September 1992 2:00 Films: Chronicle of a Love Affair: 26 SATURDAY 4:00 Sunday Lecture: Jan van Eyck's SEPTEMBER The November Night Arnolftni Portrait: Document, Desire 12:00 Gallery Talk: "Th$ Fall of 2:30 Gallery Talk: Sunlight and or Deception!'' Phaeton " by Sir Peter Paul Rubens Shadow: American Impressionism 6:00 Film: The Horsehair Ring See bottom panels for introductory 12:30 Films: 1867-A Window and foreign language tours; see to Heaven 20 SUNDAY 29 TUESDAY reverse side for complete film 2:00 Film: The Horsehair Ring 12:00 Gallery Talk: The Reinstal­ 12:00 Gallery Talk: The Reinstal­ information. 2:00 Gallery Talk: Art of the lation of the West Building's lation of the West Building's American Indian Frontier: The Permanent Collection Permanent Collection Collecting of Chandler and Pohrt 2 WEDNESDAY 1:00 Film: The Silent Enemy 2:30 Gallery Talk: Sunlight and 12:00 Gallery Talk: "Le Ventre 4:00 Sunday Lecture: Cassatt and 27 SUNDAY Shadow: American Impressionism Legislatif" (The Legislative Belly) by Morisot: How to Become an 12:00 Gallery Talk: "The Fall of Honore Daumier Impressionist Painter 30 WEDNESDAY Phaeton " by Sir Peter Paul Rubens 12:30 Film: Views of a Vanishing Tarna, Iowa, Mesquakie Moccasins, c. 1880, Buffalo Bill Historical Center, Cody, Wyoming 6:00 Film: Danton 12:00 Gallery Talk: "The Fall of Chandler-Pohrt Collection, Gift of the Pilot Foundation 1:00 Films: 1867-, A Window Frontier Phaeton " by Sir Peter Paul Rubens to Heaven 2:00 Gallery Talk: Homage to 22 TUESDAY Jacques Callot 8 TUESDAY 13 SUNDAY 12:00 Gallery Talk: Art of the 12:00 Gallery Talk: Venetian Painting 12:00 Gallery Talk: Art of the American Indian Frontier: The 3 THURSDAY in the Age of Tiepolo American Indian Frontier: The Collecting of Chandler and Pohrt 12:00 Gallery Talk: Venetian Painting Collecting of Chandler and Pohrt in the Age ofTiepolo 9 WEDNESDAY 1:00 Film: Contrary Warriors 23 WEDNESDAY 4:00 Sunday 12:30 Film: Views of a Vanishing 12:00 Gallery Talk: Venetian Painting Lecture: A Nation 's 12:00 Gallery Talk: The Reinstal­ Frontier in the Age of Tiepolo Pride: Art in the White House lation of the West Building's 12:30 Film: Contrary Warriors 6:00 Film: A Lore in Germany Permanent Collection 4 FRIDAY 12:30 Films: 1867; A Window 12:00 Gallery Talk: Venetian Painting 10 THURSDAY 16 WEDNESDAY to Heaven 12:00 Gallery Talk: Art in the Age ofTiepolo 12:30 Film: Contrary Warriors of the 1:00 Gallery American Indian Frontier: The 12:30 Film: Views of a Vanishing Talk: Bierstadt 24 THURSDAY Reconsidered Collecting of Chandler and Pohrt Frontier 12:00 Gallery Talk: Art of the 12:30 Film: The Silent Enemy American Indian Frontier: The 5 SATURDAY 11 FRIDAY Collecting of Chandler and Pohrt 12:30 Film: Contrary Warriors 17 THURSDAY 12:30 Film: Views of a Vanishing 12:30 Films: 1867:, A Window 12:30 Film: The Silent Enemy Frontier to Heaven 2:00 Films: The Young Girls ofWilko; 12 SATURDAY 1:00 Gallery Talk: Art of the 12:00 Gallery Talk: Art of the 18 FRIDAY Orchestra Conductor American Indian Frontier: The American Indian Frontier: The 12:30 Film: The Silent Enemy Collecting of Chandler and Pohrt 6 SUNDAY Collecting of Chandler and Pohrt 2:30 Gallery Talk: Sunlight and 12:30 Film: Contrary Warriors 19 SATURDAY 1:00 Film: Views of a Vanishing Shadow: American Impressionism 2:00 Films: The Possessed:, Crime and 12:00 Gallery Talk: The Reinstal­ Frontier John Henry Twachtman, II'inter Harmony, c. 1890/1900, National Gallery of Art. Gift of the Punishment lation of the West Building's 4:00 Sunday Lecture: Salad Days 25 FRIDAY Avalon Foundation 2:00 Gallery Talk: Bierstadt Permanent Collection and After: Behind the Scenes of the 12:30 Films: 7567; A Window Reconsidered Art World since 1950 to Heaven 6:00 Film: Without Anesthesia

