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African American Art Since 1950: Perspectives from the David C
African American Art Since 1950: Perspectives from the David C. Driskell Center Resource made possible through our partnerships with: Welcome to the Figge Art Museum’s Teacher Resource Guide These cards describe selected works from the exhibition. Use them to engage with the artwork, find facts about the artists, and facilitate learning. Resources are provided on each card for additional research. About the Exhibition In 1976, David C. Driskell curated the groundbreaking exhibition, Two Centuries of Black American Art: 1750-1950. The exhibition explored the depth and breadth of African American art, often marginalized by historical texts. It had massive influence on both the artists and the general public. The David C. Driskell Center has organized the exhibition, African American Art Since 1950, Perspectives from the David C. Driskell Center, as a response to Two Centuries. The exhibition explores the rising prominence and the complexity of African American art from the last 60 years. Many leading African American artists are featured in this exhibition including: Romare Bearden, Faith Ringgold, Jacob Lawrence, Betye Saar, Radcliffe Bailey, Kara Walker and Carrie Mae Weems. This exhibition gives a picture of the diversity of recent African American art, with its many approaches and media represented. The works explore various themes including: political activism, race, stereotypes, cultural and social identity, music, abstraction, among others. Featured Artists Radcliffe Bailey Romare Bearden Sheila Pree Bright Kevin Cole David C. Driskell Vanessa German Robin Holder Margo Humphrey Jacob Lawrence Kerry James Marshall Faith Ringgold Lorna Simpson Hank Willis Thomas Carrie Mae Weems Radcliffe Bailey Until I Die/Georgia Trees and the Upper Room, 1997 Color aquatint with photogravure and chin collé © 2011 Radcliffe Bailey Gift from the Jean and Robert E. -
1998 Loans from the Collection
1998 Loans from the Collection Kenneth Adams, New Mexico. Crayon on paper, 18 x 24 in. Oscar Berninghaus, Cemetery in New Mexico, ca.1940. Oil on Bequest of Marion Koogler McNay, 1950.1. panel, 9 x 13 in. Gift of Dr. and Mrs. William C. Winter, 1981.35. E. Martin Hennings, Thistle Blossoms, 1929. Oil on canvas, 40 x Berninghaus: Taos Founder/Taos Son. Panhandle-Plains Museum, 40 in. Collection of the Tobin Foundation. Canyon, Texas, November 15, 1998–February 28, 1999. John Ward Lockwood, Summer Landscape, Taos, N.M. Arthur Dove, The Brothers, 1942. Tempera and wax emulsion on Watercolor on paper, 13 15/16 x 20 in. Bequest of Marion Koogler canvas, 20 x 28 in. Gift of Robert L. B. Tobin through the Friends McNay, 1950.88. of the McNay, 1962.3. Enchanted: Taos Art from Texas Collections. Panhandle-Plains Arthur Dove: A Retrospective Exhibition. Last two venues only; Historical Museum, September 6—November 15, 1998. Addison Gallery of American Art, Andover, Massachusetts, April 24–July 14, 1998; Los Angeles County Museum of Art, Rafael Aragón, Our Lady of Guadalupe. Water soluble paint August 2–October 4, 1998. on panel, 22 3/4 x 17 in. Bequest of Marion Koogler McNay, 1950.290. Paul Gauguin, Portrait of the Artist with the Idol, ca.1893. Oil on canvas, 17 1/4 x 12 7/8 in. Bequest of Marion Koogler McNay, El Alma del Pueblo: Spanish Folk Art and its Transformation in 1950.46. the Americas. San Antonio Museum of Art, October 17, 1997– January 4, 1998; Art Museum at Florida International University, Paul Gauguin Tahiti, 1891-1893. -
MEMORIES and INSPIRATION the Kerry and C
