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Application Employee of High Sr No
Application Employee of High Sr No. Seq No Rollno Applicant Full Name Father's Full Name Applicant Mother Name DOB (dd/MMM/yyyy) Domicile of State Category Sub_Category Email ID Gender Mobile Number Court Allahabad Is Present Score 1 1000125 2320015236 ANIL KUMAR SHIV CHARAN ARYA MAHADEVI 6/30/1990 Uttar Pradesh OBC Sports Person (S.P.)[email protected] Male 9911257770 No PRESENT 49 2 1000189 2320015700 VINEET AWASTHI RAM KISHOR AWASTHI URMILA AWASTHI 4/5/1983 Uttar Pradesh General NONE [email protected] 8423230100 No PRESENT 43 3 1000190 2110045263HEMANT KUMAR SHARMA GHANSHYAM SHARMA SHAKUNTALA DEVI 3/22/1988 Other than Uttar Pradesh General [email protected] 9001934082 No PRESENT 39 4 1000250 2130015960 SONAM TIWARI SHIV KUMAR TIWARI GEETA TIWARI 4/21/1991 Other than Uttar Pradesh General [email protected] Male 8573921039 No PRESENT 44 5 1000487 2360015013 RAJNEESH KUMAR RAJVEER SINGH VEERWATI DEVI 9/9/1989 Uttar Pradesh SC NONE [email protected] Male 9808520812 No PRESENT 41 6 1000488 2290015053 ASHU VERMA LATE JANARDAN LAL VERMA PADMAVATI VERMA 7/7/1992 Uttar Pradesh SC NONE [email protected] Male 9005724155 No PRESENT 36 7 1000721 2420015498 AZAJUL AFZAL MOHAMMAD SHAHID NISHAD NAZMA BEGUM 2/25/1985 Uttar Pradesh General NONE [email protected] 7275529796 No PRESENT 27 8 1000794 2250015148AMBIKA PRASAD MISHRA RAM NATH MISHRA NIRMALA DEVI 12/24/1991 Uttar Pradesh General NONE [email protected] Male 8130809970 No PRESENT 36 9 1001008 2320015652 SATYAM SHUKLA PREM PRAKASH -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
A Hermeneutic Study of Bengali Modernism
Modern Intellectual History http://journals.cambridge.org/MIH Additional services for Modern Intellectual History: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM KRIS MANJAPRA Modern Intellectual History / Volume 8 / Issue 02 / August 2011, pp 327 359 DOI: 10.1017/S1479244311000217, Published online: 28 July 2011 Link to this article: http://journals.cambridge.org/abstract_S1479244311000217 How to cite this article: KRIS MANJAPRA (2011). FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM. Modern Intellectual History, 8, pp 327359 doi:10.1017/S1479244311000217 Request Permissions : Click here Downloaded from http://journals.cambridge.org/MIH, IP address: 130.64.2.235 on 25 Oct 2012 Modern Intellectual History, 8, 2 (2011), pp. 327–359 C Cambridge University Press 2011 doi:10.1017/S1479244311000217 from imperial to international horizons: a hermeneutic study of bengali modernism∗ kris manjapra Department of History, Tufts University Email: [email protected] This essay provides a close study of the international horizons of Kallol, a Bengali literary journal, published in post-World War I Calcutta. It uncovers a historical pattern of Bengali intellectual life that marked the period from the 1870stothe1920s, whereby an imperial imagination was transformed into an international one, as a generation of intellectuals born between 1885 and 1905 reinvented the political category of “youth”. Hermeneutics, as a philosophically informed study of how meaning is created through conversation, and grounded in this essay in the thought of Hans Georg Gadamer, helps to reveal this pattern. -
CINEMA Some All-Time Greats Cinema by Definition Telescopes Time
VISIT US AT STALL 19-20, NATIONAL BOOK FAIR, LUCKNOW VENUE: MOTIMAHAL VATIKA DATE: 11 TO 20 AUGUST 2017 Volume 9, Issue 3, July-September 2017 RNI NO. DELENG/2008/26953 Price: ` 2 HISTORY LITERATURE ART CULTURE HERITAGE BIOGRAPHY TRAVEL WILDLIFE RELIGION SELF-HELP FICTION TRANSLATION CINEMA PHOTOGRAPHY CINEMA Some All-Time Greats Cinema by definition telescopes time. A film is said to be a classic if it is seen and appreciated by two or three generations of viewers over a period of 50 to 60 years. It would take longer for a literary work to attain the same stature because the history of publishing is much longer. In India, certain films in Hindi Celebrating and other regional languages have been seen by people long enough to acquire a Cinema! classic status. From the subject of film dialogue and he first director worthy of serious attention in Hindi cinema was Mehboob Khan. He began life as an extra in the silent era early Hindi cinema to a book on SRK, and gradually worked his way up as an actor, assistant director and finally director with Imperial Film Company and Sagar the Badshah of Bollywood, Niyogi Movietone. He made his mark when he formed his own production company. Aurat, his first major film, is about a farmer’s Books has played an important role in Twidow swamped with debts and her heroic struggle to retain her dignity and look after her children in an overwhelmingly male society. promoting cinema. This black and white production starring Khan’s wife, Sardar Akhtar, with music by Anil Biswas, had a greater impact than its worthy remake, Mother India. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
