The Roots of Proto-Industrialization in Japan JONATHAN WANG
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Japanese Economic Growth During the Edo Period*
Japanese Economic Growth during the Edo Period* Toshiaki TAMAKI Abstract During the Edo period, Japanese production of silver declined drastically. Japan could not export silver in order to import cotton, sugar, raw silk and tea from China. Japan was forced to carry out import-substitution. Because Japan adopted seclusion policy and did not produce big ships, it used small ships for coastal trade, which contributed to the growth of national economy. Japanese economic growth during the Edo period was indeed Smithian, but it formed the base of economic development in Meiji period. Key words: Kaimin, maritime, silver economic growth, Sakoku 1.Introduction Owing to the strong influence of Marxism, and Japan’s defeat in World War II, Japanese historians dismissed the Edo period (1603–1867) as a stagnating period. Japan, during this period, was regarded as a country that lagged behind Europe because of its underdeveloped social and economic systems. It had been closed to the outside world for over two hundred years, as a result of its Sakoku (seclusion) policy, and could not, therefore, progress as rapidly as Europe and the United States. This image of Japan during the Edo period began to change in the 1980s, and this period is now viewed as an age of economic growth, even if Japan’s growth rates were not as rapid as those of Europe. Economic growth during the Edo period is now even considered to be the foundation for the economic growth that occurred after the Meiji period. In this paper, I will develop three arguments that demonstrate the veracity of the above viewpoint. -
Aoki Konyō (1698-1769) and the Beginnings of Rangaku
Aoki Eony5(1698-1769) and the Beginnings of Rangaku Patricia Sippel* Introdnction Studies of Japanese interaction with the West from the mid-19th century have emphasized the importance of preceding contacts through Westerners resi dent in Japan. Such contacts arose as early as the 16th century, when Portugal dominated a period of vigorous European missionary and trading activity and, though severely restricted less than a century later, they continued throughout the Edo period, through the Dutch trading factory in Nagasaki. During these years a key intermediary role was played by the official interpreters, whose oral and, in some cases, written language ability gave them direct access to the re presentatives of Western civilization. Even more significant, however, were the efforts of another group, the Edo-based Rangakusha [scholars who study the Dutch learning], who emerged towards the end of the 18th century. Though in most cases their oral ability in Dutch was insufficient to permit direct conver sation with the foreigners, they attempted to investigate the outside world by a study of Dutch-language books. Regular contacts between Dutch and Japanese in Edo date from the first part of the 17th century. In 1609, the Bakufu granted permission to the Dutch factory director to pay a visit of greeting to the shogun, and from 1733 this practice was introduced as an annual obligation.^ The system which developed over the succeeding decades was that the director, his scribe and surgeon, two Japanese interpreters, together with other Japanese officials and attendants, would set out from Nagasaki early in the new year on the five or six week trip to Edo. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
Rangaku) and Its Influence on Japan 141 Jurnal Kajian Wilayah, Vol
The Dutch Science (Rangaku) and its Influence on Japan 141 Jurnal Kajian Wilayah, Vol. 3, No. 2, 2012, Hal. 141-158 © 2012 PSDR LIPI ISSN 2087-2119 The Dutch Science (Rangaku) and its Influence on Japan Erlita Tantri Abstrak Pada tahun 1609, Belanda memperoleh izin memasuki Jepang bersama armada dagangnya VOC (Verenigde Oost-Indische Compagnie-Dutch East India Company) dan menempati wilayah di pelabuhan perdagangan Hirado hingga tahun 1940. Pada tahun 1639 Jepang menutup negaranya untuk berhubungan dengan dunia luar (era sakoku). Namun, Jepang masih mengijinkan Belanda untuk tinggal dan memindahkan perusahaannya (untuk mudah mengontrolnya) ke Pulau Deshima pada tahun 1941. Meskipun Jepang sangat melarang masyarakatnya berhubungan dengan Belanda atau sebaliknya, kecuali orang yang ditentukan dan pada kondisi dan waktu