Acting Resume June 2019

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Katie Cunningham AEA/SAG-AFTRA, MFA Southeastern Representatives: TalentTrek (Atlanta/Nashville/Knoxville) 865-977-8735 Direct: [email protected] 917-815-4193 www.katiecunningham.com OFF-BROADWAY and OTHER NYC The Magistrate Charlotte Verrinder TACT/The Actors Company Theatre John Plumpis Mr. Bigger's Baby Danielle The Actors Company Theatre new TACTics Scott Alan Evans Mary Berry Presents Mary Berry NY International Fringe Festival W. B. Smith Mary Berry… (workshop) Mary Berry American Place Theatre W. B. Smith Danny and the Deep Blue Sea Roberta The Night Shift Danny Jones REGIONAL THEATRE (Representative Roles) Macbeth Lady Macbeth Utah Shakespeare Festival Melissa Rain Anderson Twelfth Night Maria Sam White Othello Emilia Kate Buckley The Liar Isabelle/Sabine Brad Carroll The Book of Will Rebecca Heminges/Anne Hathaway Melinda Pfundstein Both Your Houses Marjorie Asolo Rep Frank Galati Our Betters Pearl Michael Donald Edwards God of Carnage Annette Greg Leaming Once in a Lifetime Florabel Leigh Mark Rucker Hamlet Redux Hamlet Dmitry Troyanovsky Hamlet de Cuba Player Queen Michael Donald Edwards The Madwoman of Chaillot Josephine Clarence Brown Theatre Paul Mason Barnes The 39 Steps Annabella/Pamela/Margaret Kate Buckley Outside Mullingar Rosemary Kate Buckley Alabama Story Emily Wheelock Reed Kate Buckley The Dream of the Burning Boy Andrea Carol Mayo Jenkins Spamalot Lady of the Lake Bill Jenkins Noises Off* Brooke Ashton Greg Leaming Dancing at Lughnasa Chrissy Northern Stage Nevin Headley The Elephant Man Miss Sandwich Catherine Doherty The Night of the Iguana Hannah Jelkes Palm Beach Dramaworks William Hayes Clybourne Park Betsy/Lindsey Arkansas Rep Cliff Baker A Prayer for Owen Meany Ensemble, u/s PlayMakers Rep David Hammond Lungs W Urbanite Theatre Daniel Kelly The Full Monty Pam Merry-Go-Round Playhouse/FLMTF Steve Bebout *BroadwayWorld Nomination – Best Actress in a Play EDUCATION/TRAINING M.F.A. Acting, Florida State University/Asolo Conservatory for Actor Training B.A. Political Science & Dramatic Art, University of North Carolina at Chapel Hill (summa cum laude; Phi Beta Kappa) The Gaiety School of Acting (National Theatre School of Ireland) Shakespeare: Patsy Rodenburg (RSC), Charmian Hoare (RSC) SPECIAL SKILLS Basic Ballet & Tap; Trained Singer; Advanced Conversational French Speaker; SAFD Unarmed Combat Certification; Kayaker; Excellent Ear for Dialects – American Southern (Native Georgian), RP British, Cockney, Irish, Russian, etc.; Voice & Text Coach; Audition Reader (Tara Rubin Casting/Roundabout/Deborah Brown) .

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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
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Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M.
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Dancing at Lughnasa
1 Dancing at Lughnasa ACT ONE When the play opens MICHAEL is standing downstage left in a pool of light. The rest of the stage is in darkness. Immediately MICHAEL begins speaking slowly bring up the lights on the rest of the stage. Around the stage and at a distance from MICHAEL the other characters stand motionless in formal tableau. MAGGIE is at the kitchen window (right). CHRIS is at the front door. KATE at extreme stage right. ROSE and GERRY sit on the garden seat. JACK stands beside ROSE. AGNES is upstage left. They hold these positions while MICHAEL talks to the audience. MICHAEL. When I cast my mind back to that summer of 1936 different kinds of memories offer themselves to me. We got our first wireless set that summer – well, a sort of set; and it obsessed us. And because it arrived as August was about too begin, my Aunt Maggie – She was the joker of the family – she suggested we give it a name. She wanted to call it Lugh* after the old Celtic God of the Harvest. Because in the old days August the First was La Lughnasa, the feast day of the pagan god, Lugh; and the days and weeks of harvesting that followed were called the Festival of Lughnasa. But Aunt Kate – she was a national schoolteacher and a very proper woman --she said it would be sinful to christen an inanimate object with any kind of name, not to talk of a pagan god. So we just called it Marconi because that was the name emblazoned on the set.
