Janina Fialkowska

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Janina Fialkowska Piano Ikon Arts Management Ltd 2-6 Baches Street London N1 6DN t: +44 (0)20 7354 9199 [email protected] Website www.janinafialkowska.com www.ikonarts.com Contact Nicola Semple Email [email protected] Beloved the world over for her exquisite pianism, Janina Fialkowska has enchanted audiences for almost forty years with her glorious lyrical sound, her sterling musicianship and her profound sense of musical integrity. Celebrated for her interpretations of the classical and romantic repertoire, she is particularly distinguished as one of the great interpreters of the piano works of Chopin and Mozart. She has also won acclaim as a champion of the music of Franz Liszt, as well as of twentieth-century Polish composers, both in concert and on disc. During recent seasons Ms Fialkowska was heard in concert in London at the Barbican and the Wigmore Hall, as well as in performances in New York City, Houston, Montreal, Toronto, Berlin, Bremen and Dusseldorf amongst others. She also regularly tours Canada, USA and Europe. Orchestral highlights include concertos with Regina Symphony, Berner Symphonieirchester, London Sinfonia, Winnipeg Symphony Orchestra, BBC Symphony Orchestra, the Royal Philharmonic Orchestra, Tenerife Symphony Orchestra, and the Vancouver Symphony. Ms Fialkowska will be celebrating her 70th birthday in 2021 with the release of her final Chopin recital disc. In her most recent disc ‘Les sons et les parfums…’, “Fialkowska brings to bear an extraordinary variety of touch, producing sounds that seem tailored to their respective pieces…There’s simply no one quite like her" (Gramophone), and her ‘Chopin Recital 3’ was awarded the 2018 Juno Award for Best Classical Album of the Year, Solo or Chamber. Throughout her career, Janaina Fialkowska has been nominated for this award seven times. Further discography includes CDs with several solo albums featuring music by Chopin, Liszt, Schubert and Szymanowski. Ms Fialkowska and her husband, cultural manager Harry Oesterle, reside in Bavaria, Germany. March 2020 Please do not use this biography if it is more than three months old. [email protected] www.ikonarts.com t: +44 (0)20 7354 9199 .

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Janina Fialkowska Piano
Série Dorothy Morton pour artistes invités Dorothy Morton Invited Guests Series Janina Fialkowska piano eenn collaborationcollaboration avecavec • inin collaborationcollaboration withwith 3344e SSérieérie CBC/McGillCBC/McGill • 3344tthh CCBC/McGillBC/McGill SeriesSeries ccbcmusic.ca/mcgillbcmusic.ca/mcgill Le lundi 25 février 2013 Monday, February 25, 2013 à 19 h 30, salle Pollack 7:30 pm, Pollack Hall COONCERTNCERT Six pièces lyriques / Six Lyric Pieces EDVARD GRIEG Arietta, Op. 12, No. 1 (1843-1907) Sommerfugl (Butterfl y), Op. 43, No. 1 Notturno, Op. 54, No. 4 Bekken (Brooklet), Op. 62, No. 4 Trolltog (March of the Dwarfs), Op. 54, No. 3 Efterklang (Remembrances), Op. 71, No. 7 4 Impromptus, D 935, Op. Posth. 142 FRANZ SCHUBERT en fa mineur / in F minor (1797-1828) en la bémol majeur / in A-fl at major en si bémol majeur / in B-fl at major en fa mineur / in F minor ~ entracte ~ Polonaise en mi bémol mineur / in E-fl at minor, Op. 26, No. 2 FRÉDÉRIC CHOPIN Scherzo no 4 en mi majeur / No. 4 in E major, Op. 54 (1810-1849) Valse en la bémol majeur / Waltz in A-fl at major, Op. 64, No. 3 Mazurka en do majeur / in C major, Op. 56, No. 2 Mazurka en do mineur / in C minor, Op. 56, No. 3 Scherzo no 1 en si mineur / No. 1 in B minor, Op. 20 CCee concertconcert estest enregistréenregistré parpar CBCCBC MusicMusic enen vidéovidéo pourpour diffusiondiffusion enen ligneligne (à(à cbcmusic.ca/mcgill)cbcmusic.ca/mcgill) etet enen audioaudio ppourour ddiffusioniffusion dansdans lele cadrecadre dede l'émissionl'émission IInn CConcertoncert aaniméenimée parpar PPaoloaolo PietropaoloPietropaolo lesles dimanchesdimanches à 1111 h 0000 ssurur lleses ondesondes dede CBCCBC RadioRadio 2 (93,5(93,5 FMFM à Montréal).Montréal).
