Nos Objets De Désir /Our Objects of Desire
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The Coming Museum of Glass Newglass Review 23
The Coming Museum of Glass NewGlass Review 23 The Corning Museum of Glass Corning, New York 2002 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made between der Voraussetzung ausgewahlt, dass sie zwi- October 1, 2000, and October 1, 2001. schen dem 1. Oktober 2000 und dem 1. Okto- ber 2001 entworfen und gefertig wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Rew'ewkonnen angefordert werden bei: The Corning Museum of Glass Buying Office One Museum Way Corning, New York 14830-2253 Telephone: (607) 974-6821 Fax: (607) 974-7365 E-mail: [email protected] To Our Readers An unsere Leser Since 1985, New Glass Review has been printed by Seit 1985 wird New Glass Review von der Ritterbach Ritterbach Verlag GmbH in Frechen, Germany. This Verlag GmbH in Frechen, Deutschland, gedruckt. Dieser firm also publishes NEUES GLAS/NEW GLASS, a Verlag veroffentlicht seit 1980 auBerdem NEUES GLAS/ quarterly magazine devoted to contemporary glass- NEW GLASS, eine zweisprachige (deutsch/englisch), making. vierteljahrlich erscheinende Zeitschrift, die iiber zeitge- New Glass Review is published annually as part of the nossische Glaskunst weltweit berichtet. April/June issue of NEUES GLAS/NEW GLASS. It is Die New Glass Review wird jedes Jahr als Teil der Mai- also available as an offprint. Both of these publications, ausgabe von NEUES GLAS/NEW GLASS veroffentlicht. as well as subscriptions to New Glass Review, are avail Sie ist aber auch als Sonderdruck erhaltlich. -
Affiche De L'exposition
Afiche de l’exposition 18 septembre 2020 – 27 2021 Hubert Duprat (détail), 2012 Tribulum mam.paris.fr #expoDuprat Hubert Duprat, Gousset F. Photo : 2019-2020. Paris, ADAGP, Paris.© Art : Concept, Courtesy 28/05/2021 Hubert Duprat, larves et la manière – Libération 28/05/2021 Hubert Duprat, larves et la manière – Libération 28/05/2021 Hubert Duprat, larves et la manière – Libération Accueil / Culture / Arts / Art contemporain Lifestyle Accueil / Culture / Arts / Art contemporain • Portraits Expo • Sports Sciences Hubert Duprat, larves et la man • i ère Article réservé aux abonnés ArLarvticlee aquatique réservé aux de abonnéstrichoptère avec son étui, victime collatérale du Covid au MAM. (F. Delpech/Adagp) L’artiste à part voit son exposition au Musée d’art moderne de Paris Lpar’a rJudicaëltiste à Lapavradorrt voit son exposition au Musée d’art moderne de Paris prolongée. L’occasion de se frotter à sa fantaisie et son savoir-faire technique, ppubliérolo len g28ée mai. L’ o2021cca às io5h34n de se frotter à sa fantaisie et son savoir-faire technique, entre cocons tissés de pierres précieuses et coraux collés à la mie de pain. Préparée au creux du confinement de mars 2020, fermée en plein vol par le deuxième à l’automne, l’exposition d’Hubert Duprat, artiste discret par nature, a survécu in extremis au troisième, recevant un sursis inespéré (elle Politique Politique • International • International devait fermée début janvier). Le Covid aura quand même eu raison de sa • CheckNews • CheckNews pièce maîtresse, faite par et avec des larves d’insecte d’eau douce (qui se • Culture • Culture ramassent au printemps, à condition qu’on puisse sortir de chez soi…). -
Animals, Ethics, and Aesthetics: Expanding Lexicons Joni Doherty IDSVA
Maine State Library Maine State Documents Academic Research and Dissertations Special Collections 2015 Animals, Ethics, and Aesthetics: Expanding Lexicons Joni Doherty IDSVA Follow this and additional works at: http://digitalmaine.com/academic Recommended Citation Doherty, Joni, "Animals, Ethics, and Aesthetics: Expanding Lexicons" (2015). Academic Research and Dissertations. Book 12. http://digitalmaine.com/academic/12 This Text is brought to you for free and open access by the Special Collections at Maine State Documents. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. ANIMALS, ETHICS, AND AESTHETICS: EXPANDING LEXICONS Joni Doherty Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy October 2014 Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. ______________________________ Lynette Hunter, Ph.D. Doctoral Committee ______________________________ Other member’s name, #1 Ph.D. ______________________________ Other member’s name, #2, Ph.D. October 8, 2014 ii © 2014 Joni Doherty ALL RIGHTS RESERVED iii [I]t is clear that there is no classification of the Universe not being arbitrary and full of conjectures. The reason for this is very simple: we do not know what thing the universe is . We are allowed to go further; we can suspect that there is no universe in the organic, unifying sense that this ambitious term has. If there is a universe, its aim is not conjectured yet; we have not yet conjectured the words, the definitions, the etymologies, the synonyms, — Jorge Luis Borges “I prefer it ‘open.’” — Lynette Hunter iv ACKNOWLEDGMENTS It is always an illusion to think that a work has only one author. -
Masters of the 13Th, 14Th and 15Th Century
MASTERS OF THE 13TH, 14TH AND 15TH ceNTURY Stoning of Saint Stephen (Initial E [t enim] sederunt) Last quarter of the 13th century 484 × 340 mm MASTER OLIVETANO ILLUMINATOR FRom (LomBARDY) FLORENCE Initial cut out from a choir book Initial cut out from a gradual with with Communion of the Apostles Stoning of Saint Stephen (Initial C) (initial Cibavit eos) Late 15th century 1439 365 × 318 mm MASTER OF THE DECRETALS OF LUCQUES, BOLOGNA Illuminated fragment of a judicial codex with Elevation of the Host 1270-1275 103 × 80 mm ILLUMINATOR FRom ABRUZZO Initial cut out from an antiphonal with Christ in Majesty with Saints and Prophets (Initial Aspiciens a longe) MASTER OF SENECA, Late 13th century BOLOGNA 287 × 368 mm Choir sheet with Christ and Virgins (Initial Veni sponsa Christi) Early 14th century 603 × 417 mm NERIO, BOLOGNA Initial from a gradual with Resurrection of Christ (Initial Resurrexi) Early 14th century 280 × 183 mm MAESTRO OF THE LATTANZIO RICCARDIANO, FLORENCE Initial cut out from a gradual with Resurrection of Christ ANONYmoUS ILLUMINATOR (Initial Resurrexi) FRom CENTRAL ITALY 1460-1465 Page from a gradual with 265 × 232 mm Danh_Vo_04_ING_esec.indd 1 02/04/15 11:48 LEONOR ANTUNES the 11th to 16th century. They are Mexico City, where she had previously a testament to various schools of produced random intersections #6 for illumination, styles, and geographic a show in 2011, and came across a origins. These fragments derive from new, especially conspicuous one, which the transformation of the function of she reproduced for this exhibition and illuminated manuscripts that resulted titled #14; it is the only braided version from the suppression of the monastic presented here. -
Team-Fly® Information Arts Leonardo
Y L F M A E T Team-Fly® Information Arts leonardo Roger F. Malina, series editor Designing Information Technology, Richard Coyne, 1995 Technoromanticism: Digital Narrative, Holism, and the Romance of the Real, Richard Coyne, 1999 The Visual Mind, edited by Michele Emmer, 1994 The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, edited by Ken Goldberg, 2000 Leonardo Almanac, edited by Craig Harris, 1994 In Search of Innovation: The Xerox PARC Artist-in-Residence Program Project, edited by Craig Harris, 1999 The Digital Dialectic: New Essays on New Media, edited by Peter Lunenfeld, 1999 Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser with Douglas MacLeod, 1996 Information Arts: Intersections of Art, Science, and Technology, Stephen Wilson, 2002 Information Arts Intersections of Art, Science, and Technology Stephen Wilson The MIT Press Cambridge, Massachusetts London, England 2002 Stephen Wilson All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) with- out permission in writing from the publisher. This book was set in Bell Gothic and Garamond by Achorn Graphic Services, Inc., and printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Wilson, Stephen, 1944– Information arts: intersections of art, science, and technology / Stephen Wilson. p. cm.—(Leonardo) ISBN 0-262-23209-X (hc: acid-free paper) 1.