September 1992

Total Page:16

File Type:pdf, Size:1020Kb

September 1992 September 1992 2:00 Films: Chronicle of a Love Affair: 26 SATURDAY 4:00 Sunday Lecture: Jan van Eyck's SEPTEMBER The November Night Arnolftni Portrait: Document, Desire 12:00 Gallery Talk: "Th$ Fall of 2:30 Gallery Talk: Sunlight and or Deception!'' Phaeton " by Sir Peter Paul Rubens Shadow: American Impressionism 6:00 Film: The Horsehair Ring See bottom panels for introductory 12:30 Films: 1867-A Window and foreign language tours; see to Heaven 20 SUNDAY 29 TUESDAY reverse side for complete film 2:00 Film: The Horsehair Ring 12:00 Gallery Talk: The Reinstal­ 12:00 Gallery Talk: The Reinstal­ information. 2:00 Gallery Talk: Art of the lation of the West Building's lation of the West Building's American Indian Frontier: The Permanent Collection Permanent Collection Collecting of Chandler and Pohrt 2 WEDNESDAY 1:00 Film: The Silent Enemy 2:30 Gallery Talk: Sunlight and 12:00 Gallery Talk: "Le Ventre 4:00 Sunday Lecture: Cassatt and 27 SUNDAY Shadow: American Impressionism Legislatif" (The Legislative Belly) by Morisot: How to Become an 12:00 Gallery Talk: "The Fall of Honore Daumier Impressionist Painter 30 WEDNESDAY Phaeton " by Sir Peter Paul Rubens 12:30 Film: Views of a Vanishing Tarna, Iowa, Mesquakie Moccasins, c. 1880, Buffalo Bill Historical Center, Cody, Wyoming 6:00 Film: Danton 12:00 Gallery Talk: "The Fall of Chandler-Pohrt Collection, Gift of the Pilot Foundation 1:00 Films: 1867-, A Window Frontier Phaeton " by Sir Peter Paul Rubens to Heaven 2:00 Gallery Talk: Homage to 22 TUESDAY Jacques Callot 8 TUESDAY 13 SUNDAY 12:00 Gallery Talk: Art of the 12:00 Gallery Talk: Venetian Painting 12:00 Gallery Talk: Art of the American Indian Frontier: The 3 THURSDAY in the Age of Tiepolo American Indian Frontier: The Collecting of Chandler and Pohrt 12:00 Gallery Talk: Venetian Painting Collecting of Chandler and Pohrt in the Age ofTiepolo 9 WEDNESDAY 1:00 Film: Contrary Warriors 23 WEDNESDAY 4:00 Sunday 12:30 Film: Views of a Vanishing 12:00 Gallery Talk: Venetian Painting Lecture: A Nation 's 12:00 Gallery Talk: The Reinstal­ Frontier in the Age of Tiepolo Pride: Art in the White House lation of the West Building's 12:30 Film: Contrary Warriors 6:00 Film: A Lore in Germany Permanent Collection 4 FRIDAY 12:30 Films: 1867; A Window 12:00 Gallery Talk: Venetian Painting 10 THURSDAY 16 WEDNESDAY to Heaven 12:00 Gallery Talk: Art in the Age ofTiepolo 12:30 Film: Contrary Warriors of the 1:00 Gallery American Indian Frontier: The 12:30 Film: Views of a Vanishing Talk: Bierstadt 24 THURSDAY Reconsidered Collecting of Chandler and Pohrt Frontier 12:00 Gallery Talk: Art of the 12:30 Film: The Silent Enemy American Indian Frontier: The 5 SATURDAY 11 FRIDAY Collecting of Chandler and Pohrt 12:30 Film: Contrary Warriors 17 THURSDAY 12:30 Film: Views of a Vanishing 12:30 Films: 1867:, A Window 12:30 Film: The Silent Enemy Frontier to Heaven 2:00 Films: The Young Girls ofWilko; 12 SATURDAY 1:00 Gallery Talk: Art of the 12:00 Gallery Talk: Art of the 18 FRIDAY Orchestra Conductor American Indian Frontier: The American Indian Frontier: The 12:30 Film: The Silent Enemy Collecting of Chandler and Pohrt 6 SUNDAY Collecting of Chandler and Pohrt 2:30 Gallery Talk: Sunlight and 12:30 Film: Contrary Warriors 19 SATURDAY 1:00 Film: Views of a Vanishing Shadow: American Impressionism 2:00 Films: The Possessed:, Crime and 12:00 Gallery Talk: The Reinstal­ Frontier John Henry Twachtman, II'inter Harmony, c. 1890/1900, National Gallery of Art. Gift of the Punishment lation of the West Building's 4:00 Sunday Lecture: Salad Days 25 FRIDAY Avalon Foundation 2:00 Gallery Talk: Bierstadt Permanent Collection and After: Behind the Scenes of the 12:30 Films: 7567; A Window