GALLERY TALKS INTRODUCTORY TOURS SUNDAY CONCERTS SUNDAY LECTURES Tours and Lectures given by Introduction to the West Building The 1992-1993 National Gallery Lectures given by distinguished Education Department Lecturers. Collection concert series will resume next month, visiting scholars at 4:00 in the East Monday through Saturday 1:30 and with a concert on October 4 by the Building Large Auditorium "Le Ventre Eegislatif" (The Legislative 3:00; Sunday 1:00 and 3:00 National Gallery Orchestra, George SEPTEMBER6 Belly) by Honore Daumier West Building Rotunda Manos, conductor. All concerts take Salad Days and After: Behind the (Gift of Lloyd Cutler and Polly Kraft place at 7:00 p.m. every Sunday Introduction to the East Building Scenes of the Art World since 1950 in Honor of the 50th Anniversary evening from October 4, 1992 through Collection William Ben dig of the National Gallery of Art) June 27, 1993, in the West Monday through Saturday 11:30 and Garden Editor and Publisher (30 minutes). Eric Denker, Lecturer. Court 1:30; Sunday 2:00 arid 4:00 of the West Building. Admission Ivoryton, Connecticut Meet in the West Building Rotunda, Last Building. Art Information Desk to the National Gallery and its September 2 at noon. concerts is always free. Concertgoers SEPTEMBER 13 are admitted to the West Garden A Nation's Pride: Art in the Homage to Jacques Callot (45 min­ FOREIGN LANGUAGE TOURS Court on a first-come, first-served White House utes). Paula Warrick, Lecturer. Meet Foreign language tour's of the permanent basis, beginning at 6:00 p.m. (Passes William Kloss at the East Building Art Information collection are offered on Tuesdays. will be issued at that location only at Art I listorian Desk, September 2 at 2:00. Tours of the West Building are at noon those concerts where there is a large Washington, D.C. and begin in the Rotunda of the West audience.) Since the Gallery closes at Honore Daumier. Le ten/re Legislatif, 1834. Venetian Painting in the Age of National Gallery of Art. Gift of Lloyd Cutler and Building. Toiu's of the Last Building are 6:00 p.m. on Sunday evenings, SEPTEMBER 20 Pollv Kraft, in Honor of the 50th Anniversary of the National Gallery of Art Tiepolo (60 minutes). Paula Warrick, at 2:00 and begin at the Art Information concertgoers arriving after that time Cassatt arid Morisot: I low to Lecturer. Meet in the West Building Desk of the East Building. may use only the Constitution Avenue Become an Impressionist Painter Rotunda, September 3, 4, 8, 9 at Bierstadt Reconsidered (45 minutes). education division editor. Meet in the entrance of the West Building. September 1: French For Anne Higonnet noon. Philip L. Leonard, Lecturer. Meet in West Building Rotunda, September further information about September 8: Spanish the concerts Assistant Professor of Art History the West Building Rotunda, September 19, 20, 23, 29, October 2 at noon. call (202) 842-6941. September 15: German Wellesley College 10 at 1:00, September 12 at 2:00. September 22: Italian Sunlight and Shadow: American SEPTEMBER 27 Art of the American Indian Frontier: Impressionism (60 minutes). Laili Jan van Eyck's "Arnolftni Portrait": The Collecting of Chandler and Pohrt Nasr, Guest Lecturer. Meet in the West RECORDED TOURS Special Exhibition Document, Desire or Deception? (60 minutes). Philip L. Leonard and Building Rotunda, September 19, 24, Art of the American Indian Frontier: Linda Seidel Permanent Collection J. Russell Sale, Lecturers. Meet at the 29 at 2:30. The Collecting of Chandler and Professor of Art History Impressionist and Post-Impressionist East Building Art Information Desk, Pohrt^ narrated by David Penney and University of Chicago Paintings^ narrated by former curator September 12, 13, 16, 22, 24 at noon "The Fall of Phaeton " by Sir Peter- George Horse Capture, co-curators