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Dancing at Lughnasa School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData School of Theatre and Dance Programs Theatre and Dance Fall 2013 Dancing At Lughnasa School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/sotdp Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "Dancing At Lughnasa" (2013). School of Theatre and Dance Programs. 46. https://ir.library.illinoisstate.edu/sotdp/46 This Book is brought to you for free and open access by the Theatre and Dance at ISU ReD: Research and eData. It has been accepted for inclusion in School of Theatre and Dance Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. steve-o from MTV's Jackass October 5th Donnie Baker & Chick McGee from The Bob & Tom Show October 11th - 12th ,-----._-=,--::::a----, Ryan Stout from Chelsea Lately October 18th - 19th AI Jackson from Comedy Central October 24th - 26th Adam Ray from the hit movie "The Heat" November 14th - 16th • • f - I Drew lastings \ ~ ,, from The Bob and Tom Show ':. i ' November 22nd - 23rd • - ~ Jamie Kennedy from Malibu's Most Wanted December 5th - 7th 108 E Market Street Bloomington, IL I Phone: 309-287-7698 www.laughbloomington.com ONE E SCHOOL OF illlfi~~ ~ . Jllu,ouSrnrc u,,n••rnty AN if?\\Q\111~~ Center for the Performing Arts - Illinois State University November 1-2 & 5-9, 7:30 p.m. Matinee: November 3, 2:00 p.m. Dancing At Lughnasa by Brian Friel Director ..............................................................................................................
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Past Productions
Past Productions 2017-18 2012-2013 2008-2009 A Doll’s House Born Yesterday The History Boys Robert Frost: This Verse Sleuth Deathtrap Business Peter Pan Les Misérables Disney’s The Little The Importance of Being The Year of Magical Mermaid Earnest Thinking Only Yesterday Race Laughter on the 23rd Disgraced No Sex Please, We're Floor Noises Off British The Glass Menagerie Nunsense Take Two 2016-17 Macbeth 2011-2012 2007-2008 A Christmas Carol Romeo and Juliet How the Other Half Trick or Treat Boeing-Boeing Loves Red Hot Lovers Annie Doubt Grounded Les Liaisons Beauty & the Beast Mamma Mia! Dangereuses The Price M. Butterfly Driving Miss Daisy 2015-16 Red The Elephant Man Our Town Chicago The Full Monty Mary Poppins Mad Love 2010-2011 2006-2007 Hound of the Amadeus Moon Over Buffalo Baskervilles The 39 Steps I Am My Own Wife The Mountaintop The Wizard of Oz Cats Living Together The Search for Signs of Dancing At Lughnasa Intelligent Life in the The Crucible 2014-15 Universe A Chorus Line A Christmas Carol The Real Thing Mid-Life! The Crisis Blithe Spirit The Rainmaker Musical Clybourne Park Evita Into the Woods 2005-2006 Orwell In America 2009-2010 Lend Me A Tenor Songs for a New World Hamlet A Number Parallel Lives Guys And Dolls 2013-14 The 25th Annual I Love You, You're Twelve Angry Men Putnam County Perfect, Now Change God of Carnage Spelling Bee The Lion in Winter White Christmas I Hate Hamlet Of Mice and Men Fox on the Fairway Damascus Cabaret Good People A Walk in the Woods Spitfire Grill Greater Tuna Past Productions 2004-2005 2000-2001
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Hootenanny Insert
Premier Sponsor: Community Partner: Lighting Designer Sound Engineer Video Designer/Editor STEVE TENEYCK TODD HUTCHINSON KAEDE KAI KOGO Videographer Production Coordinator/Stage Manager Production Manager RACHEL PHILIPSON KAT TAYLOR ADAM ZONDER Assistant Director/Director of "Snowflake" HOLLYANN BUCCI Director/Curator SHIRLEY SEROTSKY Musical Guests THE BURNS SISTERS Start, pause, & rewind anytime! ORDER OF APPEARANCE 1. "Songs We Love” performed by The Burns Sisters. 2. “A Christmas Story" by Carrie Jane Thomas. Performed by Adara Alston. 3. "A Letter from Santa Claus" by Samuel Clemens (aka Mark Twain). Performed by Craig MacDonald with Katharyn Howd Machan, Jahmar Ortiz, and Sylvie Yntema. 4. “Golden Cradle” performed by The Burns Sisters 5. “Emmanuel” performed by The Burns Sisters. 6. "The Sermon in the Cradle" by W.E.B. DuBois. Performed by Robert Denzel Edwards. 7. "How to Spell the Name of God" by Ellen Orleans. Performed by Jennifer Herzog. 8. "Black Branches, White Moon" written and performed by Katharyn Howd Machan. 9. “Surrender” performed by The Burns Sisters. 10. "What are you Waiting For?" by Rebecca Barry. Performed by Marissa Accordino, K. Foula Dimopoulos, Kayla M. Lyon, and Gregg Miller. 11. "Food Shopping in Quarantine" by Sarah Jefferis. Performed by Sylvie Yntema. 12. "El Coquí Siempre Canta" written and performed by Sally Ramírez. 13.“Verde Luz” performed by Sally Ramirez with Special Appearance by Doug Robinson. 14. “Winter Wonderland” performed by The Burns Sisters. 15. “Have Yourself a Merry Little Christmas” performed by The Burns Sisters. 16. “Tu Scendi Dalle Stelle” performed by The Burns Sisters. 17. "On Track" by Suzanne Snedeker. Performed by Susannah Berryman.