Reconsidered Art World since 1950 to Heaven 6:00 Film: Without Anesthesia GALLERY TALKS INTRODUCTORY TOURS SUNDAY CONCERTS SUNDAY LECTURES Tours and Lectures given by Introduction to the West Building The 1992-1993 National Gallery Lectures given by distinguished Education Department Lecturers. Collection concert series will resume next month, visiting scholars at 4:00 in the East Monday through Saturday 1:30 and with a concert on October 4 by the Building Large Auditorium "Le Ventre Eegislatif" (The Legislative 3:00; Sunday 1:00 and 3:00 National Gallery Orchestra, George SEPTEMBER6 Belly) by Honore Daumier West Building Rotunda Manos, conductor. All concerts take Salad Days and After: Behind the (Gift of Lloyd Cutler and Polly Kraft place at 7:00 p.m. every Sunday Introduction to the East Building Scenes of the Art World since 1950 in Honor of the 50th Anniversary evening from October 4, 1992 through Collection William Ben dig of the National Gallery of Art) June 27, 1993, in the West Monday through Saturday 11:30 and Garden Editor and Publisher (30 minutes). Eric Denker, Lecturer. Court 1:30; Sunday 2:00 arid 4:00 of the West Building. Admission Ivoryton, Connecticut Meet in the West Building Rotunda, Last Building. Art Information Desk to the National Gallery and its September 2 at noon. concerts is always free. Concertgoers SEPTEMBER 13 are admitted to the West Garden A Nation's Pride: Art in the Homage to Jacques Callot (45 min­ FOREIGN LANGUAGE TOURS Court on a first-come, first-served White House utes). Paula Warrick, Lecturer. Meet Foreign language tour's of the permanent basis, beginning at 6:00 p.m. (Passes William Kloss at the East Building Art Information collection are offered on Tuesdays. will be issued at that location only at Art I listorian Desk, September 2 at 2:00. Tours of the West Building are at noon those concerts where there is a large Washington, D.C. and begin in the Rotunda of the West audience.) Since the Gallery closes at Honore Daumier. Le ten/re Legislatif, 1834. Venetian Painting in the Age of National Gallery of Art. Gift of Lloyd Cutler and Building. Toiu's of the Last Building are 6:00 p.m. on Sunday evenings, SEPTEMBER 20 Pollv Kraft, in Honor of the 50th Anniversary of the National Gallery of Art Tiepolo (60 minutes). Paula Warrick, at 2:00 and begin at the Art Information concertgoers arriving after that time Cassatt arid Morisot: I low to Lecturer. Meet in the West Building Desk of the East Building. may use only the Constitution Avenue Become an Impressionist Painter Rotunda, September 3, 4, 8, 9 at Bierstadt Reconsidered (45 minutes). education division editor. Meet in the entrance of the West Building. September 1: French For Anne Higonnet noon. Philip L. Leonard, Lecturer. Meet in West Building Rotunda, September further information about September 8: Spanish the concerts Assistant Professor of Art History the West Building Rotunda, September 19, 20, 23, 29, October 2 at noon. call (202) 842-6941. September 15: German Wellesley College 10 at 1:00, September 12 at 2:00. September 22: Italian Sunlight and Shadow: American SEPTEMBER 27 Art of the American Indian Frontier: Impressionism (60 minutes). Laili Jan van Eyck's "Arnolftni Portrait": The Collecting of Chandler and Pohrt Nasr, Guest Lecturer. Meet in the West RECORDED TOURS Special Exhibition Document, Desire or Deception? (60 minutes). Philip L. Leonard and Building Rotunda, September 19, 24, Art of the American Indian Frontier: Linda Seidel Permanent Collection J. Russell Sale, Lecturers. Meet at the 29 at 2:30. The Collecting of Chandler and Professor of Art History Impressionist and Post-Impressionist East Building Art Information Desk, Pohrt^ narrated by David Penney and University of Chicago Paintings^ narrated by