Melissa Lewis - Mlewis@Cfsd16.Org

AP 12 English Literature & Composition Summer Reading Assignment Congratulations on your choice to take AP Literature. Students choosing this course are interested in studying literature of various periods and genres and using this wide reading knowledge in discussions of literary topics. This is a college level course that requires careful reading and critical analysis of a work’s structure, style, and themes as well as smaller scale elements, such as the use of figurative language, imagery, symbolism, and tone. Thoughtful discussions and writing about complex, canonical texts in the company of one’s fellow students is our goal. It goes without saying that you should be reading a bit in preparation for this course. Specifically, we ask that you select and read one of the following texts and complete the assignments outlined to help us to build upon a common conversation at the beginning of the year. Reading Assignments: Before beginning your selection, read “How to Mark a Book” by Mortimer Adler. (The essay is easy to find on- line by searching for the title and author; still, a link to the essay will be found on the high school’s English Webpage by the end of May.) Then choose one of the following texts to read and annotate according to Adler’s description: To the Lighthouse – Virginia Woolf Blood Meridian – Cormac McCarthy Les Miserables - Victor Hugo On the Road – Jack Kerouac The Sound and the Fury – William Faulkner The Scarlet Letter - Nathaniel Hawthorne Slaughterhouse Five – Kurt Vonnegut All of these books are readily available at your local library and from major bookstores. If you use a library copy of the text, be sure to annotate using sticky notes. I recommend getting your own copy so that you can annotate freely. Writing Assignment – Adapted from the AP Literature and Composition Free-Response 2011, Form B. In The Writing of Fiction (1925), novelist Edith Wharton states the following: At every stage in the progress of his tale the novelist must rely on what may be called the illuminating incident to reveal and emphasize the inner meaning of each situation. Illuminating incidents are the magic casements of fiction, its vistas on infinity. Select 4 scenes that function as “illuminating” episodes or moments. Then compose one well-developed (i.e. hook, arguable thesis, topic sentences, direct citations and analysis, clear progression of argument, etc.) response that is approximately 3 – 5 pages (1 ½ spacing). Explore each scene and explain how each function as a “casement,” a window that opens onto the meaning of the work as a whole. Avoid mere plot summary. (Illuminating can be defined as either “to decorate with light for a special occasion” or “to help clarify or explain”. You may use either definition within your essay.) Your assignment should be MLA formatted, including in-text citations and a Works Cited Page. If you have questions, contact the English Department Chair – Melissa Lewis - [email protected] Have fun! Happy Reading! We’ll see you in August. -AP English Literature Teachers .

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The Scarlet Letter
THE SCARLET LETTER Nathaniel Hawthorne WHO WAS NATHANIEL HAWTHORNE? 1804-1864 Born in Salem, Massachusetts only child father died in 1804, while at sea he and his mother moved in with wealthy uncles leg injury kept Nathaniel down for several months, during this time he read as much as possible and decided to become a writer 1821-1825 – attended Bowdoin College met Henry Wadsworth Longfellow Franklin Pierce (14th President) not a great student WHO WAS NATHANIEL HAWTHORNE? Early ancestor, William Hathorne, ﬁrst came to America in 1630, settled in Salem, Massachusetts, was a judge known for harsh judgements William’s son John, Hathorne was one of the three judges during the Salem Witch Trials in the 1690s Nathaniel added a “w” to his last name to distance himself from that side of the family WHO WAS NATHANIEL HAWTHORNE? Met Sophia Peabody a painter illustrator transcendentalist Spent time at Brook Farm community met Ralph Waldo Emerson and Henry David Thoreau Married Sophia on July 9, 1842 Settled in Concord, Massachusetts 3 Children SETTING Books are like boats on a river… We must look at two parts of the river when learning about the setting of the book. Where the author lives or lived on the river. Where the book takes place along the river. SETTING Transcendentalism was a philosophical movement that was developing by the late 1820s and '30s in the Eastern region of the United States as a protest against the general state of intellectualism and spirituality. The doctrine of the Unitarian church as taught at Harvard Divinity School was of particular concern.