MEMORIES AND INSPIRATION The Kerry and C. Betty Davis Collection of African American Art TRAVELING EXHIBITION SERVICE EDUCATION PACKET TABLE OF CONTENTS Exhibition Overview 3 Selected Artist Biographies 7 Lessons and Activities 8 Glossary 15 Being a Good Caretaker 16 Reference Materials/Resources 17 COVER PHOTO: Sedrick Huckaby, She Wore Her Family’s Quilt, 2015, oil on canvas. Photograph by Gregory Staley. Memories and Inspiration EXHIBITION OVERVIEW Comprising 62 extraordinary works of art, the traveling exhibition Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art is the culmination of an African American couple’s 35-year journey into a realm that few have explored with such passion and dedication— the world of art and art collecting. The following information will help students gain an understanding of the concepts and themes used throughout this one-of-a-kind exhibition. EXHIBITION CONTENT The works of art in this exhibition offer a glimpse into the lives, traditions, and unique experiences of African Americans in the twentieth and twenty-first centuries. The term “African American art” encompasses all forms of art (painting, sculpture, photography, etc.) created by Americans of African descent, and can also describe the artwork of anyone (not just African Americans) who has been influenced stylistically and/or thematically by black African art, culture, or history. The two definitions are not mutually exclusive. The Davis Collection of African American Art is far-reaching and expansive, employing a multitude of mediums, subjects, and styles, primarily by African American artists but including also some significant works from other parts of the African diaspora. -
TEACHING PACKET PERMANENT COLLECTION Developed for Grades K–5 ABOUT THIS PACKET
TEACHING PACKET PERMANENT COLLECTION Developed for Grades K–5 ABOUT THIS PACKET This teacher packet has been created as a flexible resource for introducing your students to works from the permanent collection at the Georgia Museum of Art. We hope that you may use it as a toolkit to facilitate open-ended discussion of these pieces. The materials in this packet have been developed for students in grades K–5, with specific activities for each grade level. Please feel free to adapt them to suit your needs. This packet includes: • About the Georgia Museum of Art • Background information, discussion questions and activities for selected works of art from the permanent collection • Color reproductions of 12 works of art from the museum’s collection, available in a slideshow format for download on our website at: http://georgiamuseum.org/file_uploads/gmoa_teaching-packet_permanent-collection_slides.ppt ON THE COVER: (Detail) Eugenie McEvoy (American, 1879–1975) “Taxi! Taxi!”, ca. 1933 Oil on canvas 36 x 32 inches Georgia Museum of Art, University of Georgia; Extended loan from the Schoen Collection, Princeton, New Jersey GMOA 2000.52E © 2017 Georgia Museum of Art, University of Georgia Published by the Georgia Museum of Art. All rights reserved. TABLE OF CONTENTS About the Georgia Museum of Art . 4 What Is a Museum? . 6 Museum Tips for Engaging with Art . 8 Paul Revere, set of three early American teaspoons (1735–1818) . 9 Theodore Robinson, “Gathering Plums” (1891) . 14 Pierre Daura, untitled (green apples) (1939–55). 19 Elizabeth Jane Gardner, “La Confidence” (1880) . 23 Eugenie McEvoy, “Taxi! Taxi!” (1933). 27 Reginald Marsh, “Lifeguards” (1933) . -
332-4736 Juan Logan Education MFA Maryland
177 NW 23rd Street, Miami, Florida 33127 (786) 332-4736 Juan Logan Education M.F.A. Maryland Institute College of Art, Baltimore, Maryland, 1998 Painting/Mixed-Media Sculpture Selected Solo Exhibitions 2012 Juan Logan: Without Stopping, paintings, brochure Weatherspoon Museum of Art, Greensboro, North Carolina Juan Logan: Pleasure & Power, paintings, catalogue Barton Art Galleries, Barton College, Wilson, North Carolina 2009 Juan Logan: Leisure Space, mixed media, catalogue Gantt Center for African American Arts and Culture, Charlotte, North Carolina Prop Master: An Installation by Juan Logan with Susan Harbage Page Gibbes Museum of Art, Charleston, South Carolina 2007 Juan Logan: Notes and Observations, paintings, catalogue Rocky Mount Arts Center at the Imperial Centre, North Carolina 2006 Juan Logan: The Third Place, Paintings, Drawings and Sculptures 1996 – 2006, catalogue Tweed Museum of Art, Duluth, Minnesota Juan Logan: Caught Off Guard, Selected Works from 1965-2005 paintings and works on paper,catalogue Sturgis Gallery of Art, Kennesaw State University, Georgia 2005 Juan Logan: Close Inspection, installations, catalogue Sumter Gallery of Art, Sumter, South Carolina Juan Logan: Full Disclosure, paintings, sculpture, installations, catalogue Greenville County Museum of Art, South Carolina 2003 Juan Logan: Whose Song Shall I Sing?, paintings and sculpture, catalogue City Gallery at Waterfront Park, Charleston, South Carolina 2002 Juan Logan: Whose Song Shall I Sing?, painting s and sculpture, catalogue Boulder Museum of Contemporary -
