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Shakespeare in Love
FEB Shakespeare 26 MAR in Love 29 Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Music by Alex Bechtel Directed by Matt Pfeiffer Welcome to Shakespeare in Love. Every year, many of you cry out to us “Dear God, no more Shakespeare!” While others plead “I loved your Winter’s Tale, your Richard III. Please put on Midsummer. I beg you for a Twelfth Night.” With Shakespeare In Love, the Purists and the Never Barders may unite to curse us with a plague on both our houses, but if they — and you — are someone who loves love, well then . Here is a love letter to romantic love, to the theatre, and to the rebellious, transgressive, mysterious, and glorious madness of both. Whether you keep Shakespeare close to your heart or far from it, we invite you to celebrate what he loved most: the stage, its players, poetry . and a dog. Zak Berkman, Producing Director Lend me your ears Matt Pfeiffer, Director I’ve been really blessed to spend most of my career working on the plays of William Shakespeare. I believe his plays are foundational to Western culture. Love him or hate him, his infuence is an essential part of our understanding of stories and storytelling. And I’ve had the privilege for the last six years of fostering a specifc approach to his plays. I found that attempting to be in conversation with the principals of the theatre practices of Shakespeare’s time was a good starting place—not so much aesthetically, but logistically. -
Philadelphia, Pennsylvania Photograph Courtesy of the Convention and Visitors Bureau Philadelphia
Philadelphia, Pennsylvania Photograph courtesy of the Convention and Visitors Bureau Philadelphia. hen you talk to people in a courtyard, the whole covered by a tremendous Philadelphia, you keep hearing two glass canopy. It was designed to be “open, public, W conflicting ideas: Philadelphians porous, and accessible,” says Price. “It’s meant to are intensely proud of their city and bring new people in.” Philadelphians suffer from an inferiority com- And it does. The Kimmel Center created a The Kimmel plex. “The proximity to New York can overshad- stunning new home for its resident companies— ow Philadelphia,” says Janice Price, president the Philadelphia Orchestra, the Chamber Center was and CEO of the Kimmel Center for the Orchestra of Philadelphia, the Philadelphia designed to be Performing Arts and a former Lincoln Center Chamber Music Society, PHILADANCO, executive. American Theater Arts for Youth, and the Philly “open, public, But Philadelphia has a bustling arts scene of Pops. The Opera Company of Philadelphia and its own, featuring everything from long-estab- the Pennsylvania Ballet were thus able to book porous, and lished organizations such as the Philadelphia more time in the historic Academy of Music, accessible. It’s Orchestra, the Philadelphia Museum of Art and which had previously also been home to the the Rodin Museum to new galleries run by young orchestra. And like New York’s Lincoln Center, meant to bring artists and thriving festivals of film, literature Kimmel Center Presents has become a hub in its and music. And what other city boasts a street own right, providing space for visiting musicians new people in.” running right through the center of town called who previously had no place to perform. -
U.S. National Tour of the West End Smash Hit Musical To
Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards. -
Subscription Package Pricing
2020 2021 SUBSCRIPTION PACKAGE PRICING Seven-show subscription package includes Pretty Woman The Musical, My Fair Lady, 1776, Ain’t Too Proud, Oklahoma!, The Lion King, and Hadestown. TUES (week 2) TUES (week 1) SAT (matinees) WED (matinee) WED (evenings) FRI SAT (evenings) SUN (evening) SUN (matinees) THURS PRICE LEVEL 1 $745 $862 $872 $927 $946 $956 PRICE LEVEL 2 $664 $737 $747 $800 $832 $852 PRICE LEVEL 3 $594 $667 $677 $720 $752 $772 PRICE LEVEL 4 $523 $581 $591 $634 $660 $690 PRICE LEVEL 5 $402 $450 $460 $503 $525 $535 PRICE LEVEL 6 $373 $407 $417 $433 $448 $458 PRICE LEVEL 7 $348 $331 $341 $357 $366 $366 PRICE LEVEL 8 $268 $258 $258 $284 $290 $300 PRICE LEVEL 1 PRICE LEVEL 5 Academy of Music: Parquet Center, Parquet and Academy of Music: Amphitheatre Rear and Side; Balcony Box, Balcony Loge Accessible 4 (Amphitheatre) Forrest Theatre: Orchestra, Mezzanine Forrest Theatre: Rear Mezzanine N–P PRICE LEVEL 2 PRICE LEVEL 6 Academy of Music: Parquet Side, Parquet Rear and Side, Academy of Music: Limited View Parquet Circle, Parquet Circle Center, Parquet Circle Rear & Side, Limited View Balcony Balcony Center, Balcony Rear and Side, Accessible 2 Forrest Theatre: Rear Mezzanine J–M (Parquet Circle), Balcony Loge Forrest Theatre: Orchestra, Mezzanine PRICE LEVEL 7 Academy of Music: Limited View Family Circle Side and Center PRICE LEVEL 3 Forrest Theatre: Rear Mezzanine J–M Academy of Music: Family Circle Center Forrest Theatre: Rear Mezzanine A–H PRICE LEVEL 8 Academy of Music: Limited View Amphitheatre Side and Center PRICE LEVEL 4 Forrest Theatre: Rear Mezzanine N–P Academy of Music: Family Circle Rear and Side; Amphitheatre Center, Accessible 3 (FCCIR) Forrest Theatre: Rear Mezzanine A–H Broadway Philadelphia is presented collaboratively by the Kimmel Center for the Performing Arts and The Shubert Organization 2020 2021 ADD-ON PRICING Prices listed below are inclusive of ticketing fees, excluding the $4 per order fee. -
Saturday-Night-Fever.Pdf
® PHILADELPHIA, PENNSYLVANIA PLAYBILL.COM PLAYBILLVAULT.PLAYBILL.COMCOM PLAYBILLVAULT.COM 06-01 SatNightFever2_Live.indd 1 5/12/17 3:22 PM Dear Theatregoer, Welcome to Saturday Night Fever! I am so glad to have you as our guest for this incredible season finale. The energy this cast brings to the stage will make you want to get up and dance to the iconic music from the legendary Bee Gees. I’m thrilled to share this electrifying production with you. Next season the excitement continues on our Mainstage with a spectacular line-up. The 2017–18 season will begin with Broadway’s classic Tony Award-winning Best Musical A Funny Thing Happened On the Way to the Forum. You’ll meet Pseudolus, a crafty slave who struggles to win the hand of a beautiful, but slow-witted, courtesan for his young master. The plot twists and turns with cases of mistaken identity, slamming doors and a bevy of beautiful showgirls. I think this musical comedy is one of the funniest Broadway shows ever written, and I’m sure you’ll agree. During the holiday season we’ll look to a brighter “tomorrow” with one of the world’s best-loved musicals Annie. This Tony Award- winning Best Musical features some of the greatest musical theatre Photo: Mark Garvin hits ever written including “It’s the Hard Knock Life,” “Easy Street,” and “Tomorrow.” I’m excited to share this exciting production with you and your family, as Annie fills our hearts with joy! Our season continues with The Humans. This comedy won more than 20 Best Play awards in 2016, including the Tony Award. -
24,032 SF Retail Space Available in Former Drexel Bank Headquarters
24,032 SF retail space available in Five story prime retail space on the highly former Drexel Bank headquarters coveted corner of 15th and Walnut Streets in Center City Philadelphia Area Tenants The space was most recently used as an LA Apple, Anthropologie, Barbour, Butcher & Fitness Singer, Cheesecake Factory, Club Monaco, Coach, Diesel, The Gap, GUESS, Kenneth Cole, Lacoste, The space consists of a ground floor, Lululemon, Max Brenner, Nicole Miller, Ralph Lauren, basement, sub-basement, and two mezzanines Tiffany & Co., Urban Outfitters, Williams-Sonoma open to the ground floor Demographics Beautiful original details remain throughout such 2015 Population Estimate Center City: as high ceilings with magnificent architectural Over 183,000 residents & 294,000 workers detail and oversized windows overlooking 15th 2015 average daily pedestrian activity: 25,000 and Walnut Streets Located three blocks from Rittenhouse Square 2015 Statistics for Center City and one block from Broad Street 3,073 Center City storefronts in the heart of the city's booming commercial, 3.1 million occupied hotel room nights retail, residential, and dining district 116,000 college students 1 billion dollars in retail demand The Drexel Building, listed on the National Over 6.7 billion dollars in major construction Register of Historic Places, is a seven story projects underway building originally built between 1925 and 1927 as the headquarters for Drexel and Company Square Footage Breakdown Sub-Basement: 2,593 NNN Lease Basement: 4,776 U&O Tax: $1.42 psf Ground Floor: 5,185 Mezzanine 1: 5,893 Operating Expenses: 25.56% (est. $9.05 psf) Mezzanine 2: 5,585 Real Estate Tax and CCD Tax (2017): est. -
