtonjnj. International Copyright V»^t* "1. ;^t>u FKOlVi ROBT. R. M^CURMiCI' CHARLES DILLINGHAM Presents Fritz i Scheff IN A MUSICAL PLAY IN TWO ACTS Entitled The Prima Donna Book and Lyrics by HENRY BLOSSOM- Music by VICTOR HERBERT. CAST OF CHARACTERS. Colonel Dutoir Nace Bonville Captain Bordenave William K. Harcourt Lieut. Armand, Count de Fonteine William Raymoftd Lieut. Fernand Drouillard Donald Hall Lieut. Gaston de Rendal Martin Haydon Lieut. Prosper Roussea Geo.W. Macnamara Lieut. Eug-ene de Beaumont Robert E.Clarke Mons. Beaurivag-e, Athenee's Father W. J. Ferg-uson Sullivan Herr Max Gundelfing-er, Known as "Pop" Jas.
    [Show full text]
  • Così Fan Tutte Cast Biography
    Così fan tutte Cast Biography (Cahir, Ireland) Jennifer Davis is an alumna of the Jette Parker Young Artist Programme and has appeared at the Royal Opera, Covent Garden as Adina in L’Elisir d’Amore; Erste Dame in Die Zauberflöte; Ifigenia in Oreste; Arbate in Mitridate, re di Ponto; and Ines in Il Trovatore, among other roles. Following her sensational 2018 role debut as Elsa von Brabant in a new production of Lohengrin conducted by Andris Nelsons at the Royal Opera House, Davis has been propelled to international attention, winning praise for her gleaming, silvery tone, and dramatic characterisation of remarkable immediacy. (Sacramento, California) American Mezzo-soprano Irene Roberts continues to enjoy international acclaim as a singer of exceptional versatility and vocal suppleness. Following her “stunning and dramatically compelling” (SF Classical Voice) performances as Carmen at the San Francisco Opera in June, Roberts begins the 2016/2017 season in San Francisco as Bao Chai in the world premiere of Bright Sheng’s Dream of the Red Chamber. Currently in her second season with the Deutsche Oper Berlin, her upcoming assignments include four role debuts, beginning in November with her debut as Urbain in David Alden’s new production of Les Huguenots led by Michele Mariotti. She performs in her first Ring cycle in 2017 singing Waltraute in Die Walküre and the Second Norn in Götterdämmerung under the baton of Music Director Donald Runnicles, who also conducts her role debut as Hänsel in Hänsel und Gretel. Additional roles for Roberts this season include Rosina in Il barbiere di Siviglia, Fenena in Nabucco, Siebel in Faust, and the title role of Carmen at Deutsche Oper Berlin.
    [Show full text]
  • Biography November 2020
    Patrick Kinmonth Director, Designer Kinmonth paces his direction from the tough first, through a lively second to the turbulent third act with enormous skill. It’s a celebration of theatre with great musical performances in a tasteful, technically, highly professional production that through characterisation and comic situations revive the wit of yesteryear Jan Brachmann, Frankfurter Allgemeine Zeitung, L’Opera seria, La Monnaie, Brussels Patrick Kinmonth is an internationally acclaimed director, set and costume designer for opera, photography and dance. In 2008 Kinmonth made his opera-directing debut, a lauded staging of Madama Butterfly for Cologne Opera. Since then he has directed and designed numerous productions including Samson et Dalila at Deutsche Oper Berlin, Don Giovanni and Rigoletto at Theater Augsburg, Die Gezeichneten, voted Best Opera Production of the season at Cologne Opera, Daphne at Toulouse, Solaris at Cologne Opera, Gassmann’s L’Opera seria at La Monnaie, Brussels and La clemenza di Tito at Badisches Staatstheater Karlsruhe. To open the 17-18 season at Cologne Opera, Kinmonth directed the seldom-heard Dresden version of Tannhäuser, conducted by François-Xavier Roth; he will return in the 19-20 season for Tristan und Isolde with the same creative team. As a designer, Kinmonth’s set and costumes for Robert Carsen’s La traviata graced the re-opening of Teatro La Fenice, Venice in 2004 and now traditionally opens the season. His designs for Wagner’s Ring were created for Cologne Opera and were taken to Venice and Shanghai. The production ran at Gran Teatre del Liceu, Barcelona from 2013-16. Further productions with Carsen include Semele and Die Zauberflöte in Vienna, London, Aix-en-Provence, Antwerp, Lyon and Zürich, and The Cunning Little Vixen, Kát’a Kabanová and Jenůfa.