former curator September 12, 13, 16, 22, 24 at noon "The Fall of Phaeton " by Sir Peter- George Horse Capture, co-curators of of modern paintings, Charles S. (Leonard) and September 24 at 1:00 Paul Rubens (Patrons' Permanent the exhibition outlines American Moffett, features the works of Monet, (Sale), September 26 at 2:00 (Sale). Fund) (20 minutes). J. Russell Sale, Indian art of the Eastern Woodlands Renoir, Van Gogh, Cezanne, and Lecturer. Meet in the West Building and the Great Plains. Tapes may be other masters from the Gallery's The Reinstallation of the West Rotunda, September 26, 27, 30, rented at the entrance to the outstanding collection of nineteenth- Building's Permanent Collection October 6, 9 at 12:00 noon. exhibition, East Building Upper century French paintings. The tapes (60 minutes). William J. Williams, Level. may be rented in the Rotunda on the main floor of the West Building. Recorded tours are $3.50; Senior Childe Hassam, Allies Day, May 1917, dated Citizens, students, and groups $3.00. 1917, National Gallery of Art, Gift of Ethelyn McKinney in memory of her brother, Glenn Ford McKinney National Gallery of Art CONTINUING EXHIBITIONS FALL PREVIEW Film Programs Views of a Vanishing Frontier A Love in Germany (Andrzej Wajda, Art of the American Indian Frontier: The exhibition was organized by Stieglitz in the Darkroom (The Metropolitan Museum of Art, 1983, 100 minutes); September 13 the Detroit Institute of Arts in assoc­ East Building Auditorium 1988, video, 55 minutes); September at 6:00. The Collecting of Chandler and Pohrt iation with the National Gallery of October 4, 1992 through February 14, 1993 2 through 5 at 12:30, September 6 "The Films of Andrzej Wajda,'1 a through January 24, 1993 Art and the Buffalo Bill Historical East Building, Ground Floor at 1:00. Enemy (William Chanler Center with support from the retrospective look at the work of The Silent East Building, Upper Level, North Bridge The art of photographic technique paper selection.
Recommended publications
  • Martin Scorsese Presents: Masterpieces of Polish Cinema Throughout North America
    INTRODUCTION In December 2011, filmmaker Martin Scorsese traveled to Poland to accept an honorary doctor- al degree from The Polish National Film, Television, and Theatre School in Łódź. There, Mr. Scors- ese met with Jędrzej Sabliński (a digital restoration expert, now with DI Factory), and reviewed a list of new digital restorations of Polish films. In the months following this visit, with the help of The Film Foundation, the two men came up with the idea of a North American tour of a series of restored Polish cinema classics. From an extensive catalogue of digitally restored films, Mr. Scorsese chose twenty-one masterpieces. The Film Foundation executive director, Margaret Bodde then worked with Mr. Sabliński to develop the program and recommended Milestone Films as the North American distributor for the series. Milestone will be touring the 21-film retrospective Martin Scorsese Presents: Masterpieces of Polish Cinema throughout North America. Premiering in New York City at the Film Society of Lincoln Center on February 5th, 2014, the series features films from some of Poland’s most accom- plished and lauded filmmakers, spanning the period from 1957–1987. Curated by Mr. Scorsese, each film has been digitally re-mastered and brilliantly restored on newly subtitled DCPs. The program was created and organized by Mr. Scorsese’s non-profit organization, The Film Foundation. 3 BIST, SIMPORE, TEMPORE, A STATEMENT FROM MARTIN SCORSESE Um volum, audae laccae seque natur, comnis ducienimus excest rendercillam laccupi endicit In 2011, I had the opportunity to visit the Polish National Film School in Łódź, Poland, at the atusda vitisitatur rentem vent.
