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Brad's September Newsletter
Wagon Days and September Events September is here and August has come to an end, but this doesn’t mean that Sun Valley’s lineup of summer events is over! September brings the Big Hitch Parade, antique fairs and phenomenal performances throughout our Valley. Wagon Days starts off with the Cowboy Poets Recital at the Ore Wagon Museum on Sept. 2nd at 11:00 am and culminates with the iconic Big Hitch Parade at 1:00 pm on Sept. 3rd, the largest non- motorized parade in the west. See over one hundred museum quality wagons, stage coaches, buggies, carriages and the six enormous Lewis Ore Wagons, pulled by a 20 mule jerkline. Antique fairs will also abound throughout the Valley from Sept. 2nd - 5th, at these locations: Hailey’s Antique Market, at Roberta McKercher Park, Hailey Sept 1 - 4 all day Ketchum Antique and Art Show, nexStage Theater, 120 n Main Street, Sept 2 - 4 all day. The California-based rock group Lukas Nelson and the Promise of the Real will conclude Sun Valley’s 2016 summer concert series on Labor Day, Sept. 5th. The show will open at the Sun Valley Pavilion at 6:00pm, with tickets ranging from $25 for the lawn to $100 for pavilion seats. The Sun Valley Center for the Arts will begin its 2016-17 performing arts series starting September 16th with award winning cabaret performer, Sharron Matthews. Her performance spans a mix of storytelling and mash-up pop songs. Her 2010 “Sharron Matthews Superstar: World Domination Tour 2010” was named “#1 Cabaret in New York City’ by Nightlife Exchange and WPAT Radio, and she was also nominated Touring Artist of the Year by the BC touring council in 2015. -
Caribbean Voices Broadcasts
APPENDIX © The Author(s) 2016 171 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE BBC CARIBBEAN VOICES BROADCASTS March 11th 1943 to September 7th 1958 © The Author(s) 2016 173 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE BBC CARIBBEAN VOICES EDITORS Una Marson April 1940 to December 1945 Mary Treadgold December 1945 to July 1946 Henry Swanzy July 1946 to November 1954 Vidia Naipaul December 1954 to September 1956 Edgar Mittelholzer October 1956 to September 1958 © The Author(s) 2016 175 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE WEST INDIES FEDERATION AND THE TERRITORIES INCLUDED January 3 1958 to 31 May 31 1962 Antigua & Barbuda Barbados Dominica Grenada Jamaica Montserrat St. Kitts, Nevis, and Anguilla St. Lucia St. Vincent and the Grenadines Trinidad and Tobago © The Author(s) 2016 177 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 CARIBBEAN VOICES : INDEX OF AUTHORS AND SEQUENCE OF BROADCASTS Author Title Broadcast sequence Aarons, A.L.C. The Cow That Laughed 1369 The Dancer 43 Hurricane 14 Madam 67 Mrs. Arroway’s Joe 1 Policeman Tying His Laces 156 Rain 364 Santander Avenue 245 Ablack, Kenneth The Last Two Months 1029 Adams, Clem The Seeker 320 Adams, Robert Harold Arundel Moody 111 Albert, Nelly My World 496 Alleyne, Albert The Last Mule 1089 The Rock Blaster 1275 The Sign of God 1025 Alleyne, Cynthia Travelogue 1329 Allfrey, Phyllis Shand Andersen’s Mermaid 1134 Anderson, Vernon F. -
Song Writers & Pr Oducers
DELETE ME Page 35 of 36 DATA FOR WEEK OF 02.29.2020 HOT 100 SONGWRITERSTM HOT 100 PRODUCERSTM #1 #1 1 6 WKS RODDY RICCH 1 7 WKS 30ROC TIE 2 BILLIE EILISH 2 FINNEAS TIE 2 FINNEAS 3 POO BEAR 4 TONES AND I 4 TMS 5 30ROC 5 GREG KURSTIN TIE 6 JUSTIN BIEBER 6 FRANK DUKES TIE 6 POO BEAR 7 KONSTANTIN KERSTING 8 LOUIS BELL 8 IAN KIRKPATRICK 9 LIL BABY 9 DANN HUFF 10 A BOOGIE WIT DA HOODIE 10 OZ COUNTRY SONGWRITERSTM COUNTRY PRODUCERSTM #1 #1 1 1 WK JOSH OSBORNE 1 29 WK S DANN HUFF 2 LUKE COMBS 2 DAN SMYERS 3 JIMMY ROBBINS 3 SCOTT MOFFATT 4 ROSS COPPERMAN 4 JOEY MOI TIE 5 LAURA VELTZ 5 GREG KURSTIN TIE 5 MAREN MORRIS 6 ZACH CROWELL 7 JON NITE 7 SHANE MCANALLY 8 RAY FULCHER 8 SCOTT HENDRICKS 9 NATALIE HEMBY 9 ROSS COPPERMAN TIE 10 JORDAN DAVIS 10 MICHAEL KNOX TIE 10 LONNIE FOWLER ROCK SONGWRITERSTM ROCK PRODUCERSTM #1 #1 1 3 WKS KEVIN PARKER 1 1 WK KEVIN PARKER TIE 2 BRENDON URIE 2 JAKE SINCLAIR TIE 2 JAKE SINCLAIR 3 JONAS JEBERG TIE 2 SAM HOLLANDER 4 RYAN METZGER 5 KATE BUSH 5 TYLER SMYTH 6 AARON BRUNO 6 DILLON FRANCIS TIE 7 ADAM METZGER 7 JAY JOYCE TIE 7 JACK METZGER 8 LEGGY LANGDON TIE 7 RYAN METZGER 9 SIMONE FELICE 10 NATHANIEL RATELIFF 10 KOZ R&B/HIP-HOP SONGWRITERSTM R&B/HIP-HOP PRODUCERSTM #1 #1 1 9 WKS RODDY RICCH 1 7 WKS 30ROC 2 30ROC 2 POO BEAR TIE 3 JUSTIN BIEBER 3 OZ TIE 3 POO BEAR 4 LONDON ON DA TRACK SONGWRITERS & PRODUCERS & SONGWRITERS 5 LIL BABY 5 DARIUS HILL 6 A BOOGIE WIT DA HOODIE TIE 6 GYLTTRYP 7 THE WEEKND TIE 6 MUSTARD 8 OZ 8 NICK MIRA TIE 9 ANDREW GOLDSTEIN 9 RICKY REED TIE 9 BLACKBEAR 10 THE AUDIBLES LATIN SONGWRITERSTM LATIN PRODUCERSTM #1 #1 1 22 WK S BAD BUNNY 1 5 WKS OVY ON THE DRUMS 2 J BALVIN 2 SKY 3 TIE 3 FEB. -