NOTES About an Artist– Francesca Woodman Page 12 Springviews Pages 13–20
museumVIEWS A quarterly newsletter for small and mid-sized art museums Spring 2012 Radcliffe Bailey, Winged, 2008. Mixed media on paper. In “Radcliffe Bailey: Memory as Medicine,” Davis Museum, MA 1 museumVIEWS SpringFeatures 2012 Getting Ahead in U.S. Museums Page 3 Have a Drink– but before that, Take a Look Page 4 The Frame Matters Ad Campaigns Raise Interest– Sometimes Page 5 A 1960s Renaissance Page 6 BOOKS Page 7 NEWSbriefs Pages 8–11 NOTES about an artist– Francesca Woodman Page 12 springVIEWS Pages 13–20 museumVIEWS Editor: Lila Sherman Publisher: Museum Views, Ltd. 2 Peter Cooper Road, New York, NY 10010 Phone: 212.677.3415 FAX: 212.533.5227 Email: [email protected] On the web: www.museumviews.org Top right: Georges Rouault, Master Arthur, 1934. Color etching MuseumVIEWS is supported by grants and aquatint. In “Georges Rouault,” Utah Museum of Fine Arts from the Horace W. Goldsmith Foundation Center: Mark Rothko, Untitled, 1955. Oil on canvas. In “Mark Rothko: and Bloomberg. Selections from the National Gallery of Art,” Academy Art Museum, MD MuseumVIEWS is published 4 times a year: Above: Mavis Smith, Night Pool, 2009. Egg tempera on panel. In “Mavis Smith: Hidden Realities,” Michener Art Museum, PA Winter (Jan. 1), Spring (April 1), Summer (July1), and Fall (October 1). deadlines for Right: Pablo Picasso, Nude with Joined Hands, 1906. Oil on canvas. In “The Steins Collect,” Metropolitan Museum of Art, NY listings and artwork are Nov. 15, Feb. 15, May 15, and Aug 15. 2 Getting Ahead in U.S. Museums [“How to get ahead in U.S. -
Shifting Gaze Shifting Gaze: a Reconstruction of the Black & Hispanic Body in Contemporary Art from the Collection of Dr
SHIFTING GAZE SHIFTING GAZE: A RECONSTRUCTION OF THE BLACK & HISPANIC BODY IN CONTEMPORARY ART FROM THE COLLECTION OF DR. ROBERT B. FELDMAN FROM THE COLLECTION OF DR. ROBERT ART BODY IN CONTEMPORARY SHIFTING GAZE: A RECONSTRUCTION OF THE BLACK & HISPANIC NINA CHANEL ABNEY FARLEY AGUILAR RADCLIFFE BAILEY YOAN CAPOTE NATHANIEL DONNETT MARK THOMAS GIBSON LUIS GISPERT CLOTILDE JIMÉNEZ JENNIE C. JONES SAMUEL LEVI JONES TITUS KAPHAR NATE LEWIS KYLE MEYER LAVAR MUNROE TOYIN OJIH ODUTOLA EBONY G. PATTERSON LAMAR PETERSON WANDA RAIMUNDI-ORTIZ PAUL HENRY RAMIREZ JAMEL SHABAZZ VAUGHN SPANN SHAWN THEODORE MICKALENE THOMAS HANK WILLIS THOMAS CARLOS VEGA LYNETTE YIADOM-BOAKYE NATE YOUNG SHIFTING GAZE Published in conjunction with the exhibition SHIFTING GAZE: A RECONSTRUCTION OF THE BLACK & HISPANIC BODY IN CONTEMPORARY ART FROM THE COLLECTION OF DR. ROBERT B. FELDMAN Organized by the Mennello Museum of American Art and curated by Shannon Fitzgerald, Executive Director with curatorial assistance by Katherine Navarro, Marilyn L. Mennello Associate Curator of Education October 19, 2018 – January 13, 2019 Edited by Shannon Fitzgerald, Executive Director Essay by Shannon Fitzgerald, Executive Director & Katherine Navarro, Marilyn L. Mennello Associate Curator of Education Designed by Francesca Ascione, Marketing & Design Coordinator 900 E. Princeton Street Orlando, Florida 32803 mennellomuseum.org FRIENDS OF Funding for this exhibition and catalog is provided by the City of Orlando, the Friends of Mennello Museum of American Art, Orange County Government through the Arts & Cultural Affairs Program, United Arts of Central Florida, and Division of Cultural Affairs, Florida Department of State. ISBN13- 978-0-9668799-6-4 ISBN 0-9668799-6-1 Copyright © 2018 Mennello Museum of American Art. -
Radcliffe Bailey BORN
