Volume I A-K

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Volume I A-K IE HAIDER ACKERMANN 20 AZZERINE AIAÏA 26 GIORGIO ARMANI 42 KRIS VAN ASSCHE + DIOR HOMME 50 AGNES R. 54 CHRISTOPHER RAI1EÏ - BDRRERRY 62 NEU BARRETT 00 IDEILA HARTLEY 7D WALTER VAN GEIRENDDNCK 70 VÉRONIQUE RRANDDINHD 84 THOM BROWNE 00 CDNSDELO CASTIGLIDNI - MARNI B4 DEAN & DAN CATEN - DSQDARED 100 ROBERTO CAVALLI 108 HDSSEIN CHALAYAN 110 MARIA CORNEJO - ZERO 120 FRANCISCO COSTA-CALVIN KLEIN 124 GILES DEACON 130 CHRISTOPHE HECARNIN - BALMAIN 130 ANN DEME01EMIESTER 146 DOMENICO DOLCE & STEFANO GABBANA - DOLCE & GADBANA 160 ALRER ELDAZ - IANVIM 166 SILVIA VENTDRINI FENDI - FENDI 174 ALBERTA FERRETTI 184 LIMI FED 18B TDM FORD 196 DAI FUJIWARA - ISSEY MIYAKE 204 JOHN GALLIANO + CHRISTIAN DIOR 218 JEAN PAUL GAULTIER + HERMÈS 230 NICOLAS GHESQDIÈRE - DALENCIAGA 244 FRIDA GIANNINI - GOCCI 254 KATHARINE HAMNETT 258 ANN VALERIE HASH 262 DESIREE HEISS & INES MAG - BLESS 266 LÁZARO HERNANDEZ & JACK MCCOLLDUGH - PRDENZA SCHOOLER 272 TOMMY HUNGER 280 VIKTOR HORSTING & ROLF SNOEREN - VIKTOR & R01F 290 MARGARET HOWELL 294 MARC JACOBS + LOUIS VUITTON 310 HOSSELLA JARDINI-MOSCHINO 31B WOLFGANG JOOP - WUNDERKIND 320 CHRISTOPHER KANE 326 DONNA XARAN 332 REI KAWAKUBU - COMME DES GARÇONS 346 ADAM KIMMEl 350 SOPHIA KOKOSALAKI 354 MICHAEL KDRS 358 TAO KORIHABA Bibliografische Informationen digitalisiert durch http://d-nb.info/997580445 Volume II L-Z 374 CHRISTIAN LACROIX 380 KARL LAGERFELD + CHANEL 384 RALPH LAUREN 402 CHRISTOPHE lEMAIRE - LACOSTE 408 JULIEN MACDONALD 412 HANNAH MACGIBBON - CHLDÉ 416 TOMAS MAIEB - BOTTEGA VENETA 420 MARTIN MARGIELA - MAISON MARTIN MARGIEIA 432 ANTONIO MARRAS + KENZO 438 STELLA MCCARTNEY 44G ALEXANDER MCQUEEN 458 ANGELA MISSDNI - MISSONI 4G4 ROLAND MOURET 460 KATE & LAURA MULLEAVY • RODARTE 472 RICHARD NICOLI 476 NIGO - A OATHING APE 480 DRIES VAN NOTEN 48B LOCAS DSSENDRIJVER - LANVIN 492 RICK OWENS 502 DRONO PIETERS • HUGO ROSS 500 STEFANO PILATI- YVES SAINT LAURENT 514 ZAC POSEN 518 MIUCCIA PRADA - PRADA + MIU MIU 534 GARETH PUGH 54U JOHN RICHMOND 544 NARCISO RODRIGUEZ 548 SONIA RYKIEL 554 JONATHAN SADNDERS + POLLINI 558 MARIOS SCHWAB 562 JEREMY SCOTI 568 RAF SIMONS - Jll SANDER 580 MARTINE SITBON - RUE DO MAIL 586 PAOl SMITH 594 ANNA SUI 598 JON TAKAHASHI - UNDERCOVER 608 OLIVIER THEYSKINS 614 JUSTIN THORNTON & THEA DREGAZZI - PREEN 618 AITOR THROOP 622 RICCARDO TISCI - GIVENCHY 628 JEAN TODITOU-APC 634 GIAMBATTISTA VALLI 638 AN VANDEVORST & F1LIP ARICKX - AF VANDEVORST B44 DONATELLA VERSACE 654 STUART VEVERS - LOEWE B58 MILAN VUKMIROVIC - TRUSSARD1 662 ALEXANDER WANG 6E6JUNYAWATANADE 676 VIVIENNE WESTWOOD 686 BERNHARD WILLHELM 692 MATTHEW WILLIAMSON 6S8 YDHJIYAMAMOTO 708 ITALO ZUCCHELLI-CALVIN KLEIN.

