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The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali -
Exploring the Complexities of Life in the South Bronx
THE BX CHRONICLES: EXPLORING THE COMPLEXITIES OF LIFE IN THE SOUTH BRONX Jason Cory Mendez A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy of Education in the School of Education. Chapel Hill 2008 Approved by Professor George Noblit Professor Jim Trier Professor Cheryl Mason Bolick Professor James E. Osler II Professor Allison Anders © 2008 Jason Cory Mendez ALL RIGHTS RESERVED ii ABSTRACT JASON CORY MENDEZ: THE BX CHRONICLES: EXPLORING THE COMPLEXITIES OF LIFE IN THE SOUTH BRONX (Under the direction of George W. Noblit) This nontraditional dissertation, which I prefer to label as a manuscript, is a qualitative study that explores the complexities of life in the South Bronx. This manuscript represents my multifaceted journey as a young Puerto Rican man making meaning of life in the South Bronx as well as making meaning of my lived experiences navigating through academia. This journey implicitly employs a theoretical framework of détournement, critical race theory, lived experience, and representation in order to construct a counterstory that critiques popular and distorted (stereotypical) representations of life in the South Bronx. Additionally, this manuscript examines the complexities in the representations of Hiphop. Along this journey I explored the life of world renowned Hiphop pioneer, Phase 2. Phase 2’s experiences and knowledge concerning interpretations of the origins, shifts, and objectifying of Hiphop speak to its [Hiphop’s] social origins, evolution, and position in reality. The lived experiences of Phase 2 are mirrored against my own lived experiences in order to create a dialogue that speaks to Hiphop as culturally lived experiences rather than a set of elements (rapping, break dancing, aerosol art, and dee jaying) to which Hiphop is often reduced. -
To Search This List, Hit CTRL+F to "Find" Any Song Or Artist Song Artist
To Search this list, hit CTRL+F to "Find" any song or artist Song Artist Length Peaches & Cream 112 3:13 U Already Know 112 3:18 All Mixed Up 311 3:00 Amber 311 3:27 Come Original 311 3:43 Love Song 311 3:29 Work 1,2,3 3:39 Dinosaurs 16bit 5:00 No Lie Featuring Drake 2 Chainz 3:58 2 Live Blues 2 Live Crew 5:15 Bad A.. B...h 2 Live Crew 4:04 Break It on Down 2 Live Crew 4:00 C'mon Babe 2 Live Crew 4:44 Coolin' 2 Live Crew 5:03 D.K. Almighty 2 Live Crew 4:53 Dirty Nursery Rhymes 2 Live Crew 3:08 Fraternity Record 2 Live Crew 4:47 Get Loose Now 2 Live Crew 4:36 Hoochie Mama 2 Live Crew 3:01 If You Believe in Having Sex 2 Live Crew 3:52 Me So Horny 2 Live Crew 4:36 Mega Mixx III 2 Live Crew 5:45 My Seven Bizzos 2 Live Crew 4:19 Put Her in the Buck 2 Live Crew 3:57 Reggae Joint 2 Live Crew 4:14 The F--k Shop 2 Live Crew 3:25 Tootsie Roll 2 Live Crew 4:16 Get Ready For This 2 Unlimited 3:43 Smooth Criminal 2CELLOS (Sulic & Hauser) 4:06 Baby Don't Cry 2Pac 4:22 California Love 2Pac 4:01 Changes 2Pac 4:29 Dear Mama 2Pac 4:40 I Ain't Mad At Cha 2Pac 4:54 Life Goes On 2Pac 5:03 Thug Passion 2Pac 5:08 Troublesome '96 2Pac 4:37 Until The End Of Time 2Pac 4:27 To Search this list, hit CTRL+F to "Find" any song or artist Ghetto Gospel 2Pac Feat. -
The Hilltop 2-9-1996
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 2-9-1996 The iH lltop 2-9-1996 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 2-9-1996" (1996). The Hilltop: 1990-2000. 153. https://dh.howard.edu/hilltop_902000/153 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. Serving the Howard University community since 1924 February. 