M Wilson Bio 2019
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A Happy Family I Love Mother; She Loves Me We Love Daddy, Yes Sir
Songs La , la, la. The snow on the ground goes Crunch, crunch, crunch A Happy Family The boys and the girls I love mother; she loves me All jump with glee We love daddy, yes sir-ree He loves us and so you see Baa Baa Black Sheep We are a happy family Baa, baa black sheep, Have you any wool? I love sister; she loves me Yes sir, yes sir, We love brother yes sir-ree Three bags full. He loves us and so you see We are a happy family One for my master, One for my dame, Animal Sounds (tune Brother John) And one for the little boy I’m a duck, Who lives down the lane. I’m a duck Watch me walk, watch me walk Baby Put Your Pants On Hear me when I talk hear me when I talk (tune: Mama’a Little Baby Loves Shortnin’) Quack, quack, quack, Baby put your pants on, pants on, pants on, Quack, quack, quack Baby put your pants on 1, 2, 3 *repeat: Repeat with shirt, socks, etc I’m a birdie, watch me fly-tweet Now that you’re all dressed, all dressed, all I’m a kitten, watch me scratch-meow dressed, I’m a dog, watch me dig-woof Now that you’re all dressed lets go play! Then sing in reverse order Apricot Tree Baby take your socks off, socks off, socks off I looked out the window and what did I see? Baby take your socks off, 1, 2, 3 Popcorn popping on the apricot tree! Repeat with shirt, pants, etc Spring has brought me such a nice surprise Now that you’re all naked, all naked, all naked Blossoms popping right before my eyes Now that you’re all naked Let’s take a bath! I can take an armful and make a treat A popcorn ball that would smell so sweet Bicycle It wasn’t really so, but it seemed to me (Tune: Row, Row, Row Your Boat) Popcorn popping on the apricot tree! Ride, ride, ride your bike Up and down the street At Christmas Time (Tune: Wheel on the Bus) Happily, happily, happily, happily, The bells on the sleigh go ring, ring ,ring. -
Not for Publication United
Case 2:95-cv-03794-DRD-MCA Document 236 Filed 09/10/07 Page 1 of 38 PageID: <pageID> NOT FOR PUBLICATION UNITED STATES DISTRICT COURT DISTRICT OF NEW JERSEY ____________________________________ : Larry Marshak, : : Plaintiff, : : Civil Action No.: 95-3794 (DRD) v. : : OPINION Faye Treadwell, Treadwell’s Drifters, Inc., : and The Drifters, Inc., : : Defendants. : ____________________________________: Appearances by: Jeffrey Schreiber, Esq. Meister, Seelig & Fein, LLP 2G Auer Court Williamsburg Commons East Brunswick, NJ 08816 Attorney for Motion Respondents, Larry Marshak, Jody Marshak, Paula Marshak, Andrea Marshak, DCPM, Inc., Cal-Cap Ltd., Barry Singer, Singer Management Consultants, Inc., and Charles Mehlich. William L. Charron, Esq. Mona Simonian, Esq. Pryor Cashman LLP 410 Park Avenue New York, NY 10022 Pro Hac Vice Attorneys for Motion Respondents, Larry Marshak, Jody Marshak, Paula Marshak, Andrea Marshak, DCPM, Inc., Cal-Cap Ltd., Barry Singer, Singer Management Consultants, Inc., and Charles Mehlich. Lowell B. Davis, Esq. One Old Country Road Carle Place, NY 11514 Pro Se Motion Respondent Case 2:95-cv-03794-DRD-MCA Document 236 Filed 09/10/07 Page 2 of 38 PageID: <pageID> Cindy Salvo, Esq. The Salvo Law Firm 101 Eisenhower Parkway Suite 300 Roseland, NJ 07068 Attorney for Petitioners Faye Treadwell, Treadwell’s Drifters, Inc. and The Drifters, Inc. DEBEVOISE, United States Senior District Judge Petitioners, Faye Treadwell, Treadwell’s Drifters, Inc., and The Drifters, Inc. (collectively referred to as “Treadwell”), move to have Motion Respondent, Larry Marshak (“Marshak”), held in contempt for violating the order of Judge Nicholas H. Politan, dated August 16, 1999, which permanently enjoined Marshak’s use of the name, “The Drifters,” or any other name that would be confusingly similar to “The Drifters,” in the “occurrence, sale, promotion, or advertising of live or recorded musical performances.” Judge Politan’s order, upon appeal by Marshak, was affirmed by Court of Appeals for the Third Circuit on February 9, 2001. -
Sunday Nights with Walt Everything I Know I Learned from “The Wonderful World of Disney”