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William & Mary Theatre Main Stage Productions
WILLIAM & MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth
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ILLUMINATING FEMALE IDENTITY THROUGH IRISH DRAMA Amy R
STRANGER IN THE ROOM: ILLUMINATING FEMALE IDENTITY THROUGH IRISH DRAMA Amy R. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of English Indiana University June 2007 ACKNOWLEDGEMENTS My sincerest thanks are extended to my committee members for their time and feedback during this process. An added note of gratitude is extended to Dr. Jon Eller for helping to make this an educational and thoroughly enjoyable learning experience. Special appreciation goes to Dr. Mary Trotter for introducing me to many of the contemporary Irish dramatists discussed in this thesis and for her experience and expertise in this subject matter. Thanks to my fellow graduate students: Miriam Barr, Nancee Reeves and Johanna Resler for always being on my side and sharing my passion for books and words. Most importantly, thanks to Conan Doherty for always supporting me and for being the steadying voice in getting me here in spite of the hurdles. iii TABLE OF CONTENTS Chapter One, A Brief History ..............................................................................................1 Chapter Two, Dancing at Lughnasa..................................................................................23 Chapter Three, Ourselves Alone ........................................................................................40 Chapter Four, The Mai.......................................................................................................56 Chapter
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The 39 Steps
Otterbein University Digital Commons @ Otterbein 2014 Summer Theatre Productions 2011-2020 6-26-2014 The 39 Steps Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_2014 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "The 39 Steps" (2014). 2014 Summer Theatre. 2. https://digitalcommons.otterbein.edu/summer_production_2014/2 This Book is brought to you for free and open access by the Productions 2011-2020 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2014 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. omjm mSBt/ES www.oaklandnursery.com Columbus: 1156 Oakland Park Ave. 614-268-3511 Delaware: 25 Kilbourne Rd. 740-369-5454 Dublin: 4261 W. Dublin-Granville Rd. 614-874-2400 New Albany: 5211 Johnstown Rd. 614-917-1020 M •* < y -MttU Cordoning Pleosure^ OTTERBEIN SUMMER THEATRE PRESENTS Adapted by PATRICK BARLOW From the novel by JOHN BUCHAN From the movie of ALFRED HITCHCOCK Licensed by ITV Global Entertainment Limited And an original concept by Simon Corbie and Nobby Dimon Directed by CHRISTINA KIRK Scenic Design by Costume Design by ROB JOHNSON JULIA FERRERI Lighting Design by Sound Design by ANDY BAKER DOC DAVIS Stage Managed by GRACE K. MURRIN June 26-29, July 3 & 5, and July 10-12, 2014 ONSTAGE in the Eritsche Theatre at Cowan Hall 30 S. Grove St., Westerville THE 39 STEPS is presented by special arrangement with SAMUEL FRENCH, INC. CAST LIST Richard Hannay............................................................................................
