Chapter I: Callahan and the Vampires
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Cane River, Louisiana
''ewe 'Know <Who <We !A.re'' An Ethnographic Ove1'View of the Creole Traditions & Community of Isle Brevelle & Cane River, Louisiana H.F. Gregory, Ph.D. Joseph Moran, M.A. I /'I "1\ 1'We Know Who We Are": I An Ethnographic Overview of the Creole Community and Traditions of I Isle Breve lie and Cane River, Louisiana I I I' I I 'I By H.F. Gregory, Ph.D. I Joseph Moran, M.A. I I I Respectfully Submitted to: Jean Lafitte National Historic Park and Preserve U.S. Department of the Interior I In partial fulfillment of Subagreement #001 to Cooperative Agreement #7029~4-0013 I I December, 1 996 '·1 I I I I I I I I I I I I I I I I I I I I I I Errata Page i - I "Jean Lafitte National Historic Park and Preserve" should read, "Jean Lafitte National I Historical Park and Preserve ...." Please define "emic" as the point of view from the culture as opposed to the I anthropological, descriptive view of the culture - the outsider's point ofview(etic). I Page vi- "Dr. Allison Pena" should read, "Ms. Allison Pena. ." I Page 13 - I "The first was literary-folkloristic which resulted in local color novels and romantic history - all but 'outside' authors and artists ... "should read, "The first was literary-folkloristic which I resulted in local color and romantic history - all by 'outside' authors and artists ...." I Page 14 - "Whenever Creoles tried to explain who they were, who they felt they were, it ultimately was, and is, interpreted as an attempt to passer pour blanc" should read, "Whenever Creoles tried I to explain who they were, who they felt they were, it ultimately was, and is, interpreted as an I attempt to passer pour blanc, or to pass for white... -
Physical and Moral Survival in Stephen King's Universe
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2012-03-06 Monsters and Mayhem: Physical and Moral Survival in Stephen King's Universe Jaime L. Davis Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Davis, Jaime L., "Monsters and Mayhem: Physical and Moral Survival in Stephen King's Universe" (2012). Theses and Dissertations. 2979. https://scholarsarchive.byu.edu/etd/2979 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Monsters and Mayhem: Physical and Moral Survival in Stephen King’s Universe Jaime L. Davis A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl Sederholm, Chair Kerry Soper Charlotte Stanford Department of Humanities, Classics, and Comparative Literature Brigham Young University April 2012 Copyright © 2012 Jaime L. Davis All Rights Reserved ABSTRACT Monsters and Mayhem: Physical and Moral Survival in Stephen King’s Universe Jaime L. Davis Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts The goal of my thesis is to analyze physical and moral survival in three novels from King’s oeuvre. Scholars have attributed survival in King’s universe to factors such as innocence, imaginative capacity, and career choice. Although their arguments are convincing, I believe that physical and moral survival ultimately depends on a character’s knowledge of the dark side of human nature and an understanding of moral agency. -
Salem's Lot 8,839 This TV-14 | 3H 1Min | Drama , Horror , Mystery | TV Series (2004)
Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in with Facebook Other Sign in options FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE SHARE Our Favorite Trailers of the Week 6.2/10 Rate Salem's Lot 8,839 This TV-14 | 3h 1min | Drama , Horror , Mystery | TV Series (2004) Episode Guide 2 episodes Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires. Stars: Rob Lowe, Andre Braugher, Donald Sutherland | See full cast & crew » Get the best new trailers in under a minute, including Pokémon Detective Pikachu and Mowgli: Legend of the Jungle. Watch now » Add to Watchlist Reviews Popularity 149 user | 30 critic 3,625 ( 703) Related News The Bad Seed Remake In Development On Disc at Lifetime at Amazon 30 June 2015 | DailyDead Rutger Hauer Has Some Wild Hair on the Episodes True Blood Set 13 March 2013 | Comingsoon.net Seasons Years First Look at Rutger Hauer on the Set of 1 2004 True Blood With His Wild Hair 13 March 2013 | shocktillyoudrop Nominated for 1 Primetime Emmy. Another 2 wins & 7 nominations. See more awards » See all related articles » Photos Around The Web Powered by ZergNet The Actress Who Plays The Nun is Gorgeous in Real Life NickiSwift.com See all 30 photos » Mandy Blank is Tragically Dead at 42 NickiSwift.com More Like This Learn more Salem's Lot (TV Movie 1979) 27 Actors You May Not Know Horror Are Dead Looper.com 6.8/10 A novelist and a young horror fan attempt to save a small New England What These Christmas Movie town which has been invaded by Kids Look Like Now vampires. -