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Beyond the American Landscape: Tourism and the Significance of Hawthorne’S Travel Sketches
The Japanese Journal of American Studies, No. 27 (2016) Copyright © 2016 Toshikazu Masunaga. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. Beyond the American Landscape: Tourism and the Significance of Hawthorne’s Travel Sketches Toshikazu MASUNAGA* INTRODUCTION: 1832 After graduating from Bowdoin College in 1825, Nathaniel Hawthorne went back to his hometown, Salem, Massachusetts, where he concentrated on writing in order to become a professional writer. His early masterpieces such as “Young Goodman Brown” and “My Kinsman, Major Molineux” were written during the so-called solitary years from 1825 to 1837, and he viewed those Salem years of his literary apprenticeship as “a form of limbo, a long and weary imprisonment” (Mellow 36). But biographers of Hawthorne point out that this self-portrait of a solitary genius was partly invented by his “self-dramatizations” (E. H. Miller 87) to romanticize his younger days. In fact, he maintained social engagements, and his sister Elizabeth testified that “he was always social” (Stewart 38). He was more active and outgoing than his own fabricated self-image, and he even made several trips with his uncle Samuel Manning as well as by himself.1 While strenuously writing tales, he undertook an American grand tour alone, traveling around New England and upstate New York in 1832. He was one of those tourists who rushed to major tourist destinations of the day such as the Hudson Valley, Niagara Falls, and the White Mountains in order *Professor, Kwansei Gakuin University 1 2 TOSHIKAZU MASUNAGA to spend leisure time and to find cultural significance in the scenic beauty of the American natural landscape.
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Nathaniel Hawthorne and the Meiosis of Americanism in the Marble Faun
Criterion: A Journal of Literary Criticism Volume 7 Issue 1 Article 15 2014 Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun Rasoul Aliakbari Follow this and additional works at: https://scholarsarchive.byu.edu/criterion BYU ScholarsArchive Citation Aliakbari, Rasoul (2014) "Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun," Criterion: A Journal of Literary Criticism: Vol. 7 : Iss. 1 , Article 15. Available at: https://scholarsarchive.byu.edu/criterion/vol7/iss1/15 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Criterion: A Journal of Literary Criticism by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun Rasoul Aliakbari Such genres as popular movies and video games often contain images of American superiority but this imagery, it should be noted, has not developed overnight; rather, it has its roots in the history of literary representation. To throw some light on this background, this paper emphasizes political reading of literary texts. In particular, I aim to provide a political response to a poetic dilemma that The Marble Faun (1860) features. In the preface to The Marble Faun, Nathaniel Hawthorne (1804–64) professes his intention to set his new novel in Italy, which he views as the proper land for Romance, “as a sort of poetic or faery precinct” (viii). The American novelist downplays his native land as inappropriate for his narrative, as it possesses “no shadow, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity” (viii).
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Henry Wadsworth Longfellow Biography
Henry Wadsworth Longfellow Biography http://famouspoetsandpoems.com/poets/henry_wadsworth_longfel... HENRY WADSWORTH LONGFELLOW, whom Griswold describes as the greatest American poet, was born at Portland, Maine, February 27, 1807, and he died at Cambridge, Massachusetts, March 24, 1882. His father was of Puritan stock, and a lawyer by profession. He possessed the necessary wealth to give his children school opportunities. At the age of fourteen young Longfellow was sent to Bowdoin College, where he graduated at eighteen. He was a close student, as shown by the testimony of his classmate, the talented Nathaniel Hawthorne, also by the recollections of Mr. Packard, one of his teachers. These glimpses that we catch of the boy reveal a modest, refined, manly youth, devoted to study, of great personal charm, and gentle manners. It is the boy that the older man suggested. To look back upon him is to trace the broad and clear and beautiful river far up the green meadows to the limpid rill. His poetic taste and faculty were already Enlarge Picture apparent, and it is related that a version of an ode of Horace which he wrote in his Sophomore year so impressed one of the members of the examining board that when afterward a chair of modern languages was established in the college, he proposed as its incumbent the young Sophomore whose fluent verse he remembered. Before his name was suggested for the position of professor of modern languages at Bowdoin, he had studied law for a short time in his father's office. The position was gladly accepted, for the young poet seemed more at home in letters than in law.
