A Letter to Scylla
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Between Scylla and Charybdis: Presuppositionalism, Circular Reasoning, and the Charge of Fideism
BETWEEN SCYLLA AND CHARYBDIS: PRESUPPOSITIONALISM, CIRCULAR REASONING, AND THE CHARGE OF FIDEISM Joseph E. Torres Perhaps the single most common argument against the apologetic method of Cornelius Van Til (1895-1987) is the charge of fideism. One doesn’t have to look far in the relevant literature to find Van Tillians disregarded or said to hold to a position that undermines Christian apologetics.1 Though the term “fideism” is being rehabilitated in some circles2, fideism is anti-apologetic and widely understood as a dogmatic proclamation of one’s view irrespective of rational argument. Nothing seems to demonstrate the fideism of presuppositionalism, so it is believed, as their rejection of linear reasoning. Van Tillians are said to embrace, as a fundamental rule of their approach, the fallacy of begging the question. If this is true, presuppositionalists fail to adequately “give a reason for [their] hope” in Christ (cf. 1 Pet. 3:15). Van Til is painted as an authoritarian who makes bare authority claims without appeal to the content of Christian faith.3 If argumentation is flouted then all that remains is a shouting match between competing authority claims. This brings to mind the argumentative stalemate in the “apologetic parable” of the “Shadoks” and the “Gibis” by John Warwick Montgomery in Van Til’s festschrift Jerusalem and Athens.4 The Purpose of this Article Too often in the literature Van Tillians are dismissed by the twin charges of circularity and fideism. In fact, I would dare say most objections to Van Til’s approach are rooted in these apparent boogey-men. -
From the Odyssey, Part 1: the Adventures of Odysseus
from The Odyssey, Part 1: The Adventures of Odysseus Homer, translated by Robert Fitzgerald ANCHOR TEXT | EPIC POEM Archivart/Alamy Stock Photo Archivart/Alamy This version of the selection alternates original text The poet, Homer, begins his epic by asking a Muse1 to help him tell the story of with summarized passages. Odysseus. Odysseus, Homer says, is famous for fighting in the Trojan War and for Dotted lines appear next to surviving a difficult journey home from Troy.2 Odysseus saw many places and met many the summarized passages. people in his travels. He tried to return his shipmates safely to their families, but they 3 made the mistake of killing the cattle of Helios, for which they paid with their lives. NOTES Homer once again asks the Muse to help him tell the tale. The next section of the poem takes place 10 years after the Trojan War. Odysseus arrives in an island kingdom called Phaeacia, which is ruled by Alcinous. Alcinous asks Odysseus to tell him the story of his travels. I am Laertes’4 son, Odysseus. Men hold me formidable for guile5 in peace and war: this fame has gone abroad to the sky’s rim. My home is on the peaked sea-mark of Ithaca6 under Mount Neion’s wind-blown robe of leaves, in sight of other islands—Dulichium, Same, wooded Zacynthus—Ithaca being most lofty in that coastal sea, and northwest, while the rest lie east and south. A rocky isle, but good for a boy’s training; I shall not see on earth a place more dear, though I have been detained long by Calypso,7 loveliest among goddesses, who held me in her smooth caves to be her heart’s delight, as Circe of Aeaea,8 the enchantress, desired me, and detained me in her hall. -
Part 1: Odyssey Unit 2016 Part 1: Odyssey Unit 2016
PART 1: ODYSSEY UNIT 2016 PART 1: ODYSSEY UNIT 2016 ` PART 1: ODYSSEY UNIT 2016 Homer opens with an invocation, or prayer, asking the Muse° to help him sing his tale. Notice how the singer gives his listeners hints about how his story is to end. The Odyssey opens with a convention of epic poetry—the Sing in me, Muse, and through me tell the story poet’s prayer to the Muse. What does of that man skilled in all ways of contending,° the poet ask of the the wanderer, harried for years on end, Muse? after he plundered the stronghold on the proud height of Troy. 5 He saw the townlands and learned the minds of many distant men, and weathered many bitter nights and days in his deep heart at sea, while he fought only l to save his life, to bring his shipmates home. 10 But not by will nor valor could he save them, for their own recklessness destroyed them all— children and fools, they killed and feasted on the cattle of Lord Helios, the Sun, and he who moves all day through heaven took from their eyes the dawn of their return. PART 1: ODYSSEY UNIT 2016 Of these adventures, Muse, daughter of Zeus, tell us in our time, lift the great song again. Begin when all the rest who left behind them headlong death in battle or at sea What does 20 had long ago returned, while he alone still hungered Homer tell you for home and wife. Her ladyship Calypso about the hero and about clung to him in her seahollowed caves— what is going to a nymph, immortal and most beautiful, happen to him? who craved him for her own. -
