Years in Review: 1998–2012 Years
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Painting Identity: the Disconnect Between Theories and Practices of Art by the LGBTQ Community
Painting Identity: The Disconnect Between Theories and Practices Of Art by the LGBTQ Community Meg Long Advisor: Sarah Willie-LeBreton May 7,2012 2 Table of Contents Acl(nowledgements ........................................................................... 3 1. Introduction .............................................................................. 4 2. Perspectives on Racial and Sexual Identity in Modem and Contemporary Art .......................................................................................... 10 3. Influence of Self Identity for Contemporary Artists .......................................... 33 4. Discourse Analysis: Art and Sexual Identity ......................................... 55 5. Conclusion .................................................................................76 Worl(s Cited .............................................................................. 84 Appendix A ............................................................................... 86 Appendix B ............................................................................... 87 3 Acknowledgements First and foremost, thank you to my father for his endless support throughout this process; as always in life, I would be lost without him. Likewise, thank you to my mother for her energy and encouragement. I also cannot be appreciative enough of my advisor, Professor Sarah Willie-LeBreton for helping me in more ways than I can enumerate, even when my process was dubious at best. Thank you to the participants who shared their stories -
Press Release (PDF)
G A G O S I A N G A L L E R Y August 29, 2016 The critic and curator Philip Rawson, an eloquent guide to the means and methods of drawing over the ages, points out that until the Italian Quattrocento, no European sculptor was supposed to be able to draw. In the medieval period, only those sculptors who also worked in two dimensions drew habitually; any other sculptor who needed, say, to show a client a proposed design hired a draftsman to make one. And when sculptors began to make drawings (for their own use or to guide assistants), they tended to do so without thinking of the format of the paper as a frame to which the image should relate. Instead, the image was generally treated as an independent motif, composed of mutually related units and placed anywhere on the sheet. In this approach, the space of the paper outside the image was not incorporated into the design but functioned like the open, empty space around actual sculptures. ... In contrast, Rawson observes, painters' drawings have tended to treat the usually rectangular format of the paper as a frame to which the image content relates. —John Elderfield Gagosian Gallery is pleased to present “Plane.Site,” a cross-generational exhibition of modern and contemporary artists organized by Sam Orlofsky to inaugurate the San Francisco gallery. (Continue to page2) 6 5 7 H O W A R D S T R E E T S A N F R A N C I S C O C A 9 4 1 0 5 T . -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Artist Resources – Pablo Picasso (Spanish, 1881-1973) Musée Picasso, Paris Picasso at Moma
Artist Resources – Pablo Picasso (Spanish, 1881-1973) Musée Picasso, Paris Picasso at MoMA Picasso talks Communism, visual perception, and inspiration in this intimate interview at his home in Cannes in 1957. “My work is a constructive one. I am Building, not tearing down. What people call deformation in my work results from their own misapprehension. It's not a matter of deformation; it's a question of formation. My work oBeys laws I have spent my life in formulating and adhering to. EveryBody has a different idea of what constitutes reality and the suBstance of things….I set [oBjects] down in what my intellect tells me is the order and form in which they appear to me.” In these excerpts from 1943, from his Book, Conversations with Picasso, French photographer and sculpture Brassaï reflects candidly with his friend and contemporary aBout Building on the past, authenticity, and gathering inspiration from nature, history, and museums. “I thought I learned a lot from him. Mostly in terms of the way he worked, the concentration in which he worked, the unity of spirit in thinking in thinking aBout nothing else, giving everything away for that,” reflected Françoise Gilot in an interview with Charlie Rose in 1998. In 2019, she puBlished the groundBreaking memoir of her own life as an artist and her relationship with the untamaBle master, Life with Picasso. MoMA’s monumental 1996 exhiBition Picasso and Portraiture: Representation and Transformation emBarked on a Picasso in his Montmartre studio, 1908 tour of over 200 visual representations By the artist of his friends, family, and contemporaries. -