Personality Development Through Emotional Intelligence in University Graduates of Quetta
1 Bi-Annual Research Journal “JOURNAL OF EDUCATION & HUMANITIES RESEARCH” ISSN: 2415-2366 Institute of Education and Research (IER), UOB, Quetta Pakistan VOL.5.NO 1, 2018 Personality development through Emotional Intelligence in university graduates of Quetta Abdul Wahab [email protected] Balochistan Study Center, University of Balochistan, Quetta, Pakistan. Dr.Sajida Naureen [email protected] Institute of Education & Research, University of Balochistan, Quetta, Pakistan. Abstract The purpose of this study was to determine the emotional intelligence in university graduates at Quetta specifically with respect to its traits like maturity, motivation, self-control and social stability in order to attain overall personality development. A cross-sectional survey design in the form of self-report questionnaire was used to examine variables i.e. maturity, motivation, self-control and social stability to stimulate personality development. Eight faculties of two public sector universities were selected through proportionate sampling and further random sampling technique was used to select 200 respondents as a sample sizeand the observed response rate was 88% (176 out of 200).All the responses were analyzed by using SPSS soft wear (Statistical Package for Social Sciences). Chi-square tests and descriptive statistics were applied to analyze data. the reported chi- square values were found highly significant (i.e.; p <0.05) for most of the responses indicating maturity, motivation, self-control and social stability, which ensures the presence of different traits at high level among university graduates which ultimately promote personality development. 2 Key Words: Emotional Intelligence, personality development, university graduates. Introduction Emotional intelligence is a complex and dynamic construction of human traits influenced by diversity of social, psychological and biological factors. -
Bombay Talkies
A Cinematic Imagination: Josef Wirsching and The Bombay Talkies Debashree Mukherjee Encounters, Exile, Belonging The story of how Josef Wirsching came to work in Bombay is fascinating and full of meandering details. In brief, it’s a story of creative confluence and, well, serendipity … the right people with the right ideas getting together at the right time. Thus, the theme of encounters – cultural, personal, intermedial – is key to understanding Josef Wirsching’s career and its significance. Born in Munich in 1903, Wirsching experienced all the cultural ferment of the interwar years. Cinema was still a fledgling art form at the time, and was radically influenced by Munich’s robust theatre and photography scene. For example, the Ostermayr brothers (Franz, Peter, Ottmarr) ran a photography studio, studied acting, and worked at Max Reinhardt’s Kammertheater before they turned wholeheartedly to filmmaking. Josef Wirsching himself was slated to take over his father’s costume and set design studios, but had a career epiphany when he was gifted a still camera on his 16th birthday. Against initial family resistance, Josef enrolled in a prestigious 1 industrial arts school to study photography and subsequently joined Weiss-Blau-Film as an apprentice photographer. By the early 1920s, Peter Ostermayr’s Emelka film company had 51 Projects / Processes become a greatly desired destination for young people wanting to make a name in cinema. Josef Wirsching joined Emelka at this time, as did another young man named Alfred Hitchcock. Back in India, at the turn of the century, Indian artists were actively trying to forge an aesthetic language that could be simultaneously nationalist as well as modern. -
Model Test Paper-1
