Legislators See End of Regents Bill Greater Than Student Representation on by JOHN HILL III Robert M
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Victoria, 1991–2000; Cast 2007 Stainless Steel; 14 X 6½ X 7½ Feet, Edition of 3 Museum Purchase with the Russell Hill Rogers Fund for the Arts 2008.6
Information on Philip Grausman American, born 1935 Victoria, 1991–2000; cast 2007 Stainless steel; 14 X 6½ X 7½ feet, edition of 3 Museum Purchase with the Russell Hill Rogers Fund for the Arts 2008.6 Subject Matter Seen from behind, the smooth stainless steel trunk of Philip Grausman’s Victoria rises to a height of about ten feet. A giant orb of shiny metal balloons outward. The polished metal surface shows a particular woman in a very smooth stylized form. This massive sculpture weighs about 4500 pounds and stands at an overall height of 14 feet. From the front, the sculpture is clearly a head with a very long neck. The forehead is rounded and smooth, curving down and back, ending in a neat pageboy coiffure. The eyes are closed and somewhat sunken. A thin ridge rides over the bridge of the nose. This ridge and a broad brow encircle the eyes to form a mask-like structure. The mouth is closed, with lips neither very full nor very thin. Relatively small bumps represent the ears. High cheekbones, well-proportioned nose and lips, and a rounded chin complete this female figure. Light and dark areas formed from shadows on the metal give the figure a striking, chiseled appearance. The figure displays bilateral symmetry from the front and back and appears balanced when viewed from the sides. The elongated neck, closed sunken eye surrounded by furrows, and tiny ear bumps give the sculpture a surreal appearance. Other features appear proportional and realistic. Victoria, as well as other Grausman sculptures ,“have been shaped with a silky emphasis on idealization— contours slope elegantly, symmetry quietly emphasized, with facial features stoic and streamlined. -
School of Architecture 2001–2002
School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) The closing date for material in this bulletin was June 20, 2001. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2001 by Yale University. All rights reserved. The material in this bulletin may not be repro- duced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Open House All interested applicants are invited to attend the School’s Open House: Thursday, November 1, 2001. Inquiries Requests for additional information may be directed to the Registrar, Yale School of Architecture, PO Box 208242, 180 York Street, New Haven ct 06520-8242; telephone, 203.432.2296; fax, 203.432.7175. Web site: www.architecture.yale.edu/ Photo credits: John Jacobson, Sarah Lavery, Michael Marsland, Victoria Partridge, Alec Purves, Ezra Stoller Associates, Yale Office of Public Affairs School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 c yale university ce Pla Lake 102-8 Payne 90-6 Whitney — Gym south Ray York Square Place Tompkins New House Residence rkway er Pa Hall A Tow sh m u n S Central tree Whalley Avenue Ezra Power Stiles t Morse Plant north The Yale Bookstore > Elm Street Hall of Graduate Studies Mory’s Sterling St. -
Tom Carruthers Registered Architect
TOM CARRUTHERS REGISTERED ARCHITECT EDUCATION 2005 Master of Architecture, Yale School of Architecture, New Haven, CT 2000 Bachelor of Arts with Honors in Visual Art, Brown University, Providence, RI SOLO EXHIBITIONS (with Jennifer Newsom unless otherwise noted) 2018 Hide & Seek, MoMA PS1, New York, NY 2015 Longing, Minneapolis, MN 2014 Make It Rain, Vancouver, BC, Canada 2000 Honors Thesis Presentation, List Art Gallery, Brown University, Providence, RI (Tom only) SELECTED GROUP EXHIBITIONS (with Jennifer Newsom unless otherwise noted) 2019 Northern Spark Spring Howl, Minneapolis, MN 2018 Young Architects Program, Museo Nazionale Della Arti Del XXI Secolo (MAXXI), Rome, Italy 2018 Young Architects Program, The Museum of Modern Art (MoMA), New York, NY 2018 Barrows, 2018 Art Omi