    [Show full text]
  • Rufus Wainwright Annoncerer “All These Poses Tour” I Anledning Af Hans 20 Års Jubilæum / DR Koncerthuset, Koncertsalen Fredag 19
    Rufus Wainwright 2018-06-22 10:00 CEST Rufus Wainwright annoncerer “All These Poses Tour” i anledning af hans 20 års jubilæum / DR Koncerthuset, Koncertsalen fredag 19. april 2019 RUFUS WAINWRIGHT “ALL THESE POSES TOUR" I DR KONCERTHUSET, KONCERTSALEN FREDAG 19. APRIL 2019 Rufus Wainwright annoncerer “All These Poses Tour” i anledning af hans 20 års jubilæum Den Grammy-nominerede sanger, sangskriver og komponist Rufus Wainwright kommer til Danmark til april 2019 for at fejre 20-års jubilæet af hans skelsættende debut, som var startskuddet for hans entré på musikscenen. Med omgående anerkendelse, blev både Rufus og debuten kaldt et gennembrud. Albummet inspirerede mange andre artister, som fulgte i hans fodspor, og skabte en retning for hans strålende karriere. Når Rufus tager på landevejen optræder han både med materiale fra ’Rufus Wainwright’ (1998) og ’Poses’ (2001). “20 years, what can I say?” udtaler Rufus. “In life, one stands the test of time but in music, thankfully, one reaps the rewards. Come savour a very fine vintage of songs, those were some pretty good years!" Rufus spiller i DR Koncertsalen fredag 19. april. Billetsalget starter onsdag 27. juni kl. 10.00 via livenation.dk. For VIP-pakker tjek rufuswainwright.com. Rufus Wainwright, som er en af sin generations største vokalister, sangskrivere og komponister, har udgivet otte albums, tre DVD’er og tre live albums. Han har arbejdet sammen med artister lige fra Elton John, David Byrne, Mark Ronson, Joni Mitchell til Burt Bacharach. I en alder af 14 år, blev han døbt Canadas bedste unge musiker og modtog senere en Juno Award for bedste alternative album.
    [Show full text]
  • Early Music Vancouver Hosts Panel Discussion on Indigeneity in the Arts with Jonathon Adams, Marion Newman, Reneltta Arluk, and Dylan Robinson
    FOR IMMEDIATE RELEASE June 8, 2021 Early Music Vancouver Hosts Panel Discussion on Indigeneity in the Arts With Jonathon Adams, Marion Newman, Reneltta Arluk, and Dylan Robinson Vancouver, BC – On Monday, June 14 at 11AM PDT, Early Music Vancouver will host Continuum: A conversation on historical musics and Indigenous resurgence. This four-person panel will address the issues of Canadian historical erasure of Indigenous peoples, white supremacy, Indigenous cultural resurgence, and the contemporary performance of historical musics and theatre in an Indigenous mode. The discussion was conceived of by EMV’s summer artist-in- residence, Cree-Métis Two-Spirit baritone Jonathon Adams. “In bringing together this brilliant, generous group of Indigenous scholars and artists, I sincerely hope to inspire and encourage Indigenous attendees with the knowledge that important and exciting work is being done by and for our communities across Turtle Island,” said Adams. “I hope non-Indigenous attendees will take away a sense of urgency when it comes to the ongoing need for greater Indigenous representation in conversations around equity, history, art, culture and community.” The panelists hail from across the country and from a variety of disciplines, offering a wide spectrum of perspectives. They include Adams and three other Indigenous arts leaders: mezzo-soprano Marion Newman, writer and academic Dylan Robinson, and multi-talented theatre artist Reneltta Arluk. Kwagiulth and Stó:lō First Nations, English, Irish and Scottish mezzo-soprano Marion Newman is one of Canada’s most accomplished singers in works ranging from Vivaldi to Vivier. Newman has been a member of the Indigenous Advisory Council of the Regina Symphony since its inception and sits on the advisory board of the Canadian Music Centre of BC, the Association for Opera in Canada and is part of the Circle of Indigenous Artists for the Canadian Opera Company.
    [Show full text]
  • Dialogue on Use of Indigenous Songs in Canadian Compositions Hosted by Coc
    For immediate release: April 12, 2017 DIALOGUE ON USE OF INDIGENOUS SONGS IN CANADIAN COMPOSITIONS HOSTED BY COC Toronto – On April 19, 2017, the Canadian Opera Company is hosting a meeting at the Four Seasons Centre for the Performing Arts, organized by Dr. Dylan Robinson of Queen’s University, to discuss First Nations song protocol and the use of Indigenous songs in Canadian compositions, such as Harry Somers’ Louis Riel. Those who have been invited to the April 19 gathering are members of the Nisg̱ a’a, Métis and other First Nations arts and music communities, members of the 2017 Louis Riel production, representatives from the Canadian Opera Company, National Arts Centre, Canadian Music Centre, and Canada Council for the Arts, as well as advisors and executors to the estates of Louis Riel’s composer Harry Somers and librettist Mavor Moore. “One intention of the gathering is to begin the process of developing policy related to Indigenous protocol for new music involving Indigenous participants, and music that misuses Indigenous song,” says Dr. Dylan Robinson, Assistant Professor and Canada Research Chair in Indigenous Arts. “This work of creative repatriation is essential in the ongoing process of reconciliation.” The score of Somers’ Louis Riel includes the “Kuyas” aria, which opens Act III and is sung in Cree by the artist in the role of Marguerite Riel, Louis Riel’s wife. The music for the “Kuyas” aria was based on a Nisg̱ a’a mourning song called “Song of Skateen” that was recorded by Marius Barbeau and transcribed by Sir Ernest MacMillan on the Nass River in 1927.
    [Show full text]