of of modern paintings, Charles S. (Leonard) and September 24 at 1:00 Paul Rubens (Patrons' Permanent the exhibition outlines American Moffett, features the works of Monet, (Sale), September 26 at 2:00 (Sale). Fund) (20 minutes). J. Russell Sale, Indian art of the Eastern Woodlands Renoir, Van Gogh, Cezanne, and Lecturer. Meet in the West Building and the Great Plains. Tapes may be other masters from the Gallery's The Reinstallation of the West Rotunda, September 26, 27, 30, rented at the entrance to the outstanding collection of nineteenth- Building's Permanent Collection October 6, 9 at 12:00 noon. exhibition, East Building Upper century French paintings. The tapes (60 minutes). William J. Williams, Level. may be rented in the Rotunda on the main floor of the West Building. Recorded tours are $3.50; Senior Childe Hassam, Allies Day, May 1917, dated Citizens, students, and groups $3.00. 1917, National Gallery of Art, Gift of Ethelyn McKinney in memory of her brother, Glenn Ford McKinney National Gallery of Art CONTINUING EXHIBITIONS FALL PREVIEW

Film Programs Views of a Vanishing Frontier A Love in Germany (Andrzej Wajda, Art of the American Indian Frontier: The exhibition was organized by Stieglitz in the Darkroom (The Metropolitan Museum of Art, 1983, 100 minutes); September 13 the Detroit Institute of Arts in assoc­ East Building Auditorium 1988, video, 55 minutes); September at 6:00. The Collecting of Chandler and Pohrt iation with the National Gallery of October 4, 1992 through February 14, 1993 2 through 5 at 12:30, September 6 "The Films of Andrzej Wajda,'1 a through January 24, 1993 Art and the Buffalo Bill Historical East Building, Ground Floor at 1:00. Enemy (William Chanler Center with support from the retrospective look at the work of The Silent East Building, Upper Level, North Bridge The art of photographic technique paper selection. The prints on view- Douglas Burden, 1930, 87 Poland's greatest director, continues and W. National Endowment for the Human­ will be demonstrated in this exhibi­ span his career, beginning with The Young Girls of Wilko (Andrzej on weekends in September with the minutes); September 16 through 18 The dramatic and dynamic char­ A 17-minute video on the formation ities, the city of Detroit, the state of tion of 75 prints by the preeminent photographs Stieglitz made in Wajda, 1979, 116 minutes) and September 20 at 1:00. Washington premiere of several films at 12:30, acter of objects produced by of the Chandler-Pohrt collection Michigan, and the Founders Society American photographer Alfred Europe in the late 1880s and con­ Orchestra Conductor (Andrzej including The Young Girls of Wilko Woodland and Plains Indians in the accompanies the exhibition. Detroit Institute of Arts. After closing Stieglitz. By showing different kinds tinuing with portraits of Georgia Wajda, 1980, 102 minutes); of a Love Affair (Andrzej (1979), The Possessed (1988), and Chronicle nineteenth century is revealed in this Co-curators of the exhibition are at the Gallery, the exhibition will of prints that Stieglitz made from the 0 Keeffe, including several which September 5 at 2:00. 1985, c. 100 minutes) and Chronicle of a Love Affair (1985). Wajda, exhibition of 152 of the most impor­ David W. Penney, of the Detroit travel to the Seattle Art Museum same negative, the exhibition will have not been exhibited in more than The November Night (Andrzej Wajda, On September 26 and 27, Mr. Wajda tant works from the unparalleled Institute of Arts, and George P. Horse (March 11-May 9, 1993), the examine how photographic prints sixty years. An exhibition brochure Without Anesthesia (Andrzej Wajda, 1978, Polish Television, video, no will be present to discuss his work. Chandler-Pohrt collection of Capture, a member of the Gros Buffalo Bill