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Department of Theatre Frank and Joan Dawson DANCING at LUGHNASA by Brian Friel Michael J
The University of Alabama at Birmingham Theatre UAB 2015-2016 Season Department of Theatre Frank and Joan Dawson DANCING AT LUGHNASA by Brian Friel Michael J. and Mary Anne Freeman Directed by Jack Cannon Mary and Kyle Hulcher The Sirote Theatre and October 14 - 17 at 7:30pm & October 18 at 2:00pm l W.B. Philips, Jr. present STUPID F***ING BIRD by Aaron Posner Directed by Dennis McLemon The Odess Theatre November 11 - 14 & 18- 20 at 7 :30pm & November 21 at 2 :00pm BURIED CHILD by Sam Shepard Directed by Karla Koskinen The Sirote Theatre February 24-27 at 7:30pm & February 28 at 2:00pm THEATRE UAB THIRTEENTH ANNUAL FESTIVAL OF TEN MINUTE PLAYS Produced by Lee Shackleford The Odess Theatre March 13 at 2:00pm & March 14 - 17 at 7:30pm SPRING AWAKENING Music by Duncan Sheik. Book & Lyrics by Steven S ater Directed by Valerie Accetta Musical Direction by Carolyn Violi The Sirote Theatre April 13 - 16 at 7:30pm & April 17 at 2:00pm l ASC Box Office: 975-ARTS. Show information at http://www.uab.edu/cas/theatre/productions The Sirote Theatre J in the Alys Robinson Stephens Performing Arts Center OVATION THEARE UAB Theatre UAB Faculty and Administrative Staff (Sponsored by Theatre Advisory Committee) Kelly De an Allison, Professor .................................. ................... .... ..... .. Chair Openin g nights a l Thea tre UAB are OVATION nights. OVATION UAB featu res refr shme nts and conver ation wit h the director and designers before the show, as well a a p L-performance meet & gre the cast· t with and crew.
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Department of Theatre Frank and Joan Dawson the Universitymary of Andalabama Kyle Hulcher at Birmingham Michael J
The University of Alabama at Birmingham Department of Theatre Frank and Joan Dawson The UniversityMary of andAlabama Kyle Hulcher at Birmingham Michael J. and Mary Anne Freeman DepartmentW.B. Philips, of Jr.Theatre John & Dorinda Smith Frank andpresent Joan Dawson Mary and Kyle Hulcher Michael J. and Mary Anne Freeman W.B. Philips, Jr. John & Dorinda Smith present The Sirote Theatre in the Alys Robinson Stephens Performing Arts Center The Sirote Theatre in the Alys Robinson Stephens Performing Arts Center OVATION THEATRE UAB Opening nights at Theatre UAB are OVATION nights. OVATION UAB features refreshments and conversation with the director and designers before the show, as well as a post-performance meet & greet with the cast and crew. But that’s not all. OVATION’s mission is to support and sponsor our students working backstage and performing in Theatre UAB productions. Membership dues ranging from $50 - $1500+ help off-set the cost of tuition for each student to participate in the productions. Join us! Park early, socialize, learn about the show and enjoy hors d'oeuvres, desserts, coffee and light refreshments before an evening of great theatre. OVATION THEATRE UAB is a perfect way to assist our talented students and have lots of fun! OVATION THEATRE UAB Membership Forms are in our Theatre UAB Season Brochure or contact Program Manager, Mel Christian at 934-3237, [email protected] or through our website: https://www.uab.edu/cas/theatre/alumni/give. We’d love to see you at our next OVATION! A SPECIAL THANK YOU TO OUR CURRENT OVATION UAB MEMBERS Founding Members Russell Drummond, Col.
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Sam Shepard's 'Buried Child' to Be Final Cal Poly 2001-2002 Production
Skip to Content Cal Poly News Search Cal Poly News Go California Polytechnic State University May 1, 2002 Contact: Jo Ann Lloyd (805) 756-1511 FOR IMMEDIATE RELEASE Sam Shepard's 'Buried Child' To Be Final Cal Poly 2001-2002 Production The Cal Poly Theatre and Dance Department will close its 2001-2002 season with a six-day run in May of Sam Shepard's l979 Pulitzer Prize-winning play, "Buried Child." The production will be staged at 8 p.m. May 16-18 and May 23-25 in the Cal Poly Theatre. Universally acclaimed as a work of extraordinary vision and force, the darkly comic play explores the disintegration of a family filled with deep secrets and suppressed violence, according to the play's director, Pamela Malkin, associate department head of the Theatre and Dance Department. Shepard is regarded as one of the country's most significant contemporary playwrights. His other credits include the plays "Fool for Love," "True West" and "The Curse of the Starving Class." Shepard explores the rootlessness and isolation of modern America, Malkin said. San Luis Obispo native and social sciences junior Matt Richter is cast in the leading role of Dodge, the wickedly funny patriarch of the dysfunctional family. Richter has appeared in many Cal Poly productions, including "The Cal Poly Follies" and "A Midsummer Night's Dream," and as a member of the improvisational company Smile and Nod. Amanda Sitko of Morgan Hill portrays Halie, Dodge's equally eccentric wife. Sitko, a theatre arts senior and director of Smile and Nod, has also appeared in the Cal Poly productions of "All My Sons," "Dancing at Lughnasa," "I Hate Hamlet" and "A Man for All Seasons." David Edwards, director of the University Union at Cal Poly, is cast as Tilden, the oldest son.
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