The 39 Steps
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Acting Resume June 2019
Katie Cunningham AEA/SAG-AFTRA, MFA Southeastern Representatives: TalentTrek (Atlanta/Nashville/Knoxville) 865-977-8735 Direct: [email protected] 917-815-4193 www.katiecunningham.com OFF-BROADWAY and OTHER NYC The Magistrate Charlotte Verrinder TACT/The Actors Company Theatre John Plumpis Mr. Bigger's Baby Danielle The Actors Company Theatre new TACTics Scott Alan Evans Mary Berry Presents Mary Berry NY International Fringe Festival W. B. Smith Mary Berry… (workshop) Mary Berry American Place Theatre W. B. Smith Danny and the Deep Blue Sea Roberta The Night Shift Danny Jones REGIONAL THEATRE (Representative Roles) Macbeth Lady Macbeth Utah Shakespeare Festival Melissa Rain Anderson Twelfth Night Maria Sam White Othello Emilia Kate Buckley The Liar Isabelle/Sabine Brad Carroll The Book of Will Rebecca Heminges/Anne Hathaway Melinda Pfundstein Both Your Houses Marjorie Asolo Rep Frank Galati Our Betters Pearl Michael Donald Edwards God of Carnage Annette Greg Leaming Once in a Lifetime Florabel Leigh Mark Rucker Hamlet Redux Hamlet Dmitry Troyanovsky Hamlet de Cuba Player Queen Michael Donald Edwards The Madwoman of Chaillot Josephine Clarence Brown Theatre Paul Mason Barnes The 39 Steps Annabella/Pamela/Margaret Kate Buckley Outside Mullingar Rosemary Kate Buckley Alabama Story Emily Wheelock Reed Kate Buckley The Dream of the Burning Boy Andrea Carol Mayo Jenkins Spamalot Lady of the Lake Bill Jenkins Noises Off* Brooke Ashton Greg Leaming Dancing at Lughnasa Chrissy Northern Stage Nevin Headley The Elephant Man Miss Sandwich Catherine Doherty The Night of the Iguana Hannah Jelkes Palm Beach Dramaworks William Hayes Clybourne Park Betsy/Lindsey Arkansas Rep Cliff Baker A Prayer for Owen Meany Ensemble, u/s PlayMakers Rep David Hammond Lungs W Urbanite Theatre Daniel Kelly The Full Monty Pam Merry-Go-Round Playhouse/FLMTF Steve Bebout *BroadwayWorld Nomination – Best Actress in a Play EDUCATION/TRAINING M.F.A. -
A Christmas Carol
CFCArts Senior Staff Thank You to Our Sponsors Executive Leadership Joshua Vickery I Founder & Executive Director Ethan Lolley I Executive Assistant ; Terrance Hunter I Sr. Director of Programs @rieeo-,,�ss Brewer Long 111STOR�E � Cors.J @1 '19 e tJ Po ;of ropical' Artistic Leadership Brandon Fender I Director of Choral Programs Justin Muchoney I Director of Orchestral Programs ,:!!!;-Rf/MAX @ THE John Almeida Co-Director of Big Band .• SELECT COLE I Cll tI 7 = """...........,., Daniel Maldonado I Co-Director of Big Band TEAM Eric Yow Director of Dance I •. :CIA � esuninstcr VITJ\S' VAi F, .., WinterPadc Advent Health -- Healthcare co • Education Leah Porrata I Director of Education, Youth Programs and Academy •� t Kaileigh Anne Tayek Director of Education, Program Development and Research GH IJrltl�J,,..,.try � I ........ ."' •'-....... TRINGAS • "'.. OIITltOOONIJCS --- Rebekah Lugo-Melise I Sr. Manager of Arts Equity and Access BBB Ashley Lewis Music Therapy Program Coordinator I � Erin Wolfe I Education Coordinator OUC'9 OIU.,\Jl,DOI r\ IT11 UCF � Advancement Bia Silva I Sr. Manager of Advancement CFCArts.com/Sponsors Bethany Dickens I Grants Manager Sara Breitfelder I Advancement & Box Office Associate Administration Shauna Smith I Director of Administration Loretta Fredrich I Choral Programs Administrator Thank You to Our Funders Priscilla Greenough I Orchestra Personnel Administrator Melissa Brown I Symphony Orchestra Administrator '-11t' I I I \ 1 WINIFRED CFCArts Board of Directors '4� JOHNSON a,111 CITY OF Cfttlft OF CENTRAL RORIDA I PI CL I VE NDATIO - ORLANDO Carlos Barrios Steve Fessler Gary Moss Baker Barrios Architects, Inc. Community Advocate Simon Malls Dean Bosco, Treasurer Kris Gault-Lewis, Secretary Dr. -