RESUME – Radcliffe Bailey BORN: 1968, Bridgeton, NJ Lives and works in Atlanta, GA EDUCATION BFA, Atlanta College of Art, Atlanta, GA, 1991 SOLO EXHIBITIONS 2013 Notes, Bridgette Mayer Gallery, Philadelphia, PA 2011 Radcliffe Bailey: Memory as Medicine (traveling exhibition), High Museum of Art, Atlanta, Georgia, June 26–September 11, 2011. Traveled to Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, February 15–May 6, 2012; McNay Art Museum, San Antonio, Texas, June 6–September 2, 2012. Curated by Carol Thompson and Rita Richman in consultation with Michael Rooks. (Catalogue) Radcliffe Bailey: Outer Spaceways, Jack Shainman Gallery, New York, NY 2010 Radcliffe Bailey: Art of an Ancient Soul, High Museum of Art, Atlanta, GA Windward Coast, Atlantic Center for the Arts, New Smyrna Beach, FL 2009 Between Two Worlds: The Art of Radcliffe Bailey, Harvey B. Gantt Center for African American Arts & Culture, Charlotte, NC Looking for Light, Traveling by Night, Solomon Projects, Atlanta, GA Between Two Worlds: The Art of Radcliffe Bailey, Polk Museum of Art, Lakeland, FL 2008 Radcliffe Bailey, Arthur Roger Gallery, New Orleans, LA The Prints of Radcliffe Bailey, McNay Art Museum, San Antonio, TX 2007 Altered Destiny, Jack Shainman Gallery, New York, NY Radcliffe Bailey, Toledo Museum of Art, Toledo, OH In the Returnal, Clark Atlanta University Art Galleries and Solomon Projects, Atlanta, GA Transbluesency: Monoprints by Radcliffe Bailey, Paulson Press, Berkeley, CA 2006 Flow: Paintings and Installations by Radcliffe -
Reflections: African American Life from the Myrna Colley-Lee Collection
Reflections: African American Life from the Myrna Colley-Lee Collection A Resource Guide For Educators Detail of Season of the New Bride, Romare Bearden, 1982, collage collage 1982, Bearden, Romare Bride, New the of Season of Detail Use this Educator’s Guide To: Familiarize students Incorporate background Give copies to with the content and information, suggested chaperones for themes of the exhibit activities and resources into a use during the vis- before attending. lesson plan that corresponds it. with curriculum benchmarks. Reflections: African American Life Table of Contents Reflections Exhibit Content and Context...……………………………...…....………..……3 Styles and Techniques…………………………………………..……….……………..……..4 Artist Highlights………………………………………………………………..………….…..5 About Collecting……………………………………………….……………...………..….…6 Curriculum Connections……………………………..…………………….………..…..…...7 Educational Activities and Handouts………………………….…………………….….8-13 Glossary……………………………………………………….……………………..…....….14 Resources……………………………………………………………………………………..15 Keep in mind... Observing, discussing, and interpreting works of art instructs our understanding of our society and culture as well as the society that created them . Common human experiences and ideas, conflicts and themes can be explored in visual, written, and oral texts. Looking at art objects increases visual literacy and the ability to articulate meaning. Acknowledgements This resource guide was created by the Kalamazoo Institute of Arts Museum Education Department. Thanks to International Arts &Artists for permission to use information from their exhibition materials. All images were provided by International Arts & Artists unless otherwise noted. Reflections: African American Life from the Myrna Ernest Crichlow, Window, 1987, oil on canvas Colley-Lee Collection was organized by International Arts & Artists. 2 Reflections: Content and Context Reflections: African American Life from the Myrna Colley-Lee Collection features fifty works from various artists and media including: painting, photography, collage, and fabric work. -
Radcliffe Bailey B. 1968- Born in Bridgetown, NJ Lives and Works in Atlanta, GA
Radcliffe Bailey b. 1968- Born in Bridgetown, NJ Lives and works in Atlanta, GA Education 1991 BFA, Atlanta College of Art, Atlanta, GA Selected Solo Exhibition 2019 Vessel III, The Aldrich Contemporary Art Museum, Ridgefield, CT The Ocean Between, Maruani Mercier Gallery, Brussels, Belgium 2018 Travelogue, Jack Shainman Gallery, The School, Kinderhook, NY Radcliffe Bailey: Pensive, The Gibbes Museum of Art, Charleston, SC 2017 Radcliffe Bailey, Moss Art Center, Virginia Tech, Blacksburg, VA Radcliffe Bailey: The Great Dismal Swamp, The Greater Reston Arts Center, Reston, VA 2016 Radcliffe Bailey: Pensive, SCAD Museum of Art, Walter O. Evans Gallery, Savannah, GA Radcliffe Bailey: QUEST, Jack Shainman Gallery, New York, NY Radcliffe Bailey, Samson Projects, Boston, MA 2015 Radcliffe Bailey: Notes, Big Pond