Historical Center (June look, how they differ from one will be available to visitors, made 1978, 130 minutes); September 6 at subtitles); September 19 at 2:00. The series has been organized in American Indian art. Featured in Ventre tribe and former curator for 18-September 12, 1993), and the and how the artist con­ 6:00. another, possible by the Arcadia Foundation association with the Polish Ministry Art of the American Indian Frontier the Plains Indian Museum at the Detroit Institute of Arts (October 17, trolled and changed his statements and the Circle of the National of Culture and Art, Film Polski, the Danton (Andrzej Wajda, 1982, 136 is a wide range of decorative, Buffalo Bill Historical Center, Cody, 1993-February 6, 1994). through cropping, scale, tone, and Gallerv of Art. Alfred Stieglitz Contrary Warriors: A Film of the minutes); September 20 at 6:00. Embassy of Poland, The American utilitarian, and ceremonial objects, Wyoming. Gallerv of Art. Crow Tribe (Connie Poten and University Media Center, and USIA. including feather headdresses; Pamela Roberts, 1985, 60 minutes); During the first three weeks of 1867 (Program for Art on Film, 1990, moccasins; leather and textiles; September 9 through 12 at 12:30; Ellsworth Kelly: September, three documentary films 14 minutes) and ,4 Window to Heaven beadwork; domestic items such as September 13 at 1:00. are scheduled in conjunction with (Program for Ait on Film. 1990, cradles, trunks, bowls, and spoons; The Years in France, 1948-1954 Art of the American Indian Frontier: 20 minutes); September 23 through pipes; weaponry; and pictographic The Possessed (Andrzej Wajda, November 1, 1992 through January 24, 1992 Views of a Vanishing Frontier on the 26 at 12:30, September 27 at 1:00. engravings and drawings. 1988, 112 minutes) and Crime and early nineteenth-century Missouri The Chandler-Pohrt collection of West Building, Ground Floor, Outer Tier Punishment (1990, Polish Television, River expedition of Swiss artist Karl The Horsehair Ring (Andrzej Wajda, more than four thousand objects was This exhibition of approximately today. Ellsworth Kelly: The Years in video, no subtitles, 90 minutes); Bodmer and German naturalist 1992, introduced by the director); assembled by Milford G. Chandler forty rarely seen paintings and France, 1948-1954 premiered at the September 12 at 2:00. 26 at 2:00, September 27 Prince Maximilian zu Wied: Con­ September (1889-1981) and Richard A. Pohrt reliefs, and eighty drawings, collages, Jen de Paiime in Paris and then at 6:00. trary Warriors, on the history of (b. 1911). Their commitment and and photographs will trace a pivotal traveled to the Westfalisches Montana's Crow nation; and The knowledge have stemmed from their period in the career of Ellsworth Eandesmuseum in Minister, before Silent Enemy., a recently restored associations with American Indians. Kelly, one of America's most respec­ opening in Washington. The exhi­ 1930 film that reconstructs Ojibway Chandler established close relation­ ted abstract artists. During the six bition was organized by the Galerie Indian life before the European ships with families among the years that he lived in Paris. Kelly s Nalionale du Jeu de Paume. Paris, settlements. Potawatomi, Mesquakie, and Miami oeuvre evolved from representation and the National Gallery of Art, Kelly. Plant 11. 1949. Collection of Two experimental documentaries communities of the Midwest, while Ellsworth to the very sophisticated colorful Washington. the Artist produced by the Program for Art on Pohrt formed attachments to the abstraction for which he is known Film will be shown during the last Gros Ventre of Fort Belknap, South Dakota. Sioux Storage Bag, 1890, Buffalo Bill Historical Center, Cody, Wyoming, Chandler-Pohrt Collection week of September: 1867, on Manet's Montana. depiction of Emperor Maximilian's The Greek Miracle: Classical Sculpture from execution, and A Window to Heaven, the Dawn of Democracy, the Fifth Century B.C. on the paintings within a Byzantine Reinstallation of the West Building Reinstallation of monastery. November 22. 