Hamlet Refugee Week Hamlet
HAMLET REFUGEE WEEK HAMLET CONTENTS. LIKE IT LIKE AS YOU YOU AS SONNETS 3 Welcome 4 Hamlet Company 8 Synopsis 10 Bringing Hamlet Home by Dr Farah Karim-Cooper 14 Ensemble Voices Contributions from the Globe Ensemble 22 Biographies & Rehearsal Photos GLOBE ON 32 Do You Mark That? by Emma Smith TOUR EMILIA 34 This Wooden ‘O’ GLOBE THE WINTER’S 36 The Globe Today PLAYER TALE 38 Education 42 Guided Tours & Exhibition 44 Food & Drink 45 Shop & Globe Player THE TWO 46 Support Us NOBLE EYAM 48 For Shakespeare’s Globe KINSMEN 51 Our Volunteer Stewards 54 Our Supporters LOVE’S OTHELLO LABOUR’S LOST Shakespeare’s Tales WELCOME. Telling Dear all, Celebrate the joy of storytelling at Shakespeare’s Telling Tales, A huge, huge welcome to Shakespeare’s Globe our lively family festival, now in its third year. and to the start of our 2018 Summer Season. What better way to kick off than with the words ‘Who’s 27 – 29 July 2018 There?’ from our opening play, Hamlet, followed Visit shakespearesglobe.com/tellingtales for news by As You Like It: two plays that we know were about our festival line-up as it’s announced. written specifically for the unique architectural #TellingTales playing conditions of the wooden ‘O’. Where else can you say and hear the words ‘this distracted Globe’ or ‘All the world’s a stage’ and not be immediately aware of the theatre in which you are sitting… or standing? Where else can Hamlet say ‘now I am alone’ and see the whites of the eyes of the 1,500 people that accompany him in that moment? There are, of course, as many understandings and interpretations of Shakespeare as there are people and if Shakespeare is one of our greatest playwrights, wrestling with the human condition in all its guises, then it must also be true that Shakespeare is for all. -
The Plays and Players Collection
The Plays and Players Collection Marymount Manhattan College 221 East 71st Street New York, New York 10021 Archives Collection #005 Processed May 16, 2011 Mary Elizabeth Brown 0 Contents 1 Introduction 2 Box List of Issues 8 Chronological List of Reviews, Interviews and Articles 55 Index of Reviews, Interviews and Articles 1 Introduction The Plays and Players began publication in October 1953 and quickly became the most important guide to the London theatre scene; it also carried occasional articles on theatre in other venues. It absorbed Theatre World in 1966, Encore in 1969 and Applause n 1999, just before ceasing publication in 2000. It left behind comprehensive documentation of many theatre productions, plus interviews with key theatre personnel. Marymount Manhattan College’s Plays and Players Collection came to the archive from two sources. Professor Kevin Connell of the Division of Fine and Performing Arts deposited an incomplete run from September 1971 to May 1980. Serials Librarian Dolma Adhikari deposited an incomplete run from December 1984/January 1985 to March 2000. Plays and Players had never been catalogued in Marymount Manhattan College’s library catalog, MaMaCat, nor was it indexed in any databases. Accordingly, this finding guide includes a chronological list and an index of the reviews and interviews in the periodical, plus citations to some articles of interest. Each item is identified by the date of the periodical and the page on which it appears. Box List of Issues of Plays and Players Box 1 2 Volume Issue Whole No.