    [Show full text]
  • Andrzej Wajda Photography by / Photos De Czesław Czapliński
    Andrzej Wajda Photography by / Photos de Czesław Czapliński 28 European Economic and Social Committee Comité économique et social européen The EESC’s mission Committed to the building of Europe, the EESC contributes to strengthening the democratic legitimacy and effectiveness of the European Union by enabling civil society organisations from 28 the Member States to express their views at European level. It fulfils three key missions: • Advising the European Parliament, the Council and the European Commission so as to ensure that EU policies and legislation match economic, social and civic realities • Building a more participatory EU, closer to its citizens • Promoting EU values and civil society organizations globally This publication is part of a series of catalogues published in the context of the exhibitions organized by the EESC. La présente publication fait partie d’une collection Mission du CESE de catalogues édités dans le cadre des expositions organisées par le CESE. Engagé dans la construction européenne, le CESE contribue au renforcement de la légitimité démocratique et de l’efficacité de l’Union européenne (UE) en permettant aux organisations de la société civile des États membres d’exprimer leur avis au niveau européen. Le CESE accomplit trois missions essentielles: • assiste le Parlement européen, le Conseil et la Commission européenne afin que les politiques et la législation européennes soient mieux adaptées aux réalités économiques, sociales et civiques; • favorise le développement d’une UE plus participative et plus proche de ses citoyens; • promeut les valeurs de l’UE et les organisations de la société civile globalement. Cover: Andrzej Wajda directs a production of Zemsta (The Revenge) for the Stary Teatr (Old Theatre) at the Nowodworski Colegium in Cracow, Andrzej Wajda June 1986.
    [Show full text]
  • Prezentacja Ok-Compressed.Pdf
    DOLCE FINE GIORNATA CONTACTS: World Sales : Films Boutique Köpenicker Str. 184. 10997 Berlin, Germany +49 30 69 53 78 50 contact@filmsboutique.com in Park City: Jean-Christophe Simon, Louis Balsan) FESTIVAL PUBLICIST: MEDIAPLAN PR Tatiana Detlofson: [email protected] Cell: 310-663-3465 Shelby Scoggins: [email protected] Cell: 406-253-7887 PRODUCER: No Sugar Films DOmaniewska 47/10/Warsaw @Sundance Marta Habior, Producer +48603486287 Marta Lewandowska, Producer, +48600457010 nosugarfilms@nosugarfilms.com - I was with this project since the idea. From the beginning I loved it although it was controversial, rather difficult - I like such things to play. It touches on such contemporary and vividly current problems, it seemed really important to me. My character, Maria Linde, is very complex and interesting. Krystyna Janda Title: Dolce Fine Giornata (PL) Runtime: 90 mins Language: Italian, Polish, French Writers: Jacel Borcuch, Szczepan Twardoch Director: Jacek Borcuch Cast: Krystyna Janda, Kasia Smutniak, Vincent Riotta, Antonio Catania, Robin Renucci, Lorenzo de Moor Producer: Marta Habior/NO SUGAR FILMS Distributor: NEXT FILM Worldwide Sales: Films Boutique IN TUSCANY, MARIA'S STABLE FAMILY LIFE BEGINS TO ERODE AS HER RELATIONSHIP WITH A YOUNG IMMIGRANT DEVELOPS AGAINST A BACKDROP OF TERRORISM AND ERODING DEMOCRACY. Synopsis: Maria Linde is a Jewish Nobel Prize winner. Her life follows the quiet rhythms of the Italian countryside, until her world and relation- ships with her husband and daughter begin to erode as she grows fond of a young immigrant, Nazeer. At the crossroads of a free spirit and an aging body, Maria tries to define her role in the fast-changing conditions of her world.