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Chic Street Oscar De La Renta Addressed Potential Future-Heads-Of-States, Estate Ladies and Grand Ole Party Gals with His Collection of Posh Powerwear
JANET BROWN STORE MAY CLOSE/15 ANITA RODDICK DIES/18 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • September 11, 2007 • $2.00 Ready-to-Wear/Textiles Chic Street Oscar de la Renta addressed potential future-heads-of-states, estate ladies and grand ole party gals with his collection of posh powerwear. Here, he showed polish with an edge in a zip-up leather top and silk satin skirt, topped with a feather bonnet. For more on the shows, see pages 6 to 13. To Hype or Not to Hype: Designer Divide Grows Over Role of N.Y. Shows By Rosemary Feitelberg and Marc Karimzadeh NEW YORK — Circus or salon — which does the fashion industry want? The growing divide between designers who choose to show in the commercially driven atmosphere of the Bryant Park tents of Mercedes-Benz Fashion Week and those who go off-site to edgier, loftier or far-flung venues is defining this New York season, and designers on both sides of the fence argue theirs is the best way. As reported, IMG Fashion, which owns Mercedes-Benz Fashion Week, has signed a deal to keep those shows See The Show, Page14 PHOTO BY GIOVANNI GIANNONI GIOVANNI PHOTO BY 2 WWD, TUESDAY, SEPTEMBER 11, 2007 WWD.COM Iconix, Burberry Resolve Dispute urberry Group plc and Iconix Brand Group said Monday that they amicably resolved pending WWDTUESDAY Blitigation. No details of the settlement were disclosed. Ready-to-Wear/Textiles Burberry ﬁ led a lawsuit in Manhattan federal court on Aug. 24 against Iconix alleging that the redesigned London Fog brand infringed on its Burberry check design.
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Walking Away from the Runway
Walking Away from the Runway Thesis – One Year Master Textile Manage ment Christina Christodoulou Year: 2015. Thesis id number: 2015.11.06 Acknowledgements I would like to wholeheartedly thank my supervisor David Goldsmith for his guidance and knowledge and most of all for his positive spirit. Also, I would like to thank my parents who really supported me the whole year with their love under any circumstances. Thanks to the designers who accepted to participate in my group discussion and enlightened my thesis with their ideas. Lastly, the paper is dedicated to my favourite uncle that I lost during the master thesis. He was a smiley person who loved to be educated. English title: Walking Away from the Runway Year of publication: 2015 Author/s: Christina Christodoulou Supervisor: David Goldsmith Abstract Fashion shows in a common western context were focused on the garments that were presented. Albeit, the latest decades a shift has been observed from what is presented to how it is presented to the audiences. Particular designers are the leaders of this evolution. Does this phenomenon imply something long term for the fashion system and how fashion is displayed? The purpose of the research is to inquire into the metamorphosis of the runway presentations from the expected status quo to new forms. The compass of this exploration is an observation about fashion shows in retrospect and a focus group discussion with fashion designers master students from the Swedish School of Textiles. It contributes an insight into designers’ approach towards fashion presentations, yet it is used as tool to enable them illustrate their vision on their future presentations.
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Issue No.3 Bpmcorp.Com.Au BPM HEAD OFFICE 332 South Road Hampton East VIC 3188 WELCOME Telephone +613 9555 9821 Facismile +613 9555 9824 a Note from BPM
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Fashion in Motion
FASHION IN MOTION: JENNY PACKHAM Jenny Packham celebrates 25 years with free catwalk shows at the V&A Friday 19 July; 13.00, 15.00, 17.00, 20.00 Admission Free; booking essential www.vam.ac.uk/collections/fashion @V_and_A #FashionInMotion The V&A’s next Fashion in Motion will celebrate the 25th anniversary of designer Jenny Packham. On 19th July the Museum will host a series of four free catwalk shows in its Raphael Gallery, presenting highlights of Packham’s collections to date. On graduating from Central St Martins with a first class honors degree in fashion, Jenny Packham went on to establish her own design house in 1988. Today the Jenny Packham label is one of the UK’s most successful independent fashion brands with showrooms in London, Paris and New York. Known for her glamorous evening dresses and bridal wear with luxurious embellishment, Packham’s designs are favoured by Hollywood stars and royalty alike. The catwalk shows at the V&A will include a full length tulle dress with cutaway black lace, modeled by Erin O’Connor for the Autumn/Winter 2005 Collection, alongside a shocking pink silk chiffon dress from Spring/Summer 2009. Jenny Packham said, “ Our 25th year provides the perfect timing to take part in Fashion in Motion, which will present looks from past collections and include some of our most iconic pieces. It’s a pleasure to be able to present these within the inspiring space of the V&A’s Raphael Gallery ”. V&A Fashion in Motion curator Oriole Cullen said, “We are delighted to be showing the work of Jenny Packham at the V&A, to reach 25 years is a real achievement and a great success story for British Fashion.
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Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir.
