The Young Gods XX Years 1985-2005 Mp3, Flac, Wma

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The Young Gods XX Years 1985-2005 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: XX Years 1985-2005 Country: Ukraine Style: Abstract, Techno, Industrial MP3 version RAR size: 1788 mb FLAC version RAR size: 1130 mb WMA version RAR size: 1575 mb Rating: 4.3 Votes: 112 Other Formats: FLAC MP4 DXD MP3 AA WMA AIFF Tracklist 1 Secret 3:49 2 Lucidogen 4:10 3 Skinflowers (Video Edit) 4:04 4 Gasoline Man 4:22 5 Kissing The Sun 3:42 6 Did You Miss Me 3:21 7 Envoyé 2:13 8 Fais La Mouette 4:46 9 September Song 2:44 10 L’eau Rouge 4:22 11 L’amourir 4:17 12 Pas Mal 2:46 13 Charlotte 2:04 14 Our House 2:51 15 Astronomic 5:45 16 Gardez Les Esprits 1:07 17 Toi Du Monde (Edit) 5:16 18 Child In The Tree 2:18 19 Donnez Les Esprits 6:14 20 Alabama Song 5:50 Notes 12-pages booklet Barcode and Other Identifiers Barcode: 4 601250 341194 Other versions Category Artist Title (Format) Label Category Country Year XX Years [PIAS] The PIASB 100 CDX, 1985-2005 Recordings, Play PIASB 100 CDX, Young Europe 2005 941.0100.023 (2xCD, Comp, It Again Sam 941.0100.023 Gods Ltd, Bla) [PIAS] The XX Years [PIAS] 941.0100.023 Young 1985-2005 (CD, 941.0100.023 Belgium 2012 Recordings Gods Comp, RE) [PIAS] The XX Years PIASB 100 CD, Recordings, PIASB 100 CD, Young 1985-2005 (CD, Europe 2005 941.0100.020 [PIAS] 941.0100.020 Gods Comp) Recordings [PIAS] The Twenty Years PIASB 100 CDP, Recordings, PIASB 100 CDP, Young 1985-2005 (CD, Europe 2005 941.0100.220 [PIAS] 941.0100.220 Gods Comp, Promo) Recordings The XX Years PIAS 100 CD - [PIAS] PIAS 100 CD - Young 1985-2005 (CD, Russia 2005 941.0100.020 Recordings 941.0100.020 Gods Comp) Related Music albums to XX Years 1985-2005 by The Young Gods Soulwax - Too Many DJ's The Young Gods - The Young Gods Junior Jack - Thrill Me Soulwax - Conversation Intercom Le Peuple De L'Herbe - P.H.Test / Two The Young Gods - Kissing The Sun Soulwax - NY Excuse Mixes Das Pop - I ♥ Soulwax - N.Y. Excuse The Young Gods - T.V. Sky The Neon Judgement - Machine Life The Young Gods - Live Sky Tour.

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THE YOUNG GODS Bio 2010
THE YOUNG GODS Bio 2010 Twenty five years and still no sign of wearing out. However youthful and godlike your name claims you are, it is still quite an impressive feat. Bigger, stronger, higher, the Young Gods chose a manic pace five years ago and they are taking no break in 2010. Never let routine get the best of you, always go forward, this is the new moto of the Swiss trio, now a fourtet since Vincent Hänni, the creative sidekick of many years, has become a full time member. Let us be clear, 2010 is going to be quite the year in the band’s prolific history; not only because of their fascinating new album („Everybody Knows“) but also because of the audio-video boxset of their recent and diverse sonic adventures. Their twentieth anniversary, celebrated on the prestigious stage of the Montreux Jazz Festival two nights in a row with, amongst others, the participation of a symphonic orchestra, marked the beginning of a frantic course of action for the band. After a best of ("XX Years 1985-2005" packed with surprises) and a musical magazine soundtrack for Truce Diaries, they went straight into the excellent "Super Ready / Fragmenté" album, where they bravely linked psychedelic experimentations with brutal punk abandon. Even then, the biggest shocks were to come on stage. The Young Gods took their audiences on a faux- acoustic musical journey, creating in the same breath one of their most impressive albums: the timeless "Knock On Wood". Once again, they turned the whole musical formula on its back and, for one mythical show at Les Eurockéennes, unleashed their collaboration with electro hip-hop pioneers Dälek, followed closely with the Barbouze De Chez Fior string quartet performances and finishing the collaborative trilogy with Koch-Schuetz-Studer ("More To Come" in 2010).