Resident Architects, Ghent, NY 2017 Clearing, 2017 Franconia Resident Artists, Franconia Sculpture Park, Shafer, MN (curated by John Hock) 2016 To A Constellation, I-Park, East Haddam, CT 2016 Barely Holding It All Together, Art+Parenthood, Unit/Pitt Gallery, Vancouver, BC, Canada (curated by Gabriel Saloman) 2015 Floating Forest, Robson Redux, Museum of Vancouver, Vancouver, BC, Canada 2013 The World Is Rated X, Northern Spark Arts Festival, St. Paul, MN (curated by Steve Dietz, catalogue) 2011 Space Destroyer, Festival of Ideas for the New City, New Museum, New York, NY (catalogue) 2009 I Anchor Heavily, The Last Supper IV, Third Ward, Brooklyn, NY (Tom only, curated by Coralina Meyer) 2007 Leaden Lines, The Last Supper II, Third Ward, Brooklyn, NY (Tom only, -
Mcelhinney Curriculum Vitae
Curriculum Vitae: James Lancel McElhinney James Lancel McElhinney is a public scholar, curator, visual artist, author, publisher and oral historian. In November of 2017, Needlewatcher Editions published his Hudson Highlands, a suite of archival prints inspired by expeditionary artists such as John-James Audubon, Joshua Rowley Watson, William Guy Wall, George Catlin and Seth Eastman. McElhinney embarked on new explorations of Philadelphia’s Schuylkill River in 2019. In 2019, he turned his attention to the Rio Grande, as it traverses northern New Mexico. Born: Bucks County, Pennsylvania Residence: New York, New York Website: www.mcelhinneyart.com, Email: [email protected], Entities: Needlewatcher LLC, dba: Needlewatcher Editions Address: PO Box 142. West Haverstraw, NY 10993-1042 Website: www.needlewatcher.com, Bio: Who’s Who in America. Marquis Publishing. Education MFA: Yale University, School of Art BFA: Tyler School of Art, Temple University Other: Skowhegan School of Painting and Sculpture Appraisers Ssociation of America CASP program Passed the Appraisal Foundation USPAP test Gallery Representation: Gerald Peters Gallery, Santa Fe. NM William Havu, Denver CO Vamp & Tramp Booksellers, Burmingham AL PERSONAL EXHIBITIONS 2019: James McElhinney: Discover the Hudson Anew. Hudson River Museum, Yonkers, New York. September 13, 2019 - February 16, 2020. Reimagining New Mexico. Gerald Peters Gallery. Santa Fe New Mexico. June 28-August 3, 2019 OTW: On the Water: The Schuylkill River. Independence Seaport Museum, Philadelphia, Pennsylvania. October 24, 2018 - January 5, 2020 2008: New Arts Gallery, Litchfield CT. October. 2005: “Reconnaissance” The Painting Center, New York; March 2003: “Life, Death and In Between” William Havu Gallery, Denver, Colorado “James McElhinney” Letterkenny Arts Centre, Donegal, Ireland; June 1 “Western Palimpsest” Museum of the Southwest, Midland, TX: April 2002: William Havu Gallery, Denver, Colorado; April-June 2001: William Havu Gallery, Denver; November 2001-January 2002. -
Night Paintings the Art Museum at Florida International University Frost Art Museum the Patricia and Phillip Frost Art Museum
Florida International University FIU Digital Commons Frost Art Museum Catalogs Frost Art Museum 1-13-1995 American Art Today: Night Paintings The Art Museum at Florida International University Frost Art Museum The Patricia and Phillip Frost Art Museum Follow this and additional works at: https://digitalcommons.fiu.edu/frostcatalogs Recommended Citation Frost Art Museum, The Art Museum at Florida International University, "American Art Today: Night Paintings" (1995). Frost Art Museum Catalogs. 