The Register, 1980-11-11
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Legends of Motown: Celebrating the Supremes Opening June 25
Legends Of Motown: Celebrating The Supremes Opening June 25 New Exhibit Features Rare Artifacts from the Premier Motown Records Act Founding Supremes Member Ms. Mary Wilson to Appear at the GRAMMY Museum June 24 For Intimate Interview and Q&A LOS ANGELES (June 5, 2015) — The GRAMMY Museum will explore the enduring legacy and influence of Motown Records' premier recording artists with the unveiling of Legends Of Motown: Celebrating The Supremes on June 25, 2015. The exhibit will offer visitors a unique look at the life and career of one of the most successful American singing groups of the '60s, the Supremes, through rare artifacts from the private collection of founding member Ms. Mary Wilson. On display on the Museum's third floor through spring 2016, the exhibit will feature rare photographs from the personal collection of Mary Wilson; concert posters; tour books, fan memorabilia; and an assortment of performance gowns, including: "Primette Pristine" gowns worn in 1961, one of the earliest sets purchased by the Supremes when they were still known as the Primettes "White De Mink" outfit worn on ABC's "The Hollywood Palace" in 1966 "Turquoise Freeze" dresses worn during a 1967 appearance on "The Ed Sullivan Show" "Red Hot" gown worn by Mary Wilson on "The Ed Sullivan Show" in 1970 for the debut of the new Supremes lineup featuring Cindy Birdsong and Jean Terrell "We've been eager to feature an exhibit celebrating Motown since we honored Berry Gordy and Smokey Robinson at our inaugural benefit gala in 2013," said Bob Santelli, Executive Director of the GRAMMY Museum. -
Motown Pop and Southern Soul
UNIT 7 (P. 222-235) CHAPTER 6: MOTOWN POP AND SOUTHERN SOUL Intro Until early 60’s, many African-Americans blocks from mainstream success by white covers o Majority of African-American recording artists signed to independent labels, and recordings’ popularity could be easily eclipsed by major label versions British invasion bands took much of early inspiration from African-American popular music By 1965, situation in youth-music market had significantly improved for black artists wanting mainstream hits Among most important developments was music that came from Motown Records (independent company; most important era of success parallels that of the Beatles) and the emergence of southern soul from Memphis American rock press that emerged in mid-60’s often cast Motown as black pop music that made too many concessions to white sensibilities – selling out its “blackness” to make money in white market; while southern soul portrayed as music that makes no excuses for its blackness, staying closer to origins in black culture o Perception of racial authenticity after music accepted into white mainstream o Crossover so prevalent; December ’63 – January ’65, Billboard stopped tracking R&B charts separately Berry Gordy, Jr. and Black Music for White Audiences Go Where the Money Is: White Kids and Disposable Income Berry Gordy, Jr.: professional boxer in Detroit area, worked for father’s construction company, owned a record store, and worked on Ford assembly line; spent a lot of time in Detroit’s jazz clubs – jazz = not key to success in music -
Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
DREAMGIRL DEFERRED by Vincent Victoria Copyright Notice
DREAMGIRL DEFERRED By Vincent Victoria Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD- I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by the Author and/or Self-Publisher and are managed through Green Room Press, Inc. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. AUTHOR CREDIT: All groups or individuals receiving permission to produce this play must give the author(s) credit in any and all advertisement and publicity relating to the production of this play. -
Mary Wilson, a Founding Member of the Supremes, Is Also a Competitor — at Age 75
Sean Spicer, the former White House press secretary, is not the only contestant on the new season of “Dancing With the Stars” with a special kind of celebrity wattage. Mary Wilson, a founding member of the Supremes, is also a competitor — at age 75. Viewers should get ready for liberal lashings of old-school dazzle and a sense of déjà vu. There is barely a black female pop act — Destiny’s Child, Janet Jackson, Janelle Monáe, Solange Knowles — (let alone a white one) that hasn’t taken a page from the Supremes look book. “Millennials love our style,” Ms. Wilson said during a recent interview in London. For anyone wondering why this younger generation has joined older fans of the group’s look, a new book, “Supreme Glamour,” out just in time for the show, makes it all clear. The volume chronicles how the Supremes in their original incarnation (Diana Ross, Ms. Wilson and Florence Ballard) and in their later form as Diana Ross and the Supremes (or DRATS) became agents of cultural change in the 1960s, breaking the race ceiling by weaponizing fashion and defining the way many women — black women, white women — wanted to look. It has photographs of mannequins in 13 of their designs, plus dozens of concert snaps, promotional portraits and album and magazine covers. It is replete with seed pearls and mushroom pleats. Before the Supremes, as Harold Kramer, the former curatorial director of the Rock & Roll Hall of Fame in Cleveland, notes in the book, no black act “had ever set out to utilize visual signifiers that made them palatable to a white audience.” Ms. -