Jonathan Larson’S RENT
2 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff th 6 RENT 20 Anniversary Tour 21 Comprehensive Campaign 22 Institutional and Government Support 23 Individual Support 25 Matching Gifts 25 Honickman Family Society The Company of the RENT 20th Anniversary Tour, 27 Kimmel Center Staff Credit Carol Rosegg 2018. The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Onstage Publications Proud Season Sponsor 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Richard D. Carpenter Dear Friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Kimmel Center’s Merriam Theater and the Robert J. Delany Sr. back-by-popular-demand 20th Anniversary touring production James F. Dever, Jr. Frances R. Graham of Jonathan Larson’s RENT. This is a show that transcends time, Michael B. Hill an old friend with whom we pick up right where we left off. -
Hello, Dolly! Carolee Carmello
2 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff 7 Hello, Dolly! 23 Comprehensive Campaign 24 Institutional and Government Support 25 Individual Support 27 Matching Gifts 27 Honickman Family Society 31 Kimmel Center Staff Carolee Carmello and John Bolton in Hello, Dolly! National Tour. Photograph by Julieta Cervantes 2019 The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Proud Kimmel Center Season Sponsor Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com Official Airline of Broadway Philadelphia @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere 3 Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Jeffrey Brown Richard D. Carpenter Dear friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Academy of Music on the Kimmel Center Robert J. Delany Sr. Cultural Campus, the two-week home of this stunning revival James F. Dever, Jr. of Hello, Dolly!. Part of our 2019-20 season, boasting 44 Frances R. -
Septa-Phila-Transit-Street-Map.Pdf
A B C D E F G H I J K L M N O P Q v A Mill Rd Cricket Kings Florence P Kentner v Jay St Linden Carpenter Ho Cir eb R v Newington Dr Danielle Winding W Eagle Rd Glen Echo Rd B Ruth St W Rosewood Hazel Oak Dr Orchard Dr w For additional information on streets and b v o o r Sandpiper Rd A Rose St oodbine1500 e l Rock Road A Surrey La n F Cypress e Dr r. A u Dr Dr 24 to Willard Dr D 400 1 120 ant A 3900 ood n 000 v L v A G Norristown Rd t Ivystream Rd Casey ie ae er Irving Pl 0 Beachwoo v A Pine St y La D Mill Rd A v Gwynedd p La a Office Complex A Rd Br W Valley Atkinson 311 v e d 276 Cir Rd W A v Wood y Mall Milford s r Cir Revere A transit services ouside the City of 311 La ay eas V View Dr y Robin Magnolia R Daman Dr aycross Rd v v Boston k a Bethlehem Pike Rock Rd A Meyer Jasper Heights La v 58 e lle H La e 5 Hatboro v Somers Dr v Lindberg Oak Rd A re Overb y i t A ld La Rd A t St ll Wheatfield Cir 5 Lantern Moore Rd La Forge ferson Dr St HoovStreet Rd CedarA v C d right Dr Whitney La n e La Round A Rd Trevose Heights ny Valley R ay v d rook Linden i Dr i 311 300 Dekalb Pk e T e 80 f Meadow La S Pl m D Philadelphia, please use SEPTA's t 150 a Dr d Fawn V W Dr 80- arminster Rd E A Linden sh ally-Ho Rd W eser La o Elm Aintree Rd ay Ne n La s Somers Rd Rd S Poplar RdS Center Rd Delft La Jef v 3800 v r Horseshoe Mettler Princeton Rd Quail A A under C A Poquessing W n Mann Rd r Militia Hill Rd v rrest v ve m D p W UPPER Grasshopper La Prudential Rd lo r D Newington Lafayette A W S Lake Rd 1400 3rd S eldon v e Crestview ly o TURNPIKE A Neshaminy s o u Rd A Suburban Street and Transit Map. -
Walking Tours of Philadelphia Avenue of the Arts
1. The Philadelphia Theater Company 8. Union League AVENUE OF THE ARTS Suzanne Roberts Theater 140 S. Broad Street 480 S. Broad Street This building is a testament to Philly’s strong pro-Union support during For over thirty years the Philadelphia Theatre Company has provided audiences the Civil War. But at the time, a number of Philadelphians believed the with theatrically exciting and intellectually challenging productions. Devoted South should secede.Why? Because trade moved from north to south and to the work of the contemporary American playwright, PTC has staged more Philadelphia was the largest border city. Eventually the city decided to