21. https://digitalcommons.fiu.edu/frostcatalogs/21 This work is brought to you for free and open access by the Frost Art Museum at FIU Digital Commons. It has been accepted for inclusion in Frost Art Museum Catalogs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Yvonne lacquette, Tokyo Street with Pachinko Parlor 1/, 1985, Oil on canvas, 861/2" x 55 1/4", Courtesy of Brooke Alexander Gallery, New York, NY American Art Today: Night Paintings January 13 - February 18, 1995 Leigh Behnke, Shadow Image, 1992, Oil on canvas, 34 1/4" x 24", Courtesy of Fischbach Gallery, New York, NY Essay by Barbara Oayer Gallati Curated by Dahlia Morgan for U[ru@ £[1U UM1J [lJ]@@[lJ]M AT FLORIDA INTERNATIONAL UNIVERSITY University Park, PC 110, S.W. 107th Ave. & 8th St. Miami, Florida 33199 (305) 348-2890 1 Director's Forward Since I have to and examine 1985, attempted identify significant financial concerns; Charlotte Moore for her typing and editing skills; of art. In I have focused on the aspects contemporary past years Lisa Gil de Lamadrid, Community Relations, who saw the catalog contemporary response to traditional themes in exhibitions of The through to completion; and Mercy Advocat, Office Manager, for her Narrative City ('90); Contemporary Landscape ('89); Painting ('88); overseeing all events related to the exhibit. -
Papers of Philip Roth
Philip Roth A Register of His Papers in the Library of Congress Prepared by Michael Spangler with the assistance of Chanté Wilson Manuscript Division, Library of Congress Washington, D.C. 2005 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 2006 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms006030 Latest revision: 2007 June Collection Summary Title: Papers of Philip Roth Span Dates: 1938-2001 Bulk Dates: (bulk 1960-1999) ID No.: MSS22491 Creator: Roth, Philip, 1933- Extent: 25,000 items; 294 containers plus 5 oversize; 122.6 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Author. Correspondence, drafts, galleys, notes, interviews, play scripts, clippings, and photographs documenting Roth's literary career. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Names: Roth, Philip Aiken, Joan, 1924-2004--Correspondence Ames, Elizabeth--Correspondence Asher, Aaron--Correspondence Atlas, James--Correspondence Baker, R. S. (Robert Samuel), 1926-2004--Correspondence Bellow, Saul--Correspondence Bloom, Claire, 1931- --Correspondence Brookner, Anita--Correspondence Brustein, Robert Sanford, 1927- --Correspondence Carter, Angela, 1940- --Correspondence Cassill, R. V. (Ronald -
Philip Roth Papers [Finding Aid]. Library of Congress. [PDF Rendered
Philip Roth Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2013 Revised 2013 March Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms006030 LC Online Catalog record: http://lccn.loc.gov/mm82022491 Prepared by Michael Spangler with the assistance of Chanté Wilson Collection Summary Title: Philip Roth Papers Span Dates: 1938-2001 Bulk Dates: (bulk 1960-1999) ID No.: MSS22491 Creator: Roth, Philip, 1933- Extent: 25,000 items ; 255 containers plus 5 oversize ; 107 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Author. Correspondence, drafts, galleys, notes, interviews, play scripts, clippings, and photographs documenting Roth's literary career. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Aiken, Joan, 1924-2004--Correspondence. Ames, Elizabeth--Correspondence. Asher, Aaron--Correspondence. Atlas, James--Correspondence. Baker, R. S. (Robert Samuel), 1926-2004--Correspondence. Bellow, Saul--Correspondence. Bloom, Claire, 1931- --Correspondence. Brookner, Anita--Correspondence. Brustein, Robert Sanford, 1927- --Correspondence. Carter, Angela, 1940-1992--Correspondence. Cassill, R. V. (Ronald Verlin), 1919-2002--Correspondence. Clark, Blair, 1917-2000--Correspondence. Conarroe, Joel, 1934- --Correspondence. Crichton, Robert--Correspondence. Dayan, Yaël, 1939- --Correspondence. Donadio, Candida, 1929-2001--Correspondence. Dunford, Judith--Correspondence. Engle, Paul, 1908-1991--Correspondence. Fuller, Blair--Correspondence. Geng, Veronica--Correspondence. -
Cranbrook Donor Honor Roll 2014-15 2 Cranbrook Honor Roll • 2014-15 Message from Our Chairman