tertentu, namun rasa keingintahuan negeri ini terhadap perkembangan ilmu dan teknik Barat telah membawa keterbukaan Jepang untuk menggalinya melalui Belanda. Dimulai dengan mempelajari ilmu kedokteran, Jepang terus menggali dan mengembangkan pengetahuaan Barat, yang proses ini dikenal dengan era Rangaku. Melalui proses Rangaku, Belanda secara tidak langsung telah menjadi pintu pengetahuan bagi Jepang dan Jepang secara perlahan berhasil mengembangkan berbagai ilmu untuk kemajuan sosial, ekonomi, politik, budaya, dan militer hingga Jepang siap berkembang ketika kembali membuka diri pada tahun 1853. Kata kunci: Sakoku, sistem Rangaku, studi Barat, Jepang, Belanda, VOC. “If Japanese society, which had been isolated from the rest of the world, was a solitary black box, Nagasaki was like a pinhole, and Holland was the faint ray of light shining in.” (Ryotaro Shiba (1996), Japanese historical novelist in his work Oranda Kiko - “Travels in Holland”) Introduction The period 1640 to 1853 was era when Japan was completely closed and isolated from the outside world or called sakoku era. -
The Kōzuke Physicians: Rangaku in the Countryside
chapter 2 The Kōzuke Physicians: Rangaku in the Countryside Nestled among the mountains of provincial Kōzuke (present-day Gunma prefecture), the villages around Nakanojō might seem an unlikely setting for lively scholastic activity. Nevertheless, in the 1830s, the region was the picturesque backdrop to a number of ex- changes between Takano Chōei and a network of country doctors. Chōei shared his knowledge of Western medicine with his provin- cial friends through visits, lectures, letters, and, eventually, two collaborative publications. Their activities provide an excellent ex- ample of the way that rural doctors were actively seeking knowl- edge, including Western knowledge, even in remote, mountainous areas of Japan well before the Meiji period. The first part of this chapter explores the significance of Naka- nojō as a geographical backdrop to medical networking. It paints a picture of nineteenth-century rural society in order to see how the rise of medicine and networks fitted in with contemporary eco- nomic and social developments. The second part of the chapter in- troduces the lives of the Kōzuke physicians, their medical commu- nity, and the nature of their connections to Chōei. This leads into a final section that examines the growing network of ranpō doctors beyond the borders of Kōzuke. 71 72 The Kōzuke Physicians A Place to Practice A contemporary journey from Tokyo to Nakanojō on the Aga- tsuma train line provides a scenic introduction to the area’s geog- raphy. The great metropolis of Tokyo fades slowly to flat fields dotted with buildings, interspersed again with the built-up areas of Takasaki and Maebashi. -
The Early Us-Japan Economic Relationship and the Rise of Shōwa
THE EARLY U.S.-JAPAN ECONOMIC RELATIONSHIP AND THE RISE OF SHŌWA MILITARISM A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies By Keith J. Kennebeck, BBA Georgetown University Washington, D.C. 03/27/2012 Copyright 2012 by Keith J. Kennebeck All Rights Reserved ii THE EARLY U.S.-JAPAN ECONOMIC RELATIONSHIP AND THE RISE OF SHŌWA MILITARISM Keith J. Kennebeck, BBA MALS Mentor: Michael C. Wall, PhD ABSTRACT The notion that the bilateral economic relationship between the United States and Japan played a central role in prompting the Pacific War is not a novel concept. In particular, the number of scholarly and popular works that have identified the United States’ escalating use of trade and financial sanctions in the late 1930s and early 1940s as a response to Japan’s increasing military advances in Asia are numerous. Such discussions on the Pacific War emphasize that the U.S.-imposed export embargoes on strategic goods and resources and freezes on Japanese financial assets eventually prompted Japan to attack Pearl Harbor in late 1941. More importantly, these discussions are punctuated with the moral argument that the U.S.-imposed embargoes were necessary, and that war was essentially inevitable, given Japan’s brutal occupations of China and Southeast Asia. In short, so the standard argument goes, Japan’s unjustifiable rise towards militarism prompted an end to the bilateral economic relationship, which in turn prompted the onset of the Pacific War. -