Artworks, Munich, Germany Radcliffe Bailey: Recent Works, Contemporary Arts Center, New Orleans, LA Radcliffe Bailey: Storm at Sea, Fine Arts Center Gallery, University of Arkansas, Fayetteville, AR 2014 Radcliffe Bailey: Maroons, Jack Shainman Gallery, 524 West 24th Street, New York, NY 2013 Radcliffe Bailey: Notes, Bridgette Mayer Gallery, Philadelphia, PA 2011 Radcliffe Bailey: Memory as Medicine, High Museum of Art, Atlanta, GA. Traveled to: Davis Museum and Cultural Center, Wellesley College, Wellesley, MA; McNay Art Museum, San Antonio, TX Radcliffe Bailey: Outer Spaceways, Jack Shainman Gallery, New York, NY 2009 Between Two Worlds: The Art of Radcliffe Bailey, Harvey B. Gantt Center for African American Arts & Culture, Charlotte, -
Maruani Mercier Radcliffe Bailey
MARUANI MERCIER RADCLIFFE BAILEY Born in 1968, Bridgeton, NJ Lives and works in Atlanta, Georgia EDUCATION 1991 BFA, Atlanta College of Art, Atlanta, Georgia SELECTED ONE-ARTIST EXHIBITIONS 2019-2020 Vessel III, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, May 10, 2019 – March 15, 2020. 2018 Travelogue, Jack Shainman Gallery, The School, Kinderhook, New York, May 20 – October 6, 2018. Radcliffe Bailey: Pensive , The Gibbes Museum of Art, Charleston, South Carolina, April 27 – September 16, 2018. 2017 Radcliffe Bailey: The Great Dismal Swamp , The Greater Reston Arts Center, Reston, Virginia, April 21 – August 18, 2017. 2016-2017 Radcliffe Bailey: Pensive , SCAD Museum of Art, Walter O. Evans Gallery, Savannah, GA, November 10, 2016 – February 5, 2017. 2016 Radcliffe Bailey: QUEST , Jack Shainman Gallery, 513 West 20th Street, New York, NY, April 28 – June 23, 2016. Radcliffe Bailey , Samson Projects, Boston, Massachusetts, April 1 – May 28, 2016. 2015 Radcliffe Bailey: Notes , Big Pond Artworks, Munich, Germany, November 11 – December 23, 2015. Radcliffe Bailey: Recent Works , Contemporary Arts Center, New Orleans, Louisiana, March 7 – June 7, 2015. Radcliffe Bailey: Storm at Sea , Fine Arts Center Gallery, University of Arkansas, Fayetteville, Arkansas, January 26 – February 20, 2015. 2014 Radcliffe Bailey: Maroons , Jack Shainman Gallery, 524 West 24th Street, January 16 – February 15, 2014. 2013 Radcliffe Bailey: Notes , Bridgette Mayer Gallery, Philadelphia, April 3 – 27, 2013. 2011–2012 Radcliffe Bailey: Memory as Medicine (traveling exhibition), High Museum of Art, Atlanta, Georgia, June 26–September 11, 2011. Will travel to: Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, February 15–May 6, 2012; McNay Art Museum, San Antonio, Texas, June 6–September 2, 2012; and other venues, to be announced. -
RADCLIFFE BAILEY P E N S I V E OCT
CURRICULUM GUIDE GRADES K- 12 RADCLIFFE BAILEY PENSIVE OCT. 25, 2016–FEB. 5, 2017 SCAD: The University for Creative Careers The Savannah College of Art and Design is a private, nonprofit, accredited institution conferring bachelor’s and master’s degrees at distinctive locations and online to prepare talented students for professional careers. SCAD offers degrees in 43 majors, as well as minors in more than 70 disciplines across its locations in Savannah and Atlanta, Georgia; in Hong Kong; in Lacoste, France; and online through SCAD eLearning. With more than 32,000 alumni worldwide, SCAD demonstrates an exceptional education and unparalleled career preparation. The diverse student body, consisting of nearly 13,000 students, comes from across the U.S. and more than 100 countries worldwide. Each student is nurtured and motivated by a faculty of nearly 700 professors with extraordinary academic credentials and valuable professional experience. These professors emphasize learning through individual attention in an inspiring university environment. The innovative SCAD curriculum is enhanced by advanced, professional-level technology, equipment and learning resources, and has garnered acclaim from respected organizations and publications, including 3D World, American Institute of Architects, Businessweek, DesignIntelligence, U.S. News & World Report and the Los Angeles Times. For more information, visit scad.edu. Cover image: Radcliffe Bailey, Rocking, 2014 TABLE OF CONTENTS About the SCAD Museum of Art 1 About the Artist 3 About the Curriculum