1992 through February 7. 1993 Permanent Collection Twentieth-Century Fast Building. Upper Fevel and Mezzanine Main Floor, West Building Art The National Gallery and the (Victor}") Lnbinding Her Sandal. Orchestra Conductor. Andrzej Wajda Metropolitan Museum of Art will The exhibition is made possible by The National Gallery has newly galleries have been repainted, many through December 31, 1992 commemorate the 2.500th anniver­ Philip Morris Companies Inc. reinstalled its renowned permanent with special glazes: new lighting has East Building Concourse, sary of the birth of democracy with The Greek Miracle: (Classical collection of Italian. Spanish, been added; and architectural ele­ Upper Eevel, and Tower this unprecedented exhibition of the Sculpture from the Dawn of Democ­ Special Installation Exhibition Catalogues Walking Tour: German, Flemish and Dutch, British, ments have been adapted to enhance The National Gallery has mounted a finest examples of original sculpture racy, The Fifth Century B. C. was American, and French painting and the works of art. The collection has Sol EeWitfs Wall Drawing #307. Art of the American Indian The Age of new installation of twentieth-century created in fifth-century E.G. Greece, organized by the National Gallery of sculpture throughout the main floor been completely relabeled, off the Blue Circles, Red Grid, Yellow Arcs Frontier:The Chandler-Pohrt art that includes works acquired the golden age that transformed the Art, the Metropolitan Museum of Art, Lorenzo de' Medici of the West Building. In all, the frames, with additional information from Four Corners, Black Arcs from Collection during its recent fiftieth anniversary history of Western art. The objects and the Ministry of Culture of the The year 1992 marks the 500th placement of nearly one-thousand and greater legibility; and summary the Midpoints of Four Sides (1977) $32.00 year and major loans from private selected for the show include twenty- Government of Greece. An exhibition anniversary of the death of Lorenzo works have been reorganized in labels have been added at the has been drawn on a 10 x 20 foot collections. two pieces, most of which have never brochure and an audio-visual de' Medici (1449-1492), one of the refurbished galleries. entrances to each gallery. wall on the Ground Floor of the East Diirer to Diebenkorn: Recent Post-1945 European and left Greek soil, and twelve more from presentation will be available to most celebrated patrons and col­ The new installation traces the A new floor plan in color has been Building. LeWitt, a pioneer of con­ Acquisitions of Art on Paper American art is shown in fourteen Europe's leading museums and the visitors. Additional support for the lectors of all time. In his honor, the development of Western art in produced, and laminated informa­ ceptual art, issues written instruc­ $24.00 rooms on the Concourse level, Metropolitan Museum. Among the audio-visual program is provided Gallery has published a booklet that approximately chronological order tion guides are available in twenty- tions for the execution of each of his comprising survey galleries devoted icons of fifth-century B.C. sculpture by Stavros S. Marches. A public takes the visitor on a walking tour of within each grouping of related one galleries, as well as a walkirig- wall drawings. Two assistants from John Singer Sargent's El Jaleo to European expressionism, on view will be The Kritios Boy, symposium and a series of lectures his New York studio