Caribbean Hybridity: Language and Identity In
CARIBBEAN HYBRIDITY: LANGUAGE AND IDENTITY IN JOHN AGARD’S POETRY by Leanna M. Hall Thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honours in English Acadia University April, 2017 © Copyright by Leanna M. Hall, 2017 ii This thesis by Leanna M. Hall is accepted in its present form by the Department of English as satisfying the thesis requirements for the degree of Bachelor of Arts with Honours Approved by the Thesis Supervisor __________________________ ____________________ (typed name) Date Approved by the Head of the Department __________________________ ____________________ (typed name) Date Approved by the Honours Committee __________________________ ____________________ (typed name) Date iii iv I, LEANNA HALL, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. _________________________________ Signature of Author _________________________________ Date v vi Table of Contents Abstract .............................................................................................................................. ix Chapter 1: Introducing Identity ............................................................................................1 Chapter 2: Imposing Identity .............................................................................................19 Chapter 3: Repressed Identity ............................................................................................33 -
Creole Modernism
ANKHI MUKHERJEE Creole Modernism As affirmations of the modern go, few can match the high spirits of Susan Stanford Friedman’s invitation to formulate a “planetary epistemology” of modernist studies. As she explains in a footnote, Friedman uses the term “planetarity” in a different sense than Gayatri Chakravorty Spivak in Death of a Discipline, where the latter proposes that “if we imagine ourselves as planetary subjects rather than global agents, planetary creatures rather than global entities, alterity remains underived from us.”1 If Spivak’s planet-thought is a “utopian gesture of resistance against globalization as the geohistorical and economic domination of the Global South,” Friedman’s own use of the term ‘planetarity’ is epistemological, implying “a consciousness of the earth as planet, not restricted to geopolitical formations and potentially encompassing the non-human as well as the human.”2 Friedman’s planetary epistemology needs the playground of “modernism/modernity,” the slash denoting a simultaneous separation and connection, “the paradox of all borders,” which she considers to be richly generative (475). For modernism is not simply outside or after modernity, a belated reaction to the shock of it. It is contained within modernity (or particular modernities) as its aesthetic domain, and interacts with other domains, commercial, technological, societal, and governmental. It follows that “Every modernity has its distinctive modernism” (475). Pluralizing the key terms to engage with the polylogue of languages and cultures issuing from forms of modernism/modernity everywhere, Friedman’s invocation of this transformational (planetary) model of cultural circulation opens up possibilities for modernist studies to venture fearlessly outside the Anglo-American field and into “elsewhere” places that constitute modernism’s Other: the colonies and ex- colonies of South Asia and the Caribbean, the American South, and the Diaspora. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2020 Page 1 of 29 INSIDE Sukhinder Singh Cassidy • ‘More Is More’: Exits StubHub Amid Why Hip-Hop Stars Have Adopted The Restructuring, Job Cuts Instant Deluxe Edition BY DAVE BROOKS • Coronavirus Tracing Apps Are Editors note: This story has been updated with new they are either part of the go-forward organization Being Tested Around information about employees who have been previously or that their role has been impacted,” a source at the the World, But furloughed, including news that some will return to the company tells Billboard. “Those who are part of the Will Concerts Get Onboard? organization on June 1. go-forward organization return on Monday, June 1.” Sukhinder Singh Cassidy is exiting StubHub, As for her exit, Singh Cassidy said that she had been • How Spotify telling Billboard she is leaving her post as president planning to step down following the Viagogo acquisi- Is Focused on after two years running the world’s largest ticket tion and conclusion of the interim regulatory period — Playlisting More resale marketplace and overseeing the sale of the even though the sale closed, the two companies must Emerging Acts During the Pandemic EBay-owned company to Viagogo for $4 billion. Jill continue to act independently until U.K. leaders give Krimmel, StubHub GM of North America, will fill the the green light to operate as a single entity. • Guy Oseary role of president on an interim basis until the merger “The company doesn’t need two CEOs at either Stepping Away From is given regulatory approval by the U.K.’s Competition combined company,” she said. -