2, 1996 Schools of Engineering, University Communications launch appoints· special ne\V multiJD.edia centers• assistant to entertainment induscry, and, most compete in the real - e,, Gena Gatewood recently, for its work on Disney's President Swygert flillllp Staff Writer world. feature animation film, "Toy Story." " We want to get the Michael Tucker, a lecturer in the technology o ut to. the Michele Bertrand brings media, 1i1nf11 University's School of School of Communications, was mass of students, not if1eCring and School of instrumental in *ctti~g this pr?gram only in engineering, management exp ertise to the job ~ t1ons have both opened off the ground. ' I think chere s a lot but communications, , ~edia computer laos this of fun chings going o n with fine ans, and· so on," computers," Tucker said. Harris said. By Jennifer Jenkins 'fircmonies introduced the Tucker added that he wants T he Engineering Hilttop Staff Writer IIIOI of Engineering's $2.5 African Americans to be able to Department is ~ lab institucc in early compete in the job market. -
First Amended Complaint for Federal Copyright
Arista Records LLC et al v. Lime Wire LLC et al Doc. 45 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ARISTA RECORDS LLC; ATLANTIC RECORDING CORPORATION; BMG MUSIC; CAPITOL RECORDS, INC.; ELEKTRA ENTERTAINMENT GROUP INC.; INTERSCOPE RECORDS; LAFACE RECORDS LLC; ECF CASE MOTOWN RECORD COMPANY, L.P.; PRIORITY RECORDS LLC; SONY BMG MUSIC FIRST AMENDED COMPLAINT FOR ENTERTAINMENT; UMG RECORDINGS, INC.; FEDERAL COPYRIGHT VIRGIN RECORDS AMERICA, INC.; and INFRINGEMENT, COMMON LAW WARNER BROS. RECORDS INC., COPYRIGHT INFRINGEMENT, Plaintiffs, UNFAIR COMPETITION, CONVEYANCE MADE WITH v. INTENT TO DEFRAUD AND UNJUST ENRICHMENT LIME WIRE LLC; LIME GROUP LLC; MARK GORTON; GREG BILDSON, and M.J.G. LIME 06 Civ. 05936 (GEL) WIRE FAMILY LIMITED PARTNERSHIP, Defendants. Plaintiffs hereby allege on personal knowledge as to allegations concerning themselves, and on information and belief as to all other allegations, as follows: NATURE OF THE ACTION 1. Plaintiffs are record companies that produce, manufacture, distribute, sell, and license the vast majority of commercial sound recordings in this country. Defendants' business, operated under the trade name "LimeWire" and variations thereof, is devoted essentially to the Internet piracy of Plaintiffs' sound recordings. Defendants designed, promote, distribute, support and maintain the LimeWire software, system/network, and related services to consumers for the well-known and overarching purpose of making and distributing unlimited copies of Plaintiffs' sound recordings REDACTED VERSION - COMPLETE VERSION FILED UNDER SEAL Dockets.Justia.com without paying Plaintiffs anything. Plaintiffs bring this action to stop Defendants' massive and daily infringement of Plaintiffs' copyrights. 2. The scope of infringement caused by Defendants is staggering. Millions of infringing copies of Plaintiff s sound recordings have been made and distributed through LimeWire — copies that can be and are permanently stored, played, and further distributed by Lime Wire's users. -
Wyclef Concert by Mauck Stadium at 1:06 A.M
——_^_ Hirriio^burq. VA 22807 WEATHER tMAR 0 6 1999 TODAY: Cloudy, high 48°F, low V-s. 31°F. i FRIDAY: Rain, high «v 51°F, low 36°F. SATURDAY: Partly cloudy, high 52°F \tyclef Raising low 33°F the Roof JAMES MADISON UNIVERSITY See Stylepages 18-19 THURSDAY March 5. 1998 VOL. 75. NO. 40 JMU Student announces Hearing the roar city council candidacy Performances celebrate womanhood The program was composed for a petition last semester, which Key wants to mediate "bad" by Melanie Jennings of 25 performances by JMU stu- by Jen Bonds put him on the ballot. He said relations between JMU students contributing writer dents. contributing writer he's not worried about serving and Harrisonburg residents, he Students from a variety of on the council and being a full- said. "It's basically an issue of Songs, skits and poetry majors volunteered their talents For the first time in 26 years, time student. respect," he said. "Our issues are helped celebrate womanhood in for the purpose of "presenting a a JMU student is running for the "The council only meets not being addressed, but [JMU Grafton-Stovall Theatre Tuesday show that represents woman- Harrisonburg City Council. once every two weeks," Key said. students) need to make compro- night. Students of both sexes hood from a diverse perspec- Michael Key, a sophomore "Everyone else on the council has mises in behavior." gathered to experience the pro- tive," Nicole Woods, program international affairs and Russian a full-time job, so being in school Key said he's also concerned gram, "Do You See What I See? double major, declared his candi- _.^_____ with Harrison- Through the Eyes of a Woman." see EYES page 2 dacy for city council before 15 it burg's zoning people yesterday in Court Square JMU students make up Pian that was with his message, "Building Our .. -