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Lyric Pieces Janina Fialkowska
GRIEG LYRIC PIECES JANINA FIALKOWSKA PIANO ATMA Classique EDVARD GRIEG I Book | LIVRE 1, op. 12 [EXCERPTS – EXTRAITS] I Book | LIVRE 7, op. 62 [EXCERPTS – EXTRAITS] 1843-1907 1 | No. 1, Arietta [1:20] 14 | No. 1, Sylph (Sylphide) [1:21] 2 | No. 5, Popular melody (Mélodie populaire) [1:26] 15 | No. 4, Brooklet (Ruisseau) [1:28] 16 | No. 6, Homeward (Vers la patrie) [2:51] I Book | LIVRE 2, op. 38 [EXCERPTS – EXTRAITS] I Lyric Pieces 3 | No. 1, Berceuse [3:07] Book | LIVRE 8, op. 65 [EXCERPTS – EXTRAITS] 4 | No. 7, Waltz (Valse) [0:58] 17 | No. 4, Salon [1:57] Pièces lyriques 5 | No. 8, Canon [4:49] 18 | No. 6, Wedding day at Troldhaugen (Jour de Noces à Troldhaugen) [6:32] I Book | LIVRE 3, op. 43 [EXCERPTS – EXTRAITS] I Book | LIVRE 9, op. 68 [EXCERPTS – EXTRAITS] 6 | No. 1, Butterfly (Papillon) [1:33] 19 | No. 3, At your feet (À tes pieds) [3:19] 7 | No. 4, Little bird (Oisillon) [1:40] 20 | No. 4, Evening in the Mountains (Soir dans les montagnes) [3:28] 21 | No. 5, At the Cradle (Au berceau) [2:30] I Book | LIVRE 4, op. 47 [EXCERPTS – EXTRAITS] I 8 | No. 2, Album leaf (Feuille d’album) [4:18] Book | LIVRE 10, op. 71 [EXCERPTS – EXTRAITS] 9 | No. 3, Melody (Mélodie) [3:01] 22 | No. 1, Once upon a time (Il était une fois) [3:49] 10 | No. 4, Norwegian dance (Danse norvégienne) [1:16] 23 | No. 2, Summer’s eve (Soir d’été) [2:24] 24 | No. 3, Puck (Lutin) [1:50] I Book | LIVRE 5, op.
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Pianist Janina Fialkowska Embarks on UK Tour with Royal Philharmonic Orchestra Ahead of Wigmore Hall Recital
Pianist Janina Fialkowska embarks on UK tour with Royal Philharmonic Orchestra ahead of Wigmore Hall recital Tuesday 24 March | The Hexagon, Reading | Mozart Concerto No. 24 with RPO Wednesday 25 March | Fairfield Halls, Croydon | Mozart Concerto No. 24 with RPO Friday 27 March | Cadogan Hall, London | Mozart Concerto No. 24 with RPO Sunday 29 March | Cliffs Pavilion, Southend-on-Sea | Mozart Concerto No. 24 with RPO Monday 13 July | Wigmore Hall, London | Recital RPO tour programme: MENDELSSOHN – Hebrides Overture MOZART – Piano Concerto No. 24 K.491 DVORÁK – Symphony No. 8 “Fialkowska is by any standards a truly outstanding pianist ... none has taken my breath away quite like Fialkowska. If you have the chance to hear her, cancel all other appointments.” Barry Millington, Evening Standard Polish-Canadian pianist Janina Fialkowska returns to the UK to embark on a tour with the Royal Philharmonic Orchestra conducted by Michal Nesterowicz in 4 performances of Mozart’s Piano Concerto in C minor No. 24 K.491 from 24 – 29 March 2015, ahead of a Wigmore Hall recital on 13 July 2015. This follows the recent release of Fialkowska’s latest critically acclaimed Chopin CD - the complete set of 55 Mazurkas on ATMA Classique released in October 2014. Fialkowska is firmly established as one of the world’s foremost interpreters of Chopin. Her one time mentor Arthur Rubinstein described Fialkowska as “a born Chopin interpreter”. Fialkowska has released 2 CDs of Mozart’s ‘chamber’ piano concertos on the ATMA Classique label with The Chamber Players of Canada to wide critical acclaim. The recordings feature Mozart’s Piano Concertos Nos.