drafted Wall $29.95 works of art created in Renaissance works. Historical relationships be­ tour booklet, guiding visitors American abstract expressionism, B.C., Contemplative Athena, Cavalry from will be held during the exhibition Florence. It is available for $2.00 in tween artists have been clarified by through the Gallery's collection of Contemplative Athena, 470-460 Drawing #307, which will be on color-field painting, minimalism, Acropolis Museum, Athens the Parthenon Frieze, and Nike in Washington. the West Building Sales Shop, at the exhibiting their work as closely as Renaissance art in Florence. The view through September 1992. It is Kathe Kollwitz and recent acquisitions. A series of Rotunda Audiotour desk, and in the possible to that of their contempo­ reinstallation incorporates many the first object displayed from the $27.50 galleries is devoted to individual Renaissance galleries. raries. Also, painting and sculpture recent acquisitions including the Gallery's recently acquired Vogel artists such as Jasper Johns, Roy Available from the National Gallery have been integrated in new ways. Monet Japanese Footbridge, in CLOSING EXHIBITION collection. Eichtenstein, Barnett Newmaii, Mark Publications Service As part of the two-year effort, Gallery 85. Sales Information (202) 842-6466 Rothko, Frank Stella, and Andy Diirer to Diebenkorn: Eovis Corinth; the Milton Avery Mail Order (301) 322-5900 Warhol. archive; the Crown Point Press The upper level features art from Recent Acquisitions of Art on Paper collection (Richard Diebenkorn, the beginning of the century to William Wiley); and the Vogel through September 7, 1992 CLOSING EXHIBITION World War II. with works by collection of minimalist art (Robert West Building, Central Gallery Public Symposium Braque, Brancusi, Gorky, Magritte, Mangold, Christo). A heretofore Matisse, Miro, Modigliani, and Continuing the celebration of the figure drawing by Eric Fischl unrecognized drawing, The Gallant Perspectives on American Indian Picasso among others. The Gallery's Gallery's permanent collection, this (1991). The Gallery's most Gardener, by Jean-Antoine Watteau, recent acquisition Le Port, an early A program on the occasion of the Presented in cooperation with the How the Chandler/Pohrt Materials through September 7, 1992 exhibition comprises a selection of important recent purchases are was acquired by the Gallery last cubist work by Braque has been exhibition Art of the American Indian National Museum of the American are Utilized in the Indian East Building, Ground Floor drawings, prints, photographs, and included, ranging from a Renais­ July and installed in the eighteenth- Frontier: The Collecting of Chandler Indian, Smithsonian Institution. Community installed in Gallery 2. Fourteen sance drawing by Vittore Carpaccio century section of the exhibition. This selective exhibition of eighty- His depictions of theatrical perfor­ illustrated books that were acquired and Pohrt works of sculpture by David Smith 10:30 George Horse Capture in the past year. The 114 objects to contemporary prints by Eucian The catalogue for the exhibition two prints by Jacques C allot honors mances, court festivals, and warfare are displayed in the terraced skylit Saturday, October 3, 1992 David Pennev, Moderator 12:30 Intermission survey high points over five centur­ Freud and Joan Mitchell. The exhi­ was written by Gallery staff members the four-hundredth anniversary of brilliantly convey the social and tower gallery, reminiscent of the East Building Auditorium ies, including such master works bition also highlights works from Andrew Robison, Andrew W. Mellon Adventures of a Collector 2:15 the birth of this master etcher and political climate of the early baroque amphitheater of the Italian industrial 10:30-4:45 as