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Theatre • 33 W
Cultural Diversity in One Act...pg. 6A I L wWa THE ARTS AND ENTERTAINMENT SECTION OF THE DAILY NEXUS 2A Thursday, May 14,1992 ore Tom Ball Kenny Sultan Collaboration of Musicians Creates Downhome Blues some reason or another, go through a slow period, and de Bv Jeanine Natale cide to give up music altogether,” Ball said. “It’s a loss for the art world that so many good musicians are stuck being y | ^ om Ball and Kenny Sultan have made music — real estate agents. The key is just don’t ever plan to do any downhome, old-fashioned, good-time blues, to be thing else.” exact — their lives. Both having taken up guitar Sultan agreed with Ball, recalling how he was consider before the age of 12, Ball and Sultan began a rela ing a career in environmental science, but wasn’t really tionship with the blues that has taken diem around the happy with it. “Here I was, having played guitar since I was world, and has seen them play with hundreds of fellow mu seven, and I really hadn’t even played in front of anyone at sicians ranging from Willie Dixon to Bonnie Raitt. HILLARY KAPLOWITZ/Dúly Nema 19. I was terrified,” he said. Becoming a team in 1979, Sultan and Ball say that UCSB Our men Tom Ball (left) and Kenny Sultan. has been a big part of their lives. Their first “big gigs” were Although he went on to graduate as a music major, he playing on the air at KCSB, and with Randy Newman at Stevie Ray Vaughn.
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X AMENDED COMPLAINT X JURISDICTION
Case 1:17-cv-01471-DLC Document 38 Filed 06/26/17 Page 1 of 11 THE LAW OFFICE OF THOMAS M. MULLANEY 489 5rH Avenue, 19rH FLooR New York, New York 10017 212-223-0800 Attorneys for Plaintiff Paul Rose UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEV/ YORK ---------x PAUL ROSE, Case No. : I :17 -cv-147 1 (DLC) Plaintiff, -against AMENDED COMPLAINT PAUL DAVID HEWSON p/k/a BONO, DAVID HOÌVELL EVANS p/k/a THE EDGE or EDGE, ADAM CLAYTON, LAURENCE JOSEPH MULLEN.TR., and UMG RECORDINGS, INC. Defendants X Plaintiff PAUL ROSE ("Plaintiff'or Rose), by his attorney, Thomas M. Mullaney, as and for his complaint against Defendants PAUL DAVID HEWSON p/k/a BONO, DAVID HOWELL EVANS p/k/a THE EDGE or EDGE, ADAM CLAYTON, LAURENCE JOSEPH MULLEN JR., and UMG RECORDINGS, INC., (collectively "Defendants"), alleges as follows: JURISDICTION AND VENUE 1. This is an action is brought and subject matter jurisdiction lies within this Court, pursuant to 28 U.S.C. Sections 1331 and 1338. This Court has federal question jurisdiction in this matter in that Plaintiff seeks damages and injunctive relief against Defendants under Sections 501,502,504 and 505 of the Copyright Act of 1976,17 U.S.C. Section 101 et seq. The Court has pendent jurisdiction over the claims asserted herein that arise under state law, including the claim for quantum meruit and unjust enrichment, in that such claims flow from a Case 1:17-cv-01471-DLC Document 38 Filed 06/26/17 Page 2 of 11 common nucleus of operative facts.