MODEL TEST PAPER-1 No. of Questions: 120 Time: 2 hours Codes: I II III IV (a) A B C D Instructions: (b) C A B D (c) A C D B (A) All questions carry equal marks (d) C A D B (B) Do not waste your time on any particular question 4. Where do we find the three phases, viz. Paleolithic, (C) Mark your answer clearly and if you want to change Mesolithic and Neolithic Cultures in sequence? your answer, erase your previous answer completely. (a) Kashmir Valley (b) Godavari Valley (c) Belan Valley (d) Krishna Valley 1. Pot-making, a technique of great significance 5. Excellent cave paintings of Mesolithic Age are found in human history, appeared first in a few areas at: during: (a) Bhimbetka (b) Atranjikhera (a) Early Stone Age (b) Middle Stone Age (c) Mahisadal (d) Barudih (c) Upper Stone Age (d) Late Stone Age 6. In the upper Ganga valley iron is first found associated 2. Which one of the following pairs of Palaeolithic sites with and areas is not correct? (a) Black-and-Red Ware (a) Didwana—Western Rajasthan (b) Ochre Coloured Ware (b) Sanganakallu—Karnataka (c) Painted Grey Ware (c) Uttarabaini—Jammu (d) Northern Black Polished Ware (d) Riwat—Pakistani Punjab 7. Teri sites, associated with dunes of reddened sand, 3. Match List I with List II and select the answer from are found in: the codes given below the lists: (a) Assam (b) Madhya Pradesh List I List II (c) Tamil Nadu (d) Andhra Pradesh Chalcolithic Cultures Type Sites 8. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume - Annual: TRN 2007 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2007 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities-II Other articles : Teheran Records, O. P. Nayyar. 1 ‘The Record News’ – Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members --------------------------- V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US$ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy -
“Not in Our Good”: Nationalist and Other Concerns in the Censorship
Sanglap 2.2 (Feb 2016) Censorship and Literature “Not in Our Good”: Nationalist and other Concerns in the Censorship Debates in Early Indian Cinema Binayak Bhattacharya In a full length newsreel named The Great Bonfire of Foreign Clothes (1915) by T. Jansen, a freelance cameraman from USA, M. K. Gandhi, perhaps for the first time on screen, appeared as the most prominent amongst the other nationalist leaders. The newsreel ran for two weeks at the Globe and the West End Theatre of Bombay and received enough enthusiastic response (Kaul 15). But the civil and the political administration of Bombay, seemingly embarrassed with the situation, could do a nothing to stop the exhibition. Nonetheless, the moment proved to be historic as it heralded an era of nationalist embodiment in Indian cinema which would relate closely with Gandhian idealization of the national in near future. In 1915, there was no censor board and the British administration could not prevent the film from being exhibited over a substantial period of time. The rules of the existing regulatory authorities, governed by the “Dramatic Performances Act, 1876,” proved to be inadequate to prevent the screening. As a result, the exhibition continued for almost one month without any authoritarian intervention (ibid 16). Shortly after, anticipating the danger of films depicting the nationalist cause and citing several concerns about the cultural, civic and hygienic norms in film theatres in India, The Cinematograph Act was passed in the British Parliament in 1918. By the terms of this act, four separate Censor boards were set up in Bombay, Madras, Calcutta and Rangoon in May, 1920. -
Anil Biswas – Filmography Source: Hamraz’S Hindi Film Geet Kosh (Digitization: Ketan Dholakia, Vinayak Gore, and Balaji Murthy)
Anil Biswas – Filmography Source: Hamraz’s Hindi Film Geet Kosh (Digitization: Ketan Dholakia, Vinayak Gore, and Balaji Murthy) Contents Anil Biswas – Filmography ....................................................................................................................................... 1 1) Dharam Ki Devi ..................................................................................................................... 3 2) Fida-e-Vatan (alias Tasveer-e-vafa) ...................................................................................... 3 3) Piya Ki Jogan (alias Purchased Bride) ................................................................................... 3 4) Pratima (alias Prem Murti) ..................................................................................................... 4 5) Prem Bandhan (alias Victims of Love) .................................................................................. 4 6) Sangdil Samaj ......................................................................................................................... 4 7) Sher Ka Panja ......................................................................................................................... 5 8) Shokh Dilruba ......................................................................................................................... 5 9) Bulldog ................................................................................................................................... 5 10) Dukhiari (alias A Tale of Selfless Love)