An Ethnographic Thesis on the Individual and Social Factors That Contribute to the Breaking Scenes' Collective Action
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE A JOURNEY INTO THE CYPHER: AN ETHNOGRAPHIC THESIS ON THE INDIVIDUAL AND SOCIAL FACTORS THAT CONTRIBUTE TO THE BREAKING SCENES' COLLECTIVE ACTION A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Sociology By Jesus Gonzalez December 2013 Copyright by Jesus Gonzalez 2013 ii The thesis of Jesus Gonzalez is approved: __________________________________________________ _______________ Dr. James David Ballard Date __________________________________________________ _______________ Dr. Kay K Pih Date __________________________________________________ _______________ Dr. David Boyns, Chair Date California State University, Northridge iii Table of Contents Signature Page iii Abstract v Introduction 1 Break Dancing’s Hip-Hop? 3 Hip-Hop History It’s Just Begun 8 The Four Elements of Hip-Hop 9 Hip-Hop Meets Capital 11 Break Dancing 14 Literature Review Subcultural Studies 16 The Chicago School 17 The Birmingham School 19 Beyond the Birmingham School 21 Breaking Versus Punk 23 Theoretical Framework 29 Concepts 31 Methods 34 Respondents 37 Results 40 Scripts 45 Plot Dichotomies 48 Discussion Sitting in My B-Boy Stance 55 Journey Into … 64 Battle Mentality 68 Discussion Model 76 Conclusion 83 References 88 iv ABSTRACT A JOURNEY INTO THE CYPHER: AN ETHNOGRAPHIC THESIS ON THE INDIVIDUAL AND SOCIAL FACTORS THAT CONTRIBUTE TO THE BREAKING SCENES' COLLECTIVE ACTION By Jesus Gonzalez Master of Arts in Sociology Break dancing exists in most people’s minds as a dance craze from the 1980’, but the phenomena is far from dead. How is it that a popular culture survived its perceived death and actually reconstituted itself in an attempt, although conflicted, to retain elements of its past and spread its art form globally? There is a distinct order that plays out in the way of performances by dancers. -
Fugees (Tranzlator Crew) Blunted on Reality Mp3, Flac, Wma
Fugees (Tranzlator Crew) Blunted On Reality mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Blunted On Reality Country: Netherlands Released: 1994 MP3 version RAR size: 1125 mb FLAC version RAR size: 1491 mb WMA version RAR size: 1657 mb Rating: 4.4 Votes: 194 Other Formats: VOC AU DXD TTA APE MP1 ASF Tracklist Hide Credits A1 Introduction Nappy Heads A2 Producer – Brand X , Pras*, Rashad Muhammad, Wyclef Jean Blunted Interlude A3 Co-producer – Khalis BayyanProducer – Pras*, Wyclef Jean Recharge A4 Producer – Khalis Bayyan, Pras*, Wyclef Jean A5 Freestyle Interlude Vocab A6 Producer – Pras*, Wyclef Jean A7 Special News Bulletin Interlude Boof Baf A8 Producer – Khalis Bayyan, Pras*, Wyclef Jean Temple A9 Co-producer – Khalis BayyanProducer – Pras*, Wyclef Jean How Hard Is It? A10 Producer – Khalis Bayyan, Pras*, Wyclef Jean B1 Harlem Chit Chat Interlude Some Seek Stardom B2 Producer – Rashad Muhammad, Stephen Walker Giggles B3 Co-producer – Khalis Bayyan, Rashad MuhammadProducer – Pras*, Wyclef Jean B4 Da Kid From Haiti Interlude Refugees On The Mic B5 Co-producer – Khalis BayyanProducer – Pras*, Wyclef Jean Living Like There Ain't No Tomorrow B6 Producer – Pras*, Wyclef Jean B7 Shouts Outs From The Block B8 Happy Heads (Remix) Companies, etc. Distributed By – Sony Music Notes Different version from: http://www.localhost/Fugees-Tranzlator-Crew-Blunted-On-Reality/release/5322834 Cover, inlay & cassette design are slightly different, so is barcode for example Barcode and Other Identifiers Barcode: 5 099747 471346 Other versions