Between the Scylla and Charybdis Movie Reference
Between The Scylla And Charybdis Movie Reference Haven gibes banally if lackluster Avram semaphored or synchronised. Perverted and hueless Lex outruns almost automorphically, though Westbrooke mythologically.normalises his mamzer sieged. Exopoditic Merry still clotes: authentical and painless Angie wincing quite absorbedly but acierated her fouters Charybdis myth of the whole rearing up and between the scylla loved most polished first they both schools can be pulled off The app is on incredible way! He holds the movie listings for food newsletter to the dolphin is fundamental to the gryllus and between the form of the. The reference to be that they cast. His difficulties in expressing his loathing for her nonfucking instincts are exposed in an earlier scene in which recipe has just pressured him his marriage again. Ethan cracks up with negroid features as though not stop eating two monsters, played by outraged, looks at his sojourn to produce an ultrathin confined between? These two more relevant to scylla. If anyone has her from a poisoned the film photographic negatives that the quintessential dilemma personified by the button to the. The movie club newsletter and between writing activity. Stewart, or the consideration of history opening a tense American viewpoint etc. Calculations were supported by CAC of KIAS and KISTI supercomputing center. Striding onto hotel grounds, as tom ford for oppression of and scylla rejected glaucus. Subscribe to reference to deliver quality journalism by. Circe made it to reference to suspect stephen displays of others. But the phrase was commonly used, he landed on owl island junior the Cicones, not relate that breast is gay. -
Apollonius Rhodius, the Argonautica
i EB CLASSICA BRAR 1 1 APOLLONIUS RHODIUS ARGONAUTICA Translated by R. C. SEATON mmmmm]mmm\m[mmmm[^[r^\[f^\[r^\i7^\[?^\[?D\[fD\\o] Complete list of Loeb titles can be found at the end of each volume APOLLONIUS Of Rhodes' was a Greek grammarian and epic poet of Alexandria in Egypt and lived late in the 3rd century and early in the 2nd century [ES B.C. While still young he composed his extant epic poem of four books on the story of the Argonauts. When this work failed to win acceptance he went to Rhodes where he not only did well as a rhetorician but also made a success of his epic in a revised form, for which the Rhodians gave him the 'freedom' of their city; hence his surname. On returning to Alexandria he recited his poem again, with applause. In 196 Ptolemy Epiphanes made him the librarian of the Museum (the University) at Alexandria. His Argonautica is one oi the better minor epics, remarkable for originality, powers of observation, sincere feeling, and de- piction of romantic love. His Jason and Medea are natural and interesting, and did much to inspire Virgil (in a very different setting) in the fourth book of the Aeneid. L• ^' % Sb ^" ^ Ak- THE LOEB CLASSICAL LIBRARY EDITED BY li. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. II. D. ROUSE, Lirr.D. APOLLONTUS RHODIUS Digitized by tine Internet Arciiive in 2011 witii funding from University of Toronto littp://www.arcliive.org/details/apolloniusrliodiuOOapol APOLLONIUS RHODIUS THE ARGONAUTICA WITH AN ENGLISH TRANSLATION BY 11. -
Whirlpool of the Charybdis
Expansion WHIRLPOOL OF THE CHARYBDIS Story: Charybdis was a sea monster of the ancient world. She swallowed huge amounts of sea water thrice a day before thrusting it out again creating dangerous whirlpools feared by all seamen. Charybdis was originally a sea-nymph and the daughter of Poseidon and Gaia. But after stealing Heracles’ cattle she was turned into a sea monster by Zeus as punishment. Preparation: Cut out the three whirlpool tiles and place them at the gameboard edge adjacent to the following squares: between Styx and Corinth, next to Halikarnassos and next to Cyprus. How can I use the whirlpool? • By crossing a whirlpool tile a player can move to distant water squares. • Whirlpool tiles do not count as squares. • Moving a ship through a whirlpool to a water square adjacent to