Pennywise Dreadful the Journal of Stephen King Studies
1 Pennywise Dreadful The Journal of Stephen King Studies ————————————————————————————————— Issue 1/1 November 2017 2 Editors Alan Gregory Dawn Stobbart Digital Production Editor Rachel Fox Advisory Board Xavier Aldana Reyes Linda Badley Brian Baker Simon Brown Steven Bruhm Regina Hansen Gary Hoppenstand Tony Magistrale Simon Marsden Patrick McAleer Bernice M. Murphy Philip L. Simpson Website: https://pennywisedreadful.wordpress.com/ Twitter: @pennywisedread Facebook: https://www.facebook.com/pennywisedread/ 3 Contents Foreword …………………………………………………………………………………………………… p. 2 “Stephen King and the Illusion of Childhood,” Lauren Christie …………………………………………………………………………………………………… p. 3 “‘Go then, there are other worlds than these’: A Text-World-Theory Exploration of Intertextuality in Stephen King’s Dark Tower Series,” Lizzie Stewart-Shaw …………………………………………………………………………………………………… p. 16 “Claustrophobic Hotel Rooms and Intermedial Horror in 1408,” Michail Markodimitrakis …………………………………………………………………………………………………… p. 31 “Adapting Stephen King: Text, Context and the Case of Cell (2016),” Simon Brown …………………………………………………………………………………………………… p. 42 Review: “Laura Mee. Devil’s Advocates: The Shining. Leighton Buzzard: Auteur, 2017,” Jill Goad …………………………………………………………………………………………………… p. 58 Review: “Maura Grady & Tony Magistrale. The Shawshank Experience: Tracking the History of the World's Favourite Movie. New York, NY: Palgrave Macmillan, 2016,” Dawn Stobbart …………………………………………………………………………………………………… p. 59 Review: “The Dark Tower, Dir. Nikolaj Arcel. Columbia Pictures, -
An Examination of Human Monstrosity in Fiction and Film of the United States
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2012 Monsters in our Midst: An Examination of Human Monstrosity in Fiction and Film of the United States Michelle Kay Hansen University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Film and Media Studies Commons Repository Citation Hansen, Michelle Kay, "Monsters in our Midst: An Examination of Human Monstrosity in Fiction and Film of the United States" (2012). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1572. http://dx.doi.org/10.34917/4332553 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. MONSTERS IN OUR MIDST: AN EXAMINATION OF HUMAN MONSTROSITY IN FICTION AND FILM OF THE UNITED STATES By Michelle Kay Hansen Bachelor of Arts in Humanities Brigham Young -
An Antihero's Journey to the Dark Tower
An Antihero‘s Journey to the Dark Tower Manifestations and Variations of the Hero‘s Journey in Stephen King‘s The Dark Tower Series Ritgerð til MA-prófs í Enskukennslu Sigríður Aðils Magnúsdóttir January 2019 Háskóli Íslands Hugvísindasvið Enska An Antihero‘s Journey to the Dark Tower Manifestations and Variations of the Hero‘s Journey in Stephen King‘s The Dark Tower Series Ritgerð til MA-prófs í Enskukennslu Sigríður Aðils Magnúsdóttir Kt.: 290182-4769 Leiðbeinandi: Dr. Ingibjörg Ágústsdóttir January 2019 Acknowledgements Many people aided me in the completion of this thesis. Firstly, I would like to thank my sister, Ásrún, who convinced me to finish my master’s degree alongside her. There were times when I secretly cursed her name for tricking me onto this path of further education, though truly I am grateful, for even though the road has at times been difficult it has also been extremely rewarding. Ásrún has proven to be a great sounding board and an invaluable friend throughout this whole process and I am happy to share this experience with her. I would also like to thank my family, my husband and children, for their endless support and patience. My children were very understanding of their mother’s never-ending writing sessions throughout their summer holidays and my husband is an endless fountain of love and encouragement, he truly is my rock. I would also like to acknowledge my mother who has had to endure losing both her daughters at the same time into the abyss of academia, she too has been an invaluable support and a great friend. -
Identifying First Editions (Updated 2018) the Table Below Lists the First Trade