San Antonio Sports Hall of Fame Auction Items
SAN ANTONIO SPORTS HALL OF FAME TRIBUTE AUCTION FEBRUARY 10, 2005 Instructions for the Auction: 1. Please follow the instructions on the Bid Sheets for the silent auction. 2. Minimum Bid is the Starting Bid. 3. Incremental Increases should be followed or your Bid will be deleted unless it is higher than required. 4. Please note all Gift Certificates have expiration dates. 5. Check out will begin after all the Inductees have been presented. 6. Visa, MasterCard or American Express, Cash and Checks are accepted. 7. Live Auction will be paid for immediately by successful bidder. Bid High & Good Luck! Page 1 Live Auction 1……….Mexican Fiesta Party at Rio Plaza Courtyard Party for up to 75 friends at Rio Plaza on the Riverwalk; Mexican Buffet and 'Tex Mex' drinks to include Margaritas, Wine and Beer accompanied by light entertainment. Book Soon! Based on Availability. Value $2,500 Donated by Rio Plaza and Weston Events 2……….Wine Lovers Extravaganza Explore the Napa Valley with a Weekend for Two at Trinchero Estates Bed & Breakfast known for their world class wines and located in the heart of the wine country with gourmet Breakfasts, Tour & Tasting. Additionally Two Nights-Stay in San Francisco at the Marriott Airport San Francisco. Airfare for Two included. Donated by Trinchero Winery and Airfare Courtesy of The Miner Corporation 3……….Vacation on the Beach Manzanillo Villa for 8. One-week stay in a 4-Bedroom/4-Bath villa located on a cliffside overlooking the Pacific Ocean. Swimming pool. Cook/Housekeeper for hire. Santiago Country Club Membership. Fishing options. -
Press Release Third Annual National Speakers
PRESS RELEASE CONTACT: Veronica S. Laurel CHRISTUS Santa Rosa Foundation 210.704.3645 office; 210.722-5325 mobile THIRD ANNUAL NATIONAL SPEAKERS LUNCHEON HONORED TOM FROST AND FEATURED CAPTAIN“SULLY” SULLENBERGER Proceeds from the Luncheon benefit the Friends of CHRISTUS Santa Rosa Foundation SAN ANTONIO – (April, 3, 2013) Today, the Friends of CHRISTUS Santa Rosa Foundation held its Third Annual National Speakers Luncheon to honor Tom C. Frost, Jr. with the Beacon Award for his passionate service to the community, and featured Captain Chesley B. “Sully” Sullenberger, III as the keynote speaker. Proceeds from the event will benefit programs supported by the Foundation. The Friends of CHRISTUS Santa Rosa Foundation supports the health and wellness of adults throughout south and central Texas by raising money for innovative programs and equipment for four general hospitals and regional health and wellness outreach programs in the San Antonio Medical Center, Westover Hills, Alamo Heights and New Braunfels. The National Speakers Luncheon celebrates the contributions of Frost by honoring him with the Friends of CHRISTUS Santa Rosa Beacon Award. Frost is chairman emeritus of Frost Bank and is the fourth generation of his family to oversee the bank founded by his great grandfather, Colonel T.C. Frost in 1868. He has a long history of community service, having served on the Board of Trustees for the San Antonio Medical Foundation, the Texas Research and Technology Foundation and Southwest Research Institute. He has served on executive committees, boards and initiatives for the San Antonio Livestock Exposition, the McNay Art Museum, the Free Trade Alliance and the YMCA, to name just a few. -
Press Release for Immediate Release Berry Campbell Presents Raymond Hendler: Raymond by Raymond (Paintings 1957-1967)
PRESS RELEASE FOR IMMEDIATE RELEASE BERRY CAMPBELL PRESENTS RAYMOND HENDLER: RAYMOND BY RAYMOND (PAINTINGS 1957-1967) NEW YORK, NEW YORK, June 29, 2021—Berry Campbell is pleased to announce its fourth exhibition of paintings by Raymond Hendler (1923-1998). Raymond Hendler: Raymond by Raymond (Paintings 1957-1967) features paintings created between 1957 and 1967, a transitional period for Hendler in which the artist moved away from an Abstract Expressionist mode and employed a more stylized line, producing distinct shapes and symbols. The exhibition is accompanied by a 16-page catalogue with an essay written by Phyllis Braff. Raymond Hendler: Raymond by Raymond (Paintings 1957-1967) opens July 8, 2021 and continues through August 20, 