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Marée Noire : Le Littoral Atlantique Souillé
LeMonde Job: WMQ2612--0001-0 WAS LMQ2612-1 Op.: XX Rev.: 25-12-99 T.: 11:10 S.: 111,06-Cmp.:25,11, Base : LMQPAG 17Fap: 100 No: 0461 Lcp: 700 CMYK LE MONDE TÉLÉVISION SEMAINE DU 27 DÉCEMBRE 1999 AU 2 JANVIER 2000 LA NUIT DE L’AN 2000 LAUREL ET HARDY L’ANNÉE DU ZAPPING Plus de 24 heures « Têtes de pioche » est l’un des seize Un résumé insolite et édifiant de de programmes films proposés par Arte, l’année télévisée. Un « classique » planétaires sur en hommage de les grandes chaînes aux deux comiques, Canal+. a Les festivités généralistes. inséparables Page 21 Un guide pour et délirants. choisir son heure dans la nuit la plus longue du siècle. Page 9 de l’an 2000 Sur les radios aussi. Pages 6 et 7 a Journalistes en Tchétchénie Reporters en Tchétchénie Alors que les festivités de l’an 2000 s’apprêtent à envahir le petit écran, ils sont une poignée de journalistes, dans l’hiver caucasien, à couvrir une guerre impossible à filmer. Pages 4 et 5 www.lemonde.fr 55e ANNÉE – No 17081 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE DIMANCHE 26 - LUNDI 27 DÉCEMBRE 1999 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Coup d’Etat Marée noire : le littoral atlantique souillé en Côte d’Ivoire b Le fioul provenant des cuves de l’« Erika » a atteint, dans la soirée de Noël, les côtes bretonnes b b a Le général et vendéennes Cinq départements ont déclenché le plan Polmar-terre Dominique Voynet Robert Gueï était attendue sur les lieux samedi 25 décembre b La tempête complique la tâche des secouristes LA MARÉE NOIRE provenant des Vendée, ont touché une partie des de repartir vers le sud-est dans la Détectant des traces d’hydrocar- se présente comme soutes du pétrolier Erika a commen- côtes sud de Belle-Ile-en-Mer dans le journée de dimanche.
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Honens Media Release for Immediate Release
HONENS MEDIA RELEASE FOR IMMEDIATE RELEASE CANADA’S HONENS PIANO COMPETITION ANNOUNCES DETAILS OF ITS 2018 EDITION DATES | JURY | COLLABORATING MUSICIANS | MENTOR CALGARY, AB, November 3, 2016—Calgary-based Honens today announced details of its 2018 Piano Competition. Pianists of all nationalities, aged 20 to 30 on August 30, 2018, with the exception of past Honens Laureates and professionally managed artists, may apply starting February 1, 2017. The application deadline is October 31, 2017. The Competition’s Quarterfinals take place in Berlin and New York in March 2018. Semifinals and Finals take place in Calgary from August 30 to September 8, 2018. “Once again, we’re looking forward to welcoming the world to Calgary in 2018 as we discover the next Complete Artist,” said Neil Edwards, Honens’ President. “This is an exciting time to be leading one the world’s foremost music competitions.” Today’s announcement includes details on the Competition juries, collaborating musicians and mentor. “Honens’ reputation for discovering and nurturing today’s most engaging concert pianists is due in large part to the quality of the Competition’s jurors, collaborators and mentors. Once again, for 2018, we have invited some of the world’s top music professionals and musicians active on the concert stage,” commented Stephen McHolm, Honens’ Artistic Director. JURIES The Honens juries include concert pianists and other individuals from the music world who play a meaningful role in a concert artist’s career. These include artist managers, collaborative musicians, conductors and concert and festival presenters. All jurors have extensive knowledge of the piano literature and represent and/or are aware of the qualities an artist must possess in order to build and sustain a career today.