CRANBROOK DONOR HONOR ROLL 2014-15 2 CRANBROOK HONOR ROLL • 2014-15 MESSAGE FROM OUR CHAIRMAN On behalf of the Board of Trustees of Cranbrook Educational Community and all of the learners and visitors who enjoy our campus and our programs on it, in our region, and throughout the nation, I want to say thank you to the thousands of individuals and organizations listed in this 2014-2015 Cranbrook Donor Honor Roll and the many more who have volunteered their time, talent, and gifts to support this exceptional institution. Over the summer of 2015, craftsmen constructed two stone walls along Lone Pine Road in the vicinity of the new exit from the Cranbrook House parking lot. These walls join the old ones that frame the newly-restored Yellin Gates which were installed and dedicated in November. Walls are a significant part of the historic hardscape around Cranbrook. Within the campuses of the Schools or the Academy of Art, they offer places to sit in the sunshine, catching up with friends or enjoying a book. Around the perimeter of Cranbrook, walls serve to embrace the space. With every wall, there is a door or a gate or an opening that breaks the barrier and invites those outside in and encourages those in to go out. Inviting others in, and encouraging outward bound service, outreach and learning, are crucial to what we do at Cranbrook. As I wrote in my Honor Roll introduction last year, Cranbrook was founded upon a spirit of giving to others. Mindful of that legacy, we strive to share Cranbrook’s educational and cultural opportunities with many and diverse audiences. -
1 David Cohen's Writings on Art, Lectures And
DAVID COHEN’S WRITINGS ON ART, LECTURES AND EXHIBITIONS Books and Essays Books Henry Moore in the Bagatelle Gardens, Paris, photographs by Michel Muller with an essay by David Cohen (London: Lund Humphries, and New York: Overlook Press, 1993) an overview of Moore's work stressing the importance of landscape to his aesthetic; the book records an important outdoor exhibition staged the previous year in Paris Jock McFadyen: A Book about a Painter (London: Lund Humphries, 2001) By David Cohen, with contributions from Lewis Biggs, Humphrey Ocean, Bob and Roberta Smith, Hugo Williams, Tom Lubbock, Ian Dury, Mary Rose Beaumont, Duncan Macmillan, Jeffery Camp, and Will Self Contributions to books and encyclopedias “Francis Bacon”, “Jacob Epstein”, “Barbara Hepworth”, “Aristide Maillol”, “Ben Nicholson” and “Graham Sutherland” in International Dictionary of Artists and works by the above in International Dictionary of Art twin volumes edited by James Vinson (London: St. James's Press, 1990). "Herbert Read and Psychoanalysis" in Art Criticism since 1890: Authors, Texts, Contexts, edited by Malcolm Gee (Manchester: Manchester University Press, 1993) considers Read’s early interest in variety of psychoanalytic schools and their bearings on problems of literary criticism, proceeding to his growing interest in C.G.Jung and particular reference to Henry Moore The Annual Register: A Record of World Events 1994 edited by Alan J. Day (London: Cartermill Publishing, 1994) Section XVI.2.i.“Art” pp.525-529 “Lucian Freud”, “Barbara Hepworth”, “R.B.Kitaj”, “Henry Moore”, “John Piper”, “Graham Sutherland” in Garland Dictionary of Twentieth Century Britain edited by Fred Lowenthal (New York: Garland Press, 1995). -
Smithsonian National Portrait Gallery News Fall/Winter 2009 from the Director
PROFILESmithsonian National Portrait Gallery News Fall/Winter 2009 From the Director It’s been a busy time at the National Portrait with past vice presidents Gallery, as you can see from the pages of Profile. —will continue to have Not only has our second Outwin Boochever Portrait a presence on the Web. Mark Gulezian Competition opened to great acclaim—the winning Speaking of the Web, our site has been redesigned image, Laura by Dave Woody, is on the cover and expanded—look inside for further details. —but we have reaped the rewards from the first, Whether you can travel to the Portrait Gallery to 2006, competition as well. That first portrait com- see our recent acquisitions or such weekend pro- petition has resulted in winner David Lenz’s striking grams as Warholapalooza! or see us on the Web— commissioned portrait of Eunice Kennedy Shriver, or both—please also visit the pages inside to keep founder of Special Olympics, along with some of up with some of our activities. the individuals who have participated in