College of Letters 1
College of Letters 1 Kari Weil BA, Cornell University; MA, Princeton University; PHD, Princeton University COLLEGE OF LETTERS University Professor of Letters; University Professor, Environmental Studies; The College of Letters (COL) is a three-year interdisciplinary major for the study University Professor, College of the Environment; University Professor, Feminist, of European literature, history, and philosophy, from antiquity to the present. Gender, and Sexuality Studies; Co-Coordinator, Animal Studies During these three years, students participate as a cohort in a series of five colloquia in which they read and discuss (in English) major literary, philosophical, and historical texts and concepts drawn from the three disciplinary fields, and AFFILIATED FACULTY also from monotheistic religious traditions. Majors are invited to think critically about texts in relation to their contexts and influences—both European and non- Ulrich Plass European—and in relation to the disciplines that shape and are shaped by those MA, University of Michigan; PHD, New York University texts. Majors also become proficient in a foreign language and study abroad Professor of German Studies; Professor, Letters to deepen their knowledge of another culture. As a unique college within the University, the COL has its own library and workspace where students can study together, attend talks, and meet informally with their professors, whose offices VISITING FACULTY surround the library. Ryan Fics BA, University of Manitoba; MA, University of Manitoba; PHD, Emory -
“'Kalahari' Or the Afro-Caribbean Connection: Luis Palés Matos
Copyright © Antonia Domínguez Miguela · This article appeared in the electronic journal American@, Volume 1.1. June 2002. Universidad de Huelva. http://www.uhu.es/hum676/americana.html. · This online article may be cited or briefly quoted in line with the usual academic conventions. You may also print it for your own personal use. This paper must not be published elsewhere without the author's explicit permission. But please note that if you copy this paper you must include this copyright note. · You should observe the conventions of academic citation in a version of the following form . “’Kalahari’ or the Afro-Caribbean Connection: Luis Palés Matos’ Tuntún de pasa y grifería and Tato Laviera’s La Carreta Made a U-Turn” Antonia Domínguez Miguela University of Huelva The history of colonization in Puerto Rico has influenced its development as a nation between two cultures and languages and the relationships that has been established with other Caribbean countries and the United States. Puerto Rico has always been considered a bridge nation between the Caribbean and the North American colossus. The development of national identity in Puerto Rico has implied a series of contradictions which are reflected in its national literature. Many critics have pointed out that Puerto Rican literature is split between two shores: Puerto Rican literature written by island authors and the more recent Puerto Rican literature written in the United States by the sons and daughters of the different migratory waves along the twentieth century. Puerto Rican literature on the island has been characterized by a number of recurrent themes concerning the definition of cultural and national identity as a way to solve the contradiction of being a Caribbean nation that is still US territory yet culturally and linguistically different. -
Electing Black Mayors
Electing Black Mayors Political Action in the Black Community William E. Nelson, Jr. and Philip J. Meranto $20.00 ELECTING BLACK MAYORS Political Action in the Black Community By William E. Nelson, Jr., and Philip J. Meranto As the black protest movement swept north in the middle years of the 1960s, a major shift was to take place in its basic theme and fundamental direction that transferred emphasis from the familiar exhortation to demand "freedom now" to an equally urgent summons to marshal the formidable, if un tapped, resources of "black power" in the struggle for liberation. This alteration in both informing idea and effective method signified conclusively that blacks, grown angry and frustrated over the slow rate of their social and economic prog ress as an oppressed minority, were