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THE BANSHO SHIRABESHO: A TRANSITIONAL INSTITUTION IN BAKUMATSU JAPAN by James Mitchell Hommes Bachelor of Arts, Calvin College, 1993 Submitted to the Graduate Faculty of The College of Arts and Sciences in partial fulfillment of the requirements for the degree of Interdisciplinary Master of Arts (IDMA) in East Asian Studies University of Pittsburgh 2004 UNIVERSITY OF PITTSBURGH COLLEGE OF ARTS AND SCIENCES This thesis was presented by James Mitchell Hommes It was defended on December 8, 2004 and approved by Thomas Rimer, Professor, East Asian Languages and Literature David O. Mills, Professor, East Asian Languages and Literature Richard Smethurst, Professor, History ii THE BANSHO SHIRABESHO: A TRANSITIONAL INSTITUTION IN BAKUMATSU JAPAN James M. Hommes, MA University of Pittsburgh, 2004 In the Bakumatsu period (1853-1868), Japan experienced many changes and challenges. One of these challenges was regarding how to learn from the West and how to use that knowledge in the building of Japan. One of the most important institutions for such Western learning was the Bansho Shirabesho, an institution created by the Tokugawa government in 1856 to translate Western materials, provide a school for Japanese scholars, and to censor the translations of Western works. This institution eventually gave language instruction in Dutch, English, French, German, and Russian and it also gave instruction in many other practical subjects such as military science and production. This thesis examines in detail how the Shirabesho was founded, what some of the initial difficulties were and how successful it was in accomplishing the tasks it was given. It also assesses the legacy of the Shirabesho in helping to bridge the transition between the Tokugawa period’s emphasis on feudal rank and the Meiji’s emphasis on merit. -
Several Observations on Capital Flows in Japan
Several observations on capital flows in Japan Richard Koo I am very happy to participate in the joint BIS/SAFE seminar on capital account liberalisation, since the subject of capital flows is one of those economic issues that I have covered very extensively in Japan over the last 19 years. In fact, this seminar has managed to invite two of the more experienced experts on Japanese capital flows, Professor Fukao and perhaps myself. Mr Fukao has covered quite a bit of the development in the 1970s and made a number of very valuable comments on what happened in the 1970s. My experience covering Japanese capital flows actually starts from the 1980s, first from the US side at the Federal Reserve Bank of New York, where we were following these inflows of Japanese money into US markets, after which I moved to Nomura Research Institute, the research arm of Nomura Securities, where all the capital account liberalisation action was taking place. Therefore, the focus of my discussion will be more on the developments of Japan’s capital flow liberalisation since the 1980s. There is an important difference between capital flows in the 1970s and those in the 1980s for Japan. One needs to distinguish the two types of financial flows: banking flows and portfolio flows. Banking flows would always be associated with international trade once an economy has opened its current account. Once portfolio flows are liberalised, they can prove very extended and they may not easily reverse. We all know from both academic literature and actual experience that the opening-up of an economy’s current account does help a lot in terms of economic growth, especially in terms of resource allocation. -
Quarterly Bulletin December 2011
BANK OF NAMIBIA QUARTERLY BULLETIN DECEMBER 2011 QUARTERLY BANK OF NAMIBIA QUARTERLY BULLETIN DECEMBER 2011 Bank of Namibia Quarterly Bulletin December 2011 Volume 20 No 3 Registered Offi ce 71 Robert Mugabe Avenue P.O. Box 2882 Windhoek Namibia 1 BANK OF NAMIBIA QUARTERLY BULLETIN DECEMBER 2011 Editorial Committee: Mr. E. Uanguta (Chief Editor) Ms. E. Nailenge Ms. F. Nakusera Mr. A. Iyambo Ms. E. Kamundu (Secretary) © Bank of Namibia All rights reserved. No part of this pub- lication may be reproduced, copied or transmitted in any form or by any means, including photocopying, plagiarizing, recording and storing without the writ- ten permission of the copyright holder except in accordance with the copyright legislation in force in the Republic of Na- mibia. The contents of this publication are intended for general information only and are not intended to serve as fi nan- cial or other