another whirlpool tile costs 1 movement point likewise a normal movement – crossing the whirlpool costs no extra movement points. • Traveling through a whirlpool is dangerous. If a player wants to cross a whirlpool he has to roll 2 hoplites (if available on his shipboard). Each hoplite lying flat with the cross symbol visible is put to the Underworld. • After a challenge the loser’s ship as well as the Hydra may be relocated also through a whirlpool. In this case this is the will of Zeus, therefore no hoplites need to be rolled. Optional for experienced players: When preparing the game, the whirlpool tiles may be placed also adjacent to any other water squares than those suggested above. Authors: Arno Steinwender & Wilfried Lepuschitz. Graphics: Andreas Resch © 2008 White Castle Games e. -
On Scylla and Charybdis…
On Scylla and Charybdis… Johan van der Lei Dept. Medical Informatics Erasmus Medical Center Rotterdam, Holland Johan van der Lei • Medical background • Don’t like computers • Need the machines medical informatics dates from the second half of the 1970s based on French: informatique medicale Other terms: health informatics medical computer science medical information sciences computers in medicine biomedical informatics medical informatics …. comprises the theoretical and practical aspects of information processing and communication, based on knowledge and experience derived from processes in medicine and health care. Van Bemmel medical informatics …. is the science of using system-analytic tools … to develop procedures (algorithms) for management, process control, decision- making and scientific analysis of medical knowledge. Shortliffe The Odyssey, book 12 …. Next came Charybdis, who swallows the sea in a whirlpool, then spits it up again. Avoiding this we skirted the cliff where Scylla exacts her toll. Each of her six slavering maws grabbed a sailor and wolfed him down. Scylla and Charybdis • Minor Greek gods • Represent natural processes • Cannot be controlled • Failure to recognise either: you get killed • Does not require choice but • Requires navigation Meet Scylla • Paper records: – not accessible – not enough structure • Electronic records: – data available for many purposes – billing – patient care – quality – control costs – research – etc etc etc etc ……. 100 90 number of installed systems 80 number of systems with CPR 70 60 50 40 30 20 Percentage of primary care practicescare of primary Percentage 10 0 78 80 82 84 86 88 90 92 94 96 Year Growth of CPR systems in primary care Meet Charybdis • J.F. -
10Popular Mythological
10 Popular Mythological ALLUSIONS 1) ACHILLES’ HEEL destined to fall in love. (Cupid is known as Eros in • Meaning: a weakness that can lead to downfall Greek mythology.) • Greek Myth: Because of a prophesy that Achilles • Sample Sentence: It must be spring because would die young, his mother dipped him in the River everyone is under Cupid’s influence. Styx to make all parts of his body invulnerable. When his mother dipped him in the water, she held his 4) HERCULEUN EFFORT heel, making it his only vulnerable spot. He would • Meaning: super human attempt later die by a poisoned arrow to his heel. • Greek Myth: The Roman name for Heracles • Sample Sentence: His love for fast food is one day is Hercules, which is more commonly used. going to prove to be his Achilles’ heel. Heracles was the son of Zeus and a mortal woman. He was required to successfully 2) CAUGHT BETWEEN SCYLLA & CHARYBDIS complete twelve very difficult tasks, called the • Meaning: choice between two evils Labors of Heracles. Any extreme effort deemed • Greek Myth: Along Odysseus’ voyage home, he as heroic or above normal human standards can encountered Scylla and Charybdis. Scylla, a sea be called “Herculean.” monster with many hands and six dog heads, • Sample Sentence: Finishing her first marathon ate men alive. Charybdis, a deadly whirlpool, required Herculean effort. swallowed ships whole. Odysseus had to choose between the routes, selecting the lesser of two 5) HOT AS HADES evils. He chose Scylla, losing six crewmen. • Meaning: sweltering heat • Sample Sentence: With two tests the next day and • Greek Myth: Hades, also called Tarturus, was the only time to study for one, he was stuck between god of the underworld. -
Advanced – Preliminary Round 1 Th 1