support than 140 world and regional premiers, both plays and musicals, by writers such the Union and gave more soldiers to the cause than any other Northern city. as Terence McNally, Edward Albee, August Wilson, Wendy Wasserstein, and Susan-Lori Parks. Starting its fourth season in its new, state-of-the-art 9. Prince Theater Suzanne Roberts Theater, Philadelphia Theatre Company is one of the city’s 1412 Chestnut Street WALKING premiere arts institutions, making a vital contribution to the bustling cultural and entertainment life on Broad Street’s Avenue of the Arts. This theatre is one of the hosts of the Philadelphia Film Festival every spring, the largest filmfestival on the East Coast. Named after producer Harold Prince, this theater also showcases cutting edgemusical theatre performances. TOURS OF 2. University of the Arts 320 S. Broad Street 10. City Hall PHILADELPHIA This arts school is over 125 years old and is the largest such school in the nation. -
The Glass Menagerie
2010-11 HOT Season for Young People Teacher Guidebook The Glass Menagerie Walnut Street Theatre PHOTO BY MARK GARVIN Tennessee Performing Arts Center TPAC Education is made possible in part by the generous contributions, sponsorships, and in-kind gifts from the following corporations, foundations, government agencies, and other organizations. AT&T Mapco Express/Delek US American Airlines Meharry Medical College The Atticus Trust The Memorial Foundation Bank of America Metropolitan Nashville Airport Baulch Family Foundation Authority BMI Miller & Martin, PLLC Bridgestone Americas Trust Fund Morton’s,The Steakhouse, Brown-Forman Nashville Cal IV Entertainment Nashville Predators Foundation Caterpillar Financial Services National Endowment for the Arts Corporation Nissan North America, Inc. Central Parking Corporation NovaCopy Coca-Cola Bottling Co. Piedmont Natural Gas Foundation The Community Foundation of Middle Tennessee Pinnacle Financial Partners Corrections Corporation The Premiere Event HOT Transportation grants underwritten by of America Publix Super Markets Charities The Danner Foundation Mary C. Ragland Foundation Davis-Kidd Booksellers Inc. The Rechter Family Fund* The Dell Foundation Sheraton Nashville Downtown Dollar General Corporation South Arts Doubletree Hotel Downtown Irvin and Beverly Small Foundation This performance is Nashville presented through SunTrust Bank, Nashville Fidelity Offset, Inc. arrangements Earl Swensson Associates, Inc. made by Baylin Artists First Tennessee Bank Management. Target Samuel M. Fleming -
Star a Cappella Group Gobsmacked! Pushes Vocal Boundaries in an Astonishing Performance on the Kimmel Center Cultural Campus February 16, 2018
Tweet It! Get ready to be Gobsmacked! Mind-blowing A Cappella Group @Gobsmackedshow comes to the @KimmelCenter 2/16. More info @ KimmelCenter.org Press Contact: Monica Robinson Rachel Goldman 215-790-5847 267-765-3712 [email protected] [email protected] ALL STAR A CAPPELLA GROUP GOBSMACKED! PUSHES VOCAL BOUNDARIES IN AN ASTONISHING PERFORMANCE ON THE KIMMEL CENTER CULTURAL CAMPUS FEBRUARY 16, 2018 FOR IMMEDIATE RELEASE (Philadelphia, PA, December 18, 2017) – A mind-blowing vocal show and the UK’s latest sensation, GOBSMACKED! is coming to the Merriam Theater on Friday, February 16, 2018 at 8:00 p.m. Featuring the reigning world champion beatboxer, Ball-Zee, and an international cast of world-class vocalists, this new generation a cappella show features impressive beat boxing, breathtaking harmonies, and amazing arrangements of chart-topping songs. “The artists that make up GOBSMACKED! are incredibly talented, literally creating entire musical arrangements with just their voices,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “A cappella is just one facet of the diverse programming we present on the Kimmel Center Cultural Campus each year, and we’re certainly in for a crowd-pleasing, impressive treat.” GOBSMACKED! is coming to the Kimmel Center after sell-out seasons in London, Hong Kong, and Edinburgh. This high energy performance weaves an urban tale of love, loss, and redemption using all forms of a cappella, from traditional street corner harmonies, to cutting edge multitrack live looping. With not one instrument to be seen, this show pushes vocal boundaries, delivering a slick musical accomplishment.