    [Show full text]
  • AFTERIMAGE (Powidoki) a Film by Andrzej Wajda
    Presents Poland’s Official Submission for Best Foreign Film 89th Academy Awards AFTERIMAGE (Powidoki) A film by Andrzej Wajda Poland / 2016 / Drama / Polish with English Subtitles 100 min / 2.35: 1 / Stereo 2.0 and 5.1 Surround Sound Opens May 19th at Lincoln Plaza Cinemas in New York Press Contacts: Sasha Berman | Shotwell Media | 310.450.5571 | [email protected] Genevieve Villaflor | tel: (212) 941-7744 x215 | [email protected] Assets: Official US Trailer: TBD Downloadable hi-res images: http://www.filmmovement.com/filmcatalog/index.asp?MerchandiseID=544 www.FilmMovement.com 1 FULL SYNOPSIS AFTERIMAGE looks at the last years of Władysław Strzemiński, Poland’s best-known interwar artist and a theoretician. The film opens with Strzemiński (brilliantly played by Polish superstar Boguslaw Linda), a controversial and visionary artist (who only started painting after he became a double amputee), working in his apartment, only to be interrupted by the unfurling of the Soviet flag outside his window. As Stalinism spread to Poland, the unbending Strzemiński refused to compromise his art for the sake of the preferred socialist realism style. He eventually became persecuted and expelled from his Chair at the Łodz Academy of Fine Arts, but the ever-compelling and charismatic teacher was surrounded by loyal students who emboldened him to fight against the Party while they themselves risked jail for publishing his book (posthumously). Strzemiński, who created the concept of Unism, was a co-founder of the constructivist group Blok and the founder of the Museum of Modern Art in Łodz. AFTERIMAGE refers to a series of late-1940s Solarist paintings by Strzemiński, who was friends with Marc Chagall, Alexander Rodchenko, Kazimir Malevich and was once married to the sculptor Katarzyna Kobro.
    [Show full text]
  • Censorship in People's Poland
    JOURNALISM RESEARCH • Science journal (Communication and information) • 2016 Nr. 10 Censorship in People’s Poland Grzegorz Łęcicki Cardinal Stefan Wyszynski University in Warsaw (Poland) Abstract. The range and power of how media is transferred – since the time when printing machines were invented in the fifteenth century – has been quite a challenge for specific environments, institutions, ideas and be- liefs; for both, the clerical and secular authorities wanted to influence the distribution of content. The actions of the Catholic Church, in this respect, were to exclude the promotion of heretical ideas, whereas the political power cared about shaping the attitudes of obedience and loyalty (Pokorna-Igna- towicz, 2002). Attempts made to restrict the freedom of the printed word had failed because not all of the authors, publishers and printers conformed to the Church and its rulers; instead, they spread opinions in accordance with their convictions. Reformation can be considered as the first ideological revolution, the success of which was closely related with media coverage (in this case – with the use of print) (Łęcicki, 2013). Keywords: Censorship, Poland, history. 1. Censorship in Old Poland In old Poland, the scholars of Krakow Academy, i.e., the Jagiellonian University, were engaged in censorship of religious printing (Szyndler, 1993). The first informative paper was Merkuriusz Polski; the newspa- per issued in 1661 was to gain supporters for the royal politics of the House of Vasa (Myśliński, 2008). The strong influence of ecclesiastical censorship,together with the interference in the secular content in old Poland, that is, until the fall of the First Republic (1795), resulted from the fact that a vast majority of printing houses belonged to the Church (Szyndler, 1993).