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Janina Fialkowska
TEATRO GHIONE via delle Fornaci,37 S.Pietro Tel 06 6372294 Fax 06 6390578 E mail [email protected] Sito www.ghione.it FOTO www.ghione.it EUROMUSICA MASTER CONCERT SERIES STAGIONE 2006 Concerto Straordinario “Omaggio a ILEANA GHIONE” Giovedì 16 Novembre ore 21 in collaborazione con l'Ambasciata del Canada JANINA FIALKOWSKA pianoforte "..non ho mai sentito nessun pianista suonare con la forza, il temperamento , la sensibilità, la bellezza del suono e soprattutto con l'emozione e la completa padronanza tecnica......" Artur Rubinstein "...a firebrand of the keyboard with the technique and the temperament to handle just about anything.." Pittsburgh Press "..a sweep and fluency of expression that is almost miraculous...." Montreal Gazette Felix Mendelssohn 4 Lieder ohne Worte Frederic Chopin : -Jaegerlied op. 19 n.3- Agitato op.19 n.5 Barcarolle op.60 -Duetto op.38 n.6 - Spinnerlied op.67 n.4 4 Waltzes : op.34 n.1 in la bemolle op.posth 70 n.2 in fa minore op.34 n.3 in fa maggiore op 64 n.2 in do diesis minore Franz Schubert Sonata in sol maggiore op.78 ,D 894 Scherzo n.1 op20 in si minore -Molto moderato e Cantabile - -Andante -Menuetto(Allegro moderato)/Trio -Allegretto L'eccezionale talento artistico e la brillante virtuosità di Janina Fialkowska le hanno fatto guadagnare un‘accoglienza entusiastica del pubblico e dei critici nel mondo. Celebre per le sue interpretazioni dei classici e romantici, è particolarmente acclamata come una delle più grandi interpreti di Liszt e Chopin. Acclamata anche per le sue interpretazioni di compositori viventi sia nelle registrazioni che nei concerti dal vivo.
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Janina Fialkowska Piano
Janina Fialkowska Piano Ikon Arts Management Ltd 2-6 Bache’s Street “... as long as Janina Fialkowska performs, London N1 6DN Rubinstein won't be forgotten.” +44 (0)20 7354 9199 [email protected] Memminger Zeitung www.ikonarts-editionpeters.com Website www.fialkowska.com Contact Nicola Semple Email [email protected] For over 40 years, concert pianist Janina Fialkowska has enchanted audiences and critics around the world. She has been praised for her musical integrity, her refreshing natural approach and her unique piano sound thus becoming “one of the Grandes Dames of piano playing” (Frankfurter Allgemeine). Born in Canada, she began her piano studies with her mother at age 4 continuing on in her native Montreal with Yvonne Hubert. In Paris she studied with Yvonne Lefébure and in New York at the Juilliard School with Sascha Gorodnitzki, experiencing the best of both French and Russian piano traditions. Her career was launched in 1974, when the legendary Arthur Rubinstein became her mentor after her prize-winning performance at his inaugural Master Piano Competition, calling her a “born Chopin interpreter” laying the foundation for her lifelong identification with this composer. Since then, she has performed with the foremost orchestras worldwide under the baton of such conductors as Zubin Mehta, Bernard Haitink, Lorin Maazel, Sir Georg Solti, Sir Roger Norrington and Yannick Nézet-Séguin, to name one of the younger generations. She has won special recognition for a series of important premieres, notably Liszt’s newly discovered Third Piano Concerto with the Chicago Symphony and several contemporary piano concertos. Ms Fialkowska's discography includes many award-winning discs, e.g.