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Fashion in Motion: Preen by Thornton
FASHION IN MOTION: PREEN BY THORNTON BREGAZZI Friday 21 June, 13.00, 15.00, 17.00 & 20.00 Free tickets available online 10.00am Monday 10 June vam.ac.uk/articles/fashion-in-motion-preen-by-thornton-bregazzi @V_and_A #FashionInMotion Preen by Thornton Bregazzi will be the featured designers at the V&A’s next Fashion in Motion. Held in the museum’s iconic Raphael Gallery on Friday 21 June, the four free-to-attend catwalk shows will feature a collection of current and archival pieces themed around floral motifs and pagan references to coincide with the Summer Solstice on the 21 June and its celebration of light, nature and growth. Founded in 1996 by Justin Thornton and Thea Bregazzi, Preen by Thornton Bregazzi built on an aesthetic of Arts and Crafts inspired florals and modern graphic lines. Their debut collection at London Fashion Week for Spring Summer 2001 established the brand’s essence of punkish sensibilities with delicate vintage elements and hand-crafted detailing. The collection debuted to rave reviews with critics responding to the subversion of traditional motifs and a strong sense of British tongue-in-cheek chic. The label has since become synonymous with a deconstructed London cool. Justin and Thea said: “As a west London based brand, having the V&A on our doorstep is such a blessing - the museum has always been an endless source of inspiration for our designs. First stop on a visit is always the Ceramics Galleries for the amazing collection of decorated porcelain. Elements of Victorian culture and costume seep into our collections and the floral motifs of the arts and crafts movement often form the basis of our signature prints.
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Fashion in Motion: Phoebe English
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Fashion in Motion: Christopher Raeburn
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ICOM Costume News 2011: 1
ICOM Costume News 2011: 1 ICOM Costume News 2011: 1 10 July, 2011 INTERNATIONAL COSTUME COMMITTEE COMITÉ INTERNATIONAL DU COSTUME Letter from the Chair Dear colleagues! Ann Resare has kindly collected the lectures from the Munich meeting and Bianca du Mortier Last year was a busy one for our Committee, has offered to gather them together so they can with all of two meetings! First in Munich, and be published on CDs. This will be cheaper both just two months later at the Triennial in to produce and to send, as printing and postage Shanghai. We are hoping to see some of our costs are now practically prohibitive. As Vicki Chinese colleagues again this fall in Belgrade, Berger has offered to collect the smallish namely curator Jillian Li of the Shanghai number of papers presented by Costume University Textile and Costume Museum, and Committee members in Shanghai (the other hopefully also Zhao Feng, who so kindly hosted papers were all in Chinese, but we can provide us on an all-day excursion to the National Silk short summaries in English), we may be able to Museum, of which he is the director. present a double-disc Proceedings 2010 ! The Costume Committee has just been awarded I participated as one of the 5 members of the a special performance subsidy for 2011 of €5,207 Strategic Planning Committee for ICOM’s new in recognition of our good record of publishing Strategic Plan for 2011-2013, an interesting and proceedings, the regular and attractive Costume intense project. I presented the finalized plan, on News , our clear and informative website, and not time, at the ICOM General Conference in Paris least of all, the content and energy of our in June, where it was unanimously approved - meetings.
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Gaga’S first Single from Her New Album ARTPOP
KNIT PICK WWD SHINE ON SURFACE INTEREST PLAYS Special Report WWD ACCESSORIES A BIG ROLE AMONG KEY LOOKS AT COLORFUL PIECES INNERWEAR TRENDS. WOMEN’S JEWELRY ASSOCIATION AND CUSTOM SPECS. WWD INTIMATES, CELEBRATES 30 YEARS. WWDSECTION II SECTION III PAGES 4 THROUGH 8 MONDAY, JULY 29, 2013 Q $3.00 Q WOMEN’S WEAR DAILY The cover image from “Applause,” Lady Gaga’s first single from her new album ARTPOP. Shot by Inez van Lamsweerde and Vinoodh Matadin. Gaga: ‘I’m Every Icon’ By JESSICA IREDALE “I WANT TO KNOW. WHAT DO YOU SEE?” asks Lady Gaga, her voice carrying a combination of genuine curiosity, press-savvy flirtation and inherent provocation. The image in question, debuted to WWD, is the cover of Gaga’s new single “Applause,” the first from her forthcoming third studio album ARTPOP, to be released Nov. 11 through Interscope records. Shot by Inez van Lamsweerde and Vinoodh Matadin, the photograph is colorful, emotional and theatrical, capturing Gaga with a Pierrot-esque face, her rainbow of makeup artfully smeared and her hair covered under a head wrap. Asked to explain SEE PAGE 12 2 WWD MONDAY, JULY 29, 2013 WWD.COM Hudson’s Bay Likely Saks Buyer THE BRIEFING BOX IN TODAY’S WWD cludes Lord & Taylor and Hudson’s Bay, and By DAVID MOIN because Saks has valuable real estate and a luxury image. A DEAL FOR the sale of Saks Fifth Avenue It’s possible an 11th-hour offer changes the could happen early this week, with Hudson’s outcome, but sources believe HBC is the front- Bay Co.
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