    [Show full text]
  • Iluminace 4 2012.Indb
    ILUMINACE Volume 24, 2012, No. 4 (88) THEME ARTICLES 61 Anna Misiak The Polish Film Industry under Communist Control Conceptions and Misconceptions of Censorship Introduction: The Blurred Distance between Us and Them Poland’s fi lm directors could fi nally forget about the pressures of complying with govern- ment censorship when communism was pronounced dead in the country on 4 June 1989. Th at day, the nation’s fi rst free elections marked the transformation from socialism to cap- italism and democracy.1) Before long, censors had disappeared, much like the governing Party, whose interests they had once represented. According to Edward Zajiček: “[a]s in a fairy tale […] fi lmmakers’ dreams came true […] without any interference from outside, […] [they] could now work freely on scripts of their choice”.2) Ironically, as soon as Polish cinema underwent full political liberalization, it became clear that in exchange for politi- cal freedom, it had lost something that was impossible to acquire in a free market environ- ment: the generous fi nancial support of the old censor, the Communist Party. In pre-1989 Poland, fi lm funding was not driven by the market. Popular entertainment and art cinema had an equal chance of securing Party support. Instead of commercial po- tential, the promise of contributing to national culture usually suffi ced to justify investing state monies into feature fi lms, despite the fact that some production capital came from revenue generated by earlier releases. Th e Communist Party might have been wary of its own political standing but it was also aware of Polish citizens’ appetites for both art and entertainment.
    [Show full text]
  • Cultural Opposition and Filmmaking in Communist East Central Europe: Lessons from Poland and the Former Yugoslavia
    MIKOŁAJ KUNICKI – NEVENA DAKOVIĆ – DOMINIC LEPPLA Cultural Opposition and Filmmaking in Communist East Central Europe: Lessons from Poland and the Former Yugoslavia Focusing on the cases of the Polish People’s Republic (Polska Rzeczpospolita Ludowa, PRL) and the former Yugoslavia, this chapter examines leading rep- resentatives of two different cinematic movements in East Central Europe, the Yugoslav Black Wave and the Cinema of Moral Anxiety in Poland, which ex- pressed opposition to the party state or contested specific ideological con- straints imposed on the cinema by communist authorities. The films discussed in the chapter include documentaries and feature movies, works that either deliberately attacked communist authoritarianism or stopped short of ques- tioning socialism, but fell victim to censorship due to their critical portrayals of society and politics. The chapter also analyses the relationship between the party state and filmmakers. Although state-owned and centrally controlled, socialist cinema was not a mere extension of party ideology, propaganda, and official histori- ography. Following the collapse of Stalinism and the brief reign of Socialist Realism, the treatment of filmmakers by the party stemmed from the regimes’ policies toward the artistic intelligentsia and oscillated between rigid dictates, mutual accommodations, and negotiated autonomies. De-Stalinization and various “thaws” and “normalizations” led to shifts in attitudes on both sides, but did not set unitary trends. On the one hand, the Polish October of
    [Show full text]
  • Resource Manual, Grades 9-12