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COMPETITIONS Editor’S Note with the Arrival of the Vaccines, a Sliver of Light Has Begun to Emerge at the End of a Long Tunnel
February 2021 The Musical America Guide to Top COMPETITIONS Editor’s Note With the arrival of the vaccines, a sliver of light has begun to emerge at the end of a long tunnel. Most presenters and event planners are still in a wait-and-see mode, ever trying to guess when they can return to a semblance of normal business. For competitions, which range from annual to quintennial in their life cycles, this has been particularly challenging: The Musical America Guide to Top Postpone the date of the finals (if you dare predict that far in advance) and consider the cascading impact on every other date in the cycle, from the application deadline to the quarter- and semifinals. Will the venues booked still be available? How about the judges? Will COMPETITIONS they and the contenders be allowed to travel? As such, we have added a few features in the annual Guide to Top Competitions, such as “Pandemic policies and procedures” for each entry, including the option to respond “TBD” for dates and venues. Some have moved the earlier stages of the cycle online, waiting to schedule live rounds until they get the go-ahead from health authorities. Others, like the Bescançon International Competition for Young Conductors, have pushed the application deadline ahead, while maintaining the rest of the original schedule. Perhaps the most novel, not to mention generous, decision was that of the American Pianist Awards, which held its solo semifinals online to choose the finalists and, rather than award one prize to the winner, divided it among the five finalists.
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Janina Fialkowska Beloved the World Over for Her Exquisite Pianism
Janina Fialkowska Beloved the world over for her exquisite pianism, Janina Fialkowska has enchanted audiences for over forty years with her glorious lyrical sound, her sterling musicianship and her profound sense of musical integrity. Blending her vast experience with her refreshingly natural approach „Fialkowska has become an artist of rare distinction as well as retaining all the virtuosity of her youth“ (La Presse, Montreal). The “Frankfurter Allgemeine Zeitung” called her “one of the Grandes Dames of piano playing.” Celebrated for her interpretations of the classical and romantic repertoire, she is particularly distinguished as one of the great interpreters of the piano works of Chopin and Mozart. She has also won acclaim as a champion of the music of Franz Liszt as well as of twentieth-century Polish composers, both in concert and on disc. Born to a Canadian mother and a Polish father in Montreal, Janina Fialkowska started to study the piano with her mother at the age of four. Eventually she entered the Ecole de Musique Vincent d‘Indy, studying under the tutelage of Mlle. Yvonne Hubert. The University of Montreal awarded her both advanced degrees of “Baccalaureat” and “Maitrise” by the time she was only 17. In 1969, her career was greatly advanced by two events: winning the first prize in the Radio Canada National Talent Festival and travelling to Paris to study with Yvonne Lefebure. One year later, she entered the Juilliard School of Music in New York, where she first studied with Sascha Gorodnitzki and later became his assistant for five years. In 1974 her career was launched by Arthur Rubinstein after her prize-winning performance at his inaugural Master Piano Competition in Israel.
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Janina Fialkowska Recital
JANINA FIALKOWSKA LISZT RECITAL ACD2 2641 ATM A Classique FRAN Z LIS ZT JANINA FIALKOWSKA 1 | Valse-caprice n° 6 9:09 [ soirées De vienne, s. 427 ] 1811-1886 PIANO 2 | Bénédiction de Dieu dans la solitude 16:27 [extrAit De / exCerpt from HArmonies poétiques et religieuses n o 3, s. 173 ] Chopin-Lisz t : Six Chants polonais, s. 480 16:23 3 | i. le souhait de la jeune fille | The Maiden’s Wish 3:24 4 | ii. printemps | Spring 2:37 5 | iii. l’anneau | The Ring 3:03 6 | iv. Bacchanale | Bacchanal 1:37 7 | v. mes joies | My Joys 4:13 8 | vi. le retour au pays | The Bridegroom 1:29 9 | Gretchen 19:28 [ 2e mouv. AnDAnte soAve De lA fAust sYmpHonie, s. 513 trAnsCrite pour le piAno pAr frAnz liszt 2ND MOVEMENT OF THE ‘FAUST ’ SYMPHONY TRANSCRIBED BY LISZT FOR PIANO ] 10 | Gounod-Lisz t: Valse de Faust , s. 407 9:31 ès l’âge de douze ans, franz liszt motet de palestrina à Rigoletto de verdi, liszt a tout joué au piano, à sa façon. le public D(1811-1886) a fait sensation partout raffolait de ces arrangements parfois extravagants, qui lui permettaient d’entendre des RÉCITAL où il a donné des concerts. instigateur du œuvres alors difficilement accessibles, ce dont nous n’avons pas toujours conscience, récital de soliste et du vedettariat tels que habitués que nous sommes à pouvoir écouter un opéra complet ou une symphonie nous les concevons aujourd’hui, il a sillonné quand nous le voulons, dans notre salon ou sur la route.