Giovanni Benedetto Castiglione's important graphic collections that senior curator; Margaret Morgan Richard Pohrt Panel Discussion engraver whose work influenced later period. town, Spoleto, where his wTorks were Noah Leading the Animals into the have come recently to the Gallery: Grasselli, curator of old master This program of lectures and panel Arthur Amiotte, John Ewers, Rick printmakers including Rembrandt. The works shown, from the dramatically installed for the 1962 American Indian Art and History: Ark (c. 1655); Rembrandt's first the Woodner Family collection of old drawings; Sarah Greenough, curator discussion explores different perspec­ Hill, George Horse Capture. David Patronized by the ducal courts in National Gallery s collection of more Spoleto Festival. Tradition and Innovation illustrated book, In Praise of master drawings (Albrecht Diirer, of photographs; Ruth E. Fine, tives on collecting, preserving, Penney, Ruth Phillips, Richard Pohrt Tuscany and Eorraine for most of his than one thousand Callot prints, were David Pennev Seafaring (1634); Thomas Hans Holbein, Andrea del Sarto, curator of modern prints and exhibiting, and interpreting American life, Callot at twenty-two became selected by H. Diane Russell, curator Gainsborough's Woods Near a Francisco Goya); the O'Neal drawings; and Judith Brodie, Indian art. court artist to the Medici in Florence. of old master prints at the Gallery. Village (1750s); Ernst Eudwig collection of drawings (Cherubino assistant curator in the department Kirchner's Girls from Fehmarn Alberti, Francisco Ribalta); the of prints and drawings. (1913); and a monumental untitled Marcy family collection of works by NATIONAL GALLERY OF ART Washington, D.C. 20565

The National Gallery of Art and its collections belong to the people of the United States of America. European and American paintings, sculpture, decorative arts, and works on paper are displayed in the permanent collection galleries, and temporary exhibitions of art from countries and cultures throughout the world are presented on a regular basis. Admission is free at all times. HOURS Monday through Saturday 10:00 a.m. to 5:00 p.m. Eriday, September 4 10:00 a.m. to 8:00 p.m. Sunday 11:00 a.m. to 6:00 p.m. The telephone number for general information is (202) 737-4215. TTY#: (202) 842-6176 The Gallery is located between 3rd and 7th Streets, N.W., on Constitution Avenue. The nearest Metro stops are Judiciary Square on the Red Line, Archives on the Yellow Line, and Smithsonian on the Blue/Orange Line. Metrobus stops are located on 4th Street and 7th Street. The East and West Buildings are connected by an all-weather underground passage with a moving walkway. Entrances to the West Building are on the Mall; on 7th Street; on Constitution Avenue at 6th Street, which has a ramp for disabled persons; and on 4th Street. The entrance to the East Building is on 4th Street off National Gallery Plaza and also has a ramp. RESTAURANTS Three restaurants offer luncheon and light fare throughout the year. Dinner service offered Eriday evenings through September 4. Hours of operation are: CONCOURSE BUFFET Monday -Saturday 10:00 to 3:00 Sunday " 11:00 to 3:00 GARDEN CAFE Monday-Saturday 11:30 to 4:00 (until 6:30 Friday, September 4) Sunday 12:00 to 5:00 CASCADE ESPRESSO BAR Monday-Saturday 12:00 to 4:30 (until 7:30 Friday, September 4) Sunday 12:00 to 5:30 TERRACE CAEE Monday-Saturday 11:30 to 4:00 (Beverages and Desserts until 7:30 Friday, September 4) Sunday 11:30"to4:00

COVER: Indiana or Kansas, Delaware or Shawnee (?) Coat, 1820-1850, The Detroit Institute of Arts, Museum Purchase with funds from the state of Michigan, the city of Detroit, and the Founders Society from the exhibition: Art of the American Indian Frontier: The Collecting of Chandler and Pohrt