    STATE OF FLORIDA RESOURCE MANUAL ON HOLOCAUST EDUCATION GRADES 9-12 A project of the Florida Commissioner’s Task Force on Holocaust Education Copyright, State of Florida, Department of State © 2000 Authorization for reproduction is hereby granted to the state system of public education as defined in section 228.04(1), Florida Statutes. No authorization is granted for distribution or reproduction outside the state system of public education without prior approval in writing. The views in this document do not necessarily represent those of the Florida Department of Education. THIS STATE OF FLORIDA RESOURCE MANUAL ON HOLOCAUST EDUCATION IS DEDICATED TO THE SURVIVORS OF THE HOLOCAUST. 0D\WKHLUVXIIHULQJ VHUYHDVDZDUQLQJ 0D\WKHLUOHJDF\ SUHVHUYHPDQNLQG COVER ART /\QQ6DUQRZ 12th Grade - Broward County Public Schools 1987 Contest Winner Visual Arts Contest Holocaust Documentation and Education Center, Inc. INTRODUCTION TABLE OF CONTENTS Message from Governor Lawton Chiles and Lt. Governor Buddy MacKay ............................... ix Message from Commissioner of Education Frank Brogan ........ xi Message from Chairperson of Task Force Rositta E. Kenigsberg .. xiii Note to the Teacher .....................................xv Acknowledgments ......................................xvii Florida Statute 233.061 — Required Public School Instruction of the History of the Holocaust ..... xix Guidelines for Teaching About the Holocaust ................. xxi The Holocaust: A Historical Summary ...................... xxvii Children and the Holocaust .............................. xxxii Reprint Permissions .................................. xxxvi An Introduction to the Resource Manual .. .. xliii xiii MESSAGE FROM CHAIRPERSON Dear Teachers, The pursuit of the Holocaust legislation for all involved became more than a bill and more than an act of law, it became a mission of promise, a mission of hope, and a mission of responsibility. It became a legacy with a purpose -- to teach, not to repeat the Holocaust.
    [Show full text]
  • Ashes and Diamonds (1958) Most Recent of Them Aniol W Szafie/Angel in the Wardrobe (1987)
    Conversations about great films with Diane Christian & Bruce Jackson ANDRZEJ WAJDA (6 March 1926, Suwalki, Poland) has directed 48 films, most recently Lekcja polskiego kina (2002). Some of the others are Pan Tadeusz (1999), Les Possédés/The Possessed (1988), Kronika wypadków milosnych/Chronicle of Love Affairs (1986), Danton (1983), Czlowiek z zelaza/Man of Iron (1981), Bez znieczulenia/Rough Treatment/Without Anesthesia (1978), Czlowiek z marmuru/Man of Marble (1977), Sibirska Ledi Magbet/Fury Is a Woman/Siberian Lady Macbeth (1961), Kanal (1957) and Zly chlopiec/The Bad Boy (1950). He was awarded and honorary Oscar in 2000. MARCH MARCH 8, 2005 (X:8) JERZY WÓJCIK (12 September 1930, Nowy Sacz, Poland) has shot 30 films, the Popiól i diament/Ashes and Diamonds (1958) most recent of them Aniol w szafie/Angel in the Wardrobe (1987). Some of the 105 minutes others are Pasja/Passion, Potop/The Deluge (1974), Zacne grzechy/Good Sins (1963), Matka Joanna od aniolów/The Devil and the Nun (1961), Eroica/Heroism Directed by Andrzej Wajda (1957) and Koniec nocy/End of the Night (1957). Based on the novel by Jerzy Andrzejewski Screenplay by Jerzy Andrzejewski and Andrzej ZBIGNIEW CYBULSKI (3 November 1927, Kniaze, Poland [now Ukraine]—8 Wajda January 1967 Original Music by Filip Nowak and Jan Krenz Wroclaw, Poland, struck by railway train) acted in 32 films, the last two of which Non-Original Music by Frédéric Chopin (from appeared after his death: Morderca zostawia slad/The Murderer Leaves a Clue "Polonaise in a-flat") (1967) and Jowita (1967). Some of the others are Jutro Meksyk/Tomorrow Cinematography by Jerzy Wójcik Mexico (1966),Sam posrod miasta/Alone in the City (1965), Rekopis znaleziony w Saragossie/The Saragossa Manuscript (1965), La Poupée/The Doll (1962), Zbigniew Cybulski...Maciek Chelmicki Krzyz walecznych/Cross of Valor (1959), Ósmy dzien tygodnia/The Eighth Day Ewa Krzyzewska...Krystyna of the Week (1958), and Pokolenie/A Generation (1955).
    [Show full text]