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HIE mmaaiHfcidL. No. 75 Number 12 l MVKRSm Ol SAN I RAM IS( <) November 30, I97M Haines, Business V.P., Resigns by Walter Neary Haines said he was unaware of 1976. said that when he first Roger Haines. University Fr. LoSchiavo's official reason arrived, the basic accounting Vice President of Business and for his dismissal, but suggested system was "dysfunctional." Hc Finance, was asked to resign that Fr. LoSchiavo was "under said that there was "hardly a Monday by University President tremendous pressure" from the division that didn't need Rev. John LoSchiavo, S.J. Board of Trustees "and other attention." and added that there was "practically no budget Haines has been temporarily advisors". "to get these things svstem." replaced by Willard Nutting, resolved." Controller, who now is respon "These things" refers to Haines said that he often sible for the department that problems within the basic USF called the situation a "time- handles financial matters of the accounting system. Haines, who bomb set to go off." Unless University such as financial took the Vice President job in Continued on back planning, payroll, budgets, investments, and the Bursar's office. Fr. LoSchiavo was unavail able at press time for comment The CIA Link With on his reasons for dismissing Haines. American Universities Roger Haines, in a telephone interview with the Foghorn, said by Marcella Farragher abroad as well as recruiting both of his removal: "My reaction is It began in 1976, when American and foreign students obviously one of disappoint Harvard University President, as CIA agents. ment." Saying that he and his Derek Bok, began reviewing the Sometime ago the CI A and some staff "gave it our best shot," Rogrer Haines, Vice President of Business and Finance, Church Committee Report select members of that agency Haines said he felt "no bitter resigned Monday. -
SOUL Publications, Inc. Records, 1955-2002
http://oac.cdlib.org/findaid/ark:/13030/kt167nd8xg No online items Finding Aid for the SOUL Publications, Inc. records, 1955-2002 Processed by Simone Fujita in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Wolfe Bachli, 2010; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library, Performing Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the SOUL Publications, 342 1 Inc. records, 1955-2002 Descriptive Summary Title: SOUL Publications, Inc. records, Date (inclusive): 1955-2002 Collection number: 342 Creator: SOUL Publications, Inc., 1966-1982 Extent: 70 document boxes (35 linear feet)6 shoeboxes1 oversize box Abstract: SOUL Magazine was the principal publication of SOUL Publications, Inc., a Los Angeles-based enterprise founded by Regina and Ken Jones in 1966. Initially established to engender greater visibility for Black artists in the music industry, SOUL ultimately provided a space for critical engagement with Black artistic expression as well as social issues. The collection includes newspaper and magazine issues, research and clipping files on artists and public figures, audio cassettes of interviews and performances, photographs, and administrative files. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. -
Trade Mark Opposition Decision (O/478/02)
TRADE MARKS ACT 1994 IN THE MATTER OF: OPPOSITION No. 46997 BY LYNDA LAURENCE AND SCHERRIE PAYNE TO APPLICATION No. 2017743 TO REGISTER A TRADE MARK IN CLASS 41 IN THE NAME OF MARY WILSON ENTERPRISES INC. ____________________ DECISION ____________________ Introduction 1. This is an appeal from the refusal of the Registrar of Trade Marks to register THE SUPREMES as a trade mark pursuant to an application filed by Mary Wilson Enterprises Inc. Registration was refused under Sections 5(4)(a) and 3(6) of the Trade Marks Act 1994 in the context of opposition proceedings brought by Lynda Laurence and Scherrie Payne. The application 2. Mary Wilson Enterprises Inc. applied on 12th April 1995 to register THE SUPREMES as a trade mark for use in relation to the following goods and services: -1- X:\GH\MWE2 Class 9: Sound recordings in the form of phonograph records, discs and tapes; video recordings in the form of discs and tapes; discs and tapes, all for recording sound and/or vision; cassettes and cartridges all for use with or containing video and sound recordings; cinematographic films; television films and programmes; sound and/or visual reproducing, amplifying, recording and transmitting apparatus and instruments. Class 16: Printed matter; printed publications; books, magazines and periodical publications; photographs; posters, stationery; album covers; decalcomanias; stickers; sheet music; display cards, printed advertising material; playing cards. Class 25: Articles of clothing; headgear. Class 41: Musical entertainment services; concert performances; music publishing; production of records, sound recordings and videos; rental of cine- films; discotheque services; presentation of live performances; production of radio and television programmes and of shows; radio and television entertainment; audio and video recording studio services; rental of sound recordings and of stadium facilities; information and advisory services relating thereto. -