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The Young Gods, Des Dieux Toujours Jeunes
UNE PUBLICATION No 10 DU COLLECTIF MAI 2007 MENSUEL Daily Rock GRATUIT TOUTE L’ACTUALITÉ BRÛLANTE DU ROCK EN ROMANDIE Edito THE YOUNG GODS, DES Rockeuses, Rockeurs, Alors que la mode des chaussures à roulettes qui débarque nous agace DIEUX TOUJOURS JEUNES déjà, sans compter le dernier single de ce morveux de Timberlake qui est Conférences soniques, tournée génial et que le CD de Cascada qui acoustique ou relecture du film semble avoir lobotomisé une grande ‘Woodstock’. On avait croisé ces partie de la planète, je me dis qu’on dernières années les Young Gods est mal barré en ce mois de mai. dans des univers à la fois calmes et passablement éloignés de ce Heureusement quelques valeurs sûres nous sauvent qui leur avait ouvert les portes d’une dépression post-lobo certaine. L’ami Reznor qui, soit dit en passant, s’y connaît en dépression, de la notoriété. Voilà qu’un peu arrive à point nommé avec son Year Zero, sans prévenir, Franz Treichler, Al électroniquement vôtre, talonné par les culteux Comet et Bernard Trontin nous locaux Young Gods, qui la méritaient cette couv’ ! balancent un bon vieux coup de rock derrière la tête. Avec les douze Et si les festivals s’en mêlent, on ne va plus savoir où donner de la tête. En vrac, NIN aux Arènes titres d’une efficacité renversante d’Avenches, Arctic Monkeys, Eiffel, Arcade Fire de ‘Super Ready/Fragmenté’, ils et le dieu Rob Plant, sur la plaine de l’Asse, sans prouvent que la jeune garde a compter le toujours très Black-eyed rassemblement encore pas mal de boulot pour sacré d’Interlaken, Greenfield de son prénom et la leur piquer la place.
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The Young Gods Lucidogen Mp3, Flac, Wma
The Young Gods Lucidogen mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Lucidogen Country: UK & Europe Released: 2000 Style: Industrial MP3 version RAR size: 1320 mb FLAC version RAR size: 1157 mb WMA version RAR size: 1304 mb Rating: 4.9 Votes: 820 Other Formats: WAV FLAC DTS VQF AIFF XM DXD Tracklist 1 Lucidogen 4:12 2 Lucidogen (Braindance Mix) 6:39 3 Lucidogen (Speedfloor Mix) 7:08 Companies, etc. Phonographic Copyright (p) – Intoxygene Copyright (c) – Pas Mal Publishing Produced At – T.Y.G. Studio, Artamis Produced At – Studio Le Bocal Produced At – Studio Des Forces Motrices Recorded At – Relief Studio Mixed At – Relief Studio Mastered At – Greenwood Studios Glass Mastered At – Nimbus – D6638 Credits Cover – René Walker, T.Y.G.* Engineer – Bertrand Siffert Engineer [Assistant] – Benoît Saillet Lyrics By – Franz Treichler Management – Patrick Jammes Mastered By – Glenn Miller Music By – Alain Monod*, Bernard Trontin, Franz Treichler, T.Y.G.* Producer – Franz Treichler Notes Preprod at T.Y.G. Studio Artamis, The Bocal and Studio des Forces Motrices. Recorded and mixed at Relief Studio CH. Mastered at Greenwood Studio CH. ℗ 2000 Intoxygene © 1999 Pas Mal Publishing Barcode and Other Identifiers Barcode: 3 760019 320052 Matrix / Runout: D6638 PMP 001 PR : [Nimbus logo] Mastering SID Code: IFPI L123 Mould SID Code: ifpi 2311 Rights Society: mcps Label Code: LC 10740 Other versions Category Artist Title (Format) Label Category Country Year INTOX005 CDS, The Young Lucidogen (CD, Intoxygene, INTOX005 CDS, UK & 2000 INTOX 005 CDS Gods Single) Intoxygene INTOX 005 CDS Europe INTOX 005 CDS The Young Lucidogen (CD, INTOX 005 CDS Intoxygene France 2000 PR Gods Single, Promo) PR The Young Lucidogen (CD, Pas Mal PMP001PR PMP001PR France 2000 Gods Promo) Publishing Related Music albums to Lucidogen by The Young Gods The Young Gods - Only Heaven Kill The Thrill - Dig My Baby - Remedy The Young Gods - Second Nature Licia Fox - La Bambola Chewy - Chewy Innocence - I.NN.O..C.EN..C.E The Young Gods - Did You Miss Me?.