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Programme 2019
Come to the Party! Canada’s premier summer classical music festival celebrates its 40th Season at the Charles W. Stockey Centre in Parry Sound — on beautiful Georgian Bay July 19th to August 10th, 2019 JAMES CAMPBELL, ARTISTIC DIRECTOR 2019 PROGRAMME — 40TH ANNIVERSARY SEASON DESIGNATED AS ONE OF ONTARIO'S TOP 100 FESTIVALS & EVENTS FOR 2019 BY FESTIVALS & EVENTS ONTARIO ca.yamaha.com ¥ THE BAY STREET CAFÉ 22 Bay Street Parry Sound, Ontario P2A 1S5 Tel: 1-705-746-2882 OPEN EVERYDAY JULY & AUGUST MON – SUN 11 AM – 11 PM 11 AM – 9 PM Heated Patio – Boat Access – Excellent, Dedicated and Caring Staff – Friendly Atmosphere Specializing In: Fresh Surf & Turf, Pasta, Vegetarian Dishes, Burgers, Soups, Salads and Pastas. Kids Menu and Daily Specials, LLBO Music, throughout history, has had the unique and mysterious power and ability to transcend time, space and all other types of boundaries. It can unite and change people of all ages and cultural backgrounds whether it uses any language or none at all. Its very essence can reach in and speak directly to a person’s soul, like nothing else can or ever could in our world, since the dawn of time and music itself. As the world changes and the events everywhere are unfurling ever faster and becoming more demanding in our everyday lives, people everywhere are struggling daily as they confront life’s challenges, whether naturally occurring or man-made, while still trying to move forward. At the very heart and soul of this world, our shared world, and every one of us who lives upon it, we share the same basic hopes and dreams in life deep within us.
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Chopin Janina Fialkowska
CHOPIN Piano Concertos JANINA FIALKOWSKA Vancouver Symphony Orchestra Bramwell Tovey ACD2 2643 Live Recording ATM A Classique FRÉDÉRIC CHOPIN 1810-1849 Piano Concerto No. 2 in F minor, Op. 21 [ 30:29 ] Concerto pour piano en fa mineur 1 I. Maestoso [ 13:43 ] 2 II. Larghetto [ 8:16 ] JANINA FIALKOWSKA 3 III. Allegro vivace [ 8:30 ] VANCOUVER SYMPHONY ORCHESTRA Piano Concerto No. 1 in E minor, Op. 11 [ 38:54 ] BRAMWELL TOVEY Concerto pour piano en mi mineur 4 I. Allegro maestoso [ 19:21 ] 5 II. Romance – Larghetto [ 9:36 ] 6 III. Rondo – Vivace [ 9:57 ] THE CONCERTOS OF FRÉDÉRIC CHOPIN etween the end of the 17th century and 1810, when Frédéric Chopin was born, Poland’s star his delicate health and his active dislike of public concerts, Chopin abandoned performances with Bdimmed. Formerly independent and with extensive territory, since 1697 it had been orchestras and, from then on, seldom gave piano recitals. “The public intimidate me; their looks, governed by Saxony and, at the beginning of the 18th century, was partitioned between Russia, only stimulated by curiosity, paralyze me; their strange faces oppress me; their breath stifles Austria, and Prussia. Napoleon tried to free it by creating, in 1807, the Duchy of Warsaw, but with me,” he confided later to Liszt. his fall, Poland came under the Russian yoke. Thus Frédéric Chopin, the son of a French emigrant from Lorraine, grew up in a proud country that was seeking freedom. The two concertos are similar in feeling and in tripartite form: a grand Allegro maestoso with two themes, and a folk-flavored Rondo frame a generous and expressive central movement.
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