Sunday Nights with Walt Everything I Know I Learned from “The Wonderful World of Disney” Richard Rothrock Theme Park Press The Happiest Books on Earth www.ThemeParkPress.com Contents Introduction vii 1 “And Now Your Host, Walt Disney” 1 2 A Carousel of Color 9 3 A Carousel of American History 21 4 Adventures in Nature 49 Commercial Break: Making Mom’s Pizza 69 5 Life Lessons and Journeys with Our Pets and Horses 71 6 A Carousel of Fabulous, Faraway Places 89 7 Walt and His Park 109 8 The Show after Walt 119 Commercial Break: Fads and Evolutions 125 9 Solving a Mystery 129 10 Growing Up 143 11 Discovering the Classics 165 Commercial Break: Rich’s Top Ten 177 12 Learning the Ropes of Romance 179 13 Embracing the Future 191 Afterword 209 Acknowledgements 213 About the Author 215 About Theme Park Press 217 Introduction Growing up in the 1960s and 1970s, Sunday nights at my house were different from the other nights of the week. It was the only night when my mother made pizza. It was the only night of the week when we could drink soda. It was the only night of the week when we could have candy for dessert. Iit was the only night of the week when we were allowed to eat dinner in front of the television. And the only shows we ever watched were Mutual of Omaha’s Wild Kingdom and The Wonderful World of Disney. (Mom sent us to bed as soon as Bonanza started.) For almost the entirety of my childhood, The Wonderful World of Disney was always there, even as I grew from a boy to a young man of eighteen, and even as my family moved from the small towns and farms of rural Indiana to the coal and steel towns of West Virginia to the towering spires of the Motor City in Michigan. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
1950S Culture Webquest Description: Created to Allow Students to Explore 1950S Culture
1950s Culture WebQuest Description: Created to allow students to explore 1950s culture. Grade Level: 9-12 Curriculum: Social Studies Keywords: 1950s, fifties, pop-culture Published On: 2008-03-01 09:50:33 Last Modified: 2008-02-29 08:10:21 WebQuest URL: http://zunal.com/webquest.php?w=8063 You will participating in a webquest to explore the culture and trends of the 1950s. The various websites will present you with information on everything from Levittown to the censorship of Elvis. Take your time going through the sites and remember to record your answers on your worksheet. Follow the instructions on the next page to navigate through the website. Record your answers on the worksheet provided. Welcome to the 1950s! Through this webquest you will be exploring the culture and trends of the 1950s. Remember to record what you find on your worksheet. 1. Congratulations! You have just been married. Take a look at this Home Economics textbook to find some tips on how to be the perfect housewife.2. Time to move to the suburbs! You and your spouse have decided to buy a house in Levittown, PA. Look at the four different models and decide which one fits your style and needs best.3. You need a new car to park in your new garage. Check out these classic cars and choose one you would like to have.4. To celebrate buying a new car you and your spouse decide to go to the drive-in for dinner and a movie. Click on the link above to read more about the drive-in. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Born to Read: How to Nurture a Baby's Love of Learning. INSTITUTION Florida Dept
DOCUMENT RESUME ED 429 615 IR 057 341 AUTHOR Fiore, Carole, Comp. TITLE Born To Read: How To Nurture a Baby's Love of Learning. INSTITUTION Florida Dept. of State, Tallahassee. Div. of Library and Information Services. PUB DATE 1998-11-00 NOTE 264p.; Manual for the Born To Read Capacity Building Workshop (Tallahassee, FL, November 9-10, 1998). PUB TYPE Guides Non-Classroom (055) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS *At Risk Persons; Bibliographies; Brain; *Child Development; Child Health; Childrens Libraries; Childrens Literature; Cooperative Programs; Early Parenthood; *Family Literacy; Infants; *Library Services; *Outreach Programs; Parent Participation; Parent Role; *Parenting Skills; Partnerships in Education; Program Development; Public Libraries; Publicity; Toddlers; Volunteers; Workshops IDENTIFIERS Florida ABSTRACT Library and health care professionals team up in the Born to Read partnerships in Florida to empower at-risk expectant and new parents to take an active role in the health and education of their children. Designed for Born to Read workshop participants, this manual contains the following sections:(1) General Information, including workshop agendas, lists of participants, and library program information sheets;(2) Overview, including Born to Read goals/highlights and library program descriptions;(3) Brain Research, including statements on the importance of early childhood brain development, guiding principles for policy makers, an address on the Committee for Economic Development's role in childhood education/development, -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
African American Historic & Cultural Treasures