advice. While every precau- tion is taken to ensure the accuracy of information, the Bank of Namibia shall not be liable to any person for inaccurate information or opinions contained in this publication. Published by the Research Department of the Bank of Namibia. Enquiries related to this publication should be directed to: The Director: Research Department P.O. Box 2882 WINDHOEK NAMIBIA Tel: +264 61 283 5111 Fax: +264 61 283 5231 e-mail: [email protected] http://www.bon.com.na ISBN: 99916-61-58-1 2 BANK OF NAMIBIA QUARTERLY BULLETIN DECEMBER 2011 CORPORATE CHARTER VISION Our vision is to be the center of excellence - a professional and credible institution - working in the public interest, and supporting the achievement of the national economic development goals. -
Social Decorating: Dutch Salons in Early Modern Japan
SOCIAL DECORATING: DUTCH SALONS IN EARLY MODERN JAPAN TERRENCE JACKSON Adrian College Seated Intellect, Performative Intellect Cultural salons proliferated during the last half of the eighteenth century in Japan, accommodating a growing interest in the za arts and literature (za-bungei 座文芸). The literal meaning of za 座 was “seat,” and the za arts (visual and literary) were performed within groups, which were presumably “seated” together. Za culture first appeared as early as the thirteenth century when the Emperor Go-Toba 後鳥羽 held poetry gatherings in his salon (zashiki 座敷). In practice, za also referred to the physical space where these individuals gathered, and it is from that that the related term zashiki, or “sitting room” was derived.1 Zashiki served a function similar to the salons of Europe in the early modern period—as a semi-private space to entertain guests and enjoy cultural interaction. Za arts gatherings met within the homes of participants or patrons, but also in rented zashiki at temples and teahouses. During their meetings, professionals and amateurs interacted and cooperated to produce culture. The epitome of this was renga 連歌 poetry in which groups created linked-verses. However, other types of cultural groups met in salons to design such items as woodblock prints and playful calendars, to debate flower arranging, or to discuss the latest bestsellers. Within these spaces, the emphasis was on group production and on the rights of all attendees to participate, regardless of social background. The atmosphere of zashiki gatherings combined civility, curiosity, playfulness, and camaraderie. The distinction between artistic and intellectual pursuits had fuzzy boundaries during the Tokugawa period, and scholars largely operated within a social world similar to artists, poets, and fiction writers . -
English:『Akita Ranga and Its International Dimensions: a Short
Institute for Asian Studies and Regional Collaboration Akita International University, Japan Contents Akita Ranga and Its International Dimensions: foreword/acknowledgements 5 A Short Tour Text, Editing, and Production: Kuniko Abe introduction 7 Design Concept: Takuto Nishida (research assistant) Published in 2018 by Akita International University what is akita ranga? 9 Institute for Asian Studies and Regional Collaboration http://web.aiu.ac.jp/iasrc/ visual wonders in the edo era and akita ranga 11 kaitaishinsho: new anatomy book 13 Published in conjunction with the exhibition "Akita Ranga and Its International Dimensions" at Nakajima pine tree and parrot by satake shozan 15 Library, Akita International University, November 8, 2017-January 12, 2018, produced by Kuniko Abe, mitsumata by odano naotake 16 associate professor, sponsored by the Institute for Asian Studies and Regional Collaboration scenery by the lake by satake shozan 19 shinobazu pond/peony in a basket by odano naotake 21 We would like to thank Editage (www.editage.jp) for their English editing. akita ranga sketch books 22 Copyright©2018 development of akita ranga 24 Akita International University Institute for Asian Studies and Regional Collaboration double spiral staircase 27 ISBN 978-4-9908872-5-4 akita ranga tragedy: sudden demise 28 Printed in Japan Influence on european art and akita ranga today 31 short bibliography and figures 32 3 Foreword/Acknowledgements This is a booklet that, regardless of its modest size, aims to honor Akita Ranga for its pioneering spirit, noble qualities, and suave elegance of its painting style, attempting to also offer a testimonial page to “our” art history in the world context.