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Greek God Pantheon.Pdf
Zeus Cronos, father of the gods, who gave his name to time, married his sister Rhea, goddess of earth. Now, Cronos had become king of the gods by killing his father Oranos, the First One, and the dying Oranos had prophesied, saying, “You murder me now, and steal my throne — but one of your own Sons twill dethrone you, for crime begets crime.” So Cronos was very careful. One by one, he swallowed his children as they were born; First, three daughters Hestia, Demeter, and Hera; then two sons — Hades and Poseidon. One by one, he swallowed them all. Rhea was furious. She was determined that he should not eat her next child who she felt sure would he a son. When her time came, she crept down the slope of Olympus to a dark place to have her baby. It was a son, and she named him Zeus. She hung a golden cradle from the branches of an olive tree, and put him to sleep there. Then she went back to the top of the mountain. She took a rock and wrapped it in swaddling clothes and held it to her breast, humming a lullaby. Cronos came snorting and bellowing out of his great bed, snatched the bundle from her, and swallowed it, clothes and all. Rhea stole down the mountainside to the swinging golden cradle, and took her son down into the fields. She gave him to a shepherd family to raise, promising that their sheep would never be eaten by wolves. Here Zeus grew to be a beautiful young boy, and Cronos, his father, knew nothing about him.
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The Young Gods Bio 2010 Vingt-Cinq Années D'existence Et Pas Le
The Young Gods Bio 2010 Vingt-cinq années d’existence et pas le moindre signe d’essoufflement. Même si on sait qu’un jeune dieu est doté de capacités hors norme, le phénomène impressionne. Toujours plus loin, toujours plus haut : en 2010 , les Young Gods poursuivent leur route sur le rythme effréné qui est le leur depuis 5 ans. Ne jamais laisser la routine gagner du terrain, aller de l’avant, tel est donc le credo réjouissant d’un trio suisse devenu quatuor avec l’arrivée définitive de Vincent Hänni, le complice défricheur qui épaulait le groupe depuis quelques années. On insiste, 2010 s’annonce comme un grand cru dans la saga du combo suisse avec la parution d’un nouvel album (« Everybody Knows ») et d’un coffret audio-visuel qui immortalise une partie de la récente épopée sonique des Young Gods. Depuis un vingtième anniversaire célébré deux soirs durant sur la scène prestigieuse du Montreux Jazz Festival au cours de l’été 2005 avec la complicité notamment d’un orchestre symphonique, le groupe mène une seconde vie affolante. Après un best of (« XX Years 1985-2005 ») riche en surprise et une parenthèse en forme de journal sonore concoctée pour le magazine zurichois Truce Diaries, on l’a vu renouer avec l’électricité de manière cinglante en osant le lien entre psychédélisme échevelé et punkitude avec l’impeccable « Super Ready / Fragmenté » (2007). Mais c’est de la scène une fois encore que les surprises les plus ahurissantes sont venues. Sur les planches, les Gods ont osé le dénuement lors de shows intenses et faussement acoustiques qui ont permis la naissance en 2008 d’un de leurs albums les plus extraordinaires (« Knock On Wood »).
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Metal Music Since the 1980S
Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2017) From DJ to djent- step: Technology and the re-coding of metal music since the 1980s. Metal Music Studies, 3 (2). pp. 251-268. Downloaded from: http://ray.yorksj.ac.uk/id/eprint/2328/ The version presented here may differ from the published version or version of record. If you intend to cite from the work you are advised to consult the publisher's version: http://dx.doi.org/10.1386/mms.3.2.251_1 Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement RaY Research at the University of York St John For more information please contact RaY at [email protected] Mark Marrington, From DJ to djent-step: Technology and the re-coding of metal music since the 1980s Mark Marrington trained in composition and musicology at the University of Leeds (M.Mus., Ph.D.) and is currently a Senior Lecturer in Music Production at York St John University. He has previously held teaching positions at Leeds College of Music and the University of Leeds (School of Electronic and Electrical Engineering). Mark has published chapters with Cambridge University Press, Bloomsbury Academic, Routledge and Future Technology Press and contributed articles to British Music, Soundboard, the Musical Times and the Journal on the Art of Record Production.