AFRICAN AMERICAN HISTORIC & CULTURAL TREASURES JULY 26, 2018 African American Historic & Cultural Treasure 500: Jazz Critics Poll Down Beat Award, 1956 USD 300 - 400 First place awarded to Art Tatum in this wood and metal shield-shaped award. 7 1/2 x 7".Art Tatum is considered one of the world's greatest jazz pianists. Tatum had received some formal musical training but, utilizing his perfect pitch, was mainly self-taught. He was known for his experimental and creative playing, as well as his legendary speed and improvisational skills. Despite being nearly blind, Tatum's dexterity made him an excellent player, as can be heard on the 1933 recording 'Tea for Two,' one of his best known songs.Ahead of his time, Art Tatum's techniques would contribute to the development of modern jazz, with aspects of his technique influencing musicians including Charlie Parker, Bud Powell, and Oscar Peterson. Tatum, after his sadly premature death at age 47, was recognized for his considerable talents and his contributions to the jazz world when he was posthumously inducted into the Down Beat Jazz Hall of Fame, the International Hall of Fame, and awarded a Grammy Lifetime Achievement Award, among other honors.From the Estate of Art Tatum. 501: Stereo Review's Record of the Year Award, 1974 USD 200 - 300 8 x 10" high gloss framed award recognizing Art Tatum's "The Tatum Solo Masterpiece" as the Record of the Year.Art Tatum is considered one of the world's greatest jazz pianists. Tatum had received some formal musical training but, utilizing his perfect pitch, was mainly self-taught. -
The Black Range, 05-14-1897
University of New Mexico UNM Digital Repository Black Range, 1882-1897 (Socorro County) New Mexico Historical Newspapers 5-14-1897 The lB ack Range, 05-14-1897 Black Range Print Co. Follow this and additional works at: https://digitalrepository.unm.edu/black_range_news Recommended Citation Black Range Print Co.. "The lB ack Range, 05-14-1897." (1897). https://digitalrepository.unm.edu/black_range_news/13 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Black Range, 1882-1897 (Socorro County) by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. nn JL JrLCL. Black Range: VOL- - XVI. CHLORIDE, SIERRA COUNTY, N. M., MAY 14, 1397- - NO- - 6 . The Scenic Line of America ,sw and the trowel were heard on every-hand- "but where can poor people do better? the farm. JHotresfwitting did no good, ami HER FATHER'S Business blocks, both frame and; The cast is overcrowded, and t'.ie poor so Mary told' hep; husband, though &h brick, were started up all about the nan cannot hope to get a Ihhuj there., was far from .free of ft herself. of town, center the while residences lie cannot go into business for hiuisci.', The Greene were- - nofr tho only family were being in quar- constructed every that were thus; placed, in- ft precarious, THE ter. Unprecedented activity reigned, posit ion. Nearry all the settlers in that VICTIM and Scraggs' prediction that the place - soetioa worn- victims ot the Paradises vould have twenty thousand population Park boom, andi now. -
Check out 8 Songs Musical Artists Have
Search TRAILBLAZERS IN MUSIC: CHECK OUT SONGS MUSICAL ARTISTS HAVE SAMPLED FROM WOMEN OF MOTOWN By Brianna Rhodes Photo: Classic Motown - Advertisement - The Sound Of Young America wouldn’t be known for what it is today without the trailblazing Women of Motown. Throughout its 60-year existence, Motown Records made an impact on the world thanks to music genius and founder, Berry Gordy. It's important to note though, that the African- American owned label wouldn’t have reached so many monumental milestones without The Supremes, Martha Reeves & The Vandellas, Mary Wells, The Marvelettes, Tammi Terrell and Gladys Knight. The success of these talented women proved that women voices needed to be heard through radio airwaves everywhere. As a kid, you were probably singing melodies created by these women around the house with family members or even performing the songs in your school’s talent show, not even realizing how much of an impact these women made on Black culture and Black music. This is why it’s important to acknowledge these women during the celebration of the label’s 60th anniversary. The legendary reign of the Women of Motown began back in 1960, with then 17-year-old musical artist Mary Wells with her debut single, “Bye Bye Baby.” Wells, who wrote the song herself, helped Motown attain its first Top 10 R&B hit ever. Wells continued to make history with her chart-topping single, “My Guy” becoming Motown’s fourth No. 1 hit on the Billboard Hot 100 and the company’s first major U.K. single. -
View Playbill
MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL.