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Elements of Oz
Montclair State University Montclair State University Digital Commons 2015-2016 Art Between Real and Imagined PEAK Performances Programming History 9-26-2015 Elements of Oz Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2015-2016 Part of the Theatre and Performance Studies Commons 2015 | 2016 SEASON World Premiere! The Builders Association ELEMENTS OF OZ September 26–October 4, 2015 Alexander Kasser Theater Photo by Katy Alexander Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts & Cultural Programming World Premiere! The Builders Association ELEMENTS OF OZ Directed by Marianne Weems Co-created and Written by James Gibbs and Moe Angelos Sound Design and Original Music Composition by Dan Dobson Video Design by Austin Switser Lighting by Jennifer Tipton Scenic Design by Neal Wilkinson Performers Moe Angelos, Sean Donovan, Hannah Heller Augmented Reality Design John Cleater Interactive Design/Programming Jesse Garrison Augmented Reality/Network Consultants Larry Shea, Kevan Loney Identity and App Design LeClair Lucas Costume Design Andreea Mincic Assistant Directors Sarah Krohn, Eleanor Bishop Production Manager Brendan Regimbal Technical Director Carl Whipple Associate Lighting Design Elliott Jenetopulos Associate Video Design Amanda Long Sound Associate Andrew Lulling Unity Programmer Ben Norskov Production Stage Manager Emma Sherr-Ziarko Managing Director Erica Laird Lighting Intern MJ Kanai Montclair State Production Assistants Kelsey Mulholland, April Sigler, Kasia Skorynkiewicz Additionally, the following artists contributed to this production at various stages of the development process: Laura Mroczkowski, Dale Thomas Krupla, Jess Barbagallo, Josh Matthews, Geoff Gersh, Matthew Karges, Katy Alexander, Nicolas Graver, Deniese Lara, Virginia Wang, Matt O’Hare. -
ANDREA FRASER Born 1965, Billings, Montana
ANDREA FRASER Born 1965, Billings, Montana EDUCATION 1985-86 New York University, New York 1984-85 Whitney Museum of American Art Independent Study Program, New York 1982-84 School of Visual Arts, New York SOLO EXHIBITIONS, SOLO PERFORMANCES AND PROJECTS 2012 Men on the Line, KPFK, 1972, performance for Trilogy, organized by West of Rome in conjunction with Getty’s Pacific Standard Time program 2011 It’s a beautiful house, isn’t it? (May I Help You?) MAK Center at the Schindler House, Los Angeles, in conjunction with 91,92,93 Footnote 3: Andrea Fraser, Galeria Foksal, Warsaw 2010 Andrea Fraser & Christopher Williams, Gallerie Christian Nagel, Antwerp You Are Here, a project for “Utopia and Monument II,” Steirischerherbst Festival, Graz Official Welcome, The Museum of Modern Art, New York All Change, Kunsthalle Wien, performance for the Wiener Festwochen, Vienna Andrea Fraser: Boxed Set, The Carpenter Center Gallery, Harvard Univeristy, Cambridge 2009 performance, Centre Pompidou, Paris Official Welcome, Julia Stoschek Collection, Düsseldorf Official Welcome, Centre Pomipdou, Paris Projection, Friedrich Petzel Gallery, New York 2008 Official Welcome, PS1 Museum, Long Island City, performance in conjunction with the CIMAM annual conference, Museum of Modern Art/Asia Society, New York Projection, Galerie Christian Nagel, Cologne 2007 Franz Hals Museum, Haarlem The Netherlands What do I, as an artist, provide?, Mildred Lane Kemper Art Museum, St. Louis Friedrich Petzel Gallery, New York 2006 May I Help You?, in conjunction with “Louise Lawler: -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Independent Study Program : 40 Years : Whitney Museum of American Art, 1968-2008
W INDEPENDENT STUDY PROGRAM: 40 YEARS ^,-K 1^ .dW} 'BUW Of ^OWI» SMOUIO COM* AS MO SUffPffiM <^ lM4r<ON ON P^OOfCI icciivrvics o* *(vOiuriONjt*iM AMit w 'liNrvtrAiif AMCI« o»M«ri C/INll 4 UMfUlMOriv/iriN0»O»CI *Mr ii/»p. u\ » <MMO>>ll oncu»r n FHi APPsurB 4'i vtiPOMM rOMOir v;ru4trOf<i lkl*>ON( i WH)«« .1 (OU*U » IMPCWrXNt HtlP'/OIV*l PIOPII olMVVi IPiCl CONCISIIOMI >4 rnlL/lMISSis A SCKlil KOr * (lOlOC'OK 14 '•IIOCW rj 4 lOJUPr NOT 4 NICItlltr COviaMMINr II 4 (ufolN OM IMI PfOFlf MLiwAvw i oasoirri 014,1 4>| |v|Mru4u r >IPl4CI0IVCONVIMriOM41CO41S >MMI>it4MCI Mutr •! 4SU1'IM(0 mil 'NO 4uM4vO<04ill •urUNOrMiNO TO U ncHJO Ol i4»o» i» 4 iix oitr*oriNC 4crn'iri' MONIr C*l4tfS T4tri M0441S 4(1 >0*tirnf PfOPtt MOjr PIOPII 4» MOI nf tOtUll THIMSIlVIt MOiri r roi/ iMOuio M/VO rou* 0<VM (uliNISt MUCH A4\ OIC'OIO aifO*! roo MOI aoRM MOtO(»M4J r\ MIU41 MOI »4.N C4N ai 4 viar potirivf tkimc >fOPll4>|MU't.< fHlrFMIM. fMITCONtaOj INI.ai,»ll 'i<jPii*Mc,oo«. r«o»« >V'rHrMi,>N4N014air4a4t<rM 'lOPlI l*MOCOC»4/r 4*1 lOO W«l/rivl PIO^K MOt < aiH*.! .» IHI? H4VI MOtMlMO TOIOSI P14riMC .r 1411 t4NC4ull 4lOro» p»ri-4r( 04M4CI oi*x(»\«,p ,j 4M iMvir4rioN rooij4»ria •0*«4M».c lovl M4t <^f»|s^|o roM4M,Pui4ri aVOMlM Mii.VHNm „ ,„, M05ra4vc M0-..4-.0N UP4t4>.U<.t tMl M4r fO 4 MIA mo MMMC U« 0<"I>IMCII 4*1 Miai roiI4. -
PLAYBILL Oct
UNIVERSITY OF MASSACHUSETTS AMHERST FINE ARTS CENTER 2011 PLAYBILL Oct. 5 through Oct. 20 CENTER SERIES / ASIAN ARTS AND CULTURE PROGRAM © The &oca&ola &ompany Ľ&okeľ and the &ontour Bottle are trademarks of The &oca&ola &ompany 2 /`ba 1S\bS` C;Oaa 4W\S ]T bVS ac^^]`bS` Wa O ^`]cR 1]QO1]ZO1 0`Od]0 / C ] a Wa Celebrating lifelong enjoyment of the arts. Loomis House Retirement Community and Nursing Center &' Loomis Village Retirement Community $#&' Applewood Retirement Community !"#' Reeds Landing Retirement Community !' www.LoomisCommunities.org 3 Inspiring wonder. Inspiring generations. Friends of the Fine Arts is passionate about bringing the arts to everyone, and everyone to the arts. PeoplesBank shares that passion, and is proud to support the Angel Ticket Program. 413.538.9500 bankatpeoples.com Member FDIC/Member DIF 4 5 The doctor asked the robot about the germ-killing power of UV light. The robot asked the doctor if the da Vinci® robot was single. It turns out Dr. Joanne Levin, an infectious disease specialist, and Xenex™, a germ-zapping robot, have a lot in common. They both work at Cooley Dickinson, helping the hospital raise industry standards for cleanliness and patient safety. In fact, it is one of the first hospitals in the nation, and the first in New England, to use Xenex technology. This is just one of the reasons Cooley Dickinson has been ranked in the top 5 percent of hospitals in the U.S. for patient safety. And why it has been the recipient of the HealthGrades® Patient Safety Excellence Award™ for four consecutive years, 2009-2012. -
Shannon Jackson
SHANNON JACKSON Associate Vice Chancellor for the Arts and Design● Hadidi Professor ● Department of TDPS ● Department of Rhetoric ● University of California 101 Dwinelle Annex ● Berkeley, CA 94720 E-Mail: [email protected] EDUCATION Ph.D. Northwestern University, Evanston, IL Sept 91—June 95 Thesis: Lines of Activity: Performance, Space, and Pedagogy at Hull-House _ Dissertation Fellow: Spencer Foundation, NEH (declined), NU Alumnae (declined) University Scholar, 1994-5 Graduate Certificate in Women’s Studies, 1993 University Assistantship 91/92 and 92/93 M.A. Northwestern University, Evanston, IL Sept 90 — June 91 Thesis: Representing Rape: Model Mugging's Discursive and Embodied Rituals _ University Fellowship, 90-91 B.A. Stanford University, Stanford, CA Sept 85 — June 89 Modern Thought and Literature; Honors in Humanities Thesis: A Performance Phenomenology: Problems of Self, Play and Character _ Golden Award: Most Outstanding Thesis in the Humanities, 1989 Golden Award: Most Outstanding Artist in Drama, 1989 Golden Grant in Humanities and Arts, 1988 Phi Beta Kappa; President's Award for Academic Achievement ACADEMIC EMPLOYMENT HISTORY 2015-ongoing Associate Vice Chancellor for the Arts and Design: Responsible for creating new operations and collaborations across all departments, centers, presenting organizations, and initiatives in the arts and design for the entire campus. Facilitates communication platforms, research initiatives, curricular innovation, multi-unit fundraising, public engagement, -