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A Conversation Between Emmanuelle Antille, Jean-Luc Manz and Franz Treichler Jean-Luc Manz : the First Thing I Would Like To
A conversation between Emmanuelle Antille, Jean-Luc Manz and Franz Treichler Jean-Luc Manz : The first thing I would like to ask you before we start is: why did you choose to bring us together today? Emmanuelle Antille : I’ll start with you, Franz, because it’s all linked to music. Especially the Young Gods’. In the band you’re the songwriter and also the lead singer. Franz Treichler : I am. E. A. : In fact, the Young Gods’ music has been a part of my life ever since your very first album, back in ’87. I was 16 when I listened to it for the first time, and it has accompanied me ever since. I was listening to it again only the other day and I was struck by the same strength, the same energy that had so completely overwhelmed me when I was a teenager. The only thing is, maybe, that today I’m better able to describe this energy, and to absorb it. There are several elements in your music : the melodies, the lyrics and the sounds. And they complement each other and become something tangible, build sceneries in which the listener is invited to dive. There exist very complex links between the lyrics and the sounds that underline the melodies, like sound effects. For example, on “Percussionne” one can hear breathing sounds. And on “Envoyé” gunshots, explosions. These elements, together with the rhythms, the melodies and the strength of your voice, turn into living tissue. It’s very tactile. Your music operates like a trigger, a catalyst that allows me to plunge deeper into myself and dig up feelings that I can then let free.
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Appendix Swiss Music Prize 2014 Brief Biographies of the Nominees
Federal Department of Home Affairs FDHA Federal Office of Culture FOC Appendix Swiss Music Prize 2014 Brief biographies of the nominees Reverend Beat-Man Born Beat Zeller in 1967 near Berne, Reverend Beat-Man has become a firm fixture on the music scene. He first tried his hand as a singer and musician at the age of 13 before forming his band The Monsters in 1986 and setting up his own record label Voodoo Rhythm Records in 1992. With The Monsters, Zeller created an entirely new genre that fuses psychobilly with garage punk and went on to showcase it with more than a thousand concerts in South America, Japan, Australia, the US and the rest of the world. His stage presence as frontman of The Monsters has captivated audiences in smaller clubs and large venues alike. Zeller attained cult status thanks in no small part to this work with Voodoo Rhythm Records, which has gained him a reputation as a resolute champion of innova- tive and experimental artists. In Switzerland, his achievements were honoured with the Canton of Berne Special Recognition Award in 2007. www.voodoorhythm.com/reverend.html Ensemble Phoenix Basel The Ensemble Phoenix Basel has taken an exciting approach to new music ever since it was formed in 1998 by Jürg Henneberger, Christoph Bösch and Daniel Buess. It specialises in electronic music, crossover projects, musical theatre and original performances that continually redefine and push the boundaries of “new music”. The Ensemble has worked with composers and authors such as Zbigniew Karkowski, Helmut Oehring, Alex Buess and Dror Feiler, to name but a few.