2021. Gallery summer hours are Monday - Friday, 10 am - 6 pm. ABOUT THE ARTIST A first-generation action painter, Raymond Hendler started his career as an Abstract Expressionist in Paris as early as 1949. In the years that followed, he played a significant role in the movement, both in New York, where he was the youngest voting member of the New York Artist’s Club. Hendler became a friend of Franz Kline, Willem de Kooning, Jackson Pollock, and Harold Rosenberg in Philadelphia, where he ran an avant-garde gallery between 1952 and 1954. Raymond Hendler was born in Philadelphia, Pennsylvania in 1923 and studied in his native Philadelphia, at the Graphic Sketch Club, the Philadelphia College of Art, the Pennsylvania Academy of Art, and the Tyler School of Art (Temple University). In 1949, he continued his art training in Paris at the Académie de la Grande Chaumière on the G.I. -
Alphabetical List of Catalogues Raisonnés in the Collection Of
Alphabetical List of Catalogues Raisonnés in the Collection of Ricker Library of Art and Architecture University of Illinois at Urbana-Champaign Last updated 04/10/14 ARX = Circulating book in our stacks ARR = Non-circulating book in our Reference collection ARC = Non-circulating book held in the Closed Stacks, behind our desk ARV = Non-circulating book held in our Vault IL BACHIACCA (a.k.a. Francesco d’Ubertino Verdi, Francesco Bachiacca) LaFrance, Robert G. Bachiacca : Artist of the Medici Court. Firenze : L. S. Olschki, 2008. Q.759.5B124l (ARX) Nikolenko, Lada. Francesco Ubertini Called il Bacchiacca. Locust Valley/NY: J. J. Augustin, 1966. 759.5IL1N (STX) BACKER, JACOB van den Brink, Peter and Jaap van der Veen. Jacob Backer (1608/9-1651). Zwolle: Waanders, 2008. Text and accompanying CD-Rom available. Q.759.9492B126br (ARV) BACON, FRANCIS Alley, Ronald. Francis Bacon. New York: Viking, 1964. 759.2 B132a (ARC) BAJ, ENRICO Enrico Baj. Baj: Catalogue del’Oeuvre Graphique et des Multiples = Catalogue of the Graphic Work and Multiples. 2 volumes. Genève: Rousseau, 1973. 709.45 B167ba (ARV) BALDESSARI, JOHN Baldessari, John et al. John Baldessari: Catalogue Raisonné. New Haven: Yale University Press, 2012. Vol. One, 1956-1974 Vol. Two, 1975-1986 Q.709.73B192j (ARV) Hurowitz, Sharon Coplan. John Baldessari : A Catalogue Raisonné of Prints and Multiples, 1971-2007. Manchester : Hudson Hills Press, 2009. Q. 709.73 B192h (ARV) BALDUNG, HANS (a.k.a. Hans Baldung Grien/Grün) Mende, Matthias. Hans Baldung Grien: das Graphische Werk. Unterschneidheim: UHL, 1978. Q.769.943B19m (ARV) Alphabetical list of Catalogue Raisonnés in the Collection of the Ricker Library of Architecture and Art B:2. -
Picasso Sculpture Pdf, Epub, Ebook
PICASSO SCULPTURE PDF, EPUB, EBOOK Ann Temkin,Anne Umland | 320 pages | 24 Nov 2015 | MUSEUM OF MODERN ART | 9780870709746 | English | New York, United States Picasso Sculpture PDF Book Look carefully. After purchasing an estate in Boisgeloup in , Picasso set up a sculptor studio in a coach house. Picasso: My Grandfather. Madrid held many other attractions. And of every building inspector who took a wad from a slum owner to make it all possible Girl Before a Mirror. Paris: capital of the arts, — Wood, metal and plaster were used separately or in combination with each other. The first issue was published on 31 March , by which time the artist had started to sign his work Picasso. Cubism , Surrealism. Boston: Houghton Mifflin Harcourt. The sculpture, one of the most recognizable landmarks in downtown Chicago, was unveiled in Between and he wrote over poems. The public who look at the picture must interpret the symbols as they understand them. The 33 volumes cover the entire work from to , with close to 16, black and white photographs, in accord with the will of the artist. The first volume of the catalogue, Works from to , published in , entailed the financial ruin of Zervos, self- publishing under the name Cahiers d'art , forcing him to sell part of his art collection at auction to avoid bankruptcy. From Wikipedia, the free encyclopedia. The medium in which Picasso made his most important contribution was painting. Informed of this, Picasso offered three paintings and a sketch to the city and its museum and was later made an honorary citizen by the city. -
Events Funds Cast Shadows Over Combs' War Chest