Inaugural Salon, December 4Th, 2006 Moma/SEED Salon II, January 8Th
Inaugural Salon, December 4th, 2006 Roundtable discussion with all participants at Founder’s Room MoMA/SEED Salon II, January 8th, 2007, Bartos Theater Stefan Sagmeister, Sagmeister Inc. Benoit Mandelbrot Benjamin Aranda and Chris Lasch, Aranda/Lasch Niles Eldredge, American Museum of Natural History MoMA/SEED Salon III, February 6th, 2007, Bartos Theater C.S. Kiang, Chairman of Peking University Environment Fund Israel Bar-Joseph, The Jane and Otto Morningstar Professorial Chair in Physics, Institute’s Joseph H. and Belle R. Braun Center for Submicron Research Jonathan Harris, number 27 Peter Frankfurt, Imaginary Forces MoMA/SEED Salon IV, March 6th, 2007, Bartos Theater SCALE Sulan Kolatan, KOL/MAC Chuck Hoberman, Hoberman Associates Masamichi Udagawa, Antenna Design Jonah Lehrer, SEED magazine MoMA/SEED Salon V, April 4th, 2007, Bartos Theater VISUALIZATION Ben Fry, Processing open-source software Jason Kottke, weblog kottke.org Keith Schwab, Associate Professor of Physics, Physics, Cornell University Marianne Weems, The Builders Association MoMA/SEED Salon VI, April 26th 2007, Bartos Theater BEAUTY Paul J. Steinhardt, Albert Einstein Professor in Science at Princeton University Louise Neri, curator, Gagosian Gallery Dalton Conley, Professor of the Social Sciences and Chair of Sociology, New York University Felice Frankel, Envisioning Science program at Harvard University's Initiative in Innovative Computing (IIC) MoMA/Seed Salon VII, October 30th, 2007 PROCESS+BRAIN Liz Gould, Professor of Psychology at Princeton University Kevin -
Art, Technology, Culture
ART, TECHNOLOGY, AND CULTURE UC Berkeley’s Public Lecture Series: 1997-2010 Matmos takes questions at ATC’s 10th Anniversary celebration. Published by the Art, Technology, and Culture Colloquium with support from the UC Berkeley Center for New Media and the Center for Information Technology Research in the Interest of Society (2010). All copyrights to images and text within these pages remain with their owners. Art, TECHNOLOGY, AND Culture It was 7:30 pm on January 21, 2001. Two hundred people Radley from the Art Department about starting a lecture were jammed into Kroeber Hall 160, well beyond capacity. series. We went to Provost Carol Christ who gave her bless- Chicago Art Institute Professor Eduardo Kac was about to ing and initial funding for honoraria. We invited speakers discuss his latest artwork, ‘Transgenic Bunny,’ a glowing and arranged to hold it in the Art Department’s lecture hall albino rabbit cloned with DNA from a phosphorescent on Monday evenings. The first lecture was in January 1997. algae. The audience included students, faculty, members of Turnout surprised us; we averaged 50-75 people, even on the public, and animal activists. The mood was tense. As the rainy nights at the end of the semester. Most were students, lights dimmed, I decided to alert campus security, and then a good fraction were faculty and visitors from as far away as realized I’d forgotten my cell phone… San Jose. In one of the first lectures, Berkeley philosopher Hubert Dreyfus transformed Kierkegaard’s 1846 essay The Altering an animal to create an artwork raised a myriad of Present Age into a contemporary critique of the Information ethical issues.