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'Troubled Joy' : the Paradox of the Female Figure in Nathaniel Hawthorne's Fiction
'TROUBLED JOY' : THE PARADOX OF THE FEMALE FIGURE IN NATHANIEL HAWTHORNE'S FICTION by Sciretk ROSEMARY GABY B.A. Hons. Submitted in fulfilment of the requirements for the degree of Master of Arts UNIVERSITY OF TASMANIA NOVEMBER 1984 TABLE OF CONTENTS Page Prefatory Note i Abstract .. ii Introduction .. 1 Background: The Figure of Woman in Nineteenth Century America 5 II Woman's Fatal Flaw: The Tales 25 III Hester Prynne 57 IV Zenobia and Priscilla 77 V Miriam and Hilda .. 96 Conclusion • • 115 Bibliography . 121 PREFATORY NOTE This thesis contains no material which has been accepted for the award of any other higher degree or graduate diploma in any university. To the best of my knowledge and belief the thesis contains no material previously published or written by another person, except when due reference is made in the text of the thesis. (k9)9Acs-\ The style of presentation is primarily in accordance with the MLA Handbook (New York: Modern Language Association, 1977), but some features of style, notably the use of single quotation marks for quotations of words, phrases or short prose passages, have been determined by the Style Sheet of the Depart- ment of English, University of Tasmania. ABSTRACT The figure of woman is of central importance to the whole pre- sentation of meaning in Nathaniel Hawthorne's fiction. In comparison to other writers of the nineteenth century, and especially his male compatriots, Hawthorne grants the female figure a remarkable degree of prominence and significance in his works. His presentation of woman is noteworthy not only for the depth and subtlety with which his female characters are portrayed but also for the unique way in which he mani- pulates the standard female stereotypes to explore through symbolic suggestion the whole purpose of woman's existence and the foundations of her relations with man.
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81984-1B SP.Pdf
Poetics of Place How Ancient Buildings Inspired Great Writing Bassim Hamadeh, CEO and Publisher Jennifer Codner, Acquisitions Editor Michelle Piehl, Project Editor Sean Adams, Production Editor Miguel Macias, Senior Graphic Designer Stephanie Kohl, Licensing Associate Natalie Piccotti, Senior Marketing Manager Kassie Graves, Vice President of Editorial Jamie Giganti, Director of Academic Publishing Copyright © 2018 by Elizabeth Riorden. All rights reserved. No part of this publication may be re- printed, reproduced, transmitted, or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information retrieval system without the written permission of Cognella, Inc. For inquiries regarding permissions, translations, foreign rights, audio rights, and any other forms of reproduc- tion, please contact the Cognella Licensing Department at [email protected]. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Cover image copyright © 2017 iStockphoto LP/mammuth. Printed in the United States of America. ISBN: 978-1-5165-1754-1 (pbk) / 978-1-5165-1755-8 (br) First Edition Poetics of Place How Ancient Buildings Inspired Great Writing edited by Elizabeth Riorden University of Cincinnati To my parents, and to my teachers Contents Literary Sources ..................................................................vii Foreword
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Spectral Substances of Democracy: Agency, Affect, and Power in American Romance
SPECTRAL SUBSTANCES OF DEMOCRACY: AGENCY, AFFECT, AND POWER IN AMERICAN ROMANCE Kwangtaek Han A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature Chapel Hill 2013 Approved by: Eliza Richards Jane Thrailkill Timothy Marr Matthew Taylor John McGowan ©2013 Kwangtaek Han ALL RIGHTS RESERVED ii ABSTRACT KWANGTAEK HAN: Spectral Substances of Democracy: Agency, Affect, and Power in American Romance (Under the direction of Eliza Richards) Focusing on texts by Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville, my dissertation traces the historical conditions that shaped their heterodox political ontologies and the challenge these ontologies posed to what their contemporaries considered the essential fulcrums of American democracy: autonomous agency, solidifying affect, and consensual power. These canonical authors capture the paradox that such principles are liable to impersonal, disruptive, and autocratic operations that preclude the actualization of American democracy. This liability, they reveal, is hardly perceived as threatening to American democracy since it is a necessary condition for sustaining a fantastical belief in American democracy as a consensual society of self-governing individuals sympathizing with others for the public good. The romancers dramatize the unrecognized, antidemocratic workings of agency, affect, and power in their works, written during the critical periods of nation-building (Brown), Jacksonian Democracy (Poe), the rise of abolitionist and feminist movements (Hawthorne), and the Secession crisis leading to the Civil War (Melville). Their romances divulge the profound paradox that personal autonomy, affective solidarity, and popular sovereignty are spectral substances—conceptually present yet empirically absent—that uphold the politico-ontological ground of American identity.
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A New Genre Emerges: the Creation and Impact of Dark Romanticism
Ouachita Baptist University Scholarly Commons @ Ouachita English Class Publications Department of English 12-1-2015 A New Genre Emerges: The rC eation and Impact of Dark Romanticism Morgan Howard Ouachita Baptist University Follow this and additional works at: http://scholarlycommons.obu.edu/english_class_publications Recommended Citation Howard, Morgan, "A New Genre Emerges: The rC eation and Impact of Dark Romanticism" (2015). English Class Publications. Paper 12. http://scholarlycommons.obu.edu/english_class_publications/12 This Class Paper is brought to you for free and open access by the Department of English at Scholarly Commons @ Ouachita. It has been accepted for inclusion in English Class Publications by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Howard 1 Morgan Howard Professor Pittman American Literature I 1 December 2015 A New Genre Emerges: The Creation and Impact of Dark Romanticism Readers around the world pick up on the nuances of literature. We see the differences between genres, sometimes subtle and sometimes not so subtle. We can see how authors often insert their own experiences, beliefs, and personalities into their works. This makes each book unique and pleasurable while remaining similar to thousands of others. Many who study American literature know that different styles and literary movements influence authors. It is easy to see the impact of Puritan thinking in the seventeenth century or of Transcendentalism in the first few decades of the nineteenth century. Authors usually do not combine genres. However, three authors—Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville—each combine two styles, Romanticism and the Gothic, that at first glance appear radically opposite.
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The Cases of Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allan Poe Dissertation P
THE MIDDLE EAST IN ANTEBELLUM AMERICA: THE CASES OF RALPH WALDO EMERSON, NATHANIEL HAWTHORNE, AND EDGAR ALLAN POE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ahmed Nidal Almansour ***** The Ohio State University 2005 Dissertation Committee: Approved by Professor Steven S. Fink, Adviser Professor Jared Gardner _______________________ Professor Elizabeth Hewitt Adviser English Copyright by Ahmed Nidal Almansour 2005 ABSTRACT The presence of the Middle East in the works of American artists between the Revolution and the Civil War is pervasive and considerable. What makes this outlandish element of critical significance is that its proliferation coincided with the emerging American literary identity. The wide spectrum of meanings that was related to it adds even more significance to its critical value. In its theoretical approach, this work uses Raymond Schwab’s The Oriental Renaissance as a ground for all its arguments. It considers the rise of the Oriental movement in America to be a continuation of what had already started of Oriental researches in Europe. Like their counterparts in Europe, the American writers who are selected for this study were genuinely interested in identifying with the Oriental thought. The European mediation, however, should not be allowed to hold any significance other than pointing to the fact that French, German, and English Orientalist organizations were more technically equipped. The sentiment of identification with the East resonated equally on both sides of the Atlantic. This work investigates three cases from antebellum America: Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allan Poe.
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Symbolism in Nathaniel Hawthorne's the Scarlet Letter (1850)
Ministry of Higher Education and Scientific Research KASDI MERBAH UNIVERSITY –OUARGLA- Faculty of Letters and Languages Department of Foreign Languages English Section Dissertation ACADEMIC MASTER Domain: Letters and Foreign Languages Field: English Language and Literature and Civilization Specialty: Anglo-Saxon Literature Submitted by: Ms. RAHAL Hadjira Theme: Symbolism in Nathaniel Hawthorne’s The Scarlet Letter (1850) Publicly defended On: 19/06/2013 Before the Jury: Mr. BELARBI Nour eddine ….…………….…..……….….…..President UKM Ms. BENZOUKH Halima...……………………..….……....…Supervisor UKM Mrs. KEDDACHE Assia…........………………….…..………..Examiner UKM Academic Year : 2012-2013 Dedication I dedicate this modest work to my dear mother and father for their patience, help, and support during all the years of my study “Without you, I would have neither the confidence nor the will to complete this work”. To my perfect brothers and sisters for their encouragement and love, especially my lovely little sister Naima. To all my family in Ghilizane and Oran, especially my lovely nieces, Nouha and Ghina. To all my friends and colleagues without exception and to all whom I love I dedicate this modest work with respect and love. I Acknowledgments First of all, I thank God who gives the strength and the power to complete this modest work. My special thanks and appreciation with deepest respect and love to my lovely supervisor MS. BENZOUKH HALIMA for her perfect supervision, help and guidance during this process. Also, I would like to express my sincere thanks to Mrs. KEDDACHE Assia and Mr. BELARBI Nour eddine, and to all my teachers who helped me throughout the course of my study at Kasdi Merbah University.
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Love and Tragic Fate in Nathaniel Hawthorne the Scarlet Letter
People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Mouloud MAMMERI University of Tizi-Ouzou Faculty of Letters and Languages Department of English A Memoir Submitted In Partial Fulfillment Of The R equirements For The Master Degree In English Specialty: English Option: Comparative Literature Title Love and Tragic Fate in Nathaniel Hawthorne ’s The Scarlet Letter (1850) and Henri Stendhal ’s Le Rouge et Le Noir (1830). Submitted by: Supervised by: LARDJANI Kahina Mrs. MAIDI Naima Panel of Examiners: TITOUCHE Rachid, MCB, Mouloud MAMMERI University of Tizi-Ouzou, Chair MAIDI Naima, MAB, Mouloud MAMMERI University of Tizi-Ouzou, Supervisor TABTI Kahina, MAA, Mouloud MAMMERI University of Tizi-Ouzou, Examiner BIA Mouhamed, MAA, Mouloud MAMMERI University of Tizi-Ouzou, Examiner Academic Year: 2013/2014. ACKNOWLEDGEMENTS I would like to say thank you to Mrs. Maidi Naima for all her urging during the writing of this dissertation. Many thanks are due to her for all her help, instruction, direction, advice and corrections, and most of all, patience with me throughout the various phases of the writing process of this humble work . I would also like to thank professor Mrs. Arezeki Dalila , for providing me with instructive, knowledgeable and professional guidance and education throughout my studies. i This Dissertation is sincerely dedicated to my beloved mother, father, brother, sisters, and all my best companions in life. i i Abstract This paper examines Hawthorne’s novel The Scarlet Letter (1850) and Stendhal’s Le Rouge et Le Noir (1830). To achieve this aim, we have used the IMRAD method. This work starts with an introduction that highlights our main ideas and reviews some of the literature written on the novels and the novelists.
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Hawthorne's Transcendental Ambivalence in Mosses from an Old Manse
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Summer 8-11-2011 Hawthorne's Transcendental Ambivalence in Mosses from an Old Manse Matthew S. Eisenman Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Eisenman, Matthew S., "Hawthorne's Transcendental Ambivalence in Mosses from an Old Manse." Thesis, Georgia State University, 2011. https://scholarworks.gsu.edu/english_theses/114 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HAWTHORNE‘S TRANSCENDENTAL AMBIVALENCE IN MOSSES FROM AN OLD MANSE by MATTHEW S. EISENMAN Under the Direction of Mark Noble ABSTRACT Nathaniel Hawthorne‘s collection of short stories, Mosses from an Old Manse, serves as his contribution to the philosophical discussions on Transcendentalism in Concord, MA in the early 1840s. While Ralph Waldo Emerson, Henry David Thoreau, and the other individuals involved in the Transcendental club often seem to readily accept the positions presented in Emerson‘s work, it is never so simple for Hawthorne. Repeatedly, Hawthorne‘s stories demonstrate his difficulty in trying to identify his own opinion on the subject. Though Hawthorne seems to want to believe in the optimistic potential of the spiritual and intellectual ideal presented in Emersonian Transcendentalism, he consistently dwells on the evil and blackness that may be contained in the human heart.
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