Identifying first editions (updated 2018) Compiled by Bev Vincent with the assistance of materials made available by Rich DeMars, John Mastrocco, Steve Oelrich and Shaun Nauman. E-mail corrections or questions to [email protected] The table below lists the first trade edition identification criteria for each of Stephen King's books. The early Doubleday books all say "First Edition" explicitly on the copyright page (CP). There are other identifiers for these books as well. For books that contain strings of numbers to denote the printing, the important consideration is the presence of the numeral 1 in that string, regardless of the format of the numbers. Some possible variations of the printing numbers are: 1 2 3 4 5 6 7 8 9 10 1 3 5 7 9 10 8 6 4 2 10 9 8 7 6 5 4 3 2 1 All three of these denote a first edition. The numeral 1 will be removed for a second printing. Black House is the exception. First edition copies state "First Edition" on the copyright page and the number sequence will be "2 4 6 8 9 7 5 3". Trim size is given because Book Club editions are often smaller than trade editions. Also, Book Club edition dust jackets (DJ) are occasionally found on first editions to replace lost or damaged jackets. Book Club edition dust jackets are easily identified because they do not have a price marked inside the front cover. Later printing trade edition dust jackets will often have a different price from what is found in the table. -
The Dark Tower" - a Modern Myth
2008:237 C-UPPSATS Stephen King´s "The Dark Tower" - a Modern Myth Henrik Fåhraeus Luleå tekniska universitet C-uppsats Engelska Institutionen för Språk och kultur 2008:237 - ISSN: 1402-1773 - ISRN: LTU-CUPP--08/237--SE Stephen King’s The Dark Tower – a Modern Myth C-Essay by Henrik Fåhraeus Supervisor: Billy Gray Table of Contents Introduction......................................................................................................................... 1 Background......................................................................................................................... 3 The Elements of Myth ........................................................................................................ 6 The First Cycle – Roland’s Youth .................................................................................... 10 Initiation........................................................................................................................ 10 Separation ..................................................................................................................... 11 Return............................................................................................................................ 13 The Main Cycle – The Dark Tower.................................................................................. 15 Initiation........................................................................................................................ 15 Separation .................................................................................................................... -
Stephen King's the Dark Tower and the Postmodern Serial
Trinity University Digital Commons @ Trinity English Honors Theses English Department 4-2-2008 Stephen King’s The aD rk Tower and the Postmodern Serial Jessica Waller Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/eng_honors Part of the English Language and Literature Commons Recommended Citation Waller, Jessica, "Stephen King’s The aD rk Tower and the Postmodern Serial" (2008). English Honors Theses. 10. http://digitalcommons.trinity.edu/eng_honors/10 This Thesis open access is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Stephen King’s The Dark Tower and the Postmodern Serial Jessica Waller A departmental senior thesis submitted to the Department of English at Trinity University in partial fulfillment of the requirements for graduation with departmental honors. April 2, 2008 _________________________ _________________________ Thesis Advisor Department Chair _________________________ Associate Vice President for Academic Affairs Student Copyright Declaration: the author has selected the following copyright provision: [ ] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [X] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
1St Stanza: Beamquake
1ST STANZA: BEAMQUAKE ONE "How long will the magic stay?" At first no one answered Roland's question, and so he asked it again, this time looking across the living room of the rectory to where Henchick of the Manni sat with Cantab, who had married one of Henchick's numerous granddaughters. The two men were holding hands, as was the Manni way. The older man had lost a granddaughter that day, but if he grieved, the emotion did not show on his stony, composed face. Next to Roland, holding no one's hand, silent and dreadfully white, sat Eddie Dean. Beside him, cross-legged on the floor, was Jake Chambers. He had pulled Oy into his lap, a thing Roland had never seen before and would not have believed the billy-bumbler would allow. Both Eddie and Jake were splattered with blood. That on Jake's shirt belonged to his friend Benny Slightman. That on Eddie's belonged to Margaret Eisenhart, once Margaret of Redpath, the lost granddaughter of the old patriarch. Both Eddie and Jake looked as tired as Roland felt, but he was quite sure there would be no rest for them this night. Distant, from town, came the sounds of fireworks and singing and celebration. There was no celebration here. Benny and Margaret were dead, and Susannah was gone. "Henchick, tell me, I beg: how long will the magic stay?" The old man stroked his beard in a distracted fashion. "Gunslinger -- Roland -- I can't say. The magic of the door in that cave is beyond me. -
A Study of Strategic Deployment of Supernatural and Non-Supernatural Elements in Stephen King’S Salem’S Lot
INFOKARA RESEARCH ISSN NO: 1021-9056 A Study of Strategic Deployment of Supernatural and Non-supernatural Elements in Stephen King’s Salem’s Lot 1* Dr. SUDHIR V. NIKAM, Head, PG Department of English B.N.N. College, Bhiwandi, Mumbai 2* Mr. RAJKIRAN J. BIRAJE, Shri Shahaji Chhatrapati Mahavidyalaya, Dasara Chowk, Kolhapur Ph.D. Scholar (Mumbai University) When someone thinks of Stephen King, the most popular horror fiction author of the century, it is likely that they would imagine the blood, gore, supernatural elements and suspense for which he is known. Stephen King is probably the foremost and most celebrated American horror fiction writer whose literature has crossed all geographical boundaries. Stephen King is one of the most popular contemporary horror fiction writers. King’s novels provide a good basis for discussion about various possibilities of appropriation of different phenomena. According to critics Salem’s Lot will turn to bewilderment, bewilderment to confusion and finally terror. Stephen King generates the Emotion of scariness in readers through the Supernatural elements as well as Non- supernatural elements. American Gothic mode successfully manages inquiries of monstrosity and the human condition and what's more, of individuals' ability for abhorrent. In spite of the fact that King much of the time utilizes outside evils as aliens, phantoms, vampires, and demons, his stories are well established not only as horror ones but psychological ones too. This is what we can see in Salem’s Lot. The purpose of this paper is to analyze King’s most famous gothic novel Salem’s Lot. Salem’s Lot by Stephen King is shown as the draculian novel. -
Read Ebook {PDF EPUB} 'Salem's Lot by Stephen King
Read Ebook {PDF EPUB} 'Salem's Lot by Stephen King Jerusalem's Lot (story) " Jerusalem's Lot " is a short story written by Stephen King, included in his 1978 collection Night Shift . The story acts as a prequel to King's 1975 novel `Salem's Lot . Summary. Charles Boone, in a series of letters addressed to an acquaintance nicknamed "Bones", describes the arrival of himself and his manservant, Calvin McCann, at Chapelwaite, the neglected ancestral home of Charles's estranged late cousin, Stephen. Stephen left the estate to Charles in an apparent gesture of good will, trying to repair an old rift between the two sides of the family. While running errands, Calvin finds that many people in the nearby town of Preacher's Corners, Maine think them mad for being willing to live in the mansion. The house is said to be "a bad house," with a history of sad events, disappearances, and mysterious noises which Charles attributes to "rats in the walls". Not long after their arrival, Calvin finds a hidden compartment in the library, containing an old map of a nearby deserted village called Jerusalem's Lot, a mysterious area the townsfolk avoid. Marked on the map is a church, with the label, "The worm that doth corrupt." Their curiosity piqued, Charles and Calvin set out to explore the remains of the town the next day. They find the quaint Puritan settlement heavily weathered and decayed, but it is clear that no one has set foot in the town since its abandonment; not looters, collectors, children, nor animals, such as birds or spiders.