her won- All of these programs have a price tag—not derful programs. The Shriver portrait, unveiled only in actual dollars but also in staff time. With this past May, is the Portrait Gallery’s first com- this issue, Profile goes from a three-times-a-year, missioned work that does not depict a president. sixteen-page publication to a twice-a-year, twenty- Frank Goodyear’s new exhibition “Faces of the page publication for reasons of economy and time. Frontier” is the Portrait Gallery’s new venture Originally begun in 2000 as a way to keep in into its substantial collection of portraiture focus- touch with our public while the museum building ing on the history of the West, and it gives us a was closed for renovation, Profile has changed close-up look at such varied individuals as artist with the National Portrait Gallery, now focusing Albert Bierstadt, confectioner Domingo Ghiradelli, on the exhibitions and activities in the revitalized entrepreneur Leland Stanford, and the infamous building. -
Oral History Interview with Alan Fink, 1997 Jan. 22 and Jan. 29
Oral history interview with Alan Fink, 1997 Jan. 22 and Jan. 29 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Alan Fink on January 23 and 29, 1997. The interview took place in Boston, MA, and was conducted by Robert F. Brown for the Archives of American Art, Smithsonian Institution. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. This is a rough transcription that may include typographical errors. Interview ROBERT F. BROWN: This is an interview on January 23, 1997 with Alan Fink at his AlphaGallery at 14 Newbury Street in Boston, and Robert Brown, the interviewer. Alan, I thought we might just do this somewhat roughly in a biographical fashion, at least to begin with. ALAN FINK: Okay. MR. BROWN: You're a Chicagoan. You were born there and - MR. FINK: Right. I was born in Chicago, went to school in the city, and also the University of Illinois in Urbana. MR. BROWN: And you were born in Chicago in the '20s? MR. FINK: Nineteen twenty-five. MR. BROWN: Had your family been there a while? Were they in business, or were they professionals, or - MR. FINK: Well, they were - actually, they were - I'm the first generation born in this country. Both parents came from Europe. And my grandmother was also living in Chicago, my maternal grandmother, and she is from Russia and lived there also. -
Guide to the Records of the Department of Prints, Drawings, and Photographs 1878 - 2001
Guide to the Records of the Department of Prints, Drawings, and Photographs 1878 - 2001 Search the Libraries and Archives ONLINE CATALOG The Museum Libraries and Archives are open to the public by appointment only. If you wish to visit, please click here for more information or e–mail the Library at [email protected] Brooklyn Museum 200 Eastern Parkway Brooklyn, NY 11238 www.brooklynmuseum.org Contents Project staff ...........................................................................................................3 Acknowledgments .................................................................................................4 Department names and Curatorial staff................................................................................................5 Departmental history .............................................................................................7 Curator biographies.............................................................................................14 Administrative note..............................................................................................17 Scope and content ..............................................................................................18 Series descriptions............................................................................................. 19 Objects ................................................................................................... 19 Exhibitions .............................................................................................