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슈프림스 ìŒ ë°˜ 명부 (ìŒ ë°˜ & 타임 ë¼ ì¸ ) Diana Ross & the Supremes Join The https://ko.listvote.com/lists/music/albums/diana-ross-%26-the-supremes-join-the- Temptations temptations-3706761/songs Together https://ko.listvote.com/lists/music/albums/together-3992197/songs We Remember Sam Cooke https://ko.listvote.com/lists/music/albums/we-remember-sam-cooke-3088515/songs The Magnificent 7 https://ko.listvote.com/lists/music/albums/the-magnificent-7-3988161/songs Dynamite https://ko.listvote.com/lists/music/albums/dynamite-3716893/songs https://ko.listvote.com/lists/music/albums/the-return-of-the-magnificent-seven- The Return of the Magnificent Seven 662141/songs Meet The Supremes https://ko.listvote.com/lists/music/albums/meet-the-supremes-2856174/songs I Hear a Symphony https://ko.listvote.com/lists/music/albums/i-hear-a-symphony-3790272/songs Supremes Sing Country, Western and https://ko.listvote.com/lists/music/albums/supremes-sing-country%2C-western-and- Pop pop-3088880/songs Reflections https://ko.listvote.com/lists/music/albums/reflections-3931616/songs More Hits by The Supremes https://ko.listvote.com/lists/music/albums/more-hits-by-the-supremes-3181425/songs Cream of the Crop https://ko.listvote.com/lists/music/albums/cream-of-the-crop-3696786/songs Floy Joy https://ko.listvote.com/lists/music/albums/floy-joy-3746811/songs Let the Sunshine In https://ko.listvote.com/lists/music/albums/let-the-sunshine-in-3831041/songs Diana Ross & the Supremes Sing and https://ko.listvote.com/lists/music/albums/diana-ross-%26-the-supremes-sing-and- -
Download Biographies
BIOGRAPHIES Ray Charles b. Ray Charles Robinson, 23 September 1930, Albany, Georgia, USA, d. 10 June 2004, Beverly Hills, California, USA. Few epithets sit less comfortably than that of genius; Ray Charles held this title for over 40 years and he was a true musical genius. As a singer, composer, arranger and pianist, his prolific work deserved no other praise. Born in extreme poverty in Georgia, Ray Charles Robinson grew up in Greenville, Florida. He was slowly blinded by glaucoma until, by the age of seven, he had lost his sight completely. Earlier, he had been forced to cope with the tragic death of his brother, whom he had seen drown in a water tub. He learned to read and write music in Braille and was proficient on several instruments by the time he left school. His mother Aretha died when Ray was 15, and he continued to have a shared upbringing with Mary Jane (the first wife of his absent father). Dropping his surname in deference to the boxing champion Sugar Ray Robinson, Ray Charles drifted around the Florida circuit, picking up work where he could, before moving across the country to Seattle. Here he continued his itinerant career, playing piano at several nightclubs in a style reminiscent of Nat "King" Cole and a vocal similar to Charles Brown. Charles began recording in 1949 and this early, imitative approach was captured on several sessions.Three years later, Atlantic Records acquired his contract, but initially the singer continued his "cool" direction, revealing only an occasional hint of the passions later unleashed. -
The Supremes
Biographies by Michael Hill The Supremes h e g ir l s ,” a s t h e s u p r e m e s w e r e k n o w n a m o n g t h e m o t o w n after the record’s release, the Supremes were moved from Tamla to the I family, were not considered a likely pick to click on the company Motown label, where they made a brief chart showing with "Let Me Go the roster when, they first joined its ranks in 1961. But Berry Gordy Jr. Right Way.” In 1963 they recorded the exuberant but only moderately suc- believed in them more strongly and for longer than did anyone else, cessftd Holland-Dozier-Holland tune "When the Lovelight Starts Shining and the girls rewarded his ample attention by coming to embody his Through His Eyes.” "Run, Run,?’ another disappointment, preceded dream of the Sound of Young America. During the heat of the Brit "Where Did Our Love Go?” When that song finally started to climb the ish Invasion in the summer of 1964, Motown released "Where Did Ourcharts, the Supremes were on tour with Dick Clark’s Caravan of Stars, TLove Go?” and the hitherto commercially lukewarm trio of Diana Ross, where they held the humble opening slot. By the end of the tour, "Where Mary Wilson and Florence Ballard was launched on its streak of five con Did Our Love Go?” was Number One — and the Supremes were clos secutive Number One hits. And that was only the beginning. -
Finding Aid to the Historymakers ® Video Oral History with Mary Wilson
Finding Aid to The HistoryMakers ® Video Oral History with Mary Wilson Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Wilson, Mary, 1944- Title: The HistoryMakers® Video Oral History Interview with Mary Wilson, Dates: November 24, 2013 Bulk Dates: 2013 Physical 9 uncompressed MOV digital video files (4:18:46). Description: Abstract: Singer Mary Wilson (1944 - ) , an original member of The Supremes, was inducted into the Rock and Roll Hall of Fame in 1988. Wilson was interviewed by The HistoryMakers® on November 24, 2013, in Henderson, Nevada. This collection is comprised of the original video footage of the interview. Identification: A2013_323 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Motown recording artist Mary Wilson was born in Greenville, Mississippi to Sam Wilson, a butcher, and Johnnie Mae Wilson, a homemaker, on March 6, 1944. At age three, Wilson’s parents sent her to live in Detroit, Michigan with her aunt, I.V. Pippin, and uncle, John L. Pippin. In 1952, Wilson moved to Detroit’s Brewster- Douglass Housing Projects. She was bused from the projects to Algers elementary school in 1956 when integration of public schools began. Wilson went on to graduate from Northeastern high school in 1962. In 1959, Wilson joined a local singing group, Primettes, which also included Florence Ballard, Diana Ross and Betty McGlown. The Primettes performed at Florence Ballard, Diana Ross and Betty McGlown. The Primettes performed at the 1960 Detroit-Windsor Freedom Festival amateur talent contest and won first place.