finally prepared to realize their potential force in order to exercise a decisive measure of po litical control over their own lives. As a call to action, black power reflected a growing sense of community among blacks, a fresh awareness of shared experience and a common heritage. More importantly, however, it was both a challenge posed by blacks to themselves to gain some increased measure of control over the institutions of that community, and an appeal for black solidarity and concerted political action as the essential means to that end. An increased concentration of blacks in the major cities of the northern and western United States had come about as the direct result of one of the most significant demographic changes to occur in the nation in the twentieth century. -
Culture War, Rhetorical Education, and Democratic Virtue Beth Jorgensen Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2002 Takin' it to the streets: culture war, rhetorical education, and democratic virtue Beth Jorgensen Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Philosophy Commons, Rhetoric and Composition Commons, Social and Philosophical Foundations of Education Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Jorgensen, Beth, "Takin' it to the streets: culture war, rhetorical education, and democratic virtue " (2002). Retrospective Theses and Dissertations. 969. https://lib.dr.iastate.edu/rtd/969 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, white others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Werewere Liking, Sony Labou Tansi, and Tchicaya U Tam'si
WEREWERE LIKING, SONY LABOU TANSI, AND TCHICAYA U TAM’SI: PIONEERS OF “NEW THEATER” IN FRANCOPHONE AFRICA DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Salome Wekisa Fouts, B.A., M.A ***** The Ohio State University 2004 Dissertation Committee Approved by Professor John-Conteh-Morgan, Adviser _________________________________ Professor Karlis Racevskis, Adviser _________________________________ Advisers Professor Jennifer Willging Department of French and Italian Copyright by Salome Wekisa Fouts 2004 ABSTRACT This dissertation is an analysis of “new African theater” as illustrated in the works of three francophone African writers: the late Congolese Sony Labou Tansi (formerly known as Marcel Ntsony), the late Congolese Félix Tchicaya, who wrote under the pseudonym Tchicaya U Tam’si, and the Cameroonian Werewere Liking. The dissertation examines plays by these authors and illustrates how the plays clearly stand apart from mainstream modern French-language African theater. The introduction, in Chapter 1 provides an explanation of the meaning that has been assigned to the term “new African theater.” It presents an overview of the various innovative structural and linguistic techniques new theater playwrights use that render their work avant-garde. The chapter also studies how new theater playwrights differ from mainstream ones, especially in the way they address and present their concerns regarding the themes of oppression, rebellion, and the outcome of rebellion. The information provided in this chapter serves as a springboard to the primary focus of the dissertation, which is a detailed theoretical and textual analysis of experimental strategies used by the three playwrights in the areas of theme, form, and language. -
Oct. 2016 Newsletter
October 15, 2016 The State of Creative NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on 4 Label Reps: What They’re Signing In 2016 The President’s Corner by Bernard Baur | Music Connection Thank you for joining us as the CCC examines The music industry has evolved beyond the simple concept of selling a song or an album. Today, A&R reps and label execs face a multitude of 'The State Of Crea8ve'. We have assembled an challenges that, if mishandled, could cost them their jobs. Consequently, esteemed panel of execu8ves whose exper8se savvy industry pros adopt methods that suit their label’s culture, and that is responsible for some of the ar8sts and music affects the way they evaluate talent and make decisions. To give you occupying the airwaves and content streams some insight into the process each person uses to evaluate and sign an act to a label contract, we contacted A&R reps and executives at four record today. Learn how the A&R community has labels. You’ll learn about what makes their companies unique and what learned to adapt as well as 'adopt' new factors they consider before inking a deal. We think you’ll find the techniques, strategies and philosophies to stay information they disclose both eye-opening and useful to your career. abreast of new developing talent as well as emerging trends that dictate the stars of EPIC RECORDS - Eesean Bolden, VP A&R tomorrow.