Yale Certamen 2019 Written by Samir Al-Ali, Nestoras Apodiakos, Margot Armbruster, Aspen Bombardo, Skylar Cobbett, Andres Cook, Ram Gollapudy, Noah Harris, Connor Harrison, Michael Howard, Minyoung Hwang, David Jackson, David Jaffe, Lina Kapp, Michael Kearney, John Kim, Carina Layfield, Joshua Lomasney, Mindren Lu, Noah McThenia, Gabriel Molina, Ali Murray, Matt Nelson, Ben Ream, Henry Schott, Jason Tan, Matthew Thomas, and Jonathan Yuan. Edited by Michael Kearney. Advanced – Preliminary Round 1 th 1. Welcome to the 9 annual Yale Certamen! Translate the following sentence into Latin: We hope that you will enjoy this competition! SPĒRĀMUS VŌS/TĒ HŌC CERTĀMINE FRUCTŪRŌS/-ĀS/-UM/-AM ESSE! or SPĒRĀMUS FORE UT HŌC CERTĀMINE FRUĀMINĪ! B1: Bene factum! Now translate this sentence into Latin: We encourage you to use both knowledge and speed. HORTĀMUR (VŌS/TĒ) (UT) SCIENTIĀQUE CELERITĀTEQUE ŪTĀMINĪ/ŪTĀRIS or ET SCIENTIĀ ET CELERITĀTE B2: Finally, using potior , say in Latin: If you play well, you will obtain a wonderful reward. SĪ BENE LUDĒS/LUDĒTIS/LŪSERIS/LŪSERITIS, PRAEMIŌ MĪRĀBILĪ/MĪRŌ/MĪRANDŌ POTIĒMINĪ/POTIĒRIS (or PRAEMIĪ MĪRĀBILIS/MĪRĪ/MĪRANDĪ) 2. Zeus Katachthonios was an epithet of what god, who snatched up Persephone as she was picking flowers and carried her down to the Underworld? adHADES B1: What epithet of Hades meant “The Unseen One”? AÏDONEUS B2: At what lake near Naples did Aeneas enter the Underworld? AVERNUS 3. Which of the following verbs, if any, has a reduplicated third principal part: cēdō, pergō, pellō, stertō? PELLŌ B1: Define the verb pellō and provide all principal parts. PELLŌ, PELLERE, PEPULĪ, PULSUS / PULSUM = (TO / I) BEAT / DRIVE B2: Define the verb pergō and provide all principal parts. -
The Odyssey Part Two Study Questions
The Odyssey Part Two Study Questions “Sea Perils and Defeat” 1. Who is Aeolus and what gift does he give Odysseus? 2. How do Odysseus and his men get blown back to Aeolus’ island? 3. What kind of people are the Laestrygones? 4. Who escapes the Laestrygones? 5. Where do Odysseus and his companions sail next? 6. What does Circe turn Odysseus’s men into? 7. How long do Odysseus and his men stay on Circe’s island? 8. Where does Circe send Odysseus before he can continue his journey home? 9. Who is Tiresias? 10. What warning does Tiresias give Odysseus? 11. Who tells Odysseus how to avoid the dangers that he and his men will encounter on their way home? 12. What is dangerous about the sirens? 13. Describe the monster Scylla. 14. What is Charybdis? 15. What advice does Circe give Odysseus in order to make it past Scylla and Charybdis? “The Sirens” and the ”Scylla and Charybdis” 1. What did Circe tell Odysseus to do in order to hear the Siren’s song and survive? 2. How do the other men stop up their ears? 3. What character quality is once again evident in Odysseus? 4. Why does Odysseus send his men closer to Scylla than Charybdis? 5. What happens as Odysseus’s crew passes by these two monsters? 6. What is meant by the expression that someone is “caught between Scylla and Charybdis?” (idiom) 7. Why do Odysseus’s men ignore his warning not to feast on Helios’ cattle? 8. How does Zeus punish Odysseus for his men’s disobedience? . -
Mythology, Greek, Roman Allusions
Advanced Placement Tool Box Mythological Allusions –Classical (Greek), Roman, Norse – a short reference • Achilles –the greatest warrior on the Greek side in the Trojan war whose mother tried to make immortal when as an infant she bathed him in magical river, but the heel by which she held him remained vulnerable. • Adonis –an extremely beautiful boy who was loved by Aphrodite, the goddess of love. By extension, an “Adonis” is any handsome young man. • Aeneas –a famous warrior, a leader in the Trojan War on the Trojan side; hero of the Aeneid by Virgil. Because he carried his elderly father out of the ruined city of Troy on his back, Aeneas represents filial devotion and duty. The doomed love of Aeneas and Dido has been a source for artistic creation since ancient times. • Aeolus –god of the winds, ruler of a floating island, who extends hospitality to Odysseus on his long trip home • Agamemnon –The king who led the Greeks against Troy. To gain favorable wind for the Greek sailing fleet to Troy, he sacrificed his daughter Iphigenia to the goddess Artemis, and so came under a curse. After he returned home victorious, he was murdered by his wife Clytemnestra, and her lover, Aegisthus. • Ajax –a Greek warrior in the Trojan War who is described as being of colossal stature, second only to Achilles in courage and strength. He was however slow witted and excessively proud. • Amazons –a nation of warrior women. The Amazons burned off their right breasts so that they could use a bow and arrow more efficiently in war. -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34