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Ein Turbulentes Jubiläumsjahr Schaut Genauhin Biel Heutebeginntdas Festival, Mit Dem Der Bieler «Chessu»Seinen 50
Nr.201 AZ CH-2501 Biel 1 CHF4.10 heute Immo- markt Die Zeitung für Biel und das Seeland Donnerstag, Einblickeins All Es bleibt beider Anzeige MartinaKocherhat genug 30. August2018 AstronautClaude Nicollier erzählt Obwohl der Post gelöscht ist: Die erfolgreichste Schweizer leidenschaftlichvon seiner Zeit als MohamedHamdaouiwill seine Rodlerin trittnach20Jahren www.bielertagblatt.ch Astronaut. – Seite4 Diffamierer belangen. – Seite6 zurück.Das Gespräch.–Seite18 Thomas Roost Ein turbulentes Jubiläumsjahr schaut genauhin Biel Heutebeginntdas Festival, mit dem der Bieler «Chessu»seinen 50. Geburtstag feiert. DasAutonome Jugendzentrum blickt aufeine bewegteGeschichte zurück, befasst sich aber auch intensiv mit seiner Zukunft. Eishockey Ihn interessiert nicht der Ausgang eines Matchs,sondern der Auf- trittder einzelnen Spieler –und diese nimmt er ganz genau unter die Lupe. Thomas Roostist Chef-Scout des EHC Bielund suchterfür den Bieler Klub potenzielle Spieler auf allen Altersstufen und aus allen HerrenLändern. Damit ihm möglichstkein Fisch durchs Netz geht, schaut Roostviel Eishockey –sehr viel.Pro Saison weilt er bei rund 100 Par- tien im Stadion. Hinzu kommen unzäh- ligeStunden vordem PC und dem TV. In den nunmehr 22 Jahren, in denen Roostals Scout unter anderem für die NHL tätig ist, hat er sich viel Wissen und Know-howangeeignet. Trotzdem sagt er bestimmt: «Glück istder wichtigste aller Faktoren. Niemand kann mit Sicherheit die Karriere eines Spielers vorhersagen.» Dennoch versuchtRoostnatürlich, so ge- naue Prognosen wie möglich abzugeben. Dafür prüft er Spieler auf verschiedenen Fähigkeiten. Je nachdem, in welcher Liga sich ein Team für die Dienste des Kandi- daten interessiert. bil – Sport Seite 15 Vonden Fans empfangen Young Boys Hunderte Fans warteten ges- tern Nachmittag am Flughafen Bern-Belp auf den Flug SX8671 aus Zagreb.AnBord waren jeneSpieler,welche dieYoung Boys am Dienstag zum ersten Mal in der Ver- einsgeschichte in dieChampionsLeague geschossen haben.
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Coming out on November 10, 2017
COMING OUT ON NOVEMBER 10, 2017 new releases from LEDGE / DISROTTED • NEANDERTHAL • FAITH COLLAPSING VARIOUS ARTISTS: MASTERS OF METAL, VOLUMES 1, 2, 3, 4 and 5 SUSPIRIA • AUTUMN SILENCE • BUGZY • TEMPORARY INSANITY TRIPHAMMER • CLOCKWORK • VISITÖR • PICTURE • LUNAR THE SCHIZOPHONICS • THE WOOLLY BUSHMEN THE YOUNG ROCHELLES • WVRM • DEPRAVED Exclusively Distributed by LEDGE / DISROTTED “SPLIT” 12˝ STREET DATE: NOVEMBER 10, 2017 INFORMATION: Artist Hometown: CHICAGO Key Markets: U.S. Germany Japan Netherlands For Fans of: SLEEP, DISCHARGE, DISRUPT, GRIEF, SOILENT GREEN, WEEKEND NACHOS, SPINE Chicago sludge legends DISROTTED return for another punishing, miserable round of noisey chaos, this time partnering up with fellow-Windy City masters of hatred LEDGE, who make their vinyl debut on this 20 minute split 12”. Both bands spew out one track of pure malice using very different approaches, making for an interesting and unique showcase of doom. Members SICK/TIRED, KUNG FU RICK and WEEKEND NACHOS. MARKETING POINTS: ARTIST: LEDGE / DISROTTED • 500 press on color wax TITLE: “SPLIT” • Members of SICK/TIRED KUNGFU RICK WEEKEND NACHOS LABEL: Deep Six Records • LEDGE front man John Hoffman CAT#: DSR262-1 FORMAT: 12˝ GENRE: Hardcore / Sludge BOX LOT: 30 SRLP: $19.98 UPC: 685306026215 EXPORT: No Restrictions TRACK LIST: 1. Disrotted - “Sickle Death” 2. Ledge : “Lost Soul” Exclusively Distributed by Contact your sales rep: Mike Beer - [email protected] phone 414-672-9948 fax 414-672-9936 www.ildistro.com NEANDERTHAL A History of Violence, 12˝ STREET DATE: NOVEMBER 10, 2017 INFORMATION: Artist Hometown: WEST COAST Key Markets: U.S. Germany Japan Netherlands For Fans of: INFEST, MAN IS THE BASTARD, CHARRED REMAINS, WEEKEND NACHOS Without NEANDERTHAL there would be not Powerviolence.
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