High-Octane Moola: April 18, 2013 Events Funds Cast Shadows Over Combs’ War Chest Comptroller Nets $421,360 from Donors Tied to $57 Million in State Funding. F1, Beer Distributors and Dallas Cowboys Champion Susan Combs. ontributors tied to $57 million in grants to a slew of trade associations and sports entities from the state’s Events Trust Funds gave to hold events in Texas. The biggest paybacks C $421,360 to funds overseer Susan Combs for Combs’ political coffers have come from since the 2006 cycle, when she won her first MillerCoors distributors and the Circuit of the Comptroller race.1 Comptroller Combs has Americas, which hosts its first motorcycle grand awarded more than $222 million in state funds prix in Austin this weekend. Combs Contributions Associated With Events-Fund Awards Combs State Total Grants Top Associated ‘05 - ‘13 Events-Fund Awards Awarded Combs Contributor $129,511 MillerCoors Annual Distributor Conference $423,129 Wholesale Beer Distributors of TX $116,041 Formula 1 US Grand Prix/Moto GP COTA $26,987,753 BJ ‘Red’ McCombs $48,500 National Cattlemen's Beef Assn. $723,234 TX & SW Cattle Raisers Assn. $45,000 American Bankers Assn. $181,072 TX Bankers Assn. $30,000 Credit Union National Assn. $166,946 TX Credit Union League $23,481 American Quarter Horse Assn. $112,052 Chickasaw Nation* $11,577 NFL Super Bowl/Cowboys Classic Football $27,072,467 Cowboys owner Jerral W. Jones $6,500 Intern’l Veterinary Emerg./Critical Care Symp. $162,406 TX Veterinary Medical Assn. $4,500 Associated Builders & Contractors $159,330 Assoc. -
Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected]
1 Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected] Education Feb. 1973 PhD., Institute of Fine Arts, New York University. Thesis: "The Genre Painting of Eastman Johnson: The Sources and Development of His Style and Themes," (Published by Garland, 1977). Adviser: Professor Robert Goldwater. Jan. 1968 M.A., Hunter College, City University of New York. Thesis: "The Portraits of Thomas Eakins: The Elements of Interpretation." Adviser: Professor Leo Steinberg. June 1957 B.A., Stanford University. Major: Modern European Literature Professional Positions 9/1978 – 7/2014 Department of History of Art & Architecture, Boston University: Acting Chair, Spring 2009; Spring 2012. Chair, 1995-97; Professor 1988-2014; Associate Professor, 1978-88 [retired 2014] Other assignments: Adviser to Graduate Students, Boston University Art Gallery, 2010-2011; Director of Graduate Studies, 1993-94; Director, BU Art Gallery, 1980-89; Director, Museum Studies Program, 1980-91 Affiliated Faculty Member: American and New England Studies Program; African American Studies Program April-July 2013 Terra Foundation Visiting Professor, J. F. Kennedy Institute for North American Studies, Freie Universität, Berlin 9/74 - 7/87 Adjunct Curator, 18th- & 19th-C Art, Whitney Museum of Am. Art, NY 6/81 C. V. Whitney Lectureship, Summer Institute of Western American Studies, Buffalo Bill Historical Center, Cody, Wyoming 9/74 - 8/78 Asso. Prof., Fine Arts/Performing Arts, York College, City University of New York, Queens, and PhD Program in Art History, Graduate Center. 1-6/75 Adjunct Asso. Prof. Grad. School of Arts & Science, Columbia Univ. 1/72-9/74 Asso. -
1998 Education
1998 Education JANUARY JUNE 11 Video: Alfred Steiglitz: Photographer 2–5 Workshop: Drawing for the Doubtful, Earnest Ward, artist 17 Teacher Workshop: The Art of Making Books 3 Video: Masters of Illusion 18 Gallery Talk: Arthur Dove’s Nature Abstraction, 10 Video: Cezanne: The Riddle of the Bathers Rose M. Glennon, Curator of Education 17 Video: Mondrian 25 Members Preview: O’Keeffe and Texas 21 Gallery Talk: Nature and Symbol: Impressionist and 26 Colloquium: The Making of the O’Keeffe and Texas Post-impressionism Prints from the McNay Collection, Exhibition, Sharyn Udall, Art Historian, William J. Chiego, Lyle Williams, Curator, Prints and Drawings Director, Rose M. Glennon, Curator of Education 22 Lecture and Members Preveiw: The Garden Setting: Nature Designed, Linda Hardberger, Curator of the Tobin FEBRUARY Collection of Theatre Arts 1 Video: Women in Art: O’Keeffe 24 Teacher Workshop: Arts in Education, Getty 8 Video: Georgia O’Keeffe: The Plains on Paper Education Institute 12 Gallery Talk: Arthur Dove, Georgia O’Keeffe and American Nature, Charles C. Eldredge, title? JULY 15 Video: Alfred Stieglitz: Photographer 7 Members Preview: Kent Rush Retrospective 21 Symposium: O’Keeffe in Texas 12 Gallery Talk: A Discourse on the Non-discursive, Kent Rush, artist MARCH 18 Performance: A Different Notion of Beautiful, Gemini Ink 1 Video: Women in Art: O’Keeffe 19 Performance: A Different Notion of Beautiful, Gemini Ink 8 Lunch and Lecture: A Photographic Affair: Stieglitz’s 26 Gallery Talk: Kent Rush Retrospective, Lyle Williams, Portraits